Music Performance Commons^™

Travis Scott's Astroworld Tour, Prajeet Sandhu

Backstage Pass

No abstract provided.

Justin Timberlake's 20/20 Experience, June Benoit

Backstage Pass

No abstract provided.

5 Seconds Of Summer Concert Review, Johanna Stjernström

Backstage Pass

No abstract provided.

Asap Rocky At The Golden 1 Center, S. Mbaye

Backstage Pass

No abstract provided.

So Long To The Black Parade, Sarah Werth

Backstage Pass

No abstract provided.

Vista Kicks & Bad Suns Concert Review, Issadora Tulalian

Backstage Pass

No abstract provided.

Guns N' Roses In Spain, Ailey L. Butler

Backstage Pass

This is a concert review of a Guns N' Roses concert I saw in Spain last year, it discusses my personal experience and whether I think the ticket price was worth it.

Letter From The Editor, Keith Hatschek

Backstage Pass

No abstract provided.

Stories Told Through Music: Soprano Aria "I Know That My Redeemer Liveth" From Messiah And Peter And The Wolf Op. 67, Everett Scott Godwin

Masters Theses

From the beginning of creation, people have told stories and passed them down from generation to generation. Stories come to life through all forms of communication: watching a play, listening to a podcast, or looking at a picture are just a few examples. The best stories have been written down in manuscripts, books, novels, and then sometimes eventually written into a script for a movie. But something about music makes it one of the most compelling and exciting ways to portray a story. It is one of the earliest and long-lasting forms of storytelling. Every musical work tells a story …

Enigma, Lawrence Symphony Orchestra, May 31, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest Recital, Peg Carrothers Quartet, May 30, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Jazz Small Groups (Combos 4 & 5), May 30, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Brass Department Chamber Recital, Thursday, May 30, 2019, Lawrence University

Conservatory of Music Concert Programs

Shattuck Hall, 163

Spring Term Keyboard Department Area Recital, May 29, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Jazz Small Groups (Combo 1), May 29, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Jazz Small Groups (Combos 2 & 3), May 29, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Faculty Recital, Michael Mizrahi, Piano, May 27, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Vibe (Viking Bassoon Ensemble), May 26, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Lupé (Lawrence University Percussion Ensemble), With Tambo Toké, Sambistas, And Kinkaviwo, May 26, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

String Chamber Music Recital, May 26, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Here’S To You! Lawrence University Symphonic Band, May 25, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Faculty Recital, Wen-Lei Gu, Violin, May 25, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Spring Choir Concert, Lawrence University Choirs, May 24, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Designing And Composing For Interdependent Collaborative Performance With Physics-Based Virtual Instruments, Eric Sheffield

LSU Doctoral Dissertations

Interdependent collaboration is a system of live musical performance in which performers can directly manipulate each other’s musical outcomes. While most collaborative musical systems implement electronic communication channels between players that allow for parameter mappings, remote transmissions of actions and intentions, or exchanges of musical fragments, they interrupt the energy continuum between gesture and sound, breaking our cognitive representation of gesture to sound dynamics.

Physics-based virtual instruments allow for acoustically and physically plausible behaviors that are related to (and can be extended beyond) our experience of the physical world. They inherently maintain and respect a representation of the gesture to …

Flute Studio Recital, May 23, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Mobile Music Development Tools For Creative Coders, Daniel Stuart Holmes

LSU Doctoral Dissertations

This project is a body of work that facilitates the creation of musical mobile artworks. The project includes a code toolkit that enhances and simplifies the development of mobile music iOS applications, a flexible notation system designed for mobile musical interactions, and example apps and scored compositions to demonstrate the toolkit and notation system.

The code library is designed to simplify the technical aspect of user-centered design and development with a more direct connection between concept and deliverable. This sim- plification addresses learning problems (such as motivation, self-efficacy, and self-perceived understanding) by bridging the gap between idea and functional prototype …

Luje (Lawrence University Jazz Ensemble), Student Jazz Composers Concert, May 22, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Lawrence University Guitar Studio Recital, May 19th, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Flute Studio Recital, Freshman Recital, May 19, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Lawrence University Wind Ensemble, Spring Concert, May 18, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel