Music Education Commons^™

Safeguarding Curricular Self-Experiences In Undergraduate Music Therapy Education And Training, James Hiller, Courtney Belt, Susan Gardstrom, Joy Willenbrink-Conte

Department of Music Faculty Publications

The purpose of this paper is to put forth a model to support the psychological safety of undergraduate students as they engage in a form of experiential learning called self-experiences. Self-experiences pair active engagement in learning episodes with learner self-inquiry. The need to safeguard curricular self-experiences is grounded in the American Music Therapy Association’s Professional Competencies and Code of Ethics and the Certification Board for Music Therapists’ Board Certification Domains. We first explicate several types and benefits of self-experiences and identify potential risks and contraindications that may compromise learners’ psychological safety and even cause harm. Next, we describe …

The Future In Their Imaginations: Music And Robotics School Holidays Program For School-Aged Children, Adam Manning, Amelia Bessenyei, Helen English

The Transdisciplinary STEAM+ Journal

This report reflects on an exploratory STEAM workshop at the University of Newcastle, School of Creative Industries, Conservatorium of Music, Australia. Twenty-six middle school-aged students attended the two-day workshop. On the final day, students presented an immersive concert for parents and friends, showcasing creativity, innovation and teamwork. Interestingly, Lego robots were employed as a physical tool through which music-making students interacted with each other and built attributes of creative engagement. These attributes were measured via the Six C’s established by Bers comprising: (1) Collaboration; (2) Community Building; (3) Communication; (4) Content Creation; (5) Creativity; and (6) Choices of Conduct. This …

Music In Steam: Beyond Notes, Hao Huang

The Transdisciplinary STEAM+ Journal

Given current debates about STEAM, it would be well to remember that more than five centuries before STEM was conceived, the original Renaissance man, Leonardo da Vinci, wrote in one of his notebooks that "To develop a complete mind, study the science of art, study the art of science. Learn how to see. Realize that everything connects to everything else." (Spong 2006) A discussion of the effectiveness of teaching music and its accompanying technology in conjunction with math and the science education follows. .Given the recent shift from in-classroom teaching to online instruction compelled by the Covid 19 pandemic, an …

The Connections Of Music, Culture, And Language: A Qualitative Case Study Of The Musical Experience Of A Newcomer Program, Jessica Strawderman

Masters Theses, 2020-current

In this qualitative case study, I investigated the philosophy and process of an elementary newcomer program and explored the perceived benefits for newcomer students of the musical experience, aiding in transition from full-time English as a second language (ESL) services in self-contained class to a general education setting. The studied school division serves a high population of students who are English Language Learners (ELLs), representing a multitude of languages and cultures. The division places students of immigrant families who have no social or educational experience speaking English in the newcomer program. In order to gain a deep understanding of the …

Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, Ian Mcclaflin

Dissertations

Typically, when studying percussion at a University, a student is required to be proficient at multiple aspects of percussion (snare drum, mallet keyboards, drum set, hand drumming, etc.) and work through multiple method books and solos on the different instruments. This often leaves little to no room for the study of improvisation on their instrument.

Examined in this study are the following points pertaining to the state of teaching improvisation:

• There is an apparent lack of improvisation in the classroom
• Teachers often feel unprepared in teaching improvisation
• Improvisation is most commonly associated with jazz
• Both teachers and students tend to …

Google It! Supplementing Instructional Material In The Secondary Band Classroom With The Google Suite, Jacob Elder

Masters Theses

In order to meet the needs of the students of the 21st century, the traditional methods for teaching in the secondary instrumental music classroom should be updated. The Google Suite coupled with a variety of commonly used instructional music technology programs is one way to modify the traditional classroom to accommodate modern learners. Data from case studies, information on effectively using the Google Suite, and supplemental programs to use for blended instruction are included as resources for the 6th-12th grade band classrooms. Since technology is rapidly changing, the subsequent information and tools provided will be updated continually. Keeping current on …

Creating A Music Education Curriculum Based On Current Teaching Strategies, Stanley K. Holloway

Masters Theses

Contemporary pedagogical, psychological and sociological researches highlight the need for music education available to every child. Starting from the fundamental point of view according to which music affects the development of the child's whole personality, this idea stands out in history since the 17th century. Various educators in the late nineteenth and early twentieth century emphasized the importance of music education for every child. To nurture a child’s music development, as it is to support the development requires other basic skills in the child’s life. Young children learn most basic life skills from their parents because adults create consciously and …

