Composition Commons^™

Compositions For 0 Or 1 Performers, Rodrigo Valente Pascale

Masters Theses

This thesis includes a collection of pieces composed for 0 or 1 performers – unaccompanied solo, solo and electronics or fixed media. The compositions for solo instruments include “Unnest” for bassoon solo, premièred by Ariane Petri during the V Congress of Music and Mathematics in 2020, and “Assemblage” for baritone saxophone solo, premièred by Erin Rogers in 2020. “Reizantwort” is a composition for viola and electronics which was first recorded by Laura Parra in summer 2020. Finally, "Discontinuous Mediation I" and "Discontinuous Mediation II" are fixed media compositions that were composed in Summer 2020 and Spring 2021, respectively. This collection …

Musical Perspective: An Analysis Of How Musicals Reflect Cultural Discourse, Amosi Morgan

Capstone Projects and Master's Theses

In this paper, I will be analyzing the role musical theatre productions play in reflecting cultural discourse. I will also discuss the impact musicals have on societal discussions regarding topics like race, capitalism, and social justice. The way I seek to do this is by first explaining the origin of musicals as musical comedies. I will also discuss other musical innovations such as the opera that influenced the shift. I will discuss the rise of musical dramas as musicals started incorporating serious themes. The emotional impact of musicals and their use of pathos will be analyzed. I will research the …

A Feminist History Of The Roland Mc-505, Cameron Davis

Seaver College Research And Scholarly Achievement Symposium

A Feminist History of the Roland MC-505

Abstract

Roland’s MC 505 is a small portable music production instrument also known as agroovebox that functions as a programmable sixty-four note polyphonic synthesizer and drummachine with twenty-six interchangeable drum kits to use in various combinations. (1) The groovebox is equipped for both audio recording and live performance, both of which are analyzed in this research. The machine has many innovative elements that have carried over into modern music technology as well as some limitations that have since been left behind. This study acts as a historical evaluation of the growth and improvements …

The Elements, Soren Andrew Allen

Honors Scholars Collaborative Projects

The Elements is a five-movement composition for wind ensemble inspired by the five classical elements: earth, water, fire, air, and aether. These elements were once thought by Plato to be made of small, indivisible solids which were later named the Platonic Solids: the cube, the icosahedron, the tetrahedron, the octahedron, and the dodecahedron, respectively. I utilized compositional techniques developed in the twentieth century to explore these elements and their connections to their solids.

Advanced Technologies In Music Production And Collaboration, David Besonen

Honors Program: Senior Projects (Public)

My Honors Senior Creative Project was to compose and produce a short album of original music alongside talented musicians here at the University of Nebraska-Lincoln (UNL) as well as around the world.

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

Günther Anders’S Epitaph For Aikichi Kuboyama, Babette Babich

Articles and Chapters in Academic Book Collections

Günther Anders’s poem Du kleiner Fischerman is read here as a text contribution to the irruption that is violence and its enduring (omnipresent) aftermath. The essay includes a discussion of transmedial expression, including dramatization, or television and social media, text and subtext, as well as the inspiration of Anders’s poem as a work of art continuing in our times: the ongoing exclusion(s) of certain names and certain thinkers as of certain musical modes, including electronic musical works, as of voices and of collective memory, or oblivion. Reading Raymond Williams along with Anders and Adorno on television updated in today’s era …

The Unfaithful Bride: A Musical Exploration Of The Jewish Prayer Modes And Comparable Modern Instrumentation, Claire Smith

Mahurin Honors College Capstone Experience/Thesis Projects

The Unfaithful Bride is a piece of Western art music written with the intent of acclimating westernized ears to the sonic landscape of Judaism, while simultaneously exploring a difficult and allegorical passage of Scripture that intersects with the composer’s religious traditions. The primary objective, however, was to create a beautiful work of art. To create this work, research on Jewish music (specifically on the ancient liturgical modes) was utilized to both inform and inspire.

