Music Performance Commons^™

Laura Norton, Flute: Senior Recital, Laura Norton

Setnor School of Music - Performance Programs

No abstract provided.

Schuyler Conto, Trumpet: Junior Recital, Schuyler Conto

Setnor School of Music - Performance Programs

No abstract provided.

Kacey Grieco, Piano: Student Recital, Kacey Grieco

Setnor School of Music - Performance Programs

No abstract provided.

2018 Uni Low Brass Workshop Concert, April 7, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Senior Recital: Caleb Bent, Tenor; April 7, 2018, Caleb Bent

School of Music Programs

Kemp Recital Hall
April 7, 2018
Saturday Afternoon
3:30 p.m.

Graduate Recital: Samantha Phipps, Trombone; April 7, 2018, Samantha Phipps

School of Music Programs

Kemp Recital Hall
April 7, 2018
Saturday Evening
6:30 p.m.

Graduate Recital: Sean Breast, Euphonium; April 7, 2018, Sean Breast

School of Music Programs

Kemp Recital Hall

April 7, 2018

Saturday Afternoon

2:00 p.m.

Junior Recital: A.J. Nemsick, Bass Trombone; April 7, 2018, A.J. Nemsick

School of Music Programs

Kemp Recital Hall
April 7, 2018
Saturday Evening
8:30 p.m.

Junior Recital: Benjamin Wyland, Flute; April 7, 2018, Benjamin Wyland

School of Music Programs

Kemp Recital Hall
April 7, 2018
Saturday Afternoon
12:30 p.m.

Senior Recital: Cristian Larios, Baritone; April 7, 2018, Cristian Larios

School of Music Programs

Kemp Recital Hall

April 7, 2018

Saturday Afternoon

5:00 p.m.

Guest Recital, Mike Truesdell ’07, April 6, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

“The Real Spice Girl, Hot Girl Power”: M.I.A. Singing The Subaltern Voice In The Euro-American Soundscape, Emma Niehaus

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Gayatry Chakravorty Spivak’s seminal work of Subaltern Studies, “Can the Subaltern Speak?” analyzed the predisposition of the “Western” academy to ultimately silence the voices, experiences, and cultures of colonized, “third world” and non- European “others”. Following Spivak’s work, other scholars examined subaltern speech as it manifested in various other cultural products for instance, music. Notably, subaltern scholars such as Rebecca Romanow and Amanda Weidman in “Can the Subaltern Sing” argued that aural space for the subaltern musician was shrinking in the face of a rapidly globalizing Euro-American music industry. My presentation argues that it is not a question of if …

Student Recital: Michael Russo, Cello, Michael Russo

Student Recitals

No abstract provided.

Marshall University Department Of Music Presents A Senior Recital, Jonathon Shuff, Composition, Matt Bradley, Percussion, Jonathon Shuff, Matt Bradley

All Performances

No abstract provided.

Hannah Schuldt, Cello: Student Recital, Hannah Schuldt

Setnor School of Music - Performance Programs

No abstract provided.

Uni Jazz Band One, April 6, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Heirlooms For Oboe, April 6, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2017-2018 Junior Recital - Kayla Williams (Viola), Kayla Williams, Kristine Mezines

Junior and Senior Recitals

No abstract provided.

Senior Recital: Jordyn Shultz, Horn; April 6, 2018, Jordyn Shultz

School of Music Programs

Kemp Recital Hall
April 6, 2018
Friday Evening
6:00 p.m.

Senior Recital: Andrew Mcgowan, Euphonium; April 6, 2018, Andrew Mcgowan

School of Music Programs

Kemp Recital Hall
April 6, 2018
Friday Evening
8:30 p.m.

Katelyn Fix, Bassoon; Amanda Eversole, Piano; April 6, 2018, Katelyn Fix, Amanda Eversole

School of Music Programs

Kemp Recital Hall
April 6, 2018
Friday Evening
7:00 p.m.

A Conductor's Guide To Ariel Ramirez's Misa Por La Paz Y La Justicia, Andrew David Alegria

LSU Doctoral Dissertations

The purpose of this monograph is to establish that Ariel Ramírez Misa Por La Paz y La Justicia is a significant choral work of the twentieth century that expresses the idea of peace during a time of disorder. My study will focus mostly on an analysis of the work, but will also provide additional information on the life of the composer. This will afford future conductors a resource on the Mass. My hope is that with this in-depth study of the work, conductors and/or ensembles will be more willing to perform this Mass. The parallels between the historical period in …

Paul Hindemith's Cello Concerto (1940): A Short History And An Ongoing Personal Quest Toward Its Comprehension, Mastery, And Performance, Eunbi Kim

LSU Doctoral Dissertations

ABSTRACT

I was introduced Paul Hindemith’s Cello Concerto (1940) in 2015, my first year as a Doctoral Student. Admittedly, this piece was not very attractive to me. However, I tried to embrace this work, and experience it as a new adventure in ear training, technical challenge and style. Several weeks later, after many frustrating hours of practice, I closed this music because so many elements of this composer’s sound were unfamiliar and foreign to me, to which I could not easily relate. Even though I had listened and examined this work for these initial weeks, I felt horribly under-prepared, musically …

Mixed Chamber Ensembles; Terry King, Director, Terry King

Setnor School of Music - Performance Programs

No abstract provided.

Unituba Pops Concert, April 5, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Rachele Gilmore: Master Class With Bobbie Kesler-Corleto, Piano, Rachele Gilmore (Guest Artist), Bobbie Kesler-Corleto, Alyssa Harney (Soprano), Olivia Romaniyi (Soprano), Cailin Crane (Soprano), Eric Baskerville (Tenor)

Guest Performances

No abstract provided.

University Of Northern Iowa School Of Music Orchestra Invitational, April 5, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Isu Faculty Jazz Ensemble: Paul Nolen, Saxophone; Kevin Hart, Piano; Bill Koehler, Bass; Tom Marko, Drums; April 5, 2018, Paul Nolen, Kevin Hart, Bill Koehler, Tom Marko

School of Music Programs

Kemp Recital Hall
April 5, 2018
Thursday Evening
8:00 p.m.

2017-2018 Performance Forum - April 5, 2018, Jonathan Hearn, Kimia Rafieian, Julia Jakkel, Shuyi Wang, Alejandro Gallagher, Michael Puryear, Guzal Isametdinova, Stephanie Barrett, Sheng Yuan Kuan, Yasa Poletaeva, Darren Matias

Performance Forum

No abstract provided.

Korean Musical Traditions Found In The Western Setting Of Young Jo Lee's Cello Works Sanjo For Cello Solo And Dodri For Cello And Jaggo, Hanna Yeo

LSU Doctoral Dissertations

ABSTRACT

Since the time Western music has been known in present Korea, many contemporary Korean composers have considered how to integrate Eastern and Western music traditions including twentieth-century Korean composers Un-Young Na (1922-1993), Isang Yun (1917- 1995), Soon- Nam Kim ( 1917-1983), and Young- Jo Lee ( born April 17, 1943). Among them, Young- Jo Lee is currently one of the leading Korean composers who is combining aspects of Korean traditional music with Western compositional context. The purpose of this study is to provide a performance guide of Young- Jo Lee’s two cello works “Sanjo for Cello Solo” and “Dodri …