Starting Off Right: A Beginning Band Curriculum Guide, Emily Fiasco

Theses

This project is a curriculum guide for the first quarter of a beginning class. After researching ways to build engagement in beginning learners, this project was constructed to serve as an overview of the most important topics to be covered in a beginning band class. It contains five topics, each consisting of a set of lesson plans as well as a culminating assessment. This is not intended to be a comprehensive unit plan, covering everything a student needs to learn, but addresses a sampling of the most important skills that students need to develop. This guide is also not meant …

Errata For Folksongs From The Maritimes, Peter G. Fielding

Faculty Articles

Toneset and solfa errata for Kaye Pottie and vernon Ellis' Folksongs of the Maritimes (1992).

Gender Expansive Students In The Choral Classroom: Awareness & Practices Of Secondary Music Educators, Emma E. Taranko

Honors Projects

In an age of growing diversity, it is essential for educators, both pre- and in-service, to seek out strategies that will assist them in creating a welcoming classroom environment for all learners. It is incumbent upon choral music teachers and community leaders to educate themselves in the diversity that presents itself in their classrooms in order to better service all students. In this study, twenty-five secondary music educators shared their awareness of gender expansive students in their choir classrooms and any strategies they have used to better service their singers. This study was conducted in order to assess which strategies …

K-8 General Music Educators And Technology: Beliefs, Application And Motivation, Nicole A. Loudis

Graduate Theses/Dissertations

Technology is constantly evolving in the classroom, and some educators choose to embrace that technology more than others. This study investigates the uses and motivations of educators who integrate technology frequently in their K-8 general music classrooms in Missouri. Three music educators were identified with 10 years of experience who had established reputations for teaching with technology effectively. A single semi-structured interview with each participant was used to explore the participant’s motivations and beliefs and the specific technology applications that were frequently used in their classrooms. The analysis of the interviews revealed that the participants believed that integrating technology motivated …

Fundamentals Of Teaching Vocal Music Performance, Malcolm Shaquan Richardson

Masters Theses

This study outlines the significance and sole purpose of developing fundamental techniques of student vocal music performances, using professional constructive evaluation that will improve their overall performance experience. One of the most practical ways to support vocalists is to provide a constructive evaluation of their performances. The implementation of constructive evaluation is to reflect upon what is being done well, discover areas of improvement or refinement, plan and facilitate important lessons, and apply the lessons to future performances. As a music teacher who is actively overseeing the development of students as performing or creating musicians, including constructive evaluation is a …

Gamification Strategies For Music Educators: An Online Continuing Education Course, Luis Enrique Espinosa

Masters Theses

This curriculum project is designed to provide music educators in the public and private sector with introductory knowledge about the topic of gamification and game-based learning, framed within the scope of an online continuing education course. It is meant for adult learners who teach young musicians in the K-12 range. The course offers a set of strategies and step-based processes that help transform a traditional music lesson plan into an interactive and meaningful learning experience that leverages games. The games created by the students in the course can serve to motivate music students by incorporating a sense of competition and …

First-Generation College Students' Lived Experiences In An Undergraduate Music Education Program: A Transcendental Phenomenological Study, Joseph Benjamin Earp

Doctoral Dissertations and Projects

The purpose of this transcendental phenomenological study is to describe the lived experiences of first-generation college students (FGCSs) majoring in music education at a small, private university in the southeastern United States. Through understanding FGCSs’ experiences, university faculty and administrators can make informed decisions that can help this important sub-population of students. The self-determination theory (SDT) and the relationships motivation theory (SDT mini-theory) have guided this study exploring the central research question: How do FGCSs describe their lived experiences while majoring in music education? Sub-questions include (1) how do FGCSs majoring in music education describe challenges relating to self-determination while …

Be Still: A Pedagogical Analysis Of Mindfulness-Based Practices In Vocal Music Education, Hattie Hannah Elder

Masters Theses

Mindfulness and mindfulness-based practices improve productivity in general education and vocal settings and have the potential to revolutionize choral music education. The purpose of this research is to improve vocal music education, vocal pedagogy, and voice practice, through the study of mindfulness-based practices and their relevance in vocal practices. The essential question answered as part of this research is, how do mindfulness and mindfulness-based practices increase productivity in the choral classroom? Sub questions addressed in this research include: 1) What is mindfulness meditation?, 2) How is mindfulness already utilized in vocal settings?, and 3) How can mindfulness best be included …

