Composition Commons^™

The American Homophilic School Of Composition, Rik Noyce

UNLV Theses, Dissertations, Professional Papers, and Capstones

A small enclave of gay composers in New York, led by Aaron Copland (1900-1990) and Virgil Thomson (1896-1989), established a distinct twentieth-century musical sound that became synonymous with America. Copland and Thomson were prominent among a group of gifted gay musicians and conductors in New York in the 1930s, 40s and 50s. While perhaps not self-identifying as gay, as the term had not yet been coined, they did however acknowledge, honor, and support one another's lives as being homosexual. Is it possible that something as seemingly unrelated as sexual preference could, in fact, impact a musical style?

In this document, …

Clarinet Performance Practices For Alberto Ginastera's "Variaciones Concertantes": Solutions For Orchestral Auditions And Performances, Thomas James Kmiecik

UNLV Theses, Dissertations, Professional Papers, and Capstones

The principal clarinet part of Alberto Ginastera's Variaciones concertantes (1953) requires the performer to execute a number of exposed passages that are considered impractical by many clarinetists as published. The Boosey & Hawkes edition of Variaciones concertantes was published for the B-flat clarinet. On account of this clarinet choice, the part exceeds the traditional upper range of the instrument in the third variation (Variazione in modo di Scherzo per Clarinetto ). Moreover, it requires very awkward fingering patterns in passages because they are written in the Phrygian mode of C-sharp. To avoid some of these technical obstacles, many professional …

2011-2012 New Music Festival, Thomas Mckinley, Lisa Leonard

New Music Festival

Sixth Annual New Music Festival

• Thomas McKinley, Composer-in-Residence
• Lisa Leonard, Director

Monday, November 7, 2011 at 7:30 pm

• Spotlight: Young Composers

Wednesday, November 9, 2011 at 7:30 pm

• Contemporary Forum

Thursday, November 10, 2011 at 7:30 pm

• Spotlight 2: Thomas McKinley

Commissioned Work

Double Visions for Clarinet, Violin, Cello & Piano by Thomas Lawrence McKinley. The full score is displayed in the Creative Works collection.

Solo Composition Recital (October 14, 2011), Dominic Dousa

Selected Works Temporary Series

Faculty Compositon Recital, presented by Gregory Luffey (soprano saxophone, UTEP), Melissa Colgin-Abeln (flute, UTEP), Mark Schuppener (violin, UTEP), and Dominic Dousa (piano). Performances of the following original compositions: "A View from Within" "Two Pieces for Flute and Piano" "Sonata for Violin and Piano"

Fugue In A Minor, Ryan A. Stones

Student Publications

"Fugue in A Minor" was composed during the Fall 2011 section of "Counterpoint and Composition" offered at the Sunderman Conservatory of Music at Gettysburg College. The piece is composed in the style of J. S. Bach's fugues in his famous collection of solo keyboard music called The Well-Tempered Clavier. "Fugue in A Minor" is a four part fugue, featuring a traditional exposition, followed by a development section including sequences and fugue subject entries, and concluding with a recapitulation of the initial fugue material and a coda.

Marshall University Department Of Music Presents A Senior Composition Recital - Chris Miller, Live Electronics, Chris Miller

All Performances

No abstract provided.

The Life And Selected Piano Works Of David Burge, Mary Chung

Dissertations

Although David Burge is recognized as one of the most important American pianists dedicated to contemporary music in the twentieth century, little is known about his contributions as a pedagogue, lecturer, writer, novelist, and, especially, as a composer. This biographical study focuses on three of his piano compositions: Second Sonata, Eclipse II, and Go-Hyang. Each work represents one of three distinct compositional periods: the first reflects the influence of Prokofiev and features characteristics of the neoclassicism; the second marks a turn to experimentalism, atonality, and serialism; and the final indicates the return to a more traditional style that makes use …

Multiple Media Outlets For Composition, Bethany A. Ciullo

Honors Scholar Theses

Through integrating different forms of media, the creator is able to give their audience a unique, multi-sensory experience. In my honors thesis, I concentrated on combining sight and sound as a communication tool and to further engage the observer.

The first type of media I chose to include was original solo instrument, voice, and piano songbooks focusing on lyrical playing for student and amateur musicians. I have also created audio realizations of the songs through Finale, which I then organized into CDs with the intention that the musician could understand how the music sounds before practicing. I combined the visual …

The Tardy Recognition Of J.S. Bach's Sonatas And Partitas For Violin Solo, Di Su

Publications and Research

J. S. Bach’s Sonatas and Partitas for Violin Solo (BWV 1001-1006) are among the most important masterpieces in the literature of violin music. They are included in standard repertoire for serious violin students; they are frequently performed in solo recitals; they are recorded by numerous virtuosi; and they are required in major violin competitions. The vast amount of editions also indicates the importance of the works. In Edlund’s catalogue, one finds as many as seventy-seven editions ranging from Simrock (1802) to Henle (1987)

However, the Solos did not enjoy such a prominent status in Bach’s own time and even in …

New Horizons: A Folk Song Cycle, Chris Cresswell

Renée Crown University Honors Thesis Projects - All

The purpose of the project was to create a piece of music that transcended musical genres and told the story of my coming of age in the first decade of the 21st century. The work featured both original text and original music and culminates in a live performance of the work.

