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Articles 1261 - 1290 of 1367
Full-Text Articles in History of Art, Architecture, and Archaeology
Early Bronze Age Remains At Tel Lod, Amir Golani
Early Bronze Age Remains At Tel Lod, Amir Golani
'Atiqot
A rescue excavation conducted in the southwestern part of the Early Bronze Age mound at Lod exposed an intensive settlement. The architectural remains of Strata VI–IV demonstrate the use of rounded exterior corners for domestic structures, characteristic of the end of EB I and the transition into EB II. The architectural remains associated with Strata IV–III include large, possibly public buildings dating to the end of EB IB. The ceramic assemblages from Strata VII–II are typical of late EB I in central and southern Israel. Two Carbon-14 dates from Stratum IV indicate a date at the beginning of EB IB …
Early Bronze Age Ia Settlement Remains At Ḥorbat Ḥammim (South), Near Modi‘In, Edwin C.M. Van Den Brink, Liora Kolska Horwitz, Ofer Marder, Henk K. Mienis
Early Bronze Age Ia Settlement Remains At Ḥorbat Ḥammim (South), Near Modi‘In, Edwin C.M. Van Den Brink, Liora Kolska Horwitz, Ofer Marder, Henk K. Mienis
'Atiqot
The excavation at Ḥorbat Ḥammim (South) yielded a rock-cut basin and a small cave within a limestone bedrock outcrop. The basin is similar to other rock-cut installations previously exposed in the area and dated to the Chalcolithic period.
The manmade rock-cut cave was entered through a shaft. The sediments from the shaft and the cave consisted of many potsherds, stone tools and animal bones, that may have been washed into the cave, or intentionally discarded in it. The cave may have been quarried as early as the Late Chalcolithic period, although the bulk of the pottery dates to EB IA, …
The Mollusks From Tel Bet Yeraḥ, Inbar Ktalav
The Mollusks From Tel Bet Yeraḥ, Inbar Ktalav
'Atiqot
Bivalve remains retrieved from EB II–III Strata at Tel Bet Yeraḥ include specimens originating from the Sea of Galilee and from the Mediterranean Sea. The mollusks indicate the exploitation of nearby sources for food and raw material for fashioning decorative items, as well as long distance trade connections with the Mediterranean coastal region. A broken valve of Glycymeris nummaria, with an artificial perforation in the umbo, was probably collected on the shore and used as a pendant.
The Fauna From Tel Bet Yeraḥ, Miriam Pines
The Fauna From Tel Bet Yeraḥ, Miriam Pines
'Atiqot
A small assemblage of 20 bones was retrieved from Tel Bet Yeraḥ, the majority originating from EB III Strata III–I. Most of the bones belong to adult sheep/goat and cattle.
The Ground Stone Tools From Tel Bet Yeraḥ, Gil Haklay, Ianir Milevski
The Ground Stone Tools From Tel Bet Yeraḥ, Gil Haklay, Ianir Milevski
'Atiqot
A total of 19 ground stone artifacts were recovered from Tel Bet Yeraḥ. Nearly all were made of basalt, while some mortars and perforated stones were made of limestone; one item, a rubbing stone, was made of pumice. Although small, the ground stone tool assemblage conforms with previous observations at this EB II and III site.
The Flint Assemblage From Tel Bet Yeraḥ, Maayan Shemer
The Flint Assemblage From Tel Bet Yeraḥ, Maayan Shemer
'Atiqot
The excavation at Tel Bet Yeraḥ yielded 209 flint items, originating from five distinct occupation strata. The assemblage generally represents an industry characteristic of the Early Bronze Age, defined mainly by the consistent presence of Canaanean blades. The abundance of Canaanean blades produced from local raw material may indicate the existence of a specialized workshop near the site.
A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen
A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen
'Atiqot
A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.
