Music Performance Commons^™

Time’S Up: How Opera Is Facing Its Own Me Too Reckoning, Craig Price

Theses and Dissertations

Opera as an artform has a very misogynistic history. Many of the most beloved works in the standard repertory involve female characters as victims of violence, or an abuse of power by male characters. These works have recently been cast in a different light, in part due to a greater cultural awareness inspired by the “Me Too” movement. This study was executed to explore productions of standard repertory operas around the world, and how they have been handled in light of current culture. The study examines popularly performed operas Carmen, Don Giovanni, Le Nozze di Figaro, and …

The World Is About To Turn: Imagining A New Ecclesiology For Emerging Adults Through Missional Music Ministry, Kevin A. Turner

Doctor of Pastoral Music Projects and Theses

How can ministry leaders in the twenty-first century provide guidance for those who are the leading edge of the church's next generation? How might emerging adults become contributors to congregations where they are given space to offer and plan for themselves rather than passively acquiesce to traditional church structures where a strict, top-down leadership style dominates? In conversation with author Letty Russell, this paper will describe a more democratic vision of ecclesiology for music ministry and ministries of the larger church. The methodology employed in this thesis involves a case study examining the creation of a choral ensemble focusing on …

The Mathematics Of Rubato: Analyzing Expressivetiming In Sergei Rachmaninoff’S Performances Of Hisown Music, Meilun An

Theses and Dissertations

The purpose of this paper is to quantitatively investigate the nature of Rachmaninoff’s playing, with a specific focus on his own compositions. The primary source of data for this study is inter-onset intervals, which will be captured through the use of Sonic Visualiser. Inter-onset intervals are calculated by taking the difference between the onset of two adjacent notes, and can be used to calculate an instantaneous tempo. Various statistical methods will be used, including the variance, moving average, Pearson correlation coefficient, and a custom defined metric. The calculation of variance is especially useful in detecting major deviations from the average …

Natural Reed Enhancement: Establishing The First Universal Reed Break-In Process Through Hydro-Stabilization, Steven Isaac Christ

Theses and Dissertations

Reed players know the favorable sound of their cane does not last. Furthermore, students and educators who lack the reed pedagogy necessary to achieve any longevity and consistency suffer financially. In this study, a hydro-stabilization methodology is tested to analyze the systematic compression of parenchymatic cells within clarinet reeds. By compressing the parenchymatic cells of the cane, this project proposes that saliva will saturate the reed at ineffective/inefficient rates compared to fresh, non-stabilized reeds. 1,836 data points, collected from 17 reeds, comprised the overall study; 324 data points, collected from three reeds, represented the control group; and the remaining 1,512 …

The Role Of The Piano In The 12 Poems Of Emily Dickinson By Aaron Copland, Krista Benesch

Honors Program: Senior Projects (Public)

In the song cycle 12 Poems of Emily Dickinson by Aaron Copland, one may observe the interplay between the piano and the narrator. Throughout all twelve songs, the piano plays different roles. In several songs, the piano plays a certain character: in “Nature, the gentlest mother,” the piano is personified as Nature, while in “Dear March, come in!” the piano is March. In other songs, the piano reacts to the narrator—for example, in “Going to Heaven!”, the narrator announces a statement, and the piano follows with fast, tumbling eighth notes that portray the narrator’s scattered thoughts. Every song in the …

Five Pieces For Piano By Isang Yun And Piano Etude No.1 By Unsuk Chin: An Analysis, Inhye Cho

Theses and Dissertations

Isang Yun (1917-1995) is a well-known Korean-German contemporary classical composer known for incorporating both East Asian and Western musical elements in his music. Despite his fame in Germany, he had little recognition in other countries including his home country, South Korea when he was alive.

Korean composer Unsuk Chin (b.1961) is one of the leading female contemporary composers of the 21st century living in Germany. After being awarded famous international prizes, her compositions gradually became well-known for combining her own musical style with other art forms.

