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Articles 1261 - 1290 of 3296
Full-Text Articles in Composition
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Dissertations
This document presents a detailed performance and pedagogical analysis of the Estudios Sencillos by the Cuban composer, Leo Brouwer. Such pertinent musical aspects as biographical data of the composer, Afro-Cuban traditions, Cuban composers, and philosophical and artistic trends that impacted Brouwer's aesthetic world are studied and discussed.
Virtually any of Brouwer's works can serve to convey this information, but it is particularly this group of pieces that better suits the study of Afro-Cuban elements within a pedagogical focus since no other of Brouwer's compositions is set with this particular target in mind: etudes for the development and/or implementation of a …
2008-2009 New Music Festival, Joseph Turrin, Lisa Leonard
2008-2009 New Music Festival, Joseph Turrin, Lisa Leonard
New Music Festival
Third Annual New Music Festival
- Joseph Turrin, Composer-in-Residence
- Lisa Leonard, Director
Thursday, April 23, 2009 at 7:30 pm
- Opening Night Faculty Concert
- Venue: Amarnick-Goldstein Concert Hall
Friday, April 24, 2009 at 7:30 pm
- Forum (Panel: Kenneth Amis, Thomas McKinley, Joseph Turrin ; Mediator: Lisa Leonard)
- Venue: Amarnick-Goldstein Concert Hall
Sunday, April 26, 2009 at 4:00 pm
- Young Composers
- Venue: Amarnick-Goldstein Concert Hall
Monday, April 27, 2009 at 7:30 pm
- Joseph Turrin Spotlight
- Venue: Louis and Anne Green Center for the Expressive Arts
Commissioned Work
Joseph Turrin, the composer-in-residence, composed a musical work called, Chamber Symphony, for this festival. In …
Fifth Wheel For Jazz Band, Ian C. Boswell
Fifth Wheel For Jazz Band, Ian C. Boswell
Music Honors Projects
Fifth Wheel is a composition written for Macalester's jazz band that uses form and extended tonality to create an emotional narrative. It contains elements of both classical and jazz traditions: its form and unusual meter (5/4) from the former and improvisation and jazz harmony from the latter. Writing harmonies in an extended tonal language was of particular importance in this piece's creation.
"Hymn Of Trust" For Satb Choir And Piano, Dominic Dousa
"Hymn Of Trust" For Satb Choir And Piano, Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.
"Mountain Song" For Viola And Piano (Lubbock, Tx), Dominic Dousa
"Mountain Song" For Viola And Piano (Lubbock, Tx), Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by Renee Skerik (viola, Texas Tech University) and Susan Wass (piano, Texas Tech University).
Recital, Utep Faculty Recital Series (April 4, 2009), Dominic Dousa
Recital, Utep Faculty Recital Series (April 4, 2009), Dominic Dousa
Selected Works Temporary Series
A faculty recital presentation by Melissa Colgin-Abeln (flute), Orit Eylon (mezzo soprano), Michael Way (graduate student, cello) and Dominic Dousa (piano).
Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner
Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner
Senior Honors Theses
This thesis is a guide to understanding and performing Mark Camphouse’s composition, To Build A Fire. The thesis includes a biography of Jack London and a literary analysis of London’s short story “To Build A Fire,” upon which the composition is based. Musical analysis of the Camphouse composition, rehearsal considerations, and performance considerations are also discussed. The literary analysis provides background for the composition and a starting platform for the musical analysis. The musical analysis parallels the composition with the short story. This analysis also provides some technical considerations of the instrumental parts. The rehearsal considerations include a rehearsal plan, …
The Flute Through Time: A Senior Recital, Teresa Powell
The Flute Through Time: A Senior Recital, Teresa Powell
Undergraduate Research Conference
The flute is a wind instrument of ancient origin formerly made of wood but now of silver and other metals. It is one of the first wind instruments to have published works. Music for the modern flute spans from the early Baroque era through history, and is still being written to this day.
Twentieth Century Saxophone With A Touch Of Baroque, Sesha Wallace
Twentieth Century Saxophone With A Touch Of Baroque, Sesha Wallace
Undergraduate Research Conference
The saxophone has progressed immensely since its invention in 1846 by the Belgian musician instrument designer, Adolphe Sax. This fairly new addition to the musical world has developed over the years into an extremely versatile instrument capable of being used in a wide range of musical settings, anything from classical to jazz to rock and roll. Throughout the Twentieth Century, the saxophone has seen an enormous growth in contemporary repertoire. Advanced techniques have become widely accepted as part of this new output and a variety of musical outlets have opened saxophonists worldwide. The pieces in this study illustrate some of …
"Mountain Song" For Viola And Piano (Cleveland, Oh), Dominic Dousa
"Mountain Song" For Viola And Piano (Cleveland, Oh), Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by Renee Skerik (viola, Texas Tech University) and James Housman (piano, Oberlin College).
