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2025

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Articles 1351 - 1367 of 1367

Full-Text Articles in History of Art, Architecture, and Archaeology

The Tyrant King Of The Auction House: The Disastrous “Fine Artification” Of The Dinosaur, Amelia C. Kolstad Jan 2025

The Tyrant King Of The Auction House: The Disastrous “Fine Artification” Of The Dinosaur, Amelia C. Kolstad

Anthós

This article examines how fine art auctioneers market dinosaur fossils as art pieces to wealthy collectors, depriving the paleontological field of specimens for scientific research. Drawing from recent examples of fossils sold at fine art auctions, this article notes how rising auction prices for specimens as ‘art’ prevent museums and research institutions from acquiring specimens for research and restoration. Kolstad concludes that the art auction houses’ marketing of fossils as art is detrimental to paleontological research. To protect fossils and their scientific value, Kolstad proposes alternatives, such as selling replicas to collectors and highlighting the importance of original specimens for …


Birds Of A Feather: Peace And Conflict Founders Milton Schwebel And Luella Buros, Janet Carlson Jan 2025

Birds Of A Feather: Peace And Conflict Founders Milton Schwebel And Luella Buros, Janet Carlson

Buros Center: Professional Staff Publications

Milton Schwebel, peace psychology pioneer, described Luella Buros as “a pillar of strength, her principles uneroded by age or economic well-being, her determination to struggle against social evils undiminished” (1992, p. 4). At age 90, Buros had just become the founding contributor to Peace and Conflict: Journal of Peace Psychology. Schwebel was its founding editor. In announcing the gift, he emphasized Buros’s steadfast commitment to pursuing peace, while recognizing her artistic accomplishments and her collaboration with her husband, Oscar, in establishing the renowned Mental Measurements Yearbook series (Buros, 1968; Buros, 1978; Carlson, 2023). She later provided funds to support …


In Praise Of Dust, Hasler Gomez-Perez Jan 2025

In Praise Of Dust, Hasler Gomez-Perez

Theses and Dissertations

A desire path is a physical manifestation of where a system has failed, but also where it has been refused, where a new path has been made. The wake exists in the post, it is not a singular, untethered event, but a subtle double entendre that lives in the post-death, but also in the pre-life—not a liminal limbo, but a superposition of dying and waking.

This collection was assembled and composed over the course of two years as I navigated my practice, myself, and others. Present here are my thoughts, my experiences, and in many ways my beliefs. IN PRAISE …


The Paradox Of Value, David Enrique Guarnizo Jan 2025

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …


The Transformative Power Of An Ethic Of Care In Patricia Piccinini’S Mythic Posthuman Offspring, Keely Parrish Jan 2025

The Transformative Power Of An Ethic Of Care In Patricia Piccinini’S Mythic Posthuman Offspring, Keely Parrish

Dissertations and Theses

This thesis examines the contemporary artist Patricia Piccinini and her posthuman hybrid creations within the context of a feminist ethic of care. Largely referring to scholarship by the political scientist Joan C. Tronto, I argue that Piccinini expands the definition of an ethic of care to include non-human entities as well as human ones. The four phases of care identified by Tronto will serve to outline the encounter between the audience and Piccinini’s work to see how humans and non-humans (1) care about, (2) take care of, (3) give care and (4) receive care from each other, as well as …


Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers Jan 2025

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …


Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin Jan 2025

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …


Slaying The Embodiment Of Lust: A Painting Of A Martyr-Monk Vanquishing A Female Demon, Agnieszka E. Szymańska Jan 2025

Slaying The Embodiment Of Lust: A Painting Of A Martyr-Monk Vanquishing A Female Demon, Agnieszka E. Szymańska

Art and Art History Faculty Publications

The seventh-century painting of Sisinnios and Alabasdria from the Monastery of Apa Apollo at Bawit, Egypt, depicts an equestrian saint spearing a female demon. Previous scholarship has established connections between the mural’s iconography and the imagery of holy rider amulets. This article expands on those discussions and probes the painting’s function as a talisman that bolstered its monastic beholders’ defenses against demonic assaults. In a departure from earlier scholarly treatments of the mural, I explore how, to male monastic practitioners, the image of Alabasdria did not merely represent a demonic murderer of babies but also embodied lust. According to textual …


