Literature in English, North America Commons^™

The Rise Of Romantasy: Female Desire, Monstrous Feminists, Fairy Tale Ideology, And Societal Panic, Rachel Stucki

English (MA) Theses

This thesis argues that the contemporary rise of Romantasy is not merely a publishing trend but a significant literary and cultural development through which female desire, agency, and subjectivity are being renegotiated. Tracing a historical continuum across Gothic horror, fairy tale discourse, and contemporary fantasy romance, I contend that patriarchal ideology has long constructed women according to a restrictive binary: either silent and compliant, or monstrous and punishable. Drawing on theorists including Jack Zipes, Barbara Creed, Cristina Santos, Maria Tatar, Louis Althusser, and Jeffrey Andrew Weinstock, this project examines how literary forms have both reflected and reinforced cultural anxieties surrounding …

Pearl Buck’S Humanitarian Vision In War And Peace, David M. Crowe

Presidential Fellows Articles and Research

"Eurasia, that vast continental region that encompasses Europe and Asia, was a tablet for many of Pearl S. Buck’s works and campaigns for human rights and international efforts to improve the human condition globally. Though she is principally known for her works on China, some scholars, while acknowledging that her novels were principally for an American female audience, gave little attention to her significant body of non-fictional works on a variety of subjects on America and East Asia. I made my first trip to China in the summer of 1985 via the Trans-Siberian Railroad and Mongolia to Beijing."

Queerness In The Ability To Choose, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This presentation delves into examples of LGBTQ+ authors and characters within the choose your own adventure genre. With a primary focus on Anna Anthropy’s story game “queers in love at the end of the world” and Carmen Maria Machado’s memoir In The Dream House, instances of queerness found within the choose your own adventure genre are analyzed. Anthropy’s story game depicts two women with ten seconds to live until the world ends. The story game itself only exists for ten total seconds before players are given the chance to restart and try again. Machado’s memoir retells her experience in an …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Griffin, Benjamin, Ed. 2024. Pudd’Nhead Wilson: Manuscript And Revised Versions, With Those Extraordinary Twins, By Mark Twain., Joanna Levin

English Faculty Articles and Research

A review of Pudd’nhead Wilson: Manuscript and Revised Versions, with Those Extraordinary Twins, by Mark Twain, edited by Benjamin Griffin.

“No One To Show Us The Way:” Assessing The Contemporary Relevance Of The Gay Male Bildungsroman, Matthew Lemas

English (MA) Theses

The gay male bildungsroman can trace its origins to E.M. Forster’s posthumously published Maurice (1971) and Edmund White’s A Boy’s Own Story (1982), among other examples. While nested under the umbrella category of the queer bildungsroman (and, more broadly, the bildungsroman), the gay male iteration particularly explores integrational challenges related to the extant tensions between hegemonic masculinity and the male protagonist’s sexuality and gender identity. The subgenre—often conflated with the “coming out novel”—has faced a range of criticism in its roughly half-century existence. Scholars have accused it of banality, often relying on a limited range of well-trodden tropes; lacking diversity, …

Fantastical Fate: Contemporary Works Depicting Enlil, Daylen Motamed, Marissa Becher

Student Scholar Symposium Abstracts and Posters

It is known that the creation of Gods is prevalent, and almost essential to worldbuilding in fantasy novels. Some examples are the dwarves' Durin in Tolkein's The Lord of the Rings and Djel of the Fjerdans in Leigh Bardugo's Grishaverse novels. However, there is one popular god present in many modern fantasy series; the God of fate. In Ancient Mesopotamia, a God of fate was named Enlil. Enlil is known as the king of all Gods, as well as the God of wind and air. He decrees the fates and his word cannot be changed, as Enlil guards the tablets …

Sweat Equity: Lynn Nottage's Radical Dialectic Of Deindustrialization, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

"Lynn Nottage has devoted her career to researching and telling stories of Black individuals and communities with expressed interest in laborers, advocating for their agency, humanity, and legacy. In her second Pulitzer Prize-winning play, Sweat, Nottage dramatizes more recent US history, illuminating the lives of workers marginalized by the deindustrialization of the Rust Belt in the early 2000s. Sweat is emblematic of Nottage's sustained effort to deploy playwriting as activism and stand in solidarity with those whose stories she chooses to tell. As a constant theme in her works, Lynn Nottage's stories align with marginalized workers' efforts and histories, …

Lovecraftian Queerness: Weird And Queer Temporalities In Lovecraft Country And Detransition, Baby, Eurydice Dye

English (MA) Theses

By analyzing H. P. Lovecraft’s work through the lens of queer temporality, I offer a queer perspective on Lovecraft, reading the monstrous outside in his work as a queer figure and casting the temporal conflict common to Lovecraftian horror as a conflict between dominant time and outside time. I argue that, by placing queerly-temporal protagonists in conflict with dominant temporalities, queer fiction is essentially an inversion of Lovecraftian horror. Drawing on Mikhail Bakhtin’s concept of the chronotope of the novel, I develop a theory of the queer chronotope in fiction to align with the queer temporalities that queer characters inhabit. …