Early Bronze Age Remains In The Southern Part Of Tel Bet Yeraḥ, Amir Golani
Early Bronze Age Remains In The Southern Part Of Tel Bet Yeraḥ, Amir Golani
'Atiqot
Five strata were exposed during a salvage excavation near the southwestern fringes of Tel Bet Yeraḥ: late EB I (Stratum V), EB II (Stratum IV) and EB III (Strata III–I). The direct superposition of the strata suggests a minimal time interval between the occupations and a nearly continuous habitation. The architectural remains attest that this area was domestic in nature, a conclusion further supported by the small finds, which include a large quantity of holemouth vessels, probably used as cooking pots, fauna, flint, ground stones and mollusks. This part of the site appears to have been finally abandoned in EB …
Late Chalcolithic And Early Bronze Age Ia Settlement Remains At Kafr Kanna, Lower Galilee, Edwin C.M. Van Den Brink, Valentine Roux, Anastasia Shapiro, Maayan Shemer
Late Chalcolithic And Early Bronze Age Ia Settlement Remains At Kafr Kanna, Lower Galilee, Edwin C.M. Van Den Brink, Valentine Roux, Anastasia Shapiro, Maayan Shemer
'Atiqot
Four strata were distinguished at the site: Stratum 4, dating to the Late Chalcolithic period; Strata 3 and 2, to EB IA; and Stratum 1, sub-recent. The Late Chalcolithic remains consisted of a stone surface and an underlying fill, and the EB IA remains included wall segments of three structures: two buildings (Stratum 3) and a wall of a large double-apsed structure (Stratum 2). The technological analysis of the pottery from the site testifies to a transmission from the Late Chalcolithic to Early Bronze Age populations in the way of making utilitarian ceramics, indicating continuity of the same population. The …
Front Matter, The Editorial Board
Resurrection In The Regensburg Pendant: Materials And Iconography, Devotional Object As Sacred Jewelry, Margarita Benacerraf
Resurrection In The Regensburg Pendant: Materials And Iconography, Devotional Object As Sacred Jewelry, Margarita Benacerraf
Theses and Dissertations
The Regensburg butterfly (1310-1320), an exquisitely crafted reliquary pendant, was found in the head of a fourteenth-century crucifix in 1991. The locket’s butterfly shape—and the ways in which the butterfly serves as a metaphor for Christ’s redemption—remains a fascinating window into late medieval Christianity and devotional practices in the medieval world.
Structures Of Feeling: Zoe Leonard And The Photographic Archive, Anika Zempleni
Structures Of Feeling: Zoe Leonard And The Photographic Archive, Anika Zempleni
Theses and Dissertations
This thesis examines Zoe Leonard’s work with photographic archives. Focusing on three of Leonard’s archive-based projects—The Fae Richards Photo Archive (1993-96), You see I am here after all (2008), and In the Wake (2015-16)—this thesis argues that these works are connected through frameworks of feeling and subjectivity.
Aesthetics And Hidden Orientalism In Chicago's Nickerson Mansion, Julie Treumann
Aesthetics And Hidden Orientalism In Chicago's Nickerson Mansion, Julie Treumann
Theses and Dissertations
This thesis offers new research on the Sitting Room at the Nickerson Mansion, an 1883 Gilded Age-era house in Chicago, IL. As a rare extant example of neo-Islamic interior design, it provides a new lens on Orientalism in American domestic architecture and a new perspective on Mrs. Nickerson, a little-known female tastemaker of her time.
The Price Of Zero: On Aesthetics, The Market, And The Salvage Art Institute, Emily Henson
The Price Of Zero: On Aesthetics, The Market, And The Salvage Art Institute, Emily Henson
Theses and Dissertations
Founded by Elka Krajewska, The Salvage Art Institute (SAI) recontextualizes artworks classified as "total loss" through public exhibition and archival practices, and challenges conventional art market values by exploring alternative frameworks for artistic worth.
For Now We See Through A Darkened Mirror, But Then Face To Face: Striving To See Christ ‘Beneath The Veil’ In A Fourteenth-Century French Book Of Hours, Daniel S. Berman
For Now We See Through A Darkened Mirror, But Then Face To Face: Striving To See Christ ‘Beneath The Veil’ In A Fourteenth-Century French Book Of Hours, Daniel S. Berman
Theses and Dissertations
M.90’s folio 130r evoked spiritual union with God in the Eucharist and in Heaven, and the concomitant need for repentance if divine union in any form could be achieved. It was also an authoritative relic of Christ’s body which helped the worshiper imaginatively reconstruct that body in their own space.
Body Of Work: Wax As Medium In Art And Science In Enlightenment Bologna, Kristen Pou
Body Of Work: Wax As Medium In Art And Science In Enlightenment Bologna, Kristen Pou
Theses and Dissertations
Eighteenth-century Bologna is well known for its body of accurate and precise wax anatomical models. However, wax was also used for non-scientific purposes: for portraiture and religious artworks. This paper sets forth an argument to explain the scholarly neglect of enlightenment Bolognese waxworks that did not depict anatomized human bodies.