Solo Composition Recital (February 17, 2009), Dominic Dousa
Solo Composition Recital (February 17, 2009), Dominic Dousa
Selected Works Temporary Series
Faculty Compositon Recital, presented by Renee Skerik (viola, guest artist from Texas Tech University), the Texas Tech University Viola Choir, and Dominic Dousa (piano). Also included performance of Milhaud's "Sonata No. 1 for Viola and Piano". Performances of the following original compositions: "Mountain Song" "Two Pieces for Viola Choir" Sonata for Viola and Piano, 'From a Land Wild and Free'
"Evocations From The Plains" For Piano Quintet (El Paso, National Chamber Music Fesitval), Dominic Dousa
"Evocations From The Plains" For Piano Quintet (El Paso, National Chamber Music Fesitval), Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by the Biava String Quartet and Doris Stevenson (piano).
Microtonality As An Expressive Device: An Approach For The Contemporary Saxophonist, Seán Mac Erlaine
Microtonality As An Expressive Device: An Approach For The Contemporary Saxophonist, Seán Mac Erlaine
Dissertations
This dissertation provides a critical examination of the use of microtonality as an expressive tool for the improvising saxophonist and offers a new method for quarter-tone production drawing on cultural references from European art music, Arabic Maqam and Contemporary Jazz. The thesis is underpinned by an historical, musicological analysis of tuning systems and theory necessary for the performer of microtonal music. The dissertation is presented in three chapters. In Chapter One, a discussion of tuning theory and a history of temperament systems contextualises the current uses of equal temperament and extensions of it including the quarter-tone tempered system. Chapter Two …
Boz For Jazz Orchestra And Vocal, Esin Gunduz
Boz For Jazz Orchestra And Vocal, Esin Gunduz
Theses, Dissertations and Capstones
“Boz” means grey in Turkish and is a word that also connotes unclear or mixed substances or situations.
The source of all the pitch material in the piece is a tetrachord, that is, the first tetrachord of a Turkish makam “Sedaraban” (0145). The lines and the vertical sound in the brass and woodwind, the chords in the piano, the bass line are all produced form the transpositions of this same material. The name “Boz,” which means “grey” or “unclear” in Turkish, is supporting this idea. From the chords that the brass and woodwinds play, it is impossible to define which …
If Music Be The Food Of Love | 10-96240, James Q. Mulholland
If Music Be The Food Of Love | 10-96240, James Q. Mulholland
Music Faculty Scores
If Music Be The Food Of Love, for SATB Chorus with Violincello and Piano Accompaniment
Part Number: 10-96240
Price: $1.85
Voicing: SATB
Lyrics By: Henry Heveningham
Music By: James Q. Mulholland
Commissioned by the Wolf River Singers, Ben J. Legett, directorthrough the Choral Commissioning Project and a gift from Bob and Deb Cameron.in Memory of Edwin K. Dimes
Wi' A Hundred Pipers - Ttbb | 10-96270, James Q. Mulholland
Wi' A Hundred Pipers - Ttbb | 10-96270, James Q. Mulholland
Music Faculty Scores
Wi' A Hundred Pipers, From "Three Scottish Songs"
Part Number: 10-96270
Price: $1.75
Voicing: TTBB
Lyrics By: Lady Nairne (c. 1750)
Arranged By: James Q. Mulholland
Also Available:Loch Lomond;Caledonian's Air
In memory of: Christina Beth RossCommissioned by: Tampa Bay Children's ChorusAverill Summer, Founder/Director
Agnus Dei | 21-20507, Imant Raminsh
Agnus Dei | 21-20507, Imant Raminsh
Music Faculty Scores
Agnus Deifrom "Missa Brevis in C Minor"
Part Number: 21-20507
Previous Part Number: HL-507
Price: $1.85
Music By: Imant Raminsh
Voicing: SA
with opt. Oboe
Songs From Above | 20-95980, Andrea Ramsey
Songs From Above | 20-95980, Andrea Ramsey
Music Faculty Scores
Songs From Above1. Sky, 2. The Sun
Part Number: 20-95980
Price: $1.85
Voicing: SA
Lyrics By: Grace Nichols
Music By: Andrea Ramsey
Sketches Of Freshness: Six Miniature Character Pieces For Piano, Emmanuel M. Dubois
Sketches Of Freshness: Six Miniature Character Pieces For Piano, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 35 : 1 score (i + 7 pages)
Movements: 1. Thyme 2. Sage 3. Rosemary 4. Citronella 5. Lavender 6. Coriander
Unspell, Bruno Ruviaro
Unspell, Bruno Ruviaro
Music
Unspell, for voice and electronics, reflects my continuing interest in the musicality of speech. The “pre-text” for the composition is l’Attente (Waiting), by Roland Barthes, from the book Fragments d’un Discours Amoureux (Fragments from a Lover’s Discourse). Careful work on intonation and prosody is complemented by electronic sounds that function at times as accompaniment, at times as rhythmic or timbral counterpoint. Spoken language, to me, is always pregnant with music. I won’t say much more, hoping the piece will speak for itself.
