Composition Commons^™

Outcast: A Compositional Interpretation Of Lgbtqia+ Members' Self Love Stories In Social Participation, Victor G. Garcia

DLSU Senior High School Research Congress

In history, it has been known to the world that the LGBT community has been facing challenges in this society, and where struggles occur, love must prevail. To numerically determine these 4 qualifying people, a behavioral survey was released for them to answer. The interpretation process was done by arranging the ideas from the interview transcription, planning the song themes ahead of time, and using creative figurative languages. After creating the songs, another survey was sent to the four participants for evaluation and subjective criticisms. Results show that all participants have agreed that the songs created can positively influence the …

A Poet's Voice: Music In Service To Poetry: Elements Of Text Painting In Juliana Hall's Song Cycle "How Do I Love Thee?", Hayley Z. Coughin

Dissertations, 2020-current

American composer Juliana Hall has established a reputation as one of the leading composers of contemporary American art songs, having composed over 60 song cycles, totaling over 300 works for the voice. Hall’s song cycle How Do I Love Thee? expresses a narrative arc told through five selections from Victorian-era poet Elizabeth Barrett Browning’s Sonnets from the Portuguese. The poems selected include Sonnet 3: “Unlike,” Sonnet 43: “How Do I Love Thee?,” Sonnet 37: “Pardon,” Sonnet 21: “Say Over,” and Sonnet 41: “Thank You.” Hall’s cycle describes the relationship between the lover and the object of their love, including …

Reborn: The Documentation And Processes Of A Fusion Project, Natalie Merrill

Composition/Recording Projects

Many musicians aim to create something new, fresh, unprecedented, unpredictable. They seek uniqueness, attempting to create a sound that will be traced back to their work as music history progresses. As they work to find their distinct voices, musicians spend years trying to find their right sound, hoping it will leave a legacy of music tied to their original creativity. Composition, when based on various musical influences, is an incredible tool for the musician because it can bring together styles – and more importantly, people and cultures – from all over the world. The chapters of this paper tell the …

On The Subject Of Loneliness., Isaac Raymond Smith

Electronic Theses and Dissertations

Loneliness has been experienced since ancient times, but all were made acutely aware of the need for social interaction during the long periods of lockdown during 2020 and 2021. on the subject of loneliness draws inspiration from a variety of texts which examine the complex effects of loneliness from emotional, scientific, and spiritual viewpoints. Redactions and rearrangements of these texts form a new narrative which does not always follow a linear form or work toward a clear goal. The speaker’s internal dialogue formed from the disparate texts reflects the impact of loneliness on the music itself; only in retrospect do …

The Last Straw For Mixed Ensemble And Electronis., Nicholas Hall

Electronic Theses and Dissertations

The Last Straw was composed for mixed ensemble and electronics. The main idea behind this piece is twofold: a) the treatment of the pitches, articulations, and dynamics shared between instruments and how they propagate out of phase closely resembles what I would have programed on various standalone synthesizer, and b) the processing itself is treated how I would manipulate various parameters on said synthesizers to achieve different sonic modulations. All instruments are amplified through a 4.1 sound system (4 loudspeakers and subwoofer) which is setup in a circle (see the performance layout page viii). Through processing via Max/MSP, the sound …

Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring

Composition/Recording Projects

This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …

Jeremy Lee In A Student Composers Recital, Jeremy Lee

Honors Thesis

This recital and collection of original sheet music represent the culminating work for senior Music major (Contemporary Styles and Practices concentration) Jeremy Lee at Loyola Marymount University. The program features a selection of musical compositions that encapsulate different styles, genres, and unique compositional devices. Pieces also utilize a variety of arrangements and mediums, including compositions for multiple instruments and for film. Program notes for the included selections describe the historical influences and/or the personal stories and inspirations behind each piece. Performed live on April 21^st, 2022, in Murphy Recital Hall.

The Sounds Of Home: A Composition Portfolio, Paul Gabriel L. Cosme

Music Honors Projects

What does home sound like? I have spent most of my recent life outside my homeland, the Philippines, especially during the Covid-19 pandemic, and this question of what home is has become a persistent thought, if not, a necessary inquiry. This composition portfolio attempts to answer that question in three varying pieces. The first, The Sounds of Home, is a string quartet in three movements where each one tells a personal story by invoking Filipino folk and indigenous themes. The second, Commuting in Manila, is a wind septet that sonically emulates the commuting experience in Manila from the …

A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part consists of a synthesis of contemporary music composition pedagogy practices for the undergraduate and graduate level sequences. A conversation of the study of music composition pedagogy is used to investigate current pedagogical practices in music composition and present those findings as a resource guide for new and future teachers. The second part presents an Exploration of Time, Sound, and Space, an Aleatoric Event Score Collaboration with the LSU Museum of Art. This event score is a product of the development of this dissertation commenced with a straightforward question; can we experience/consume …

Colors Of Love: A Story Ballet, Spencer Roberts

Music Theses and Dissertations

Colors of Love is a two-act ballet scored for chamber orchestra. The work is influenced by both jazz and classical musical styles, representing two distinct sound worlds that work together to create the whole. The instrumentation and the melodic content of the score reflects the cultural, racial, emotional, and physical turmoil that plagues society; the goal of this thesis is to bring these issues to light through the juxtaposition of jazz and classical music.