Larry Sultan: Photography's Role In Shaping Perceptions, Ella Hodges
Larry Sultan: Photography's Role In Shaping Perceptions, Ella Hodges
Global Contemporary Artist Analysis Archive
This paper and presentation provide an overview and analysis of photographer, Larry Sultan. They explore his background and career providing insights into his practice and projects. The 2 main projects discussed are titled "Pictures From Home" and "The Valley."
Rodcon, Flier, 2025, University Of Northern Iowa. Rod Library.
Rodcon, Flier, 2025, University Of Northern Iowa. Rod Library.
RodCon Documents
RodCon
Saturday April 5, 2025
10 a.m. - 4 p.m.
Rod Library
Cedar Falls, IA
Free and Open to the Public
Games | Costume Contests | Kidzone | Artist Alley
Flier used in promotion of the event.
Rodcon, Program, 2025, University Of Northern Iowa. Rod Library.
Rodcon, Program, 2025, University Of Northern Iowa. Rod Library.
RodCon Documents
No abstract provided.
Locating The Archangel Saint Michael In Michelangelo Buonarroti’S The Creation Of Adam, Ana Vega
Locating The Archangel Saint Michael In Michelangelo Buonarroti’S The Creation Of Adam, Ana Vega
Art and Art History
This thesis asserts that Michelangelo's The Creation of Adam contains an unrecognized interpretation of the Archangel Saint Michael, thereby enriching Leo Steinberg's foundational analysis of the fresco's theological intricacies. Building on Steinberg's identification of the "glider" figure as a possible visual allusion to Michael, this study contends that Michelangelo intentionally integrated the archangel to symbolize themes of divine protection, judgment, and cosmic justice. Employing a multidisciplinary approach, the thesis draws from a range of biblical and apocryphal texts, including Revelation and The Assumptions of Moses, to illustrate that Saint Michael's traditional roles, as the protector of paradise, defender of the …
Pins, Pendants, Banners, And Badges: The Supply And Demand Of Multifunctional Objects At Pilgrimage Sites, Hanneke Van Asperen
Pins, Pendants, Banners, And Badges: The Supply And Demand Of Multifunctional Objects At Pilgrimage Sites, Hanneke Van Asperen
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Ed Ruscha's Street-Level View And The Postwar Redevelopment Vernacular, F. R. Ammon, Brian D. Goldstein, G. D. Nelson
Ed Ruscha's Street-Level View And The Postwar Redevelopment Vernacular, F. R. Ammon, Brian D. Goldstein, G. D. Nelson
Art History Faculty Works
No abstract provided.
Haifa, Naḥal Aḥuzza A-10170/2025, Tal Lavi
Haifa, Naḥal Aḥuzza A-10170/2025, Tal Lavi
Favissa: Past Archaeological Excavation Reports
In November 2025, a trial excavation was conducted in advance of the construction project “Ofer Moradot Freud” in Haifa (Permit No. A-10170/2025; map ref. 197775/743020; Fig. 1). The excavation took place on the western slope of Mount Carmel, east of Yod-Alef Ha-Sporta’im Street and north of Naḥal Aḥuzza (Ahuzza River), within the antiquities area Naḥal Aḥuzza [1] (61059/0). The excavation was conducted on behalf of the Israel Antiquities Authority and funded by Yael Oko. It was directed by T. Lavi (field photography), with the assistance of A. Azab (Haifa District archaeologist), N. Shahar (Haifa sub-district archaeologist), Z. Lotan and Y. …
Nahal Tamar (Tamar River) A-9979/2025, Avshalom Davidesko
Nahal Tamar (Tamar River) A-9979/2025, Avshalom Davidesko
Favissa: Past Archaeological Excavation Reports
In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9979/2025; map ref. 545150/232580; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific giudance), G. Seriy (safety), and workers from …
Nahal Tamar (Tamar River) A-9978/2025, Avshalom Davidesko
Nahal Tamar (Tamar River) A-9978/2025, Avshalom Davidesko
Favissa: Past Archaeological Excavation Reports
In January–February 2025, a salvage excavation was conducted in the Nahal Tamar area, east of Road 258, approximately 3 km north of Zafit Junction (Permit No. A-9978/2025; map ref. 220626-894/552395-3084; Fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesco, with the assistance of Y. Alamor (administration), A. Montague (drone photography and plans), A. Fraiberg (drone photography), L. W. Davies (flint), I. Azoulay (drafting), D. Eisenberg-Degen (scientific guidance), G. Seriy (safety), and laborers from …
Between Sde Boker And Mitzpe Ramon: Passing Bays, Highway 40, A-10140/2025, Nofar Lary
Between Sde Boker And Mitzpe Ramon: Passing Bays, Highway 40, A-10140/2025, Nofar Lary
Favissa: Past Archaeological Excavation Reports
In September 2025, a trial excavation was conducted on Highway 40 (Permit No. A-10140; map ref. 174894-9185/518274-31301; Fig. 1), within preparation for the construction of passing bays. The excavation, conducted on behalf of the Israel Antiquities Authority and funded by Netivei Israel, was directed by N. Lary, with the assistance of T. Sapir (photography, field director), Y. Alamor (administration), A. Montagu (GPS, plans, and model), D. Varga (pottery), D. Degen-Eisenberg (consultant), S. Talis, G. Seriy, I. Radashkovsky, and A. Fraiberg (Southern District), along with laborers under contractual employment.
