Latin American History Commons^™

Frank Lobato, Csusb

South Colton Oral History Project Collection

No abstract provided.

Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn

Exhibition Catalogs

"Emigdio Vasquez created artwork that challenged Orange County’s more prominent narrative of wealthy beachside neighborhoods. He painted the brown bodies and brown histories that defined our earliest communities and economy... Vasquez produced much of the local art history that Orange County should be known for and should protect. It is with this perspective that Chapman University is proud to present the exhibition, My Barrio: Emigdio Vasquez and Chicana/o Identity in Orange County, in conjunction with the Getty Pacific Standard Time: LA/LA initiative. We hope to initiate discourse not only about Vasquez’s prolific career, but also about the larger political …

Gloria Flores, Csusb

South Colton Oral History Project Collection

No abstract provided.

Gloria Luna Escobedo Flores, Csusb

South Colton Oral History Project Collection

No abstract provided.

Nellie Cortez, Csusb

South Colton Oral History Project Collection

No abstract provided.

Tom Rivera, Csusb

South Colton Oral History Project Collection

No abstract provided.

Mel Salazar (June 10, 2017), Csusb

South Colton Oral History Project Collection

No abstract provided.

Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397

Spanish and Portuguese ETDs

This dissertation traces the cultural memory of three magical/religious women of the colonial period: Sor Juana Inés de la Cruz, La Condesa de Malibrán and La Falsa Teresa de Jesús. It studies these icons specifically in three different discourses that construct cultural identities in Mexico: colonial discourse (XVI-XVII Centuries), the discourse of national consolidation (XIX-XX centuries) and postcolonial discourse (XX-XIX Centuries). First I describe how the narratives of the colonial period and of national consolidation employ an official lens to place magical/religious women within traditional gender roles. Then I delineate how historical novels in the 21st century employ a postcolonial …

Mestiza, Métis, American: How Intermixture On United States Borders Shaped Local, Regional, And National Identities, Carla L. Mendiola

History Theses and Dissertations

This project compares mestizaje in Mexican American communities of the Texas-Mexico border and métissage in Franco American communities of the Maine-Canada border, from the pre-contact period to the 20th-century. Exploring the central themes of intermixing, borders, and identity, the paper shows the long-standing presence of mixed-ancestry groups in the U.S. and investigates how social and geopolitical borders have been used to racialize and exclude these groups from U.S. history, and, ultimately from acceptance as part of U.S. identity. The comparison of Texas’s Lower Rio Grande Valley and Maine’s St. John River Valley follows the development of these communities and recognizes …

Luis Fuerte, Csusb

South Colton Oral History Project Collection

No abstract provided.

The 5th Of May: Trajectory, Reappropriations And Possibilities Of A Mexico-American Tradition, Antonio Sánchez, Julieta Altamirano-Crosby

Anthropology and Museum Studies Faculty Scholarship

This paper is aimed at to analyze the historical significance of the date of 5th of May for Mexico and the United States. The Documental Argumentative Research method was used for this research, and it is concluded that this victory had a profound historical significance and relevance not only for Mexico but also for the United States, representing an important symbol of national patriotism. This date was forming a path of the new Chicano, the new Latino, a new future strategically minded, as an opportunity to educate, inform and inspire the public good, to reexamine Mexico and the Mexico-American history, …

Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova

Theses and Dissertations

This thesis examines the connection between the Instituto Cubano del Arte e Industria Cinematográficos and the Cuban Revolution's internationalism and argues that it made ICAIC documentarians, their methods of production, and their documentary films a valuable asset to Cuban foreign policy in the 1960s and 1970s.

Lori Sanchez, Csusb

South Colton Oral History Project Collection

No abstract provided.

Manuel 'Opi' Delgado, Csusb

South Colton Oral History Project Collection

No abstract provided.

Agustin Caldera Jr., Csusb

South Colton Oral History Project Collection

No abstract provided.

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

Eleanor Noriega Muratalla, Csusb

South Colton Oral History Project Collection

No abstract provided.

