Music Performance Commons^™

A Tribute To Vladimir Morkov (The Czar’S Guitars), Ellwood Colahan

Soundboard Scholar

A review of A Tribute to Vladimir Morkov, by The Czar’s Guitars (John Schneiderman & Oleg Timofeyev) (Hänssler Classic HC20018, 2020, 2 compact discs).

Archetypes (Sérgio Assad, Clarice Assad, Third Coast Percussion), Nathan Cornelius

Soundboard Scholar

A review of  Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 2021, 1 compact disc).

On The Need For A Scholarly Edition Of Tárrega’S Complete Works, David J. Buch

Soundboard Scholar

In this guest editorial, the author provides evidence of the unreliable nature of the majority of Tárrega’s first editions, and the substandard quality of most modern editions. The author argues that in light of the recent availability of formerly inaccessible primary sources, the time is right for a scholarly edition of Tárrega’s complete works with state-of-art editorial methods.

The Flight Of The Maiden: Representations Of Women And The Guitar In Brazilian Culture, Cláudia Araújo Garcia

Soundboard Scholar

This article examines the relationship between women and the guitar in the context of both Brazilian literary discourse and the instrument’s culture and history. To this end, I have sought out texts that illustrate intersections between women and the guitar from the perspective of both female and male authorship. We see that the guitar provides a vehicle for the woman’s voice in all its restlessness, violation, and libertarian desire; but equally, it enables the perpetuation of stereotypes linked to the mirroring of the guitar and the female body. In the absence of literary and historic records of the guitar in …

Reginald Smith Brindle’S Concept Of Tonal-Atonal Equilibrium In Theory And Practice, Oliver Chandler

Soundboard Scholar

In an attempt to explain how post-tonal harmonic progressions might “make sense,” Reginald Smith Brindle formulated theories of tension flow and tonal-atonal equilibrium in his 1966 textbook, Serial Composition. The former theory compares the number of consonant and/or dissonant intervals between chords, albeit without providing a consistent means of distinguishing between similar sonorities; the latter observes that various musical passages strike a balance between functional and non-functional harmony, albeit without explaining the nature of said balance. While his ideas are evocative, they lack theoretical finesse. Placing them in dialogue with recent developments in post-tonal scholarship helps to unlock their …

A Noteworthy Early-American Guitar Treatise: James Ballard’S Elements Of 1838, Peter Danner

Soundboard Scholar

No abstract provided.

Return With Us Now: Featured Facsimiles, Peter Danner

Soundboard Scholar

No abstract provided.

Ars Longa (Kenny), Jocelyn Nelson

Soundboard Scholar

A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 2019, 1 compact disc).

"For Andrés Segovia": Francisco De Lacerda’S Suite Goivos (1924), Pedro Rodrigues

Soundboard Scholar

Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, …

"The Lutenist!": Anxieties, Ambiguities, And Deviations In Julian Bream’S Discography, Sidney Molina

Soundboard Scholar

The recent passing of English guitarist Julian Bream (1933–2020) has prompted a reevaluation of his artistic legacy by critics around the world. In this article, I propose a way of reading Bream’s discography in relation to that of his predecessor, Andrés Segovia, utilizing Harold Bloom’s theory of influence, a methodology that I first proposed in application to music in 2006. After dividing Bream’s fifty albums into phases inspired by Bloomian categories, I examine the works that Bream chose to record more than once, with a focus on those to which he returned three or more times.

Guitar Double Concertos: Works By Puerto, García Abril & López De Guereña (Trápaga Et Al.), Diogo Alvarez

Soundboard Scholar

A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis Castaño, accordion; Fernando Arias, vibraphone; Oviedo Filarmonía; Óliver Díaz (Naxos 8.573816, 2019, 1 compact disc).

Soundboard Scholar No. 7: Cover

Soundboard Scholar

Cover image: José Ferraz de Almeida Júnior (1850–1899), O violeiro (The Guitarist). Oil on canvas, 1899. Source: Wikimedia Commons.

Cover design by Colleen Gates.

The Analysis Of Gospel Drumming: Its Influence On Live Performances Of Secular Music, Brandon Prigg

Recital Papers

An analysis on the evolution of gospel drumming and its influence on the live performances of secular music.

