Music Performance Commons^™

Concert Recording 2020-01-19, Lisa Auten, Elizabeth Perry, Hannah Martin

Concert Recordings & Programs

[00:00]. Sonata in A minor, D, 821 "Arpeggione" I. Allegro moderato ; II. Adagio ; III. Allegretto / Franz Schubert -- [23:20]. La flute de pan I. Pan et les bergers ; II. Pan et les oiseaux ; III. Pan et les nymphes / Jules Mouquet -- [39:47]. Deep blue / Ian Clarke -- [46:01]. Winter spirits / Katherine Hoover -- [50:30]. Maya / Ian Clarke.

Concert Recording 2020-02-01, Stephen Page, Eric Troiano, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Lessons of the sky / Rodney Rogers -- [10:05]. Rhapsodie / Claude Debussy ; arranged by Rousseau -- [21:37]. Aeolian song / Warren Benson -- [26:43]. Suite Rhapsodica I. Introduction ; II. Aria / Jindrich Feld -- [31:34]. Hocket / Meredith Monk -- [35:18]. Holy Roller / Libby Larsen.

Concert Recording 2020-02-12, Eric Troiano, Miroslava Panayotova

Concert Recordings & Programs

[00:00] Sonata, Op.29. I. Andante maestoso ; II. Altegro energico / Robert Muczynski -- [07:13]. Aeolian song / Warren Benson -- [12:40]. Lilith. ; I. The female demon; II. Succuba ; III. Will-O'-the-wisp ; IV. Child stealer ; V. The night dance / William Bolcom -- [29:44]. Sonata for alto saxophone and piano. I. Moderato ; II. Very expressive ; III. Very fast / David Maslanka.

A Performance Analysis Of Cloud Folk For Percussion Octet And Piano By John Psathas, James Vilseck

Theses and Dissertations--Music

John Psathas is the one of the most forefront, living New Zealand composers and is considered to be one of the three most important living composers of the Greek Diaspora. His music is performed across the globe, most notably as the opening and closing ceremony music for the 2004 Olympic Games in Athens, Greece. His percussion music has been championed by percussionists for three decades, starting with Dame Evelyn Glennie with the work Matre’s Dance. Psathas still receives regular commissions for percussion instruments, having released multiple works in the last few years and multiple works still to be premiered.

The …

A Performer’S Guide To Norman Bolter’S Morning Walk For Trombone And Piano, Justin Croushore

Theses and Dissertations--Music

For the past 45 years, Norman Bolter has been one of the most prolific and important composers, performers, and educators for the trombone. Born in Minnesota in 1955, Bolter held the position of Second Trombone of the Boston Symphony Orchestra and Principal Trombone of the Boston Pops from 1975 until 2009. He has taught at leading conservatories, universities, and festivals around the world and continues to teach as trombone faculty at the New England Conservatory and the Boston Conservatory today. His compositional output is large and wide-ranged, including works for solo trombone, trombone and piano, trombone ensemble, chamber ensemble, band, …

Songs In The Heart: The Cornet Solos Written For Derek Smith, Jeffrey Barrington

Theses and Dissertations--Music

Derek Smith stands as one of the most talented cornet soloists of his generation. From the 1940s to the early 1970s, Smith wowed audiences all over the world with the ease of his technique and the simple vibrato of his beautiful expressive sound. While much has been documented regarding Smith’s later years as the conductor of The Salvation Army’s New York Staff Band, there is a gap in written biographical knowledge concerning his career as a cornet soloist. During his influential career, there were several solos written specifically for him. The purpose of this research is two‐fold. First, it is …

An Understanding Of Style Of Baroque Ornamentation In Handel’S Operatic Arias: A Study Of Selected Recordings (1950s – 2010s), Junghyun Lee

Theses and Dissertations--Music

From the early 20^th century to the present, new discoveries in Handel scholarship and changing ideas of Baroque performance practice have greatly affected the manner in which Handel’s operas and individual arias have been performed. Since the appearance of the first volumes of the Hallische Handel-Ausgabe in 1958, Handel’s works have experienced a renewed appreciation among performers and scholars alike, including countless opera productions. Since the introduction of the CD, many talented singers have published recordings of his operas and individual arias, influenced by a greater under-standing of period-performance practices and audience expectations. As such, performers are expected to …

Steven Bryant’S The Automatic Earth: A Conductor’S Analysis And Performance Perspectives, Corey S. Bonds

