Literature in English, North America Commons^™

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

Eat Or Be Eaten: A Posthuman Ecofeminist Reading Of The Vegetarian And Organ Meats, Erin Grace Elizabeth Kostic

Seton Hall University Dissertations and Theses (ETDs)

As two novels that feature the reformation and reconstruction of the female body, both Han Kang’s The Vegetarian and K-Ming Chang’s Organ Meats emphasize the posthuman existence of women seeking to break free from the gender-based shackles that constrain them, leading to a striking rejection of the anthropocentric and patriarchal worldviews that plague contemporary society. My thesis comparatively examines each novel through an ecofeminist lens in an attempt to prove that it is only when a woman is able to reframe her existence outside of a male-centric worldview that she can truly find freedom. The Vegetarian’s Yeong-hye loses her …

Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie

Seton Hall University Dissertations and Theses (ETDs)

This project argues that while Nathaniel Hawthorne creates intellectually complex and emotionally resilient female heroines in The Scarlet Letter and The Blithedale Romance, he ultimately reinforces the patriarchal structures he appears to critique. Through the figures of Hester Prynne and Zenobia, Hawthorne demonstrates a deep awareness of women’s societal oppression and the limitations imposed upon them within nineteenth-century America. However, despite moments of resistance and autonomy, these women are never permitted full liberation, agency, or lasting fulfillment. Their narratives ultimately become constrained by the patriarchal power that denies them independence and sustaining love. Thus, Hawthorne’s work coincides with the …

"Some Women Make It Look So Easy": An Analysis Of Jenny Offill's Fragmentary Novels And Their Critique Of Postfeminist Sensibility, Kimberly Crooks

Theses, Dissertations and Culminating Projects

Jenny Offill’s novels Dept. of Speculation and Weather are each narrated by a woman who exists in a postfeminist era that insists upon the achievability of a happy work-life balance. Despite the lofty career aspirations now afforded to women, the protagonists find themselves burdened by the gendered responsibilities that disproportionately hold them responsible for domestic duties, childcare, and emotional labor. Both protagonists use a fragmented narrative style to convey their consciousness, and the texts are composed of hundreds of short fragments that include memories, self-reflections, philosophical musings, lines of poetry, fun facts, questions, and more. While the narratives do not …

“The Revolution Begins At Home”: Ambivalent Sexism In The Color Purple And The Help, Berit P. Gibson

All Graduate Reports and Creative Projects, Fall 2023 to Present

Ambivalent sexism theory, proposed by Glick and Fiske in 1996, argues that sexism is comprised of both negative and “positive” images of women. The theory has become a staple in research on sexism as it theorizes the Madonna/whore dichotomy as sexist on both sides of the binary, and how attitudes switch from “positive” to negative. But, so far, literature scholars have not used the theory to read literature. As the theory is based in ideals of white womanhood, how do we do so in an intersectional way?

In order to work through this question, I bring in The Color Purple …

The Alembic - International Literary Journal, Sara Mackinnon, Finn Heller, Sarah Debian, Kate Blackwell

English Student Scholarship

No abstract provided.

‘“We Was Girls Together”’: Black Girlhood And Homoeroticism In Toni Morrison’S Sula, Summer A. Still

Caroliniana Undergraduate Research Journal

This paper examines Toni Morrison’s Sula through the intertwined frameworks of Black girlhood and homoeroticism, with a focus on the friendship between Sula Peace and Nel Wright. By analyzing moments of intimacy, dreams, and kinship terminology, I argue that Morrison portrays their bond as both a survival mechanism against oppressive social structures and as a site where homoerotic desire emerges. Concepts such as “fictive kin,” “chosen kin,” and “quare” are used to show how Morrison complicates traditional categories of friendship and queerness in American literature. Ultimately, the novel positions Sula and Nel’s relationship as one of enduring love that exceeds …

Queer Okayness & The Modernist Influence: A New Form Of Queer Poetics In Ocean Vuong’S Night Sky With Exit Wounds, Sophia Behnke

Audre Lorde Prize

This paper analyzes poems from Ocean Vuong's 2016 debut collection, Night Sky with Exit Wounds, as a contemporary evolution of queer modernist poetics from the early twentieth century. Using conceptual frameworks from Sara Ahmed and Audre Lorde, the author argues for the cultural power of poetics as an inherently queer art form which artists are constantly redefining. By studying how prominent lesbian and queer modernists disrupted heteronormative ideals through non-conformist poetic strategies, the author develops a comparison to Vuong's work as a contemporary queer poet who both draws from past forms and develops a more nuanced understanding of queerness …

Separate But Found: An Ontological Analysis Of Toni Morrison's Beloved, Byron Haynes

Posters - 2026

In Toni Morrison's Beloved, separation becomes the ideal solution for African American women to recover their humanity and build a future. These women understandably harbor for their oppressor and would be unable to foster a coexistence with them, given their suffering after being the victims of sexual assault, lynchings, hard labor, substandard living circumstances, and death regularly. By illustrating the methodical methods in which women are dehumanized under Whiteness, this essay examines how each woman reclaims their humanity through the separation of Whiteness in their lives through Baby Suggs’s preaching, Sethe’s choice to kill her daughter, Denver’s exploration of reality …