Oceans Of Literature - The Little Mermaid, Makena Metz

English (MA) Theses

Mermaid stories have existed for millennia, stemming back to the ancient cultures of the world. Influenced by the mythos established in books like The Iliad, sirens and mermaids were a part of European culture for centuries. The mermaid as chimera monster that represented the duality of danger and seduction was subverted in 1837, when Hans Christian Andersen wrote the seminal fairy tale “The Little Mermaid.” In our present day, we can find that this short story has created a canon of “mermaid” literature, especially in the fantasy canon, and has majorly impacted our pop culture and digital spheres. By tracing …

Steps Toward Healing From The Possessive Other: The Vital Role Of Fantastical Literature In Trauma Theory, Rebekah Izard

English (MA) Theses

Fantastical narratives such as fairy tales and magical realist literature utilizes fantastic and intangible spaces to unpack that which is often beyond the limitations imposed on our understanding by reality: the stunting experience of individual and generational traumas. This study aims to contribute to the current literary discourse’s understandings of fantastic literature and its subgenres as a tool for healing from trauma through the application of ontological notions of Selfhood and Otherness supplied by 20th century philosopher, Paul Ricoeur, and the notion of Orientalism by postcolonial scholar, Edward Said. The dialogue generated by these schools of thought provide a space …

Timothy Yu, Diasporic Poetics: Asian Writing In The United States, Canada, And Australia, Rei Magosaki

English Faculty Articles and Research

A review of Timothy Yu'sDiasporic Poetics: Asian Writing in the United States, Canada, and Australia.

“Strumpet,” “Huswife,” “Whore”: Centering Othello’S Bianca, Phoebe Merten

English (MA) Theses

Is Bianca a sex worker? What meanings change if she is or isn’t? Not enough artistic or critical attention has been paid the character. It seems likely that the initial lack of attention stemmed from Bianca’s status as a purported sex worker, as though this makes her somehow categorically different from the other women in the play, or inherently less interesting. There has in the past decade or so been a marked increase in scholarship on sex work, but this too largely skims over Bianca, likely because of the ambiguity surrounding her profession.

In my introduction I go over some …

Speaking Up For Generic Asians In Charles Yu’S Interior Chinatown, Orel Shilon

English (MA) Theses

In this project, I will explore the ways in which the critical race theory works in conjunction with film and literature to showcase the depths of the racial issues faced by Asian Americans. I will use Charles Yu’s Interior Chinatown as a framework to express the major issues faced by the Asian American community and the concern brought up by implications made within the novel. Scholars such as Kent A. Ono and Vincent N. Pham and their book, Asian Americans and the Media, will be used as a primary source to introduce the problematic ways of the Hollywood establishment. Through …

"A Mind Of Metal And Wheels": Agrarian Ruralism In Joss Whedon's Firefly And J.R.R Tolkien's The Lord Of The Rings, Christopher Hines

English (MA) Theses

Both Joss Whedon's Firefly and J.R.R Tolkien's The Lord of The Rings present settings that are just as much influenced by the environments in which they occur as they are by the characters who act within those environments. For J.R.R. Tolkien, it was his lived experience of having grown up in a changing England that influenced his depiction of the world, while Joss Whedon's Firefly revisits and readapts the American mythos of the Western and the cowboy and re-appropriates it to science fiction, placing the action in the far future and in space where humanity is once again exploring and …

Decolonizing The Body, Daniel Miess

English (MA) Theses

The prevailing narrative about California’s history, and in specific the way that it discusses the Spanish Colonial system and the Gold Rush, glosses over the genocide of her indigenous inhabitants and the oppression experienced by those who survived these historical traumas. By focusing on the works of three indigenous poets (Deborah Miranda, Natalie Diaz, and Tommy Pico) who were born in Southern California and whose indigenous history predates White Settler Colonialism in this state, we can gain a fuller picture about the truth of California’s past. Through the lens of Indigenous Queer Theory, we can understand how these three Queer …

Partying Like It's 1925: A Comparison And Contrast Of Fitzgerald's The Great Gatsby And Azuela's The Underdogs, Sarah N. Valadez

English (MA) Theses

This work is an assessment of themes, ideas, and structure between two iconic novels published during the nineteen-twenties: The Great Gatsby (1925) by F. Scott Fitzgerald and The Underdogs by Mariano Azuela (originally published in 1915, re-written and redistributed in the 1920s, and then given a final version in 1925 that was translated into many languages). Both novels were written during times of great change, cultural innovation, and revolution. Many characters from both works also comment, observe, or partake in the politics and the seemingly accepted or tolerated social interactions of their daily lives. For the sake of cross-cultural understanding …

Journeying To A Third Space Of Sovereignty: Explorations Of Land, Cultural Hybridity, And Sovereignty In Ceremony And There There, Jillian Eve Sanchez

English (MA) Theses

In Native American literature, there is a discourse that solely focuses on the relationship between Indigenous people and the land. This relationship is vital to understanding the traditions, rituals, storytelling, and practices of Native Americans. The presence of settler colonialism changes the relationship, effectively changing the nature of cultural and spiritual relationships as well. Indigenous literature provides examples of the modern relationship Native people have with their land; an example of this is Leslie Marmon Silko’s Ceremony and Tommy Orange’s There There Despite modernity, assimilation, and ways of life introduced by settler colonialism, Native people maintain a relationship to the …