Once the text was selected and analyzed, composition began, and rhythmic values and a prayer mode were assigned to each movement. Melodic materials were written at …

Enneasongs, Colton Whitted

West Chester University Master’s Theses

“Enneasongs” is a collection of nine original songs composed, performed, recorded, mixed, and mastered by myself, based off of the nine personality types within the psychological personality structure known as the Enneagram. The Enneagram is a nine-sided symbol that expresses the full range of basic human core fears, desires, weaknesses, and longings. Each of the nine personality ego structures (named, accordingly, “One,” “Two,” Three,” etc.) functions primarily from either the head, the heart, or the body. The nine songs each accompany a different personality type through the journey from living out of disintegrated coping mechanisms to living wholeheartedly and authentically, …

On Five Degrees: For Voice, Flute, Cello, Vibraphone And Piano, David Patterson, Tenbroeck Davison

Compositions of David Patterson

On Five Degrees (do si la sol fa - fa sol la si do) musically develops TenBroeck Davison's poem, The Five Degrees. Her song, Melancholy Nights, is an inlay at the composition's center.

The Five Degrees

The glance, the look.
The arms that open wide
to hold the moment - Melancholy Nights - and the kiss
in time. And then beyond. 
To glance, to look. Again.

Melancholy Nights

City lights they all astound me, 
and the noises still confound me 
since you've gone, it's been so long 
I can't recall a single song to take— 
nights that always …

Pity The Nation, Kameron Zebadiah Mechling

Graduate Thesis Collection

In light of the unprecedented events of social unrest that took place in the year of 2020, this piece takes inspiration from the timeless poem “Pity the Nation” by Lawrence Ferlinghetti. Just as the text and themes relate to the United States during this time, they continue to resonate beyond multiple areas and eras.

When recalling the events of 2020, some remember fear, uncertainty, pain, anger, disgust, and loss. Pity the Nation depicts these emotions. The alto and tenor voices follow each line of text in the poem, interpreting the themes musically as they are given. The fear of the …

Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley

Graduate Theses, Dissertations, and Problem Reports (ETD)

Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …

Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?

This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …

Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams

Composition/Recording Projects

Exploring the Gospel Fusion Arrangements of The Recording Collective

Schubert’S Compositional Development Reflected In Winterreise: Annotated Bibliography, Reid Wolch

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Prescribed Freedom, Proscribed Freedom: Compositional And Improvisational Balances In Jazz, Andrew W. Saliba

Masters Theses

Jazz is a recent and flexible art form, rooted in the twin musical strains of occidental canon and folkloric African-American music. From its genesis, jazz musicians have had the difficult task of reconciling these seemingly opposite musical parents while simultaneously building a new musical canon that respects and upholds its past, even as it celebrates new individual voices. Like any multifaceted challenge this balancing of elements has not always gone smoothly, and attempts to codify the delineation and categorization of jazz remain controversial even now. There is additional challenge in defining the nature of “free” improvised music. While free music …

Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa

Communication Studies

This study seeks to understand listeners’ perceptions of music from a generational and songwriting approach. A total of 123 participants aged 18 and older took part in an open-ended survey design that measured their subjective music preferences. Four different sections tested participants’ music taste, music tied to generations, an original song made by the researcher, and songwriting in a holistic sense. It was found that participants exercised individualism and authenticity in their responses throughout. By using the Uses and Gratifications Theory, it is explainable that people listened and sought out music for their own unique reasons. By applying Mood Management …

Encounters: System For Creative Improvisation, Drake R. Andersen

Dissertations, Theses, and Capstone Projects

Encounters is an indeterminate musical composition or, more precisely, a flexible system for creative improvisation. Performers improvise and interact with one another through four possible games whose instructions are laid out in the performance materials. This version of Encounters includes parts for flute, clarinet in B-flat, violin, viola, cello, double bass, percussion and piano, reflecting the performing forces of the premiere. However, the instrumentation is open, and any of the parts can be adapted to other instruments contingent upon the range and transposition of the particular instrument. The duration is indeterminate.

