History of Art, Architecture, and Archaeology Commons^™

Elat, Shehoret Industrial Zone, A-10054/2025, Tal Sapir

Favissa: Past Archaeological Excavation Reports

In April–May 2025, a trial excavation was conducted northwest of Elat, in the Shehoret Industrial Zone (Permit No. A-10054/2025; map ref. 196507/390351; Fig. 1), in advance of the construction of Reservoir 2. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot – Israel’s National Water Company. The excavation was directed by T. Sapir (field photography), with the assistance of Y. Alamor (administration), A. Montague (surveying and aerial photography), A. Azoulay (plans), D. Degen-Eisenberg (scientific guidance), Y. Radashkovsky (aerial photography) and G. Seriy of the Southern Negev District.

Nahal Tamar (Tamar River) A-9980/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9980/2025; map ref. 546070/233150; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the Mekorot Water Company. It was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific supervision), G. Seriy (safety), and workers from …

The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau, Erinn Alexis Stuart

Graduate Research Theses & Dissertations

Landscape paintings of Barbizon painter Théodore Rousseau provide a unique perspective on the impact of Japanese artworks on nineteenth-century French painting. The examination of Eastern influences on Western art has been confined to Western urban popular culture, resulting in a narrative that restricts the understanding of modern art to the context of Western industrialization. This method of exploring cultural influences constructs a narrative of othering, confining the perception of its impact to the superficial and commercial, thus perpetuating an othering subnarrative, not only between the two nations but also between the different genres of Western art. Through an investigation into …

Introduction To The “Mappings” Issue, Asa Mittman, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Cartography Between Ptolemaic Accuracy And Scope For Communication: The ‘Genoese World Map’ Dated 1457, Gerda Brunnlechner

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Pilgrimage And Play: The Intersection Of Pilgrimage Objects And Toys In Later Medieval London, Eliot Benbow

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: The Trees Of The Cross: Wood As Subject And Medium In The Art Of Late Medieval Germany By Gregory Bryda, Abigail Berry

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Miniature Sword Badges: Towards A Reclassification, Jennifer Lee

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Advent Of The Astrolabe In St. Gallen And Notker Teutonicus’ Cosmographic Globe (C. 1015), Jost Schmid-Lanter

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Mapping The Conquest In The Bayeux Embroidery, Rachel Dressler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Dunwich Camel: An Early Tudor Badge From Suffolk, Matthew J. Champion

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Merlin, Myth And Monument: The ‘Stonehenge’ Miniature In Bl Egerton Ms 3028, Betsy Chunko-Dominguez

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Controversial Conservation Project: The Restoration Of The Langton Vault In Winchester Cathedral, Hampshire, England, Nicholas Riall

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

[Review Of The Book Querns And Mills In Mediterranean Antiquity. Tradition And Innovation During The First Millennium Bc, By N. Alonso, T. J. Anderson, L. Jaccottey]., Jared T. Benton

Art Faculty Publications

[First paragraph] Querns and Mills in Mediterranean Antiquity (hereafter QMMA) is the publication of an EAA (European Association of Archaeologists) session on querns held in Barcelona in 2018. The purpose of the session—and by extension the volume—was to fill a gap by studying the smaller, hand-operated millstones, which have received less attention than their larger Roman-era and medieval counterparts. A second aim was to begin a conversation about standardizing the study of millstones, and particularly querns, in terminology and methodology.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Art Worker: Atlanta’S Contemporary Art History And The Workers Who Shaped It, Abigail D. Miller

Master's Projects

There is a contradiction at the heart of the relationship between artists and the public in the United States. Art is considered culturally important and beneficial to the public, yet hardly any public funding is paid directly to artists for their labor. Moreover, because the nature of art production in contemporary society does not align easily with capitalism’s need for constant growth and profit, artists are often on the economic fringes in a constant state of precarity. These conceptual arguments are explored in this project, and the related research aims to position artists as members of the working class who …

Movement And Mastery: The Artistic Evolution Of Artemisia Gentileschi, 1613-1640, Molly E. Russom

Capstone Showcase

This thesis examines the artistic evolution of Artemisia Gentileschi between 1613 and 1640, focusing on how her extensive travels shaped the development of her style, subject matter, and professional identity. While Artemisia’s work is frequently interpreted through a biographical or feminist lens, this study emphasizes her artistic agency and technical mastery by situating her paintings within the distinct artistic environments of Florence, Rome, and Venice. Through visual and contextual analysis of her key works—Penitent Magdalene, Judith and her Maidservant with the Head of Holofernes, and Corisca and the Satyr—this paper demonstrates Artemisia’s evolving use of …

The Categorisation Of Different Periods In Indian Art & The Market’S Role, Devashi Jain

MA Theses

When one thinks of Indian art, a broad spectrum of types of art & periods come to
mind. Each period is marked by distinct differences in style, influence, medium and
more, yet a significant number of these periods are grouped together, despite the
differences. Indian art is traditionally seen on the market under the Antiquities, or
Modern & Contemporary category in spite of the distinguishable differences in the
aesthetic, and cultural context. These categories inform market perceptions, value of the works as well as preferences of the collectors, and hence it is imperative to have well defined categories. This paper …

The Evolution Of Heritage: How Three Iconic American Jewelry Houses Have Navigated Their Legacy, Emily Vanderford