John Williams: Scoring And Interpreting Emotions In Film Music, Hadlee Lane Hubbard

Senior Honors Theses

This research paper examines how John Williams’s film scores convey an emotional narrative to the audience. First, the literature review will discuss pertinent theories on film music and emotions informing the current research. The paper then establishes Williams’s composing style, and centers on his connection to the classical symphonic composers and to the film music of the Golden Age of Hollywood. The research then analyzes how John Williams’s music influences emotions in prominent scenes from several of his films including Jurassic Park, Raiders of the Lost Ark, and The Empire Strikes Back. Finally, the paper concludes with a …

Fungal Chapel, Gabrielle Joy Cerberville

Masters Theses

FUNGAL CHAPEL is an interactive installation exploring the ties between people and place through the deconstructed visual language of Judeo-Christian religious iconography. Comprising five sculptures; BELFRY, OFFERTORY, BAPTISMAL, DOORWAY, and ALTAR, visitors are encouraged to interact on multiple levels of physical touch and consciousness, including pouring water, self-expression through writing, interacting with sonified fungal biodata, meditation, and offering and receiving gifts. Most of the objects in the chapel are “sounding sculptures” hooked up to contact microphones with added effects, and can be manipulated to produce a variety of musical sounds. Through the process of semi-guided ritual as an individual moves …

To Launch A Thousand Ships, Daniel Silva

Theses and Dissertations

Inspired by Madeline Miller’s novel The Song of Achilles (2012), To Launch a Thousand Ships is a four-movement orchestral piece that depicts the story of Achilles and the Trojan War.

Guide To The Doug Lofstrom Music Collection, College Archives & Special Collections

Collection Guides / Finding Aids

A composer and bassist whose scores reflect his involvement in theater, dance, film and symphonic music, Doug Lofstrom also formed The New Quartet, a chamber ensemble which performs original music and arrangements, Trillium, and, most recently, joined the group The Last Word. He was composer-in-residence for the Metropolis Symphony Orchestra and musical director of Chicago's Free Street Theatre before joining the faculty of Columbia College Chicago’s Music Department.

The Goat: Rescoring A Buster Keaton Classic, Shannon Bradley

West Chester University Master’s Theses

This thesis examines Buster Keaton’s The Goat (1921) and provides insight into the methods used to rescore the music of this classic silent film. After a brief review of Keaton’s life and career, I will discuss each step in the process of understanding this film and determining the best methods of implementing music to enhance the film. This process includes creating detailed spotting notes for each scene, sketching most of the central musical themes using my preferred traditional composition software, Sibelius, and finally transferring this musical information into my preferred digital audio workstation, Logic, in order to sync all aspects …

“I’M Sorry”: An Original Song For Voice And Chordal Accompaniment, Lauren T. Steadman, Nolan Stolz

University of South Carolina Upstate Student Research Journal

Below is an original song written for mezzo-soprano voice and accompaniment. The purpose of this article is to provide information on the songwriting process that I used by discussing the melody, harmony, and lyrics and showing how they were developed and completed.

This article discusses and defines musical terms for musicians and non-musicians alike to show why certain decisions were made. I begin by discussing the lyrics of the song and their meaning. I will reference methods included in J. Perricone’s book Great Songwriting Techniques to discuss how the chords and melodies relate to the lyrics.

The song is notated …

Senior Independent Study In Music Composition By Molly Leach, Molly E. Leach

Senior Independent Study Theses

No abstract provided.

The Temple Of Immensity: For Choir And Electronics, Steven Naylor

Honors Projects

the temple of immensity is a composition for 16-part choir and fixed media electronics composed by Steven Naylor using astronomical data concerning the stars nearest to Earth and their properties. “The temple of immensity” is an archaic and rarely used term, defined as “the universe or the complete overhead expanse of the heavens, especially as conceived as an object of religious reverence.” This piece seeks to convey feelings of wonder and awe for outer space through the setting of an original self-composed poem and through the use of star data to determine musical aspects. The resulting 28-minute composition blends voices …

Concertina For 12 Musicians, Michael Boss

Music Theses and Dissertations

There is ample repertoire that demonstrates bitonality and polytonality. Composers like Bartok used bitonality in his piano piece Mikrokosmos. Within neo-classicalism, Stravinsky used an aggressive and biting bitonality in his most famous work, The Rite of Spring.

