Music Education Commons^™

Effect Of Self-Evaluation On Jazz Improvisation Achievement, Ollie Eugene Liddell

Electronic Theses and Dissertations

No abstract provided.

Fundamentals For Horn Students, Kierstin Jenkins

Williams Honors College, Honors Research Projects

Many band directors find teaching horn to be intimidating. Through extensive research, this project has compiled some of the best exercises to help horn players improve and explains the rationale behind them. The written work contains information and descriptions about the different fundamentals that horn students need in order to be successful and develop good tone quality. The appendix includes examples of these exercises so that an educator has resources to teach his/her horn students. The fundamentals included are: breathing, buzzing, long tones, flow studies, lip slurs, and pitch.

Practising Jazz Performance: An Investigation Into The Process That Underpins Optimal Instrumental Practice In The Jazz Idiom, Christopher J. Tarr

Theses: Doctorates and Masters

Little formal research has been undertaken into the processes associated with jazz improvisation, particularly those associated with practising to become an elite jazz improviser. This study seeks to understand the role of instrumental practice, particularly physical practice strategies and the associated mental states, in the development of jazz improvisers. Interviews were conducted with six improvisers of various ages, instruments and backgrounds. The study identified a number of strategies specific to jazz practice that differed from traditional practice strategies described in Western art literature, particularly in relation to the importance of the ear-to-instrument connection. Accordingly, the study sets out a series …

Challenges In Beginning Trombone Pedagogy, Robert Sobnosky

Williams Honors College, Honors Research Projects

The development of strong fundamental skills is essential for success on any instrument. Beginning wind players must be carefully monitored so they can develop the good playing habits and basic skills that form the foundations of strong musicianship. Each instrument presents its own unique challenges. The trombone could be considered the most unique of the beginning band instruments due to size, slide, and technique. These challenges can lead to a number of problems that music educators must be able to recognize and correct. For this project, six music educators with experience teaching beginning trombone students were interviewed about common problems …

Exploring Teachers’ Perspectives Of Cooperative Learning To Create Music In Orff Schulwerk Classrooms, Nicole A. Chapman

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The Framework for 21st Century Learning identifies four learning and innovation skills to prepare students for a changing world. The 4Cs identified are critical thinking, communication, collaboration, and creativity (Framework for 21st Century Learning, 2015). With the adoption of this new teaching framework, it is important that music educators evaluate their own teaching methods to meet the needs of their students in a changing society. The purpose of this study was to examine how cooperative group learning is currently integrated in the Orff-Schulwerk certified teachers’ elementary music classroom as part of the creative music process. In this qualitative study, I …

The Trials Of A New Teacher, Diego A. Rocha

Student Publications

Tim, a new teacher, faces challenges as he works towards changing the environment in a high school music program.

Notes From Mrs. Hadgu's Class: Conceptualizing Music Education Curriculum For A Changing World, Logan B. Santiago

Student Publications

How can we conceptualize curriculum and school knowledge to better address important questions of social change, contingency of knowledge, life in mediated worlds, and inequalities? To answer this question I wrote fictional stories from students about their favorite moments from their 8th grade music class. Each account deals with a specific activity or instance in which the teacher included social change and/or student centered knowledge in the curriculum. The explanation at the end of the accounts details the reasons for creating each activity and the relation of the stories to texts utilized in class.

Guy Woolfenden: A Composer's Musical Dna, James A. Dreiling

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Guy Woolfenden is a British composer who has made a name for himself in England as the composer of over 150 scores for the Royal Shakespeare Company as well as music for numerous ballet and opera companies. In addition, he has composed fifteen pieces for wind band and eleven pieces for various wind chamber ensembles. While his wind music is well known throughout England, his name and his music are not as well known throughout the rest of the world. Those few conductors outside of England who are aware of his work tend to know only one or two of …

Playing Together: A Chamber Music Guide, Nicholas Scott Matherne

Senior Honors Projects, 2010-2019

Chamber Music, as purported by numerous academic and non-academic music education sources, is a valuable for developing the essential skills for musical development. The guide is designed to serve as scaffolding for young musicians to play chamber music together without the structure of a formal teacher. To facilitate this process for a variety of students, the music is designed using diverse instrumentation scoring so that any group of 5 musicians can play together the music arranged for this book. By examining all of the exercises in this guide, young musicians will complete self-driven content lessons in all of the nine …

“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo

Senior Honors Theses

Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …

Mia's Music, Miranda L. Bubenheim

Student Publications

Mia’s Music is a story narrating what I view as an ideal curriculum being put into practice. Music educators have an advantageous and unique position to explore a medium with students that truly has the power to bring people together and help them to understand one another. A curriculum based in the cultural themes that students identify with will challenge them to learn through sharing their experiences and understanding others'.