Words, Music, Memory: An Exploration Of Four Soprano Song Cycles By Lori Laitman Based On Poetry By Victims Of The Holocaust, Sheena Ramirez

Dissertations, 2020-current

This Doctor of Musical Arts document is an exploration of the four soprano song cycles by Lori Laitman based on text settings from victims of the Holocaust, with a specific focus on the compositional and performance devices that both underpin the power of words to bear witness to lived experience and ensure the process of musical commemoration as an act of historical preservation. Lori Laitman (b. 1955) has composed ten distinct song cycles commemorating victims of the Holocaust, of which four are included in this study – I Never Saw Another Butterfly, In Sleep the World is Yours, The Ocean …

Five Songs By Armstrong Gibbs (1889-1960): From Nostalgia To Christian Hope And The Assurance Of Heaven, James K. Richardson

Dissertations, 2020-current

During the first few decades of the twentieth century, prolific composer, teacher, and conductor, Armstrong Gibbs (1889-1960), was well-regarded for his contribution to the landscape of English art song. However, against the backdrop of Modernism and the tumult of the Second World War, his musical style was deemed “out of touch.” In a 1943 chain of correspondence with fellow songwriter Roger Quilter, Gibbs describes feeling “exceedingly sore and discouraged at neglect at the hands of the critics.” He further explains, “Just because we both write music that is intelligible & frankly tries to aim at beauty, we are considered beneath …

The Impact Of Motown Drummers In Popular Music, Estevan A. Barrientez

Recital Papers

The Impact of Motown Drummers in Popular Music

"A New World For Instrumental Art": An Exploration Of The Nineteenth-Century Saxophone Quartet And Its Repertoire, Laney Sheehan

Honors Projects

This Honors Project examines the major characteristics of the nineteenth-century saxophone quartet and its repertoire through the lens of four musical works: Hector Berlioz’s Hymne (for six wind instruments of Adolphe Sax), Jean-Baptiste Singelée’s Premier Quatuor, Jérôme Savari’s Quatuor pour Saxophones, and Caryl Florio’s Quartette (Allegro de Concert).

Early History And Performance Of The Saxophone, Margo Alibeckoff

Honors Projects

This project explores the early history of the saxophone, including its invention and integration, as well as the inventor, Adolphe Sax, and how this information can inform and enhance performances of relevant pieces from this time period.

Addressing Audience Engagement Through Creative Performance Techniques, Lindsay Osterholt

Honors Projects

This project explores how utilizing creative performance techniques might affect change in the sociology that occurs within a Western art music performance. Creative performance techniques can include any behaviors or elements not typical to a Western art music performance. In the context of a senior vocal recital, this project aimed to see how audience members might respond to and engage with added creative elements.

Selections From Wagner's "Wesendonck Lieder" Arranged For Alto Saxophone And Piano, Kaitlyn Grella

Honors Projects

Arrangements of Im Treibhaus and Träume from Richard Wagner's Wesendonck Lieder for alto saxophone and piano, with accompanying program notes.

Chamber Studio Recital, Andrews University

Concerts and Event Programs 2021-2022

Chamber Recital presented by students from the Music Department.

2021-2022 Junior Recital - David Merserau (Violin), David Mersereau, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Isu String Project: Winter Concert, December 10, 2021, Benjamin Dekock, Aaron Jacobs, Cora Swenson Lee, Katherine Lewis

School of Music Programs

Center for the Performing Arts

December 10, 2021

Friday Evening

7:00 p.m.

2021-2022 Ppc Recital - Yunus Rajabiy (Cello), Yunus Rajabiy, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

Put The Pedal To The Metal: Exploring The Resources Of The Modern Electric Vibraphone, Andrew Dean Gilstrap

Dissertations

ABSTRACT

The process of applying pickups to acoustic vibraphones began in the early twentieth century in order to provide means of amplification for live performances other than the use of microphones alone. Artists and innovators in the industry quickly realized the possibilities of adding effects, such as tremolo, reverb, delays, and other sound processing devices, to create a pallet of sounds not possible on an acoustic vibraphone. This concept applied to modern signal routing, yields a copious amount of sonic possibilities, extending the creative universe of the performer.

Due to the amount of technology involved with the electric vibraphone, it …

2021-2022 Master Of Music Recital - Zulfiya Bashirova (Violin), Zulfiya Bashirova, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Student Chamber Music Concert, December 7, 2021 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Clarinet Studio Recital, December 7, 2021 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Departmental Assembly, Andrews University

Department Assembly Recitals 2015-2016

Four Hand Piano Recital

Ann Bradfield, Alto Saxophone, December 6, 2021 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.