MA Theses

This thesis explores the evolution and preservation of heritage of three iconic American jewelry houses: David Webb, Harry Winston, and Tiffany & Co. Through a detailed examination of their foundational design philosophies, the impact of ownership changes, and responses to modern trends and cultural shifts, this study investigates how each house has navigated the balance of tradition and innovation. Archival research, published materials, and analysis of design practices have revealed the influence of each house’s foundational principles as well as the challenges posed by evolving markets and ownership. This research highlights the strategies that have allowed each house to remain …

Take Shrigley’S Word For It, Mary Gurley

MA Theses

This essay investigates the complexities of text-based art and contemporary conceptualism by focusing on David Shrigley’s work. By exploring the origins, evolution, and function of language-based practices, Take Shrigley’s Word for It emphasizes the artist’s use of text across various mediums, all of which occupy textual fields, blurring the line between commercial and fine art. Despite Shrigley’s extensive career, limited scholarship exists on his eccentric pairing of words and visuals, as well as his abundant spaces dedicated to sales. This paper also considers how Shrigley transformed the practice of text-based art by making it accessible and relatable to wide ranging …

Artistic Interventions In The Public Sphere: Keith Haring & Jenny Holzer, Matilde Sirolli

MA Theses

This thesis investigates the intersection of art and the public sphere in late 1970s and 1980s New York, a period characterised by significant socio-political and cultural transformations. Grounded in Jürgen Habermas’ conception of the public sphere, the study examines how the unique historical phenomena of the period yielded unprecedented opportunities for artists to intervene in the public sphere. The research provides a comprehensive analysis of the period’s political, economic, cultural and sociological landscapes. It then delves into case studies of Keith Haring and Jenny Holzer, exploring their distinct approach to public engagement: Haring’s blend of art, commerce and populism, and …

“The Entire Art Movement Has Become An Enormous Business Venture” Financing The American Art Museum, Lucy Owen

MA Theses

This thesis examines the intricate relationship between financial operations and the public function of American art museums. The distinctive American nonprofit model relies heavily on private funds for its survival and success. The thesis traces the historical development of this model, and then analyzes the contemporary state of American art museums, with a specific focus on two prominent institutions: MoMA PS1 and the Yale University Art Gallery. The analysis highlights the significant influence of board members' financial contributions and their business expertise on museum operations. Moreover, the thesis argues that the museum world has undergone rapid financialization in the twenty-first …

Female Photographers’ Practices And Markets: A Three-Part Case Study, Emma Howard

MA Theses

This thesis explores the intertwined histories of artistic legacy, cultural impact, and market reception of female photographers, who have often been decentered in art history and overshadowed by male contemporaries. While photography has historically been more inclusive to women than other art forms, women photographers have nonetheless faced marginalization in the canon of photography history and the art market. Building on efforts to reclaim and elevate the contributions of women photographers, this research integrates art historical and market analyses to provide a holistic understanding of their careers and legacies. Through detailed case studies, this thesis examines the artistic practices, biographical …

Modern Mother: Abby Aldrich Rockefeller And The Visionary Women Who Founded The Museum Of Modern Art, Sophie Dowling

MA Theses

This thesis analyzes the role that women played in founding The Museum of Modern Art (MoMA) in 1929 during an era in which the prevailing attitude toward modern art in America was one of bewilderment and derision. MoMA was founded by three women: Lillie Plummer Bliss, Abby Aldrich Rockefeller and Mary Quinn Sullivan. At a time when their male counterparts were more focused on collecting Renaissance and Old Master paintings, French decorative arts, Chinese porcelain and medieval tapestries, these women chose to collect modern art. Avant-garde art, which was shown en masse to the American public in 1913 at the …

Art Collecting In India Through The Ages, Muskaan Mehta

MA Theses

This study examines the evolution of art collecting in India, from royal patronage to modern practices shaped by socio-political and economic changes. It highlights the ancient tradition of art– serving spiritual, cultural, and political purposes, evolving through colonial influences that introduced Western aesthetics and private collecting. Post-independence, collecting in India became a means of reclaiming cultural identity, marked by movements like that of the Progressive Artists' Group. Three collections illustrate the diversity of contemporary Indian collecting- the personal collection of Kiran Nadar and the Kiran Nadar Museum of Art focusing on public engagement and modern Indian art; Vinay Sheth’s private, …

How Social Media Is Reshaping The Art Market: Catalyzing The Rise Of The Art Agency Model In The United States, Leo Braudy

MA Theses

The art world is undergoing a fundamental transformation, marked by a shift from the traditional gallery-centric model to a talent agency model akin to those in the entertainment and music industries. This evolution is driven by the increasing influence of social media platforms, which empower artists to directly engage with audiences, bypassing the traditional gatekeepers of galleries and auction houses. Drawing on insights from industry reports, social media analytics, and case studies, this thesis explores how social media has catalyzed this shift and examines its implications for artists, collectors, and the broader art market. It argues that the rise of …

The Impact Of Social Media Influencers On Contemporary Art Trends - A Comprehensive Analysis, Babette Meng

MA Theses

Social media have revolutionized the contemporary art market, how artists promote their work, how collectors initially find pieces, and how art is valued and sold. This study investigates the effects of social media on the art industry using a mixed methods approach consisting of qualitative case studies enabled by thematic analysis and quantitative survey with statistical correlation analysis. Key findings from this paper show that with social media, the artist's visibility is vastly increased, direct-to-collector sales are promoted, and dependence on traditional galleries is reduced. The study considers the position of art influencers in the process of art promotion, which …