How Questions Of Editing Shape Our Learning: Introducing Students To Digital Manuscripts, Marlowe Daly-Galeano

Feminist Pedagogy

This article presents a pedagogical approach for introducing literature students to digital manuscripts and editorial processes through hands-on engagement with archival materials. The teaching activity centers on May Alcott Nieriker's essay "London Bridges," using four different versions of the text—two handwritten manuscripts, one nineteenth-century periodical publication, and one contemporary republication—to illuminate how editorial decisions shape literary canons and student learning. The four-part assignment integrates literary analysis, manuscript transcription, variant identification, and editorial decision-making to help students understand the material conditions that determine which texts survive and become part of academic curricula. Through this assignment, students gain critical insights into the …

"In Her Own Words: Annotating A 19th-Century Southwest Florida Diary", Jordan L. Von Cannon

Feminist Pedagogy

No abstract provided.

Helena María Viramontes’ Under The Feet Of Jesus And Sandra Cisneros’ The House On Mango Street: An Exploratory Analysis Of Female Friendship In The Chicana Feminist Bildungsroman, Patrice Donnelly

All Graduate Theses, Dissertations, and Other Capstone Projects

This exploratory analysis examines female friendships presented in two mid-twentieth century Chicana feminist Bildungsroman, each between a Chicana protagonist and a female friend as foil. One friendship in Under the Feet of Jesus, by Helena María Viramontes, is interracial; the other, in The House on Mango Street, by Sandra Cisneros, is Chicana. Both friendships interrogate the boundaries within mainstream feminism, particularly its monolithic views and complicity with power. Each friendship offers a Chicana feminist perspective centering family and cultural community. The theoretical foundation includes classical and contemporary understandings of Bildungsroman as literary form, Toni Morrison’s American Africanism, …

Resistance And Innovation: The Cultural Work Of Popular Romance Novels, Chelsee M. Niebergall

Dartmouth College Master’s Theses

Popular romance fiction is the highest-grossing genre in contemporary publishing, yet it remains one of the least examined in academic scholarship. As this thesis argues, while texts of this genre have been marginalized and stigmatized for their perceived lack of literary sophistication, they prove to be some of the most radical in terms of cultural impact. Their dismissal is not incidental but symptomatic of the very systems of oppression the romance novels work to disrupt. This thesis will examine these radical texts and uncover the cultural work they perform on their readers by using an analytical framework newly developed here, …

Modernism’S Wild Child: The Interplay Of Modernist And Children’S Literature, Rachel Riffel

All Master's Theses

Within literary criticism, American and British modernism are often characterized by the disillusioned writers and creators who established an elitist literary community during the early 20^th century. This period is also distinguished by the Harlem Renaissance highlighting Black art, culture, and writing. Gertrude Stein, T. S. Eliot, Langston Hughes and Arna Bontemps are well-known for contributing core texts to modernism and the Harlem Renaissance that expressed existential themes and developed experimental techniques. What many readers don’t know, however, is that these authors and many other contemporaries wrote stories and poetry for children. In this thesis, I explore the children’s …

When To Bite Back: Queerness, Resistance, And Reclamation Of The Monstrous Identity In Andrew Joseph White’S Hell Followed With Us, Aster J. Mehigan Mx.

English

Who gets the right to define morality? Who gets to define what is monstrous? Frankenstein’s Creature, the vampires of Lost Boys, The Craft’s head witch Nancy Downs; these characters follow a pattern through the decades of those alienated from society, in this case being written with queer subtext, being deemed as monstrous. These queer monsters become the villains of the story, causing chaos, death and destruction in their wake, seeking revenge against a world that ostracizes them. The 2022 dystopian YA horror of Hell Followed With Us by Andrew Joseph White challenges the villanized monstrous identity through its transgender protagonist …

Accepting Vs Understanding, Transgender Aliens And Alienation, Reyna G. Aliah

English

Trans people have been the subject of intense discrimination in recent years, suffering dehumanization from right-wing and conservative groups. This dehumanization (and the fear resulting from it) parallels common attitudes in science fiction about actual aliens. Orson Scott Card’s Hierarchy of Foreignness classifies individuals and species into five categories, depending on their sentience; whether they are from the same city, nation, or planet; and whether communication is possible. This paper examines how transgender people can be classified according to this system on a societal level, with said class depending on the lens used to view them as well as the …

Domination, Limitation, And Liberation In Gilman's Herland, Ella Cauley

Student Scholar Symposium

No abstract provided.