Reflections Of Female Band Directors: The Perceived Effect Of Sex, Gender, And Race On Career Experiences And Professional Practices, Robyn M. Olichwier Lawrence

Masters Theses, 2020-current

The purpose of this study was to examine the introspections of female band directors, and their perceived beliefs about the effect of sex, gender, and race on their own personal career experiences and professional practices. Participants (N=82) were all current members of Women Band Directors International. After contact through the organization’s website, participants were invited to complete an online survey that consisted of 39 multiple choice, Likert-scale based questions. An optional short answer question was included in the survey (totaling 40 questions), to offer participants the opportunity to share information about personal experiences if they felt comfortable. …

Arts Education: Benefits, Disparities, And Reaching For Equal Access, Madelaine Shreeman

Senior Honors Theses

Arts education is a unique way to engage students. The arts include, but are not limited to, music, theatre, visual/studio arts, poetry, and dance; they are powerful bridges for students to knowledge and classroom contribution. They assist students with lower academic achievement, problematic behavior, or those who have a likelihood of dropping out of school. While there are plenty of resources displaying the student benefits, there remain inequalities in access to arts education among students across America. Often, areas and schools that generally receive fewer opportunities or less arts funding are ones with more at-risk youth. Disproportionate arts access negatively …

Examining The Relationship Between Perfect Pitch, Auditory Processing Disorders, And Autism Spectrum Disorder, Sarah G. Clegg

The Corinthian

In this paper, I will examine the relationship between perfect pitch, auditory processing disorders, and autism spectrum disorders and how this potential relationship affects the music education of students living with these conditions. Thorough and analytical perspectives are presented on one or more of these diagnoses, providing the opportunity to make thoughtful and relevant connections to students inside and outside of the classroom. Dohn, Garza-Villareal, Heaton, and Vust (2012) and Jiang, Liu, Wan, and Jiang (2015) discuss their research on the heightened presence of autism traits in musicians with perfect pitch and the idea of pitch processing and intonation in …

Accommodations For Underserved Students In Music Education, William M. Refuss

The Corinthian

This research examines socioeconomic status and its relation to accommodating students with special needs where access to specific technologies and equipment is limited. For students who need costly accommodations where socioeconomic status affects access, other methods of accommodation need to be found. This paper focuses on the specific goals in a music education classroom and how students with disabilities struggle to achieve such goals without accommodations, as well as examining different personnel and technologies in which access is limited when examining the financial impact. Such accommodations include music therapists assigned to the school, inclusion classrooms, modified instruments, and other technologies …

The Importance Of Having Properly Funded Art Programs And The Benefits It Brings To Public Schools, Chelsey Brown

Liberal Arts Capstones

This presentation is to help raise awareness towards art education in schools and how these programs are losing their funding. The main focus is to present information on how the arts benefit people in both the school and in more public settings. Politics affect how much money is given to the arts and if the school is not art-rich, they may suffer and have a poorly funded arts program. The arts provide cognitive, health, and social benefits that can help kids learn and can also help those who participate in community programs. Students who participate in art, music, theater, or …

Appalachian Folk Music In The High School General Music Class, Caitlin Jayne Hetland

Masters Theses

Murder ballads have been a part of the musical traditions of America since the 1700s, when their source materials were brought from Scandinavia, England, and Scotland. Ballads like “Omie Wise,” “Pretty Polly,” and “The Ballad of Tom Dooley” have been recorded by a variety of artists, and still draw new listeners for commercial success. Despite their historic presence in American music, murder ballads are not often included in the school music curriculum. The content is not always appropriate for elementary or middle school students, but high school students are better equipped to deal with the themes and can often be …

Is Parental Support Necessary For Children’S Piano Learning And What Implications Can Piano Teachers Take Away From This Finding?, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Chopin's Musical Elements, Kaitlyn Collier

Masters Theses

Frederic Chopin composed many great piano works that musicians have enjoyed and studied since the Romantic Era. These pieces continue to be performed around the world. This research focuses on specific aspects of selections of Chopin’s literature, and how those aspects can be taught to those unfamiliar with his works. The goal is to teach others to appreciate his works. The research problem investigated in this study is to determine the melodic qualities of the pianistic texture in Chopin’s solo piano works that are identifiable by theoretical analysis and public performance. The methodology used in this study will be score …