A Cajun Tale, Daniel D. Schultz

LSU New Orleans Theses and Dissertations

Not required for Music Composition

Air, The Contents, Ian C. Mcnally

Theses and Dissertations

Air, The Contents is an encapsulation of the environments of four different places in New York State. It is written for Pierrot Ensemble with a run time of around 8 minutes.

Nausea, Jacob Dickerson

Music Theses and Dissertations

The popular novel Nausea, by Jean-Paul Sartre, tells the story of a fictional adventurer, Antoine Roquentin, and his struggle to understand the surrounding world. This novel illustrates the basics of Sartre’s existentialism. Sartre introduced the concept of “bad faith,” by which he meant the delusion that things in our lives must always be as they are. “Bad faith” and freedom are the core of Sartre’s message. Sartre shares the deep irony that we are “condemned to freedom” and implores us to understand responsibility in a more meaningful way. His philosophy forces us to own up to what we have …

The Making Of When We Say Goodnight, Andrew Newman

Honors Theses

The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his own personal enjoyment. …

Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller

Composition/Recording Projects

If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the …

The Third Truth, John Paul Chapman

Graduate Theses/Dissertations

This composition, scored for a full symphonic orchestra, is based on the theory of truth discussed by Bertrand Russell. Objective truth, he states, must satisfy three criteria. The first element of truth is to acknowledge that it has an opposite. The second element of truth is a property of belief, statement, and perception. The third requisite is to acknowledge that truth consists in coherence. The introduction to this composition invokes the confluence of the three elements by utilizing discordant harmonies. In the next two movements, a theme is developed for each element. The First Truth, representing conflict, possesses a dark …

Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon

Capstone Projects and Master's Theses

Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror …

Our Perception Of Scary Sounds: A Comparison Of Films And Popular Music, David Puhl

Capstone Projects and Master's Theses

My Capstone Research Paper will be an analysis on the usage of “scary” sounds performed in popular music as well as a comparison to the practice of using similar sounds in film, making a note of any similarities or differences (ex. audience perception, use of visuals). I will also touch on the integration of scary sound effects alongside music scoring for film, specifically in the Horror and Suspense genres. With popular music being my primary focus, I want to elaborate on the cognitive psychology of audiences (in film and music) and their reactions to "scary" or "horrific" sounds to better …

Memory Management For Game Audio Development, Rahmin Tehrani

Capstone Projects and Master's Theses

Research in managing memory for video game audio development. Interactive music and audio implementation are explored with a strong focus on how to manage data while developing game sound. Some concepts that are important include the multi-use of one sound, file conversion, and randomization in music and audio using technology. Additionally, audio middleware such as Wwise is referenced and strongly used to showcase the previously described concepts. The end of this research project explores the future in video game audio with information relative to the next generation of consoles, video game streaming, physical memory limitations and expansions, and the future …

Rope: An Original Piece For String Orchestra Played Concurrently With Alfred Hitchcock's Film, Douglas William-Solomon Espie

Electronic Theses and Dissertations

This thesis presents an original piece of music designed to be performed concurrently with Alfred Hitchcock’s Rope (1948). The film provides a canvas upon which a musically dominant multimedia experience is built. An accompanying analysis explains the variety of compositional techniques used, explaining their significance and how each deviates from a traditional film score. The objective of this work is to challenge the existing relationship between music and film, and add to the growing body of repertoire of live works featuring synchronized video, modeling example methods of live multimedia performance. In this exploration, the goal was not to be anti-cinematic, …

Composition Portfolio, Levi Raleigh Brown

Music ETDs

The four pieces selected for this portfolio represent a variety of interests and pursuits over two years at UNM. Together they are unified through their attention to the universality of the daily human experience, particularly as it contrasts to human desire for control through constructed means such as art, although each approaches this relationship in a distinct way. Musically, these ideas are explored with a sense of spontaneity, drawing from a variety of musical styles, and experimenting with concepts of texture and form, with special attention to elements of live performance.

Included pieces are A Moment of Some Complexity, …

Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie

Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids

Finding aid for the Tillit Sidney Teddlie Papers, 1885-1987.