Realism & Language: How Luis Alberto Urrea Uses Bilingualism To Elevate His Works Of Realism, Ashley Gomez

English (MA) Theses

The trajectory of writer Luis Alberto Urrea stems from autobiography, poetry, fiction, and nonfiction, yet his works are not widely taught in academic settings, nor is there substantial scholarly work discussed on his published works. This thesis focuses on Urrea’s trajectory in order to situate him as a realist writer, as I discuss Urrea alongside Amy Kaplan and Ramón J. Guerra. Alongside this I will also focus on his most unique aspect of realist writing that sets him apart from other realist writers, his use of English and Spanish within his works that forms itself into bilingualism. I will look …

Trauma Begetting Trauma: Fukú, Masks, And Implicit Forgiveness In The Works Of Junot Díaz, Jacob Vanwormer

English (MA) Theses

This essay began as an examination of Junot Díaz’s combination of “low” and “high” culture art and literature in The Brief Wondrous Life of Oscar Wao.In the wake of Díaz publishing “The Silence: The Legacy of Childhood Trauma,” and the subsequent accusations of abuse against him, it seemed irresponsible to examine the text in such a way without considering this new information. It was both more topical and relevant to re-examine the portrayal of Díaz’s recurring tragic playboy narrator through two short story collections and a novel, making note of the character’s proximity to Díaz’s own life story as presented …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Bibliography For Interstices 2018: Beyond Human: Emotion And Ai, Kristin Laughtin-Dunker

Library Displays and Bibliographies

An annotated list of materials in the Leatherby Libraries to accompany the Interstices 2018: Beyond Human: Emotion and AI event held at Chapman University in February 2018. The event featured Lisa Joy, co-creator and executive producer of HBO’s Emmy winning hit series Westworld, Jon Gratch, Director for Virtual Human Research at the University of Southern California’s (USC) Institute for Creative Technologies and Caroline Bainbridge, a Professor of Psychoanalysis and Culture in the Department of Media, Culture and Language at the University of Roehampton London. The Leatherby Libraries also hosted two book club discussions of The Positronic …

Bohemians: Greenwich Village And The Masses, Joanna Levin

English Faculty Books and Book Chapters

"This chapter traces the convergence of 'the revolt against puritanism' and 'the revolt against capitalism' in the 1910s, focusing on the most celebrated American bohemia Greenwich Village - and on The Masses, the Village periodical that provided the most influential expression of the double-edged bohemian revolt. The effort to combine the personal and the political, the artistic and the social helped fuel a host of interconnected movements and alliances within the bohemian milieu, and the bohemians called upon both Marx and Freud in the effort to promote revolutionary change. Often riddled with internal contradictions and susceptible to forces of …

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

The Taboo Of Experience, Brian Glaser

English Faculty Articles and Research

A lyric essay discussing Henry James and cosmopolitanism
from the perspective of a scholar
visiting a German university.

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …

The Rape Of Blanche: An Examination Of Critical Analysis & Sexist Overtones, Audrey Thayer

Student Scholar Symposium Abstracts and Posters

The first people to ever listen to the words of A Streetcar Named Desire were two women, Margo Jones and Joanna Albus. Tennessee Williams read them an uncompleted first draft of the play. Margo Jones was “supportive of the play but urged him to rewrite it and to soften Blanche's hysteria. He listened, and ignored her” (Rader 199). The very first people who were privy to the violent, sensual, chaotic world of Blanche and Stanley were two women who found fault in Stella's character. They saw her hysteria, no doubt an unbecoming trait, as “far out,” or perhaps unbelievable. Much …

Reassessing Whitman's Hegelian Affinities, Brian Glaser

English Faculty Articles and Research

This article explores Walt Whitman's Hegelian beliefs.

Nomadismos Lingüisticos Y Culturales En Yo-Yo Boing De Giannina Braschi (Linguistic And Cultural Monadisms In 'Yo-Yo Boing' By Giannina Braschi), Laura R. Loustau

World Languages and Cultures Faculty Articles and Research

"En la novela Yo-Yo Boing Giannina Braschi plantea un bilingüismo e identidad nomádica. Huye del concepto de permanencia y arraigo, definiéndose en sus personajes como un ser errante y proponiendo una yuxtaposición lingüística propia. Braschi utiliza un code-switching para subrayar la complejidad de vivir simultáneamente en más de una cultura y una lengua. El concepto teórico que da impulso a este artículo es la definición sobre la conciencia nómada que plantea Rosi Braidotti. Para Braidotti lo que define el estado nomádico es la subversión de convenciones fijas y estáticas. Braschi, en Yo-Yo Boing subvierte las convenciones lingüísticas al incorporar un …

The Jungle, Robert A. Slayton

History Faculty Books and Book Chapters

This entry discusses one of the most significant novels in American history, Upton Sinclair's The Jungle.