I wanted to tell a story. More specifically, I wanted to tell my story. The story of coming of age in the 21st century. I was 11 in the year 2000, I was 21 in 2010. My formative years correlate directly with the formative years of the 21st century. …

Helen: An Opera In One Act, Garrett Hope

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Helen is a one-act opera that tells the story of a woman whose husband would later betray her trust and love. It begins with her debut as an eligible young woman and ends with the husband’s demise. Through the course of the story it becomes apparent that her husband is both verbally and physically abusive as well as unfaithful to her. In the end her situation is redeemed through his death because his bacchanalian behavior resulted in his fatal sickness.

The opera is a retelling of a portion of The Tenant of Wildfell Hall by Anne Brontë, which was adapted …

Possibilities For Tuba Quartet/Ensemble And Percussion, Anthony J. Burnham

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Possibilities for Tuba Quartet/Ensemble and Percussion is an exploration of the possibilities and potential that such an ensemble contains. The piece is set in sevencontrasting movements, each of which highlight, showcase, and challenge different members of the ensemble. Knowing that music for such a group is limited in quantity and scope, this piece has been written to fill a void in the repertoire for both the low brass and percussion families while allowing them an opportunity to collaborate on a level rarely seen. This piece presents a very unique and fun experience for performers and listeners alike.

David Maslanka's Desert Roads, Four Songs For Clarinet And Wind Ensemble: An Analysis And Performer's Guide, Joshua R. Mietz

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Known primarily as a composer for the wind band, few American composers have received the notoriety and widespread acclaim that David Maslanka has since 1970. His works for wind ensemble are now considered standard repertoire and are played frequently by high school, college-level, and professional ensembles alike. Additionally, his works for chamber groups and soloists have continued to gain in popularity.  As of the writing of this document, Maslanka has composed concertos for saxophone, euphonium, flute, marimba, trombone, and piano.  Early in 2005, he completed his first large-scale work for solo clarinet with wind ensemble accompaniment:  Desert Roads.  Desert …

Mitificar Con Los Escombros De Las Desmitificacions, Marianella P. Machado

Languages, Cultures, and Humanities Faculty and Staff Research

En el onton de 1996, asisti a un seminario sobre Antonio Buero Vallejo, dictado por Patricia O'Connor en la Universidad de Cincinnati. Al final de una de las sesions del seminario, O'connor me dio un ejemplar de Mito: libro para una opera, obra escrita por Buero en 1967.

Incomplete (Six), Joshua Burel

Masters Theses

Incomplete (six) is comprised of six short movements written for full orchestra. Each movement depicts a different idea as it relates to the number six. In biblical numerology the number six represents incompletion and shortcoming while seven signifies completeness and fulfillment. Six therefore cannot be complete without the addition of one to make seven. The number six is commonly used to represent man since he was created on the sixth day of creation while the number one represents God as the one true God. The numbers six and one work together to identify the reality that man is only made …

Symposium Of Contemporary Music, 2011, School Of Music

Programs

Presented by the Illinois Wesleyan University School of Music February 3-4, 2011. Featured guests from the Sichuan Conservatory of Music: Yang Xiaozhong, Song Mingzhu, and Zhou Tianli.

2010-2011 New Music Festival, Gunther Schuller, Lisa Leonard

New Music Festival

Fifth Annual New Music Festival

• Gunther Schuller, Artist-in-Residence
• Lisa Leonard, Director

Tuesday, January 25, 2011 at 7:30 pm

• Defining Modernism: Faculty Favorites

Wednesday, January 26, 2011 at 7:30 pm

• Spotlight: Young Composers

Thursday, January 27, 2011 at 7:30 pm

• Contemporary Forum: Schuller Masterclass

El Concepto De Textura Musical Aplicado A La Poesia Contemporanea, Marianella P. Machado

Languages, Cultures, and Humanities Faculty and Staff Research

La palabra textura generalmente es usada para describir percepciones tactiles, visuales y auditivas. La textura tactil se percibe al tocar la superficie de un objeto y sentir su aspereza o suavidad.

How Can I Keep From Singing? Ttbb | 10-96140, James Q. Mulholland

Music Faculty Scores

How Can I Keep From Singing? TTBB

Part Number:
10-96140

Price:
$1.85

Voicing:
TTBB

Arranged By:
James Q. Mulholland

Men's Chorus version for the Male Chorus of the First Baptist Church of Hamilton Park
John Sherow-Tatum, Director

One Last Song | 10-96090, James Q. Mulholland

Music Faculty Scores

One Last Song (And Then We Part)

Part Number:
10-96090

Price:
$1.80

Voicing:
SSAA

Lyrics By:
William Loughlin

Music By:
James Q. Mulholland

Commissioned by the Oklahoma Choral Directors Association for the 2012 All-OMEA Women's Choir