Music Performance Commons^™

Senior Recital: Kadow, Violin And Percussion; November 2, 2025, Kirsten Kadow, Zeph Mussman

School of Music Programs

This is the thirty-eighth program of the 2025-2026 season.

Kemp Recital Hall

November 2, 2025

Sunday Afternoon

5:30 p.m.

Senior Recital; Dixon Iv, Tenor; November 1, 2025, G. Grant Dixon Iv, Olesia Pupina

School of Music Programs

This is the thirty-fourth program of the 2025-2026 season.

University Galleries

November 1, 2025

Saturday Afternoon

2:30 p.m.

2025-2026 Performance Forum - October 31, 2025, Caroline Dratnal, Zion Pe Montebon, Ana-Maria Uzunova, Owen Chen, Kade Gordon, Sheng Yuan Kuan, Juan Fernandez Villegas, Ingryd Herrera, Rebeca Sierra, Lisa Leonard, Li Yang Liu, Jon Cruz, Hanting Peng, Julia Jacobsen, Derek Lund, Devin Salazar

Performance Forum

No abstract provided.

Bomba E: Tradition And Eclecticism In Selected Choral Works Of Ángel "Cucco" Peña, Luis F. Gonzalez

LSU Doctoral Dissertations

This monograph presents a musical analysis of three choral works by Puerto Rican composer Ángel “Cucco” Peña: Negra Majestad, Bomba E, and Aleluya Criollo. Although Peña is widely recognized for his contributions to popular music and production, these pieces highlight a lesser-known side of his creative output in the choral realm. Each work draws from traditional Puerto Rican genres—bomba, plena, and aguinaldo—while incorporating modern compositional techniques that reflect Peña’s eclectic style and his engagement with both popular and classical traditions.

The study situates these pieces within their historical and cultural contexts, particularly the African diaspora’s …

Senior Recital: Berkshier, Saxophone; October 29, 2025, Seth Berkshier, Lu Witzig, Noah Berkshier

School of Music Programs

This is the thirty-third program of the 2025-2026 season.

Kemp Recital Hall

October 29, 2025

Wednesday Evening

7:30 p.m.

Charles W. Bolen Faculty Recital: Hockenberrry, Horn; October 28, 2025, Rachel Hockenberry, Lu Witzig

School of Music Programs

This is the thirty-second program of the 2025-2026 season.

Kemp Recital Hall

October 28, 2025

Tuesday Evening

7:30 p.m.

Fall Choral Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Wallace, Trumpet; October 26, 2025, Lauren Wallace, Grace Eom

School of Music Programs

This is the thirtieth program of the 2025-2026 season.

Kemp Recital Hall

October 26, 2025

Sunday Afternoon

4:30 p.m.

Junior Recital: King, Mezzo-Soprano; October 26, 2025, Athena King, Ezra Tarcak

School of Music Programs

This is the thirty-first program of the 2025-2026 season.

Kemp Recital Hall

October 26, 2025

Sunday Evening

5:30 p.m.

Senior Recital: Roberts, Trumpet; October 25, 2025, Sam Roberts, Lu Witzig

School of Music Programs

This is the twenty-ninth program of the 2025-2026 season.

Kemp Recital Hall

October 25, 2025

Saturday Afternoon

4:30 p.m.

Bachtoberfest Concert: October 25, 2025, Dr. Cora Swenson Lee, Dr. Benjamin De Kock

School of Music Programs

This is the twenty-eighth program of the 2025-2026 season.

Kemp Recital Hall

October 35, 2025

Saturday Afternoon

2:30 p.m.

The Art Of Selection - Telling Stories Through Sound, Alexander Foley

Staff Scholarship - Australia & Dubai

The presentation set out to educate novice and intermediate DJs the importance of track selection in a DJ set.  This is a skill that elevates a good DJ to a great DJ. It addresses issues that some DJs have when trying to read a crowd or curate a pre planned set.  The presentation was given at SAE Dubai's annual DJ symposium to a live audience using slides and audio examples.  The presentation was well received and many of the audience had questions and seemed to take away a better understanding of an often underrated element of being a successful DJ. …

2025-2026 Performance Forum - October 24, 2025, Santiago Moreno, Aneliya Novikova, Diego Suarez, Benjamin Garrett, Adolfo Ferrin Garcia Montañés, Charlotte Lohmann, Maria Savelyeva, Julia Jacobsen, Derek Lund, Devin Salazar, Ay Kawasaki, Yilian Concepcion, Ruzanna Usmanova, Lillian Platte

Performance Forum

No abstract provided.

Junior Recital: Pillsbury, Bass-Baritone; October 24, 2025, Nicholas Pillsbury, Zeph Mussman

School of Music Programs

This is the twenty-seventh program of the 2025-2026.

Kemp Recital Hall

October 24, 2025

Friday Evening

9:00 p.m.

Senior Recital: Lukaszczyk, Saxophone; October 24, 2025, David Lukaszczyk, Lu Witzig

School of Music Programs

This is the twenty-sixth program of the 2025-2026 season.

Kemp Recital Hall

October 24, 2025

Friday Evening

6:00 p.m.

Convocation Recital: October 24, 2025, Illinois State University School Of Music

School of Music Programs

This is the twenty-fifth program of the 2025-2026 season.