But these techniques are not exclusive to the orchestral or chamber music idioms. Jazz bassist and composer Charles Mingus was no stranger to executing these schemes within the improvisational work Zoo-Bab-Da-Oo-Ee, a simple blues tune he wrote early in the development of his musical canon. Over the course of the piece, the harmonic tissue becomes thematic. It is common practice within this …

"You Are Safe. You Are Calm. You Are In Control.", Carly Erst

Graduate Thesis Collection

"You are safe. You are calm. You are in control." is a piece written out of a state of emotional and physical exhaustion. The piece uses an electronic track comprised of the sounds of distressed children recorded at a daycare and a flex string quintet that plays along with the track. This paper explores the reasoning behind the music, the connections the piece has to the past, and the relevance of the piece now and in the future.

Engaging With The Score: Wadada Leo Smith, Graphic Notation, And The Performer’S Perspective, Kennedy Taylor Dixon

Masters Theses

As a Composer/Performer, my work exists in both realms. This thesis reflects the principle that my experience as a violist influences my compositional process and vice versa. Since identifying under both artistic skill sets, it has become evident that the two areas that exist as a creative and presentational output, thrive off one another’s success.

In June 2019, I had the chance to play Wadada Leo Smith’s String Quartet No. 3: Black Church, The First World Gathering of the Spirit (1995) at the Nief-Norf Summer Festival. This encounter was the first time I interacted with graphically notated scores as a …

Home Quartet, Oliver Bonie

LSU New Orleans Theses and Dissertations

No abstract provided.

Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman

Pastoral Liturgy

No abstract provided.

A Schema-Theoretic Approach To Hierarchy In Eighteenth-Century Tonality, Simon K. S. Prosser

Dissertations, Theses, and Capstone Projects

Prevalent modern-day theories of tonal hierarchy for eighteenth-century music, especially those influenced by the ideas of Heinrich Schenker, have been called into question by schema theorists such as Robert Gjerdingen and Vasili Byros, who argue from both cognitive and historical evidence that eighteenth-century tonal cognition was sequential or “windowed” rather than hierarchical. This dissertation seeks to recuperate the concept of tonal hierarchy in eighteenth-century music, drawing on research that reconstructs the implicit tonal theories of the partimento and thoroughbass traditions, as well as concepts of hierarchy from schema theory itself, to formulate a historically and cognitively grounded theory of tonal …

Pioneers Of The Extended-Range Electric Bass, Owen Ananich

Composition/Recording Projects

This body of work reviews the history of the electric bass, the variations of early extended-range electric bass guitars and their variations during the 1970s, and analyzes the works of three bass players which helped bring the instrument to prominence. Recordings of these pieces also accompanies the work.

Full Bloom: Diegetic Ui For Musical Phrases In Virtual Reality, Peter Armstrong, Elliot Cole, Peter Ferry, Joe Geigel, Susan Lakin, Richard Swientonioski, Zachary Talis, Jennie Thomas

Frameless

We propose a novel system for communicating musical note pitch and sequence information to users within a virtual reality environment. Our approach utilizes ‘Blooms,’ objects that resemble flowers with various petal arrangements. These formations, when constructed in view of users, act as diegetic, user-parsable encodings of their inputs. Blooms exist within the virtual space as simulated physics objects that collectively serve the role of a user interface.

Composition Portfolio, Joshua A. Aguiar

Music ETDs

A collection of music compositions, composed and imagined during study at the University of New Mexico.

Fronteras, J. Aaron Stanley

Music Theses and Dissertations

Fronteras means “borders” or “frontiers” in Spanish, and this piece explores that idea in a number of ways. Two big influences in my music is jazz and Mexican popular and folk music. I lived in Mexico for five years, which is where I met my wife, and we continue to make frequent trips there. In a way, you could say I’m married to Mexico! At the same time, I’ve listened to and loved jazz since I was a boy. I have a lot of experience performing in and arranging for jazz bands. This work fuses those two very different influences …

Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi

Theses and Dissertations

An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.

Common Ground, Cody Christopher-Park Ray

Masters Theses

Common Ground is a work that explores ideals of unity through the shared awareness of human mortality. I wrote the majority of this work during the COVID-19 pandemic in the fall of 2020. Throughout this period, including the summer leading up to it, political and social tension was felt throughout the country. This sentiment stemmed from the unjust killings of unarmed people of color at the hands of law enforcement, to blatant errors in the way political figures handled the spread of this newfound disease, leading to more than 400k civilians prematurely dead. In experiencing these external pressures, I found …