Chinese Cubans: Transnational Origins And Revolutionary Integration, Kevin J. Morris

Russell Library Undergraduate Research Award

As a transnational group, Chinese Cubans or “colonos asiaticos” existed neither within the black-white racial binary standard in Cuban culture nor within the niche this paradigm provided to "mulatto" Cubans or other “mixed” Cubans of African-descent. While assimilation and various racial re-classifications offered some degree of integration, Chinese Cubans often appeared as wholly foreign to Cuban society until the extensive participation of Chinese Cubans in the Communist Revolution. This paper demonstrates that the extensive participation of Chinese Cubans in the Communist Revolution as well as implemented Revolutionary racial policies finally legitimized and normalized the Cuban peoplehood and nationhood …

Estela Flores-Becerra, Csusb

South Colton Oral History Project Collection

No abstract provided.

Attitudes About Work And Time In Los Angeles, 1769-1880, Tyler D. Lachman Mr.

Theses

This thesis argues that the industrious Californio people continued to prosper in Los Angeles after statehood in 1850. Certain historians have emphasized the hardworking Californio culture at various points in Los Angeles history. But no one has defended their overall work ethic. Thus, this thesis goes farther than other historians in discrediting the notion that Californio Angelinos died out quickly because they could not sustain success under American leadership.

Al Vasquez, Csusb

South Colton Oral History Project Collection

No abstract provided.

Randy Espartago Sosa (May 30, 2016), Csusb

South Colton Oral History Project Collection

No abstract provided.

Angie Martinez, Nick Martinez Jr., And Lorna Martinez-Garcia, Csusb

South Colton Oral History Project Collection

No abstract provided.

Javier Marquez, Csusb

South Colton Oral History Project Collection

No abstract provided.

Major League Baseball's Latin American Connection: Salaries, Scouting, And Globalization, Ezequiel Kitsu Lihosit

Theses

This research examines the history of foreign, Latin American Major League baseball players. It looks at the history of the players, their countries and the expansion of recruitment and training in Latin America. Other factors such as race and labor relations contributed greatly to shifts in player recruitment by MLB. Baseball is an international game and today more than 25% of all major leaguers are foreign-born Latin Americans. This project lays out how this occurred and how the academy training system has evolved and become the industry standard for teams. Through both the history of the earliest Latin American players …

Daily Life At Crystal City Internment Camp 1942-1945, Caitlin T. Dietze

LSU New Orleans Theses and Dissertations

Throughout World War II, the belligerent countries took enemy civilians, as well as soldiers, prisoner. The majority of the camps created to hold these prisoners were located in the European and Asian theaters of battle, but the United States operated prisoner of war camps and civilian internment camps as well. American internment camps, administered by the Immigration and Naturalization Service (INS), imprisoned persons from the Axis countries of Japan, Italy, and Germany, deemed a threat to national security and categorized as a group as “enemy aliens.” Generally, these individuals were not threats, and a sizable number were legal U.S. citizens. …

Mel Salazar (May 5, 2016), Csusb

South Colton Oral History Project Collection

No abstract provided.

Naccs 43rd Annual Conference, National Association For Chicana And Chicano Studies

NACCS Conference Programs

¡Chicana/o Power! Transforming Chicana/o Activism, Discourse and Scholarship into Power

April 6-9, 2016

DoubleTree by Hilton

Manuela And Randy Espartago Sosa, Csusb

South Colton Oral History Project Collection

No abstract provided.

To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker

Honors Undergraduate Theses

Ana Mendieta was a Cuban-born American artist whose unique body of work incorporated performance, activism, Earth art, installation, and the Afro-Cuban practices of Santería. She began her career at the University of Iowa, were she initially received her degree in painting in 1969. It was not until 1972 that Mendieta shifted radically to performance art.

Though she was raised Catholic, she developed an interest in the rituals involved with Santería, a culturally predominant Cuban religion, and it deeply influenced her work in her choice of materials and settings. Santería is one of the major faith-based lifestyles of Cuba …