Theses and Dissertations--Music

The purpose of this research is to present a conductor’s analysis and performance perspectives of The Automatic Earth, composed by Steven Bryant for the Arizona State University Wind Orchestra, and premiered by its conductor, Professor Gary Hill, at the 2019 College Band Director’s National Association National Conference. Through the conductor’s analysis and performance perspectives, the author seeks to provide future conductors and performers with necessary musical interpretations and technical guidance. The four-part process of research includes: 1. detailed analysis of the musical score of The Automatic Earth, 2. observation of rehearsals and world premiere of the work, 3. in-depth …

Passacaglia And Its Related Forms: Before, During, And After 18th Century Baroque And Program Notes, Austin Han

Theses and Dissertations--Music

The purpose of this project is to inform readers of the importance musicology has in informing one’s own learning experience as a performer and listener. As an expression of this exercise, I’ve focused on the history of the passacaglia in Europe from its origins in Spain to its culmination in the music of Paul Hindemith (1895-1963). Through the process of learning about different renditions of passacaglia through musical analysis and comparisons with contemporary art movements and their legacies, I hope the results of what are shown displays an urgent appreciation for applying a more nuanced and openminded approach to the …

Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova

Theses and Dissertations--Music

The main purpose of this monograph is to provide a faceted study of Marin Goleminov’s Concerto for Viola No.1, a work of art complexly revealing its creator’s constructive study of style – including national style. It is hoped that this will, among other things, assist in deepening relevant performances and researches.

This document examines the M. Goleminov Concerto for Viola and Orchestra no.1, 1950 (Концерт за Bиола и Oркестър Hомер 1 Марин Големинов, р.1908–п.2000). It would bring essential features of it to the attention of a broader audience, perhaps beginning with inquisitive violists. If, with the necessary selectivity, …

“You Crossed My Mind … Before?”: An Intertextual Analysis Of Songs From 'To Pimp A Butterfly', Colin Outhwaite

Theses : Honours

Popular music often refers to, evokes and includes elements of other music from the past. This kind of intertextuality in popular music provides artists and audiences with short-cuts to making and interpreting meaning. It draws on nostalgia, past listening experiences and idealised perceptions of the past. Artists engaging in this practice risk criticism for being too derivative. Conversely, artists who are too innovative and forward-looking run the risk of not connecting to listeners. Kendrick Lamar’s hip-hop album of 2015 To Pimp A Butterfly is lauded as being simultaneously innovative and steeped in the recent history of African American music. Lamar …

Ictus Or Rebound? The Experience Of Behind-The-Beat Playing In Orchestral Conducting, Sey Ahn

Theses and Dissertations--Music

The origin of playing behind-the-beat is attributed to the Hungarian conductor Arthur Nikisch (1855-1922), who is one of the most important figures in the history of the art of conducting. Nikisch, serving as Music Director of the Boston Symphony Orchestra, the Berlin Philharmonic, and the Leipzig Gewandhaus Orchestra during a critical moment in the development of orchestral playing, influenced a generation of conductors who followed. Behind-the-beat playing, as many conductors and musicians refer to in describing experiences of top professional orchestral musicians, is a prevailing characteristic of theirs, not often observed in amateur orchestras and their conductors. It is an …

The Vespers Psalms Of Baldassare Galuppi, Scot Buzza

Theses and Dissertations--Music

Although Baldassare Galuppi was arguably the best known and most successful Italian composer of the eighteenth century, his name, his history, and his works have been relinquished to the periphery of the historiographical narrative. While Galuppi's masses, operas, and solo motets have been examined, his vespers psalms have been neglected by previous musicologists; most of the existing studies have been superficial, with little consideration of important questions such as formal approach, stylistic development, compositional idiosyncrasies, questions of authenticity, or what those factors might collectively tell the twenty-first-century musicologist about music in settecento Venice.

The bulk of this work consists of …

The Taiwanese Violin System: Educating Beginners To Professionals, Yu-Ting Huang

Theses and Dissertations--Music

The purpose of this study is to provide scholars information concerning of the Taiwanese violin educational system from the introduction of the violin in Taiwan to its current status as one of the most popular instruments to study.

The first chapter of this dissertation will discuss the most influential violin educators in Taiwan, about which very little has been published. The key figures such as Fu-Xing Zhang and Shu-De Li capitalized on the opportunities provided them by the Japanese occupation, playing a crucial role in the development of the Taiwanese music education system. The accomplishments of these musicians continue to …

"A Performing Artist's Journey...Begins" (Senior Showcase), Jennifer Boswell

Williams Honors College, Honors Research Projects

As a Theatre major, my sponsor and I decided that my Honors Research Project would be a one-person, twenty-minute performance. Originally, this showcase was going to be a live theatre event. Due to coronavirus and social distancing, I had to adjust and adapt as I transformed my piece into a virtual performance.