Curating Modernity: Carmen Giménez And The Shaping Of Post-Franco Spain, Ines Trafford Jan 2025

Curating Modernity: Carmen Giménez And The Shaping Of Post-Franco Spain, Ines Trafford

MA Theses

This thesis examines the interplay between political transformation and cultural development in Spain during the transition from dictatorship to democracy with a focus on the influential contribution of Carmen Giménez, a pivotal figure in modern and contemporary art. Spain’s recent history, marked by the profound fracture of the Franco regime, serves as the background for this exploration. The study highlights how Giménez’s curatorial vision and dedication to modernism have shaped the country’s cultural landscape in the post-Franco era. Born into a family deeply affected by the sociopolitical turbulence of 20th-century Spain, Giménez’s career reflects a nuanced understanding of the complexities …


The Cut Worm Forgives The Plow, August Neuscheler Jan 2025

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …


Senir A-10018/2025, Royee Assis, Mayar Harb Jan 2025

Senir A-10018/2025, Royee Assis, Mayar Harb

Favissa: Past Archaeological Excavation Reports

In March 2025, a salvage excavation (Permit No. A-10018/2025; map ref. 26345-70/79448-65) was conducted in an area designated for the development and expansion of Kibbutz Senir. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the Upper Galilee Regional Council. The excavation was directed by R. Assis, with the assistance of M. Harb (field supervision), Y. Ya‘akobi (administration), V. Atrash (scientific consultation), and laborers from Kafr Sha‘ab.


Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis Jan 2025

Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis

Scripps Senior Theses

This thesis investigates the cultural appropriation and conservation of the Chief-of-All-Women totem pole, originally stolen by Seattle businessmen from the Tlingit village of Tongass in 1899 and later reinstalled in Pioneer Square as a symbol of the city. By framing the totem pole as a site of both physical and cultural displacement, I trace its journey from sacred object to public monument, and ultimately to federally funded replica. Drawing on conservation theory, oral history, archival research, and an interview with Haida artist Sondra Segundo, I argue that the pole’s removal, replication, and continued display reflect broader patterns of settler colonialism …


Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman Jan 2025

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …


I Am Not A Dictator; I Am A Defender: The Rhetoric Of Coup D’État In Francophone Africa, Isaac Asare Kwakye Jan 2025

I Am Not A Dictator; I Am A Defender: The Rhetoric Of Coup D’État In Francophone Africa, Isaac Asare Kwakye

Theses and Dissertations

This study examines the rhetorical strategies used by coup leaders in Francophone Africa to authorize their actions and garner public support. Focusing on recent military takeovers in Mali, Burkina Faso, and Niger since 2020, I investigate how coup leaders construct narratives of legitimacy within the context of contemporary geopolitical dynamics. I utilize Critical Discourse Analysis (CDA) to analyze speeches by three key coup leaders: Colonel Assimi Goïta, Captain Ibrahim Traoré, and General Abdourahamane Tchiani. My analysis reveals four interconnected rhetorical frameworks: framing interventions as emergency measures, cultivating savior personas, weaponizing anti-colonial grievances, and deploying anti-corruption narratives. A comparative analysis of …


The Creative Front, Aleksandr O. Barrett Jan 2025

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …


Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai Jan 2025

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.


Kyiv Christianity In The Portraits Of Metropolitans: Artistic Language And Coding Of Identity In The 18th Century, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko, Nazar Maistruk Jan 2025

Kyiv Christianity In The Portraits Of Metropolitans: Artistic Language And Coding Of Identity In The 18th Century, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko, Nazar Maistruk

Occasional Papers on Religion in Eastern Europe

The article is devoted to the analysis of the iconography of the Kiev metropolitans of the 18th century as a unique phenomenon of religious Ukrainian Baroque art. The portraits of the bishops are considered not only as representative images of spiritual power, but also as carriers of cultural codes that record a special type of “Kyiv Christianity” formed on the border of Eastern and Western civilizations. Special attention is paid to Baroque aesthetics – the splendor of the bishop’s vestments, the ornamentality, theatricality of the compositions and at the same time the psychological depth of the portrayed. The study shows …