Music Performance Commons^™

2019-2020 Philharmonia At Huntington Pointe: From Beethoven To Ellington, Lynn University Philharmonia, Terence Kirchgessner

Philharmonia

No abstract provided.

2019-2020 Junior Recital - Meiyu Wu (Piano), Meiyu Wu

Junior and Senior Recitals

No abstract provided.

Charles W. Bolen Faculty Recital Series: Elizabeth Thompson, Voice; Geoffrey Duce, Piano; February 4, 2020, Elizabeth Thompson, Geoffrey Duce

School of Music Programs

Center for the Performing Arts
February 4, 2020
Tuesday Evening
7:00 p.m.

2019-2020 Senior Recital - Abigail Rowland (Trumpet), Abigail Rowland, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Faculty Recital, Nathan Wysock, Guitar, February 2, 2020, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Chinese Aesthetics And Performance Practice In Three Works For Piano By Chen Yi: Tunes From My Home, Northern Scenes, And Four Spirits, Cong Ji

Dissertations, Theses, and Capstone Projects

This dissertation provides both analyses and performance practice suggestions on the three selected works that include piano by Chinese-American composer Chen Yi (b. 1953): Tunes from My Home, Northern Scenes, and Four Spirits. The author takes a step beyond Chen Yi’s widely identified “fusion style” of Chinese and Western music, to explore her cultural roots and how she blends Chinese music, arts, aesthetics, philosophy, and mythology with her musical language and imagination on a deeper level.

As a performer and pedagogue, I believe that it is important not only to analyze Chen Yi’s music from the perspectives of …

International Influence On The Development And Reception Of Cello Playing In England, 1870–1930: Robert Hausmann, Auguste Van Biene, And Guilhermina Suggia, Hannah E. Collins

Dissertations, Theses, and Capstone Projects

The development of cello playing in England in the late nineteenth century was driven largely by the efforts of expatriate and visiting performers trained elsewhere. Performers from abroad, with the support and admiration of British institutions and audiences, elevated the technical level of cello playing and helped to increase the quality and quantity of solo repertoire being written and performed. They also expanded the degree of acceptance that British audiences held for the cello, both as a solo instrument and as an instrument that could be played in public by women. This study explores the impact that three such cellists, …

A Heavy Rain Has Fallen Upon My People: Sindhi Sufi Poetry Performance, Emotion, And Islamic Knowledge In Kachchh, Gujarat, Brian E. Bond

Dissertations, Theses, and Capstone Projects

This dissertation is a study of the use and contestation of Sindhi-language Sufi poetry performance as a means of Islamic knowledge transmission and ethical self-formation in rural Muslim communities in Kachchh, a border district in the western Indian state of Gujarat adjacent to Sindh, Pakistan. Drawing on eighteen months of ethnographic research with Muslim performers and enthusiasts of Sindhi poetry between 2014-2018, I first examine an ecology of performative and interpretive practices revolving around the musico-poetic repertoire of the poet-saint Shāh ʿAbdul Lat̤īf Bhiṭā’ī (1689-1752 CE). I argue that the pedagogical efficacy of Sufi poetry performance is undergirded by its …

Two Cello Works Of Pēteris Vasks: Structure, Symbolism, And Identity, Caroline Bean Stute

Dissertations, Theses, and Capstone Projects

This dissertation presents analyses of two compositions for cello by Latvian composer Pēteris Vasks: Grāmata Čellam (1978), for solo cello, and Concerto No. 2, “Klātbūtne” (“Presence,” 2011–2012), for cello and string orchestra. It acquaints readers with defining elements of Vasks’s musical language and relates his music to the concurrent stylistic classifications of Baltic Minimalism and Neoromanticism. The paper also discusses the significance of Vasks’s national identity in his creative process and provides historical context on Latvia.