Biophily: Five Musical Episodes For The Revolutionary Educator, Edward J. Holmes

Student Publications

"Biophily: Five Musical Episodes for the Revolutionary Educator" is a composition meant to reflect, through music, some of the key concepts and ideas of authors like Paulo Freire, William Ayers, Neil Postman, and Charles Weingartner in their works that we covered in Social Foundations. Each piece aims to deconstruct poor teaching habits and practices, and musically express a better way to go about education.

The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber

Lawrence University Honors Projects

Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …

What Self-Reported Effect Does Peer Mentoring Have On A Secondary Music Program?, Mark Torsney

Education Graduate Research

No abstract provided.

Rockin’ Around The Clock: An Exploratory Study Of Music Teachers' Personal Listening Choices, Virginia Wayman Davis

Research & Issues in Music Education

This study aimed to explore the personal music listening choices of music teachers. Specifically, in which formats do teachers listen to music for personal pleasure, how do they obtain the music they choose, and how frequently do they choose to listen to certain genres of music. Using an online survey, music teachers answered questions about their listening and purchasing habits. Results were then analyzed using simple statistics and Analyses of Variance (ANOVAs) to discover listening preferences for the group as a whole, as well as what differences may occur with regards to age, teaching situation or other factors. Through this …

Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Effects Of Criteria-Referenced Formative Assessment On Achievement In Music, Christopher Valle

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this study was to investigate the effects of criteria-referenced formative assessment on music achievement. Archival data from 1,173 students who participated in the first two years of the Arts Achieve project were used to examine the overall and school level effects of criteria-referenced formative assessment on music achievement, as well as its effect on content knowledge, listening, and performance achievement tasks. The relationships between sources of feedback from formative assessment – self, peer, teacher – and music achievement were also investigated. Unbiased causal treatment effects were derived after employing propensity score analysis to minimize selection bias and …

Opera Education In The Upper Elementary Music Classroom, Carmen Louise Taylor

Electronic Theses and Dissertations

Adults are increasingly becoming uninvolved with the arts and it is therefore important to cultivate a new audience, beginning with a well-rounded musical education for elementary-age children. Opera can easily be implemented as a part of a well-rounded musical education and can be taught in conjunction with multiple subjects. Anecdotal evidence suggests that children are exposed to negative stereotypes about opera without receiving proper education on the subject and are thus more likely to not be interested in opera as they grow older. A short survey was sent to fourth and fifth grade music teachers around the state of Mississippi …

A Guide To Recruitment And Retention For A Band Program, Kara Kordella

Honors Projects

A Guide to Recruitment and Retention for a Band Program is a resource for teachers to establish a comprehensive recruitment and retention plan in their band program. This booklet outlines a recruitment program that can be implemented into a school band program in part or in whole. Also included in this booklet are lesson plans, student assessment worksheets, example recruitment documents, and ideas to be implemented as part of a retention program. All of the activities are backed by research into current recruitment practices, educational psychology, and instrument history and pedagogy. Interviews were also conducted with current and retired band …

The Variety Show: Why Classical String Musicians Are Exploring A Multistyle Approach To Teaching, Kelly C. Wiedemann

Masters Theses, 2010-2019

The Variety Show: Why Classical String Musicians are

Exploring a Multistyle Approach to Music

Kelly C. Wiedemann

This case study examines the experiences of five classically trained string teachers who now include alternative styles in their teaching. The research questions are: (1) What factors inspire a classically trained string educator to begin teaching alternative styles to their students? (2) Why is it important to keep classical music in string pedagogy? (3) How have these teachers, their peers, students, and community reacted to multistylism? The interviews revealed four major points of motivation: Opportunities for developing creativity and finding a personal voice …

Classical Guitar Music In Printed Collections: A New Index And A Model For Indexing Instrumental Music In Score Collections, Ellwood Colahan

University Libraries: Faculty Scholarship

Classical Guitar Music in Printed Collections is a new, open-access, online index to the contents of published score collections for classical guitar. Its interlinked, alphabetized lists allow one to find a composition by title or composer, to discover what score collections include that piece, to see what other works are included in each collection identified, and to locate a copy in a library collection. Accuracy of identification is guaranteed by incipit images of each work. The article discusses how this index differs from existing bibliographies of the classical guitar literature, its structure and design, and technical details of its publication.

