Literature in English, North America Commons^™

Unsustainable Oil: Facts, Counterfacts And Fictions By Jon Gordon, Pamela Banting

The Goose

Review of Jon Gordon's book Unsustainable Oil: Facts, Counteracts and Fictions.

On Variety: The Avant-Garde Between Pornography And Narrative, Kevin L. Ferguson

Publications and Research

This article analyzes Bette Gordon’s first feature film Variety (1983), reassessing how experimental novelist Kathy Acker’s contributions to the screenplay awkwardly positioned the film within contemporary cultural debates over pornography and the future of avant-garde filmmaking. While centered on an erotic thriller narrative concerning a woman’s entrée into the scuzzy world of New York City porno theaters, Gordon and Acker also take up in the film a series of three related representational problems for the 1980s: feminist approaches to pornography, narrative in an avant-garde tradition, and the role of speech and writing in film.

Book Review - Among The Living, Linda M. Golian-Lui

Georgia Library Quarterly

No abstract provided.

Truly Jewish: Diasporic Identity And “Chosen Glory” In “Monte Sant’Angelo”, Sara Heist

Montview Journal of Research & Scholarship

In her memoir Unorthodox, Deborah Feldman observes, “A Jew can never be a goy... even if they try to become one. They may dress like one, speak like one, live like one, but Jewishness is something that can never be erased” (96). Her intriguing observation parallels the major themes of Arthur Miller’s short story “Monte Sant’Angelo,” which explores Jewish identity. The modern psychological constructs of diasporic identity, “chosen glory,” and “chosen trauma,” developed after the short story was written, help to interpret the psychological drama unfolding in the little village of Monte Sant’Angelo. Bernstein, a diasporic Ashkenazi Jew, …

Zora Neale Hurston: Scientist, Folklorist, Storyteller, Mary Catherine Russell

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

This paper examines the life and work of Zora Neale Hurston and her contribution to American literature in the 20th Century. While previous critical analysis of Hurston’s work has focused primarily on her most popular novel, Their Eyes Were Watching God, this paper examines Hurston’s career by taking a holistic approach to the body of her literary works. Hurston’s early career as an anthropologist is shown to provide a foundation for her later interest in folklore. In turn, her connection and participation in the Harlem Renaissance gave Hurston’s writing a nuanced and individualized style as part of the American modernist …

The Transformation Of Gender And Sexuality In 1920s America: A Literary Interpretation, Taylor Gilkison

Mahurin Honors College Capstone Experience/Thesis Projects

The 1920s in America marked a new decade of freedom and exploration for youths. With the conclusion of the First World War in 1918 and the addition of the nineteenth amendment to the United States Constitution in 1919, women gained more prominent roles in both politics and society. The early twentieth century ushered in a new age of sexual expression and attempted gender balance. Secular thinking became more widespread than ever, which was reflected in the arts throughout the first half of the twentieth century. Artists and writers alike were not only expressing themselves through their works, but documenting the …

A Girlhood Among Ghosts, An Experimental Project, Maple Wu

Dissertations, Theses, and Capstone Projects

“If a woman is going to write a Book of Peace, it is given her to know devastation” – Maxine Hong Kingston, The Fifth Book of Peace.

I do not believe I know devastation. I think to be devastated means one has to experience extreme pain, and live in the aftermath of trauma. I think of this in terms of war, famine, and immigration. A little self-reflection shows that in the twenty-something years of my life, I have not encountered any of the three things listed.

What I do recall, however, is the first time I picked up Maxine …

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

Between The Cloud And The Page: Repetition And Textuality In Post-Conceptual Poetics, Michael Kirby

Dissertations, Theses, and Capstone Projects

These three chapters take as their focus the emergent movement of post-conceptual poetry. The first chapter, “What is Post-conceptual Poetry?,” attempts to delineate the varying definitions of post-conceptualism offered by four critics (Felix Bernstein, Diana Hamilton, Vanessa Place, and Robert Fitterman). Finding none of these to be satisfactory, I turn towards the delineation of my own definition of post-conceptualism in the second chapter, “Beckett contra Sade: Two Kinds of Repetition,” which asserts that post-conceptualism may derive a sort of cohesive political agenda from its rejection of both Sadean and Beckettian repetition. “Between the Cloud and the Page,” the third chapter, …

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

"The Engine Of Free Expression": The Political Economy Of Copyright In The Colonial British Atlantic And Early National United States, Nora Slonimsky

Dissertations, Theses, and Capstone Projects

In 1985, the Supreme Court of the United States concluded that copyright was included in the Constitution in order to serve as the “engine of free expression.” By providing economic incentive to drive artistic and scientific innovation, the nation received essential information and other tools of learning necessary to make sound political decisions. However, transnational copyright disputes, then and now, frequently resulted in complex and often contradictory understandings of free expression. The formation of copyright in America was thus a far more complex story, and it is that story that forms the basis of this project.

Amidst the many moving …

Shifting Focus: The Role Of Visual Literacy In The Twenty-First Century English Classroom, Bryanna Tester

Masters Theses

Ultimately, the English language arts classroom seeks to help make students “literate” members of society. Due to the dominance of images in twenty-first century communication, the term “literate” has also slowly shifted to include an individual’s ability to effectively and accurately communicate with verbal text as well as with visual images and symbols. Although students are native image-viewers, they are not able to be image-readers without instruction and training on how to critically “read” images. Therefore, an English teacher’s literary curriculum is not strictly bound to the written and spoken word. Instruction in reading and writing written texts are vital …

Fashioning A Feeble Mind: Cognitive Disability In American Fiction, 1830-1940, Lucy Wallitsch

Lawrence University Honors Projects

Between 1830 and 1940, American fiction is populated by an increasing number of cognitively disabled characters. I explore the relationships between these cognitively disabled characters and the rapidly changing scientific and political environments in which they were created. Drawing on a variety of regionally specific primary sources, I analyze the influences of medical and social conceptions of cognitive disability on works of American fiction containing characters which fit historical labels for cognitive disability such as The Deerslayer, “Life in the Iron Mills,” the short stories of Mary E. Wilkins Freeman, The Sound and the Fury, and Of …

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

The Montagnards, Jarred J. Marlatt

LSU New Orleans Theses and Dissertations

No abstract provided.

Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao

Seton Hall University Dissertations and Theses (ETDs)

Gabriel García Márquez establishes the importance of identity, names, and narrative in order to highlight the importance of recognizing the past for a country that has allowed history to be rewritten and, as a result, forgotten. Márquez writes about what happens to a character with no history, for whom it then becomes imperative that the other characters orchestrate a narrative, thereby allowing Márquez to critique the neocolonialism and imperialism that occurred in Colombia. This strategy can be seen in several of his most well-known works—the short stories “A Very Old Man With Enormous Wings” and “The Handsomest Drowned Man in …

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …

“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno

Theses and Dissertations

Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”

"Her Splendid Children Will Be Born Here”: Anglo-American Relations And Sexual Selection In Transatlantic Fiction, 1870–1914, Jennifer Lynn Robertson

Dissertations

In recent decades, scholars have sought to examine the discourse of evolutionary theory in the realist novel. This dissertation examines the ways in which the novel form embodied evolutionary theory by examining Anglo-American courtship plots. In chapter 2, I examine Charles Glascock’s courtship of Caroline Spalding in Anthony Trollope’s He Knew He Was Right. During their courtship, Caroline’s dominant behaviors subvert traditional hierarchies between nations, classes, and genders. However, the open plot of evolutionary change hints at a revolutionary restructuring of social relations. I argue that Caroline and Glascock’s relationship reverts to a more traditional power structure upon their …

Transcendence Of Familial Expectations In Alison Bechdel’S Graphic Novels, Anna Priore

Honors Projects

This thesis focuses on the graphic novels "Are You My Mother?" and "Fun Home" by Alison Bechdel. I discuss the ways in which Bechdel highlights her own family’s atypical structure and how the ambiguous presentation of familial roles causes readers to see that being in a “queer” family is actually ordinary, just as being in an “ordinary” family is queer.

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …

Vonnegut's Composite Work : The Importance Of Illustration In Breakfast Of Champions., Blake Schreiner

College of Arts & Sciences Senior Theses

This paper examines Kurt Vonnegut's 1973 novel, Breakfast of Champions, in the context of word-image theory and multimedia publication. Drawing from the critical discourse surrounding the illuminated manuscripts of William Blake, the paper discusses Vonnegut's experimentation with a "composite" work and re-evaluates the significance of the novel in light of this innovation.

Dinner At Eight, Anastasia M. Berkovich

Graduate Theses/Dissertations

This creative thesis is comprised of six short stories of fiction in various styles and lengths, as well as a critical introduction wherein I discuss the various influences on my work, ranging from Charles Baxter and Karen Joy Fowler to Doležel and John Gardner. All of these stories share a theme of family and loss. Each story also grapples in some way with changing times and places. I have endeavored, by using rhyming action, repeating images, and melodrama, to give each story a great sense of emotion, a feeling both specific to the story but connects to the wider reading …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

Ironic Deference : An Inquiry Into The Nineteenth-Century Feminist Rhetoric Of Kesiah Shelton., Melissa Rothman

Electronic Theses and Dissertations

This project examines the works of Kesiah Shelton, a writer for popular magazines in the late nineteenth century who used irony in interesting ways to critique the social norms of the period. Although, scholars have noted that female authorship was a an expanding field during this period, there were very specific gendered expectations limiting what female authors wrote about; women were primarily limited to writing about domestic matters and were discouraged from taking up other topics associated with the male public sphere such as politics. Many scholars have noted how the cult of domesticity valorized women as superior moral beings, …

The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr

Department of English: Dissertations, Theses, and Student Research

Falling Man by Don DeLillo casts the event of 9/11 and its aftermath in such a way that the novel itself enacts an aesthetic terror aimed at explicating the ubiquitous social-atmospheric elements of community- and identity-formation out of which terror precipitates. As DeLillo figures terrorism in the novel as apocalyptic in that it is a violence that reveals the violence constitutive of political community, including the political community of liberal democracy, which ostensibly relegates violence to domains not considered legitimately political. DeLillo’s novel, as an act of aesthetic terrorism, not only thematizes the instantiation of terror that precipitates out of …

Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert

Department of English: Dissertations, Theses, and Student Research

Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world, they imbue …

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Department of English: Dissertations, Theses, and Student Research

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …

Incongruity And Social Expectations: Cultural Identity In Carson Mccullers’ Southern Gothic Novel The Heart Is A Lonely Hunter, Emily Page

Masters Theses

This study explores Carson McCullers’ novel The Heart Is a Lonely Hunter (1940) in order to determine 1) the text’s relationship to cultural measures for identity in the 1930s and 40s American South and 2) the categorization of the novel as a Southern Gothic novel. The novel depicts cultural conflicts in the South and presents an intimate perspective of the corruption and prejudices between members of the southern community. Southerners in the novel fall into adopting ideal standards for race, gender, and class, judging and determining how people in different levels of each should act within the community. These culturally …