"Song And Dance" -Wind Symphony, Andrews University

Concerts and Event Programs 2019-2020

Featuring several classic works for band, including Joseph Jenkins exuberant American Overture for Band, Gustav Holst’s seminal First Suite in Eb, one of the first serious works for wind band, and Oliver Nickel’s transcription of Danzón No. 2, a contemporary classical work by Mexican composer Arturo Márquez inspired by Cuban dance rhythms. We will also perform to gorgeous melodies, Frank Ticheli’s lush arrangement of the folk song Shenandoah, and a lullaby Song for My Children, by Andrew Boysen, Jr. See less Kid Friendly Berrien Springs, Michigan

Dances With The Lso, Lawrence Symphony Orchestra, January 31, 2020, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Pas De Deux: Organ/Piano Duo Recital; Dr. Jonathan Embry, Organ; Dr. Theresa Chen, Piano/Fortepiano; Josh Dekaney, Drumset, Pas De Deux, Jonathan Embry, Theresa Chen, Joshua Dekaney

Setnor School of Music - Performance Programs

No abstract provided.

2019-2020 Chamber Music Concert At Broken Sound Club, Friends Of The Consevatory, David Brill, Askar Salimdjanov, Tom Wong, Georgiy Khokhlov, Feruza Dadabaeva, Yana Lyashko, Xiaoxiao Wang

Friends of the Conservatory Events

No abstract provided.

Guest Recital, Joseph Connor '15, Saxophone, January 30, 2020, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2019-2020 Performance Forum - January 30, 2020, Justin Ochoa, Sharon Villegas, Diana Lopez

Performance Forum

No abstract provided.

2019-2020 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Karla Mejias, Sheng Yuan Kuan, Shuyi Wang, Kayla Bryan, Sharon Villegas, Shiyu Liu, Guzal Isametdinova, Jonathon Winter

Master Classes

No abstract provided.

2019-2020 Junior Recital - Daniel Guevara (Violin), Daniel Guevara, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Guest Recital, Cj Camerieri, Trumpet, January 27, 2020, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Jury Recognition Recital, January 27, 2020, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
January 27, 2020
Monday Evening
7:30 p.m.

Faculty Recital, Piano Duo, Michael Mizrahi, Anthony Padilla, January 26, 2020, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Young Artist Concert 2020, Department Of Music

Concerts and Event Programs 2019-2020

Andrews University Department of Music presents the Young Artist Concert 2020, featuring the winners of the Young Artist Competition performing solos alongside the Andrews University Symphony Orchestra. Featuring works from Ravel, Delibes, Gershwin, and others.

1619-2019 Four Hundred Years: The Journey Through Music, F. Ludwig Diehn Chorale, Nancy K. Klein (Director), I.C. Norcom Choral Department, Joel L. Harmon (Director)

Ensemble Performances

No abstract provided.

Christopher’S Very Happy Band, January 24, 2020 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Marianne Solivan: In Concert, Marianne Solivan

Setnor School of Music - Performance Programs

No abstract provided.

Senior Recital, Brody Roland

Honors Theses

No abstract available.

Student Recital: Sean Crewe, Guitar, Sean Crewe

Student Recitals

No abstract provided.

2019-2020 Performance Forum - January 23, 2020, Yana Lyashko, Guzal Isametdinova, Lydia Roth

Performance Forum

No abstract provided.

2019-2020 Winds Concert, Friends Of The Consevatory, Seung Jeon, Amy Han, Kelsey Castellanos, Meng Hsin Shih, Alexander Hofmann, Scott Quirk, Fabiola Hoyo, Yana Lyashko, Jin Cai, Kari Jenks, Dunia Andreu, Dennis Pearson, Guillermo Yalanda, Chase Decarlo, Christa Rotolo

Friends of the Conservatory Events

The chamber music program will feature young virtuosi from the wind studios.

Randy Grabowski, Trumpet, January 21, 2020 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Syracuse University Percussion Ensemble: Michael Bull, Director, Michael W. Bull, Percussion Ensemble, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.