This study provides a biography and background of these two composers and their music. …

Performance Edition Of Franz Simandl’S 30 Etudes For The String Bass With Critical Commentary, Austin Gaboriau

Theses and Dissertations

More than 100 years after František, “Franz,” Simandl’s (1840–1912) death, his pedagogical works are still widely used by aspiring double bassists. Simandl’s methodology codified in these works standardized lower position left-hand technique for most modern bass players. His 30 Etudes for the String Bass is still commonly studied, but existing editions don’t provide adequate instruction to students who haven’t already worked through Simandl’s New Method. With many more recent beginner method books available to present day students, it can’t be expected that students always work through the New Method before moving on to 30 Etudes for the String Bass as …

A Trumpet Player’S Performance Guide Of Three Selected Works For Trumpet, Cello, And Piano, Justin Wayne Robinson

Theses and Dissertations

This document explores, in detail, three works for trumpet, cello, and piano. These works were performed on a chamber recital before the writing of this document. The three selected works are Statements, Commanding by Robert J. Bradshaw, Elegy by Alex Shapiro, and Trio for Trumpet, Violincello, and Piano by Eric Ewazen. This document focuses on the musical performance of these three works, ways to prepare specific sections, and issues the author and his trio experienced during the preparation of these works. To the author’s knowledge, no previous documents have explored these three works. The field of study focusing on the …

A Stylistic Analysis Of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With An Emphasis On Eurasian Influences, Qin Ouyang

Theses and Dissertations

Russian-born Alexander Nikolayevich Tcherepnin (Jan 23, 1899-Sept 13, 1977), a contemporary of Virgil Thomson, Henry Cowell, Igor Stravinsky, and Arnold Schoenberg, made far-reaching contributions as a pianist, conductor, and composer. His unique contrapuntal system “Interpoint,” employment of rhythmic variation, adoption of polyphonic structure, and use of the nine-step scale secured his place in music history as a celebrated composer of the twentieth century.1 Throughout his life he traveled to various countries. 1928-1947 is a period during which Tcherepnin came under the influence of “Eurasian” ideas (the synthesis of Russian and Eastern cultures). He developed new musical formulas by exploiting musical …

Sara Mitnik, Voice: Senior Recital, Sara Mitnik

Setnor School of Music - Performance Programs

No abstract provided.

2019-2020 Ppc Recital - Georgiy Khokhlov (Cello), Georgiy Khokhlov, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

Graduate Recital: Miguel Lumbao, Guitar; March 22, 2020, Miguel Lumbao

School of Music Programs

Kemp Recital Hall
March 22, 2020
Sunday Afternoon
3:00 p.m.

2019-2020 Junior Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Ppc Recital - Yiming Tang (Piano), Yiming Tang

PPC/PSDP Recitals

No abstract provided.

2019-2020 Senior Recital - Yingpeng Wang (Piano), Ying Peng Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Senior Recital - Chase Decarlo (French Horn), Chase Decarlo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2019-2020 Junior Recital - Christa Rotolo (French Horn), Christa Rotolo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

F. Ludwig Diehn Concert Series: Rod Gilfry, Baritone With The Norfolk Chamber Consort; Andrey Kasparov And Oksana Lutsyshyn, Artistic Co-Directors -- Prince Igor And Poulenc, Rod Gilfry, Norfolk Chamber Consort, Andrey Kasparov, Oksana Lutsyshyn

Guest Performances

No abstract provided.