Caesarea Industrial And Business Park (ʻAl-Domiry) A-10145/2025, Anna Khalatov, Yotam Tepper
Caesarea Industrial And Business Park (ʻAl-Domiry) A-10145/2025, Anna Khalatov, Yotam Tepper
Favissa: Past Archaeological Excavation Reports
On October 2025, a trial excavation (Permit No. A-10145; map ref. 194335–41/708123–30; Fig. 1) was conducted in an area of dune sands, south of the Caesarea Industrial Park and north of Highway 65, in advance of the installation of an Israel Railways track. The excavation, carried out on behalf of the Israel Antiquities Authority and funded by Israel Railways, was directed by A. Khalatov (field photography) and Y. Teper (guidance), with the assistance of Y. Amrani and Z. Lotan (administration), S. Emmanuilov (surveying, documentation, and drafting), A. Dagot (GPS), A. Massarwa (sub-district archaeologist), A. ʻAzab (district archaeologist), and eight laborers.
Jerusalem, Ramat Rahel (West, Kathisma Site) A-10036/2025, Rina Avner
Jerusalem, Ramat Rahel (West, Kathisma Site) A-10036/2025, Rina Avner
Favissa: Past Archaeological Excavation Reports
In early April 2025, a trial excavation was conducted south of the Kathisma site and south of the junction between Hebron Road and the main road descending eastward to the Har Homa neighborhood, approximately 200 m north of the Mar Elias Monastery (Permit No. A-10036/2025; map ref. 220137-51/627263-79; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Moriah – The Jerusalem Development Corporation, was directed by R. Avner, with the assistance of M. Chernin (field supervision), N. Sapir (Jerusalem District), S. Halevi (photogrammetry), M. Cimadevilla (drafting), and laborers.
Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson
Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson
Scripps Senior Theses
This thesis explores how Black rodeos in Oklahoma emerged from post-emancipation agricultural labor and ranching traditions, serving as powerful sites of cultural preservation, knowledge transmission, and resistance to dominant narratives of the American West. Through analysis of historical records, photographic evidence, and personal family narratives, this research demonstrates how Black Oklahomans developed unique relationships with land and animals that encompassed both the "ecological burden" of agricultural labor and the "beauty" of cultural expression and community-building. Drawing on theoretical frameworks including Kimberly Ruffin's "ecological burden-and-beauty paradox," George Lipsitz's "Black spatial imaginaries," bell hooks' "oppositional gaze," and Toni Morrison's concept of "rememory," …
On The Nature Of Artworks: An Argument For Artwork Universals, Emma H.B. Rosenberg
On The Nature Of Artworks: An Argument For Artwork Universals, Emma H.B. Rosenberg
Scripps Senior Theses
What kind of a thing is an artwork? Artworks are an extensive, complex category including all manner of media and content. This makes the project of determining what artworks themselves are a significant challenge. Nevertheless, there are many things we intuitively desire to say about what artworks are like and what value they offer. One underexplored theory which I will here argue successfully accommodates many of these features is that of artworks as universals.
It is not my aim in this thesis to compare this theory with other, rival theories of artworks. Rather, I will argue that the theory supports …