In choosing the content that would be performed, I carefully selected pieces that represented my journey as a performing artist the past four years. I wanted to showcase my growth and range as a performer. I chose one monologue from each of the six MainStage Theatre productions I …

Brothers, Sing On: The Story Of Nuance, Kyle Reynolds

Williams Honors College, Honors Research Projects

For this project, I have elected to create a documentary detailing the chronological history of the University of Akron’s all-male contemporary pop a Cappella group, Nuance. The Documentary is titled: “Brothers, Sing On: the Story of Nuance” as a reference to the song “Brothers, Sing On!” by Edvard Grieg, and was named such because of the theme of brotherhood I have showcased in the documentary. I have been a member of Nuance since the Spring Semester of 2018 and have served as the president of the group since Spring Semester 2019. Nuance was founded in 2004, making it one of …

Around The World In 18 Songs, Elizabeth Rickel

Williams Honors College, Honors Research Projects

For my research project, I will be creating a concert of 18 songs in 18 different languages. The questions I will attempt to answer through my research are "What makes art and folk songs so important to their respective cultures?", "How are they similar to each other?", "How are they different?" "What is is about this kind of music that is enjoyed by many, no matter the origin of the person or piece?" The motivation for this project is to shine light on some lesser-known folk pieces, build upon my two passions (Music and Languages), and to illustrate the power …

Concert Recording 2020-01-26, Megan Beard, Fernando Valencia, Chalon L. Ragsdale, Chris Scherer, Carson Vanduch, Tanna Walton, Jackie Tavernaro

Concert Recordings & Programs

[00:00]. Four pieces for timpani (1963) I. Recitative ; IV. Finale / John Bergamo -- [03:35]. A cricket sang and set the sun (2006) / Blake Tyson -- [10:02]. 2+1 (2013) / Ivan Trevino -- [15:50]. Glamour (2012) / Casey Cangelosi -- [25:51]. Chromatic fox trot (1984) / George Hamilton Green.

L’Ètica De L’Estètica ¿Caldria Debatre L’Antijudaisme Del ‘Misteri D’Elx’?, Antoni Pizà

Publications and Research

Al final de la representació de la segona jornada del Misteri d’Elx hi ha un moment d’indescriptible intensitat emocional. La catarsi que experimenten els espectadors, actors i músics sol manifestar-se en aclamacions, víctors i fins i tot llàgrimes. Els ventalls de les dones aletegen agilíssims, pràcticament posseïts. Primer tímidament —per a no interrompre la màgia del moment— però gradualment amb gran intensitat, comencen, ja al final de la representació, els aplaudiments, sempre in crescendo, acompanyats, poc després, per la coneguda i emfàtica expressió: «Visca la Mare de Déu!».

Concert Recording 2020-10-16, Xiao Yang

Concert Recordings & Programs

[00:00]. Piano sonata no. 30 in E major, op. 109. I. Vivace ma non troppo-Adagio espressivo ; II. Pretissimo ; III. Gesangvoll mit innigster Ernpfindung. Andante molto cantabile ed espressivo / Ludwig van Beethoven -- [16:50]. Vier Klavierstucke, op. 119. I. Intermezzo in B minor ; II. Intermezzo in E minor ; III Intermezzo in C major ; IV. Rhapsody in Eb major / Johannes Brahms -- [31:31]. Estampes. I. Pagodes ; II. La Soirée dans Grenade ; III. Jardins sous la pluie / Claude Debussy.

Sunday Series: Aires Tropicales, Department Of Music

Concerts and Event Programs 2019-2020

Andrews University Department of Music presents the first Sunday Music Series of the new year: Aires Tropicales. Betania Canas, flute; Pedro Falcon, oboe; Byron Graves, clarinet; Erin Penrod, horn; and Alexandra Castro, bassoon, perform quintet works by Coleman, Arnold, Arrieu, and D'Rivera.