"The Yellow Wall-Paper": Decoding Medical Patriarchal Structures (A Common Theme Within Gothic Literature/Horror), Yvonne T. Samuels

Masters Theses (Archived)

This paper makes the claim that Charlotte Perkins Gilman’s “The Yellow Wall-Paper” encoded the medical system as part of the patriarchy used to control and harm women, especially within the 19^th Century, and how this is a common theme within gothic literature and modern-day horror. Through the Feminist Literary Criticism framework and the methodology of textual analysis, certain literary devices Gilman uses, including the Gothic trope of the narrator’s environment in “The Yellow Wall-Paper” is analyzed to reveal women living in a patriarchal society during the 19^thCentury and the medical system being a source of power. “The …

Sex, The Body, And Learning Gender: Demons In The World Of The Five Gods, Erin E. Mcbrien

Mythopoeic Society Seminar Proceedings

“Sex, the Body, and Learning Gender” analyzes the relationship between the physical body, sexual orientation, and gender as characterized within Lois McMaster Bujold’s World of the Five Gods series, with a particular emphasis on her Penric and Desdemona novellas. Using the framework of Bussey and Bandura’s social learning theory, and a close reading of Bujold’s text, this paper explores how the demonic characters within this series are an example of gender as a learned concept rather than a biological imperative. This is further developed by examining how the demonic characters both imprint on and contrast against the more societally-bound sorcerers …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Reading Romance As An Act Of Resistance, Amy K. Krug

English Faculty Publications

A podcast discussion about how popular romance represents many different populations, including people of color, people with disabilities, and people who are LGBTQ+. Reading these romances with diverse characters can be a powerful mode of resistance against current anti-diversity efforts becoming more prevalent in society.

Listen to the episode. The transcript is available for download.

New Suns: Fantasy And Science Fiction For A Better World, Jennifer Rosenstein

Social Justice Week

This event is inspired by the Octavia Butler quote "There is nothing new under the sun, but there are new suns." We will explore examples of fantasy and science fiction from the library collection that imagine worlds that are more just and varied. To work for a more just world we need to be able to imagine it. We will briefly present each book and explain how the world of the books presents a radical reimagining of some aspect of society.

Harlem’S Avenues For Agency: An Exploration Of Black Female Agency In Angelina Weld Grimké And Zora Neale Hurston’S Short Stories, Jessica Ellen Hartenbower

Electronic Theses and Dissertations

This thesis explores themes of Black female agency in selected short stories by Angelina Weld Grimké and Zora Neale Hurston. Pushing back against the belief that the Harlem Renaissaince was a movement solely for male artists, Grimké and Hurston write short stories that center Black women and their experiences. Through the avenues of bodily autonomy, the using or silencing of voice, the opportunity and ability to make choices, issues of justice, retribution, and vengeance, the holding of authority, and being empowered or disempowered, I examine the female characters’ exercising of their agency to varying degrees. I also discuss how religious …

Queerness In The Ability To Choose, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This presentation delves into examples of LGBTQ+ authors and characters within the choose your own adventure genre. With a primary focus on Anna Anthropy’s story game “queers in love at the end of the world” and Carmen Maria Machado’s memoir In The Dream House, instances of queerness found within the choose your own adventure genre are analyzed. Anthropy’s story game depicts two women with ten seconds to live until the world ends. The story game itself only exists for ten total seconds before players are given the chance to restart and try again. Machado’s memoir retells her experience in an …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

“Bottom Nature”: Embodying History In Gertrude Stein’S The Making Of Americans, Yasmin Tehrani

Theses and Dissertations

This paper attempts to connect Gertrude Stein’s conception of being in The Making of Americans with her vision of the production of history. This paper then concludes that for Stein, historical subjects themselves, both individually and collectively, and the imbued qualities in their being, shape history.

Deflecting Voyeurism: Elizabeth Keckley’S Indictment Of Capitalism And Rejection Of The Exploitative White Gaze, Laura Steel

Theses and Dissertations

This paper analyzes the ex-slave narrative Behind the Scenes, or Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley through a Marxist and Romantic lens as a means to explore the impact of capitalism on Keckley while enslaved, as well as post-slavery. Through the paper, the author argues that Keckley successfully deflects the white voyeuristic gaze by replacing her physical form with clothing that she creates, as a means to both indict capitalism and reclaim ownership over her body. Further, the paper argues that Keckley employs Romanticism to highlight the unnatural capitalist roots and subsequent …

Transgressive Fiction And The Problem Of Negative Affect: A Case Study Of Samuel Delany’S Hogg, Brian Thornton

Master's Theses

Samuel Delany began drafting Hogg in March of 1969 and worked on it intermittently before completing the novel in October of 1973.1 Yet Hogg remained unpublished until 1995 before finally seeing the light of day “during the ‘transgressive turn’ in American literature” (Mitchell 1). As such, the novel is historically situated along what Jonathan Mitchell calls a “dual temporality,” which “allows the novel to be located as an intervention in two key moments in America’s LGBT+ history: first, the developments in identity politics coming out of the socio-political cultural shifts of the 1960s; and, second, the post-AIDS awareness 1990s”.

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic

All Theses

This thesis examines the role of shame in Kincaid's Lucy. Separated into four separate sections, the thesis moves through Lucy’s relationship with her boss, Mariah, her Antiguan mother, and the shame that is identified at the end of the novel. In the introduction, I identify the passage that frames the novel around shame. I then identify my thesis, which centers around Lucy’s shame and her inability and refusal to situate herself with neither Mariah nor her mother’s expectations. The second section of the thesis revolves around Mariah and the form of feminism that skews her perception and expectations of …