How Do I Love Thee Satb | 13-96890, James Q. Mulholland
How Do I Love Thee Satb | 13-96890, James Q. Mulholland
Music Faculty Scores
How Do I Love Thee, For SATB Chorus, Soprano Solo, Piano, and Opt. Horn
Part Number: 13-96890
Previous Part Number:AMP0279
Price: $2.40
Voicing: SATB
Lyrics By: Elizabeth Barrett Browning (1806-1861) Sonnets XLIII XLIV
Music By: James Q. Mulholland
with Horn (part included)
How Do I Love Thee Ttbb | 13-96885, James Q. Mulholland
How Do I Love Thee Ttbb | 13-96885, James Q. Mulholland
Music Faculty Scores
How Do I Love Thee, For TTBB Chorus, Tenor Solo, Piano, and Opt. Horn
Part Number: 13-96885
Previous Part Number:AMP0149
Price: $2.40
Voicing: TTBB
Lyrics By: Elizabeth Barrett Browning (1806-1861) Sonnets XLIII XLIV
Music By: James Q. Mulholland
with Horn (part included)
She Walks In Beauty | 10-96230, James Q. Mulholland
She Walks In Beauty | 10-96230, James Q. Mulholland
Music Faculty Scores
She Walks In Beauty
Part Number: 10-96230
Price: $1.75
Voicing: SATB
Lyrics By: Lord Byron
Music By: James Q. Mulholland
a cappella
Commissioned by the Central Bucks High School-West Chamber ChoirDr. Jospeh Ohrt, conductor
Shake The Papaya Down | 21-20406, Ruth Dwyer, Judith Waller
Shake The Papaya Down | 21-20406, Ruth Dwyer, Judith Waller
Music Faculty Scores
Shake The Papaya DownCalypso Song
Part Number: 21-20406
Price: $1.85
Voicing: SAB
Arranged By: Ruth Dwyer & Judith Waller
Ua94/6/1 Student / Alumni Personal Papers Western Kentucky University Small Collections, Wku Archives
Ua94/6/1 Student / Alumni Personal Papers Western Kentucky University Small Collections, Wku Archives
WKU Archives Collection Inventories
Small collections of personal papers and oral histories relating to the Western Kentucky University.
A Symbolic Sonification Of L-Systems, Adam James Wilson
A Symbolic Sonification Of L-Systems, Adam James Wilson
Publications and Research
This paper describes a simple technique for the sonification of branching structures in plants. The example is intended to illustrate a qualitative definition of best practices for sonification aimed at the production of musical material. Visually manifest results of tree growth are modelled and subsequently mapped to pitch, time, and amplitude. Sample results are provided in symbolic music notation.
Flocking In The Time-Dissonance Plane, Adam James Wilson
Flocking In The Time-Dissonance Plane, Adam James Wilson
Publications and Research
This paper describes a technique for the sonification of an idealized model of the flocking behavior of birds, fish, and insects. Flocking agents are represented by pitches that move through time to produce chords of variable dissonance. The objective of each agent is to move toward more consonant chord formations with other agents. The output of the sonification is intended to provide material for use in musical composition.
Benediction (Score), Gary Smart
Benediction (Score), Gary Smart
Music Faculty Research and Scholarship
“Benediction” for solo violin (2009) was written for violinist Piotr Szlewczyk and his recording project “Violin Futura”. This short set of variations is based on the old southern hymn, “Part in Peace”.
Se Tu Mi Lassi (If You Leave Me) For Choir, Katherine Spencer
Se Tu Mi Lassi (If You Leave Me) For Choir, Katherine Spencer
Compositions
No abstract provided.
Kenny Wheeler: Melody, Harmony And Structure : An Analysis Of The Melodic, Harmonic And Structural Techniques In The Compositions Of Kenny Wheeler, And The Implementation Of Those Techniques Into The Authors Own Creative Process, Alice Humphries
Theses : Honours
Kenny Wheeler is a Canadian born trumpeter and composer who has gained the respect and admiration of musicians and critics alike for his distinct and beautiful compositions. Despite this acclaim, am extensive search of relevant literature has revealed very little academic study of his compositional technique. Through an analysis of the melodic, harmonic and structural techniques evident in selected compositions by Kenny Wheeler, this dissertation offers insight into what gives Wheeler's music its distinct sound. The influence of these techniques on the author's own creative work is discussed through an exegesis. The dissertation consists of three chapters. The first chapter …