Your Guide On Learning How To Play The Piano, Jankiben Patel

Senior Theses

I’ve had a strong desire to learn how to play a piano ever since my first music class in elementary school. I asked my parents if I could receive piano lessons. They saw how extremely excited I was and they agreed to seek out a piano instructor for me. Unfortunately, my parents soon realized that they simply could not afford the fees. I brought up the topic a few more times, but to no avail. In middle school, I joined the band to play the clarinet. Although my hopes of playing the piano were put on hold, I grasped this …

Student And Teacher Experiences With Informal Learning In A School Music Classroom: An Action Research Study, Mark C. Adams

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Despite the ubiquitous nature of music in the lives of adolescents, school music education rarely offers experiences with the informal music making practices that are used by their favorite vernacular artists. This action research study implemented informal learning practices into the formal learning environment of my current teaching position in a rural Midwestern community, to understand more about student experiences and the educator’s role in such a classroom. The qualitative research approach used in this study borrowed from grounded theory techniques. Data collection included twenty-five total interviews with nine first-year beginning instrumentalists. Interviews were conducted in three waves, where the …

Motivation And Retention Of Instrumental Music Students In A Suburban School District, Megan M. Dray

Multidisciplinary Studies Theses

The purpose of this study was to investigate the motivation of students to join and remain in instrumental music in suburban school districts through the analysis of quantitative and qualitative data. The goal was to seek which area of motivation in each grade level and school building had the highest impact on student involvement and retention. Areas of motivation studied include teacher/student relationships, intrinsic motivation, extrinsic motivation, approach success/avoid failure, competition/ego, peer involvement, parental support, and financial issues. The sample included 205 students from a suburban school district in New York. Students were broken into groups based on school buildings …

Aspects Of The High School Music Program And Their Relationship With The College Marching Band Experience, Glen J. Ullman

Honors Scholar Theses

A quality musical ensemble requires the director to be attentive to the needs and abilities of its members. This study examined various aspects of students’ musical and academic preparation in relation to their current experience with music in college. With more insight about the backgrounds of college musicians, and the way those backgrounds relate to their experiences in performing ensembles, music directors will be better able to tailor instruction to the needs of their musicians. For this study, a survey was distributed to members of the University of Connecticut Marching Band about their demographics, education, past musical experiences, and current …

Mind, Body, Music, Kimberly Lewis

Honors Projects

Performance anxiety is a phenomenon that all musicians struggle with at some point in their careers. As someone who has been a victim of performance anxiety throughout my life as a musician, I searched for ways that I could eliminate my own performance anxiety, as well as share information with other musicians on how their performance anxiety could be reduced. After doing my research, I realized that many music teachers do not discuss performance anxiety and ways that it can be reduced when teaching their students. I propose that music teachers discuss performance anxiety and performance anxiety reducing techniques with …

Engaging With Research And Resources In Music History Courses, Jennifer Oates

Publications and Research

With the ever-expanding sea of resources available to students today, it is now more important than ever to teach students how to navigate, assess, and interpret resources. Given the ease of access to information, students tend to seek out the path of least resistance, most often a Google search and/or Wikipedia. Their unfamiliarity with print resources, such as thematic catalogues, means they are missing out on significant music scholarship that is not available online or through Google. Today’s students have grown up searching the internet. The single-search approach of a web search leaves many students confused by terms like …

The Benefits Of Music: An Exploration Of Music In Core-Curriculum Classrooms, Courtney Froehlich

Honors Projects

Inspired by research that establishes the benefits of using music in the teaching and learning of non-music subjects, this creative honors project provides sample lesson plans for music, math, and English teachers in grades K-8 that use musical activities to teach math and English concepts. Sample lesson plans are grouped by subject and grade levels, and underlying concepts of each plan are identified. Part One includes lesson plans that combine and draw connections between music and math concepts; Part Two includes lesson plans that combine and draw connections between music and English concepts. Within each part, plans are designed for …

An Exploration Of Teaching Music To Individuals With Autism Spectrum Disorder, Samantha D. Jimenez

Antioch University Dissertations & Theses

The purpose of this grounded-theory qualitative study was to explore how music teachers successfully work with students with autism spectrum disorder (ASD). Many individuals with ASD are impacted daily by social and communication difficulties, sensory sensitivities, executive functioning challenges, and restricted or rigid behaviors. Current research, literature, media, and ASD and music circles support that music is a powerful medium for individuals with ASD. Benefits of music for individuals with ASD include therapeutic advantages, various improvements in skills, social opportunities, emergence of gifts and talents, and emotional outlets. Regular exposure to learning music in the U.S. is typically through music …