The Solo Piano Sonatas Of Cipriani Potter (1792-1871): An Analysis, Reappraisal, And Historical Performance, Jordan Proctor

Theses: Doctorates and Masters

The solo piano sonatas (Op. 1, 3, and 4) of once eminent English pianist/composer Cipriani Potter (1792-1871) are a collection of works that have for the most part fallen into obscurity. Potter produced three such sonatas in his lifetime, each at approximately the same time during his educational trip to Vienna between 1817 and 1818. Potter was much celebrated in his own time as a virtuoso pianist, teacher, and eventual principal at the Royal Academy of Music, and as an editor of the works of Mozart and Beethoven amongst others. This study examines Potter’s sonatas in light of both modern …

Concert Recording 2020-01-16, Lia Uribe, Theresa Delaplain, Ronda Mains, Robert Mueller, Dominic K. Na, Josquin Larsen, Eun Seo Park, Fernando Valencia

Concert Recordings & Programs

[00:00]. Del pari (2008) [11:17]. Rhapsodies and interludes (2012) [19:44]. Three lamentations in times of sorrow (2001). I. the flutter of an unbroken wing ; II. dark-hewn caverns of the soul ; 5 III. remorse and rememberance of the unforgotten [36:00]. Rachel weeping for her children (1992) [44:28]. Deserted paths (2014). I. ...to the hayfield II. ...to the mountains III. ...to the old cemetery [01:00:14] Emblems (2011).

To Become Wind [Full Score], Jie Hong Yang

Research outputs 2014 to 2021

No abstract provided.

Towards A Declamatory Performance In Schubert Lieder, Olivia Claire Sanders Robinson

Theses: Doctorates and Masters

This study reconsiders declamation in Schubert lieder performance in light of emerging historical evidence. Johann Michael Vogl’s reputedly declamatory approach has arguably been captured in surviving Diabelli editions that document his rhetorically motivated alterations and ornamentations. Similarly, Gustav Anton von Seckendorff has detailed song-like spoken declamation that manipulates pitch, rhythm and accentuation. Recordings of five modern German speakers were transcribed, analysed and used to model effective declamation in the recitation of Johann Wolfgang von Goethe’s poems ‘Erster Verlust’ and ‘Geistes Gruß.’ PRAAT speech analysis software was used to analyse the recordings. The participants’ use of stress, emphasis and rubato was …

A Survey Of Selected Classical Chinese Art Songs For Solo Voice And Piano From 1920 To 1950, Tingting Chang

Graduate Theses, Dissertations, and Problem Reports (ETD)

This study aims to provide a repertoire guide of Chinese art songs for the pedagogical and research needs of musicians and scholars. Chinese art songs are derived from Western art songs. This work provides a valuable resource outside the scope of the standard art song repertoire. There are very limited studies with annotated lists of Chinese art song repertoire in English. Therefore, it is difficult for teachers to search for specific Chinese art songs to utilize with students who have different voice types and learning levels. This study will provide a practical tool that will meet these pedagogical needs.

All …

Joby Talbot’S Path Of Miracles: Musical And Dramatic Analysis, Joseph Stuligross

Graduate Theses, Dissertations, and Problem Reports (ETD)

This project investigates Joby Talbot’s choral composition Path of Miracles, focusing on interpretive insight as well as musical and extra-musical understandings related to the subject matter, the pilgrimage to Santiago de Compostela in Spain known as the Camino de Santiago. It explores the sources and methods of generating dramatic intensity and seeks to understand how the composer achieved particular dramatic effects. The project proceeds along two related modes of inquiry. The first involves musical evaluation, particularly of pitch, motive, harmony and rhythm techniques, in a somewhat traditional analysis. The second investigates the ways in which musical techniques generate the …

Sergei Prokofiev's Third Piano Sonata, Op. 28: Stylistic Analysis And Performance Suggestions, Youngju Lee

Graduate Theses, Dissertations, and Problem Reports (ETD)

Sergei Prokofiev (1891-1953) was one of the greatest Russian pianists and composers of the twentieth century. He established his own musical style by combining classical form and modern compositional techniques. He composed a variety of piano music including nine piano sonatas. This paper is a study of the third piano sonata in A minor, op. 28.

Prokofiev’s music can be classified into three periods: a Russian Period, a Foreign Period, and a Soviet Period. It is possible to identify Prokofiev’s compositional styles by studying his piano sonatas because he composed piano sonatas during the entire course of his life. In …

Types And Causes Of Physiological Injury In Piano Playing, With Emphasis On Piano Pedagogy In China, Ruixi Niu

Graduate Theses, Dissertations, and Problem Reports (ETD)

Among musicians who seek medical help for their injuries each year, half are pianists. Improper playing technique is a factor influencing the development of injury. This research project focuses on the types and causes of physiological injury in the process of piano playing and includes methods of avoiding such injuries.

The types of piano-related physiological injury and associated conditions that are discussed include tenosynovitis, focal dystonia, and muscle pain. Relevant literature and investigative data—and some legends—are compared and sorted. Chinese pedagogical views concerning piano technique are discussed, along with ongoing debates concerning injury prevention and the appropriate use of exercises …

The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.

Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …