Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Music Performance (1425)
- Music Theory (1166)
- Music Practice (1067)
- Music Pedagogy (1040)
- Musicology (985)
-
- Music Education (956)
- History (856)
- Ethnomusicology (845)
- Fine Arts (774)
- Religion (765)
- Liturgy and Worship (739)
- Other Music (192)
- Education (137)
- United States History (113)
- Online and Distance Education (82)
- Teacher Education and Professional Development (67)
- Social and Behavioral Sciences (62)
- Audio Arts and Acoustics (52)
- Physical Sciences and Mathematics (52)
- Art and Design (47)
- Film and Media Studies (46)
- Theatre and Performance Studies (32)
- Computer Sciences (27)
- Interdisciplinary Arts and Media (27)
- Christianity (25)
- Creative Writing (23)
- Other Film and Media Studies (22)
- Institution
-
- Gardner-Webb University (883)
- Butler University (524)
- University of Texas at Arlington (227)
- City University of New York (CUNY) (105)
- Columbia College Chicago (95)
-
- Western Michigan University (90)
- University of Texas at El Paso (63)
- University of Nebraska - Lincoln (59)
- Louisiana State University (56)
- Stephen F. Austin State University (51)
- Illinois Wesleyan University (47)
- University of Kentucky (45)
- Southern Methodist University (42)
- The University of Southern Mississippi (41)
- Belmont University (39)
- Edith Cowan University (39)
- Central Washington University (32)
- Western Kentucky University (31)
- University of Louisville (28)
- Santa Clara University (27)
- University of Denver (27)
- University of Tennessee, Knoxville (26)
- Marshall University (25)
- Technological University Dublin (25)
- Lincoln Memorial University (24)
- Liberty University (23)
- James Madison University (21)
- Lynn University (20)
- SAE Institute Australasia (20)
- University of Arkansas, Fayetteville (20)
- Keyword
-
- Choir (519)
- Chorus (503)
- Choral music (501)
- Music (392)
- Colla voce (291)
-
- Sheet music (232)
- Musical composition (228)
- Composition (220)
- Vocal arrangements (206)
- Henry Leck Choral Series (199)
- Colla Voce (195)
- Piano (191)
- James mulholland choral series (167)
- Henry leck choral series (96)
- Christmas issue (72)
- Voice (66)
- Methods (Music) (64)
- Children's choir (63)
- Music composition (60)
- Piano music (52)
- Beethoven (51)
- Orchestra (49)
- Satb (49)
- Jazz (44)
- Scores (42)
- Chopin (40)
- Notated music (40)
- Performance (40)
- Liszt (38)
- Opera (38)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (880)
- Music Faculty Scores (496)
- Popular Sheet Music of the 1900s-Archive (225)
- Electronic Theses and Dissertations (77)
- Masters Theses (68)
-
- Selected Works Temporary Series (62)
- Theses and Dissertations--Music (44)
- Dissertations, Theses, and Capstone Projects (43)
- LSU Doctoral Dissertations (43)
- Theses and Dissertations (42)
- Emmanuel Dubois Compositions (41)
- Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances (39)
- Compositions (37)
- Dissertations (37)
- Piano Courses (32)
- Violin Courses (32)
- Music (31)
- Bridwell Library Research (29)
- All Master's Theses (28)
- Publications and Research (28)
- Composition/Recording Projects (27)
- Graduate Thesis Collection (27)
- ALLM: Civil War Sheet Music Collection (24)
- Theses : Honours (21)
- New Music Festival (20)
- Journal of the Association for Technology in Music Instruction (19)
- Senior Honors Theses (18)
- Capstone Projects and Master's Theses (16)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (16)
- Graduate Theses and Dissertations (15)
- Publication Type
- File Type
Articles 901 - 930 of 3297
Full-Text Articles in Composition
We Need A Church That's Inside-Out, Heather Josselyn-Cranson
We Need A Church That's Inside-Out, Heather Josselyn-Cranson
Northwestern Review
This hymn gives voice to one frustration that many Christians feel: a despair over watching Christian factions argue about doctrine while the poor suffer outside of church walls. This hymn calls us to see the self-obsession which prevents us from attending to those in need (first stanza), confess our neglect of Jesus' mandate to care for others (second stanza), and turn away from the distractions of petty bickering toward the expression of Christ's peace, grace, and love to all those outside the church (third stanza).
Days Will Come That Sap Our Vigor, Heather Josselyn-Cranson
Days Will Come That Sap Our Vigor, Heather Josselyn-Cranson
Northwestern Review
"Days Will Come that Sap our Vigor" speaks encouragement to individuals and congregations in the face of exhaustion (the first stanza), depression (the second stanza), and even death (the last stanza). In each case, God restores to us strength, hope, and life. The tune for this text, FALLS PARK, alludes to the fact that the author wrote the hymn text after visiting Falls Park in Sioux Falls, South Dakota.
Jonathan Green, Charlie Schlenker
Jonathan Green, Charlie Schlenker
Interviews for WGLT
Charlie Schlenker from WGLT interviews IWU Provost Jonathan Green. A January 2016 recital at Illinois Wesleyan featured several original pieces composed by Provost Green.
See WGLT for more information about the interview. A transcript of this interview can be found by clicking the download link above and to the right of this page.
Te Deum, Anthony Elia
Te Deum, Anthony Elia
Bridwell Library Research
Te Deum--87pp.
Introductory note: "The text of Te Deum has been set to music by many composers. The Latin text 'Te Deum laudames: te Dominum confitemur' begins the work, translated as 'We praise you, O God: we acknowledge you to be the Lord.' The writing of this work was inspired initially by the work of Arvo Pärt, whose setting I find to be one of the most beautiful. I share in the admiration of Pärt's music and his contribution to the genre of sacred choral writing with my friend and colleague Dr. Robert Saler, who has promoted Pärt's work with …
Fanfare And Metamorphoses For Double Trombone Quartet Or Ensemble, Wes Flinn
Fanfare And Metamorphoses For Double Trombone Quartet Or Ensemble, Wes Flinn
Music Publications
Fanfare and Metamorphoses was commissioned by Andrew Glendening for the California Honors Collegiate Trombone Choir’s performance at the 2017 International Trombone Festival in Redlands, CA.
Frederick May's Symphonic Ballad, Mark Fitzgerald
Frederick May's Symphonic Ballad, Mark Fitzgerald
Compositions/Arrangements
Originally entitled Sinfonietta, the Symphonic Ballad was composed for the Belfast Wireless Symphony Orchestra (later the BBC Northern Ireland Orchestra). The premiere was conducted by E Godfrey Brown on 30 August 1937. A second performance with, reduced forces, was given in a Radio Éireann broadcast on 4 September 1941 by the RÉ Orchestra conducted by Michael Bowles. At some point after this, the score of the work was mislaid and its current whereabouts is unknown. The reconstruction was made from the orchestral parts used in the 1941 performance, which are housed in the Trinity College Manuscripts and Archives Research Library. …
Frederick May Songs, Mark Fitzgerald
Frederick May Songs, Mark Fitzgerald
Compositions/Arrangements
This volume gathers together Frederick May's surviving songs in a new performing edition with a commentary by the editor. Individual string parts for the Four Romantic Songs are available from the editor.
Tu Lo Sai | 10-96190, James Q. Mulholland
Tu Lo Sai | 10-96190, James Q. Mulholland
Music Faculty Scores
Tu Lo Sai
Part Number: 10-96190
Price: $1.80
Voicing: TTBB
Transcription By: Piero Floridia
Music By: Giuseppe Torelli
Arranged By: James Q. Mulholland
Commissioned by the "Singing Statesmen"University of Wisconsin-Eau ClaireGary Schwartkoff, director
And I Will Sing A Lullaby | 20-95750, Robert I. Hugh, Henry Leck
And I Will Sing A Lullaby | 20-95750, Robert I. Hugh, Henry Leck
Music Faculty Scores
And I Will Sing a Lullaby
Part Number: 20-95750
Price: $1.85
Voicing: Two-Part Treble
Lyrics By: William Blake & Thomas Dekker
Music By: Robert I. Hugh
Edited By: Henry Leck
Featured at:2016 TCDA Convention2016 KCDA Summer Conference
Branch Of May, A - Ttbb | 41-96550, James Q. Mulholland
Branch Of May, A - Ttbb | 41-96550, James Q. Mulholland
Music Faculty Scores
A Branch of May (I Brought You Here)
Part Number: 41-96550
Voicing: TTBB
Lyrics By: Tradition May-Day Song
Music By: James Q. Mulholland
Branch Of May, A - Satb | 10-96020, James Q. Mulholland
Branch Of May, A - Satb | 10-96020, James Q. Mulholland
Music Faculty Scores
A Branch of May (I Brought You Here)
Part Number: 10-96020
Voicing: SATB & Treble
Lyrics By: Tradition May-Day Song
Music By: James Q. Mulholland
Pós-Tudos, Bruno Ruviaro
Pós-Tudos, Bruno Ruviaro
Music
“Pós-tudo” is the name of a Brazilian concrete poem from 1984 by Augusto de Campos. A more or less literal translation would be: “I wanted to change everything / I changed everything / Now, post-everything / Ex-everything (I study) / I change (mute).” The last two lines have double meaning in Portuguese, shown in parentheses in the translation.
I borrow the word “pós-tudo” from this poem to name my first collection of piano études. An étude (“study” in French, “estudo” in Portuguese) is typically a short composition designed to improve the skills of a performer by isolating and exploring a …
Winter Wood: Melodies For Soprano And Harp, Emmanuel M. Dubois
Winter Wood: Melodies For Soprano And Harp, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 49 : 1 score (ix + 26 pages) ; includes three Russian poems by I. Bunin, F. Tyutchev, Y. Petrachuk, poem translations, and composer's introduction.
"Russian writers are known for their beauty and severity, and their celebration in poetry, literature, music and films is legendary. The beautiful legend of the Snow-maiden - Snegurochka - sublimely put in opera by Rimsky-Korsakov, evokes the renewal of life in springtime and the end of life in winter without violence, without sense of loss. It is quite remarkable in comparison with the thirst of violence in so much of the world. It is …
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Gettysburg College Faculty Books
Machito (Francisco Raúl Grillo, 1909–1984) was born into a musical family in Havana, Cuba, and was already an experienced vocalist when he arrived in New York City in 1937. In 1940 he teamed up with his brother-in-law, the Cuban trumpeter Mario Bauzá (1911–1993), who had already made a name for himself with top African American swing bands such as those of Chick Webb and Cab Calloway. Together, Machito and Bauzá formed Machito and his Afro-Cubans. With Bauzá as musical director, the band forged vital pan-African connections by fusing Afro-Cuban rhythms with modern jazz and by collaborating with major figures in …
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner
Faculty Journal Articles
In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s everyday reality and his life as a member of the reality TV show. However, keeping in mind Guy Debord’s seminal work The Society of the Spectacle and …
Silence For Orchestra: Incorporating Silence In Musical Language Through Theories Of Expectation, Kari Darby
Silence For Orchestra: Incorporating Silence In Musical Language Through Theories Of Expectation, Kari Darby
Masters Theses
The purpose of Silence: for Orchestra is to incorporate silence as a captivating source of musical language. Silence's goal is to encourage the audience to appreciate silence as musch as music. David Huron's research in musical expectations served as a guide to create a piece that develops, contradicts, and conforms to a listener's expectations. Elizabeth Hellmuth Margulis's work describes five functions of silence found in music. These functions can be applied to the silences used in my piece in order to further conform to the listener's expectations.
Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks
Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks
Senior Honors Theses
The Irish music tradition has a rich heritage ranging from ancient ballads to nineteenth-century dances. One area of Irish music, a subset of Celtic music in general, that has been somewhat underrepresented in modern times is Irish choral music. Scripturally-based choral singing has been part of the Irish tradition ever since medieval monks began Christianizing the Celts. Today, several choral groups in Ireland are working to revive the art of Celtic choral singing. This collection, presenting psalms set to choral music in the Irish style, is one modern composer’s endeavor to join the Irish choral genre, incorporating traditional harmonic elements …
One Thousand North, Amber Beams
Composing/Arranging Familiar Songs In Choir With Garageband, Brent C. Talbot
Composing/Arranging Familiar Songs In Choir With Garageband, Brent C. Talbot
Sunderman Conservatory of Music Faculty Publications
This practical multi-stage project description demonstrates to teachers how they can engage students in arranging and composing music related to the choral curriculum by using Digital Audio Workstations (DAW) like GarageBand.
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Undergraduate Honors Theses
In this creative thesis, I compose and perform a six movement art composition for tuba and piano. The reason for this performance and composition is two-fold. First, I am able to express myself in a way that other methods do not allow. Second, I reinforce important skills that will be vital in my future teaching career. To create the composition, I use various compositional methods, but I mainly adjust the composition by listening to it using piano and online compositional software. Preparing the composition for performance requires that I practice for multiple hours and find an accompanist who will perform …
Eight Ten, Delaney Walsh
Eight Ten, Delaney Walsh
A with Honors Projects
For this honors project, the student composed an original piece for piano accompanied with a reflection paper on the composition process.
Theseus And The Minotaur, Ben Lutterbach
Theseus And The Minotaur, Ben Lutterbach
Graduate Thesis Collection
Theseus and the Minotaur is a four movement, through-composed chamber work for flute, clarinet, violin, viola, cello, and double bass. The work explores elements of fear, chaos, love, and aggression.
Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson
Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson
Theses and Dissertations--Music
Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.
The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Theses and Dissertations--Music
Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.
As a young boy Alarcón took up piano lessons with a …
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Theses and Dissertations--Music
My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.
The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …
Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins
Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins
Theses and Dissertations--Music
An original composition in five movements for string quartet, percussion and electric guitar. Majority of the electric guitar parts are marked “quasi-improvisation”, with the intent of allowing the player freedom to explore their own creativity and expand upon the notated guitar parts as desired. The percussion parts, also marked “quasi-improvisation”, allow the player to expand upon the notated rhythms and choose their own combination of muted wood blocks as desired.
The name of this piece and its individual movements pay homage to the author Steven King and his series of books known as the The Dark Tower. Much of …
Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Compositions And Arrangements By Josh Hakanson, Josh Hakanson
Dissertations and Theses @ UNI
This recital is presented to demonstrate skills and competencies on the rhythm section instruments piano, bass, and drums, as well as showcase compositions and arrangements by the recitalist. The study of the rhythm section instruments has been a valuable asset to my teaching and allowed me to expand my knowledge of how these instruments are used in a functional jazz context. The study of jazz composition and arranging techniques has also supplemented my teaching skills and given me the satisfaction of both writing and performing my own works. Though this recital is not a comprehensive overview of my study at …
Music Composition, Spencer Snyder
Uisce: Compositional Explorations For Various Ensembles, James May
Uisce: Compositional Explorations For Various Ensembles, James May
Senior Independent Study Theses
No abstract provided.
Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson
Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson
Dissertations and Theses @ UNI
The recital described in this abstract is the result of an active engagement with friends and acquaintances in artistic fields—students and teachers, performers, composers, and audience members, authors, poets, and painters. Some of the pieces included are abstract, in that they are neither programmatic nor texted, but every piece is, in another sense, concrete, because my music is a representation of the creative intelligences of a community, which together produce something real and embodied. My music is intended to be a centerpiece for interaction, a means of connecting with and understanding one another in a way that is perhaps unique …