Katie Short's Senior Voice Recital, Katherine Short

Honors Theses

For my honors thesis, I used my Senior Voice Recital. When starting the process, I met with my thesis chair, Dr. Karen Kness to discuss which repertoire I wanted to perform for the recital. We focused on picking song selections ranging from the Baroque musical era to the mid- 1900s. As part of my requirement, I needed to select at least thirty-five minutes of music to present and this music needed to be in at least five different languages. Half of my repertoire was selected from my previous semester of Applied Voice lessons and the other half I learned over …

Senior Viola Recital, Kennedy Dixon

Honors Theses

Coming to the end of my Viola Performance Degree at WMU was a milestone that I have been looking forward to since stepping foot on campus, yet a moment that felt so far away. Preparing for my Senior Viola Recital/Honors Thesis was one of the most exciting, difficult, and overall most rewarding experiences that I will never forget. I’ve had the honor of knowing my currently Viola Professor/Thesis chair since my Freshmen Year of Highschool, where I attend a summer music camp here at WMU, and I can say that I have learned so much about music, responsibility, courage, and …

A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers

LSU Doctoral Dissertations

Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).

Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …

2019-2020 Scholarship Fund Concert At The Country Club Of Florida, Friends Of The Consevatory, David Brill, Askar Salimdjanov, Tom Wong, Georgiy Khokhlov, Feruza Dadabaeva, Xiaoxiao Wang

Friends of the Conservatory Events

No abstract provided.

Ivalas Quartet, March 12, 2020 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2019-2020 Performance Forum - March 12, 2020, Gabriel Galley, Sheng Yuan Kuan, Kari Jenks, Klyde Ledamo, Ricardo Lemus, Gerson Medina, Virginia Mangum, Yunus Rajabiy, Jin Cai, Kelsey Castellanos, Dunia Andreu, Dennis Pearson, Guillermo Yalanda, Chase Decarlo, Christa Rotolo

Performance Forum

No abstract provided.

A Performer's Guide To "No Man In His Right Mind," "Letter," And "Mirror Mirror" From The Opera, Dog Days, Grace Claire Mccrary

LSU Doctoral Dissertations

Dog Days is a modern, American opera based in a war-torn, post-apocalyptic United States of America. Written by internationally acclaimed composer David T. Little and internationally acclaimed librettist Royce Vavrek, Dog Days is told through the eyes of a 13-year old girl, named Lisa. This project serves as a performer’s guide to Lisa’s three arias. Chapter one provides a biographical sketch of the composer, David T. Little. Chapter two briefly describes the life events of Royce Vavrek, leading to the development of Dog Days. Chapter three provides the detailed process of how the opera was created, specifically the development …

"Lift Every Voice And Sing!" Choral Collage Featuring American Spiritual Ensemble; Everett Mccorvey, Director, Everett Mccorvey, American Spiritual Ensemble, Jeffrey Welcher, Orange Collective, Setnor School Of Music, Orange Syndicate, Setnor School Of Music, Jose Calvar, Hendricks Chapel Choir, Setnor School Of Music, Setnor Sonority, Setnor School Of Music, Hillary Ridgley, Crouse Chorale, Setnor School Of Music, John Warren, University Singers, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Caryl Clark And Sarah Day O'Connell, Eds. The Cambridge Haydn Encyclopedia, Denis Mccaldin

HAYDN: Online Journal of the Haydn Society of North America

A review of "Caryl Clark and Sarah Day O’Connell, eds. The Cambridge Haydn Encyclopedia"

Syracuse University Symphony Orchestra; James Tapia, Director, James Tapia, Syracuse University Symphony Orchestra

Setnor School of Music - Performance Programs

No abstract provided.

A Survey Of French Cello Music Dating From The Baroque Era To The 20th Century, Chien-Hui Yang

LSU Doctoral Dissertations

This research aims to examine how French music progressed from the Baroque era to the 20^th-century through the cello repertoire. This document will be a useful tool for people who are interested specifically in French cello compositions. The researcher will discuss fifteen composers and seventeen cello works. Through reading composers’ biographies and examining the selected cello compositions from these French composers, the researcher will better comprehend and attempt to describe the composers’ musical styles and their musical legacies within the canon of music for the cello.

From the Baroque era, François Couperin, Jean-Baptiste Barrière, and Martin Berteau are …