Kemp Recital Hall

October 24, 2025

Friday Afternoon

1:00 p.m.

Charles W. Bolen Faculty Recital: Babbitt, Trombone; October 22, 2025, Mark Babbitt, Lu Witzig

School of Music Programs

This is the twenty-fourth program of the 2025-2026 season.

Kemp Recital Hall

October 22, 2025

Wednesday Evening

7:30 p.m.

Guest Artist Recital: Nicolas, Piano; October 20, 2025, Riyad Nicolas

School of Music Programs

This is the twenty-third program of the 2025-2026 season.

Kemp Recital Hall

October 20, 2025

Monday Evening

7:30 p.m.

Isu Wind Symphony: From The White House To Our House; October 19, 2025, Dr. Anthony C. Marinello Iii, Col. John R. Bourgeois, Wesley Anderson, Dr. Tim Fredstrom

School of Music Programs

This is the twenty-second program of the 2025-2026 season.

Center for the Performing Arts

October 19, 2025

Sunday Afternoon

3:00 p.m.

Senior Recital: Frattini, Percussion; October 18, 2025, Jon Frattini

School of Music Programs

This is the twenty-third program of the 2025-2026 season.

Kemp Recital Hall

October 18, 2025

Saturday Evening

6:00 p.m.

2025-2026 Performance Forum - October 17, 2025, Ian Lewis, Rishi Gurnani, Virgilio Vazquez, Laura Gonzalez, Nia Morgan, Roey Dushi, Verse Tomac, Rebeca Sierra, Aj Meyer, Karen Trujillo, Nicholas Weathers, Joseph Muhl, Jacob Lomboy, Mia Cotton, Daniel Cruz, Juanita Jaimes, Derek Lund, Ingryd Herrera, Juan Diaz Quijano, Santiago Moreno, Omar Mata, Kade Gordon, Devin Foster

Performance Forum

No abstract provided.

Learning How To Practice Takes Practice, Micah Killion, Robert Duke

John J. Cali School of Music Scholarship and Creative Works

Effective music learning depends on effective music practice. Although time spent with teachers is an important component of young musicians’ development, time spent alone practicing is perhaps even more consequential. Researchers and teachers have offered many prescriptions about effective music practice, yet observations of young musicians’ actual practice reveal that their behavior in the practice room is often quite unlike what teachers envision. The most important aspects of effective practice are the thinking, perceiving, and decision-making that serve to organize how musicians spend their time. We discuss how to help students focus their attention in ways that lead to the …

New Beginnings: Lindenwood Wind Ensemble (October 16, 2025), Lindenwood University

Student Music Performance Programs

Event program for the New Beginnings: Lindenwood University Wind Ensemble (October 16, 2025).

Alumni Guest Artist Recital: Fairchild, Horn; October 16, 2025, Cassidy Fairchild, Liam Ufkes

School of Music Programs

This is the twentieth program of the 2025-2026 season.

Kemp Recital Hall

October 16, 2025

Thursday Evening

7:30 p.m.

Round The Tárrega Bend, Julian Bream

Soundboard Scholar

In this previously unpublished talk from 2004, delivered two years after his retirement from public performance, Julian Bream traces his own career in relation to the evolution of the modern guitar, recounting his early encounters with nineteenth-century guitars, the introduction of nylon strings to replace gut, innovations in guitar construction, and a transformative meeting with Andrés Segovia. But at the heart of the talk is his approach to sound. Bream discusses the essential elements of his tone production, including his right-hand position with its characteristic “three-quarter Tárrega bend” of the wrist, and his strong preference for the rest stroke. He …

Choral Collage Concert, (October 14, 2025), Lindenwood University

Student Music Performance Programs

Event program for the Choral Collage Concert, (October 14, 2025), Lindenwood University.

Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel

Yale Journal of Music & Religion

This article explores the performativity of timbre, summarizing key perspectives from the English-language scholarship on the topic and setting them in conversation with Latin American perspectives on timbre. In addition, it examines a performance of “500 Graus” (500 degrees), a song performed by Brazilian Pentecostal artists Cassiane and Shirley Carvalhaes, to demonstrate how the performativity of timbre unfolds within a particular expression of Latin American religious musicking. In doing so, it investigates the phenomenon of timbre between music and sound studies, and theology and church music studies, providing insights relevant to the study of timbre and the study of religious …

Afternoon Of Brass: October 12, 2025, Dr. Andrew Rummel, Dr. Sharon Huff

School of Music Programs

This is nineteenth program of the 2025-2026 season.

Center for the Performing Arts

October 12, 2025

Sunday Afternoon

3:00 p.m.

Soundscapes, Pioneers, And Practices: Laying The Foundations Of The Russian Guitar, Wojciech Gurgul

Soundboard Scholar

A review of The Seven-String Guitar in Russia: Its Origins, Repertoire, and Performance Practice, 1800–50, by Oleg Timofeyev (Cambridge Scholars, Newcastle upon Tyne, 2023), Worldcat, publisher's website

2025-2026 Performance Forum - October 10, 2025, Diego Suarez, Rebeca Sierra, Caroline Dratnal, Lillian Platte, Sheng Yuan Kuan, Maria Savelyeva, Kade Gordon, Patrick Hengstler, Dj Combs, Devin Foster

Performance Forum

No abstract provided.