Music Of The World: From Jazz To Hip-Hop, Michael Young

Masters Theses

In this ever-changing world of popular music, we grasp hold of what we enjoy or have delight in. In this document we discuss the highlights of music from the early Jazz era to Hip-hop music in the 21st century. Within general music education we are shifting from the traditional class setting-from where the teacher is imparting knowledge to students to the students teaching students. The classroom instructor is now a facilitator. A new and exciting way for this to happen is through music and popular musics, or music that was deemed popular. Music education-based curricular materials can illustrate the social, …

A Case Study Of Classically Trained Singers In Pop Singing, Norfazrina Mohd Gani

Student Works (2020-2029)

In general, this study was conducted to discuss about a classically trained singers in pop singing among professional singers in Malaysia. Therefore, this study is limited only to classically trained singers in singing modern pop’s genre based on vocal techniques and vocal health. The respondents consisted of 5 Malaysian singers who are well trained classically and have experienced in both education and music industry singing pop songs. As a classically trained singer, this study employed narrative inquiry focusing on their life experience using their vocal techniques that they have mastered and to prove that classically trained singers can deliver pop …

Composing Irishness: Remembrances Of The Irish Past Through The Prism Of The Present In Music By Donnacha Dennehy (B. 1970) And Jennifer Walshe (B. 1974), Timothy Diovanni

Masters

Although modern remembrances in the fields of literature, theatre, poetry, and the visual arts have received considerable scholarly attention in Ireland since the publication of History and Memory in Modern Ireland in 2001, similar activities in an Irish art music context remain unexplored. This thesis addresses this lacuna in examining how the contemporary Irish composers Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) have remembered, reimagined, and reinvented the past to communicate their positions on Irish history and modern Irish society, as well as to respond to recent historical and curatorial practices. Through a series of five works written …

Exploring Strategies For Optimal Student Engagement Within A Blended Learning Model, Peter Repp

Theses

This project asks how percussion student engagement might be optimized through the integration of a blended course format. Using the “practical action research” methodology, various strategies for increasing student engagement were researched and implemented. The research focused on three components of student engagement, including: 1.) cognitive investment, 2.) active participation, and 3.) emotional commitment. As a result, an innovative percussion curriculum was created which provided significantly increased opportunity for teachers to focus on these factors by utilizing a blended model of instruction.

Responsive Classroom Approach (Rca) In Music Classrooms To Acknowledge And Cultivate Diversity: A Curriculum, Carley Pelella

Masters Theses

In present day America, there is a growing need for educators to acknowledge diversity and create a safe learning environment for all students. Students should feel safe, welcomed, and free to express themselves in any classroom. While there are many social emotional learning (SEL) strategies to support building this atmosphere, for over 40 years the Responsive Classroom Approach (RCA) has made a significant impact on the culture of classrooms across America. By fostering an environment to “build academic and social-emotional competencies every day,” RCA provides teachers a tool to promote relationship building within their school populations. However, with a rapidly …

Catering Group Piano Curriculum For The Music Educators Of The Next Generation, Chee Hyeon Choi Dr.

Journal of the Association for Technology in Music Instruction

Advances in consumer technology have drastically changed the ways students access and appreciate music. As a result, teaching materials in group piano curriculum have become quickly outdated. Students no longer recognize folk tunes that have been sung or used for harmonization exercises; they prefer to listen and play music on their playlist stored in their mobile devices. Although pedagogical principles and objectives should persist over time, teaching methodologies and materials should continuously be updated to increase students’ engagement in learning. The newer generation of students favor classes that are more practical, satisfy their personal interests, and meet their degree program …

Instructor Perspectives And Jazz-Related Courses For Undergraduate Music Majors At Nasm Accredited Colleges And Universities, David Carter

Dissertations

ABSTRACT

The purpose of this study was to describe instructor perspectives and curricular content of jazz courses within undergraduate instrumental music education programs at selected colleges and universities accredited by the National Association of Schools of Music (NASM). Respondents (N = 69), comprised of music department chairpersons or suitable jazz education music faculty, answered 16 Likert-type and open-ended content questions that asked about jazz-related course offerings and faculty member perspectives. Likert-type items allowed participants to indicate their level of importance ranging from Not Important (1) to Absolutely Essential (10) and level of agreement ranging from Strongly Disagree (1) to …