Literature in English, British Isles Commons^™

The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter

Late Tudor and Stuart Drama

This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She illuminates how playwrights both satirized and perpetuated the notion of the womb’s insatiable appetite.

You Can Go Home Again: The Misunderstood Memories Of Captain Charles Ryder, Monica M. Krason

ETD Archive

Critics have frequently commented on the nostalgic tone of Brideshead Revisited. Their assessment has been largely negative, with most considering Brideshead too sentimental about England’s aristocratic past. This current characterization fails to recognize Waugh’s critiques of such thinking in Brideshead, wherein he upends the nostalgic tropes of popular Oxford novels, illustrates the dangers of both insulated upper class living and thoughtless presentism through his depictions of various characters, and proposes a greater metaphysical drama through memory is at play in the novel. Brideshead offers nostalgia as an enlivening force which allows Charles Ryder to maintain a vibrant understanding for who …

The Desire To Escape And The Inability To Follow Through In James Joyce’S Dubliners, Alyssa M. Wheatley

LSU New Orleans Theses and Dissertations

In my research, I will examine James Joyce’s Dubliners as a collection of stories that is unified by an ongoing theme; escape or the desire to escape. In the collection, the want or need to escape serves a major purpose throughout the characters and their lives. This thesis explores five stories that share this theme in particular: “The Sisters,” “Eveline,” “Araby,” “An Encounter,” and “The Dead.” Each story will be discussed in the context of how each story progresses from a want to an actual escape. In addition, the thesis also considers how these stories exhibit a progression towards isolation …

Immortal Melancholia: A Psychoanalytical Study Of Byronic Heroes, Kathryn Frazell

Dissertations, Masters Theses, Capstones, and Culminating Projects

This culminating project examines Byronic heroes using psychoanalytic theory across four case studies in media, including classic literature, theater, film, and television. The Byronic hero is a literary archetype inspired by the poet George Gordon, Lord Byron (1788-1824). Typical characteristics include angst, arrogance, cunning intelligence, criminality, desire, passion, dominance, and otherness. The characters I have chosen to study include Mr. Rochester from Jane Eyre (1847), the Phantom from the 2004 film The Phantom of the Opera, James Bond from the 2012 film Skyfall, and Damon Salvatore from the hit television series The Vampire Diaries (2009-2017). Through examining the …

Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger

Senior Honors Projects, 2010-2019

J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …

Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire

Dissertations, Masters Theses, Capstones, and Culminating Projects

This project introduces the claim that death literature, specifically elegies and epitaphs, do not rely on set structure or content, but rather are poetic effects of trauma and affect. Both have been defined and redefined by critical scholars, but there is still a division about their use. The beginning of the project will pull together Paul De Man, Cathy Caruth, Theresa Brennan, and Diana Fuss to apply the theoretical principle of trauma and affect transhistorically through Theocritus, John Milton, and Percy Shelley. The final portion will be an original creative collection of elegies combined with epitaphs as ending couplets about …

Shakespeare, Antony And Cleopatra, And The Nature Of Fame, Robert A. Logan

Research in Medieval and Early Modern Culture

Shakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study, presenting new perspectives on Antony and Cleopatra, the most ambiguous of Shakespeare's plays. It offers fresh insights into Shakespeare's understanding of the attributes of fame, the process by which it occurs, and the significance of being famous—and into the origins and nature of the playwright's own imperishable fame. Inclusive and enlarging, the study considers a fresh method of dealing with the longstanding difficulties theater-goers and readers have had in responding to the characters of Shakespeare's plays, the seventeenth-century contexts of the play that the playwright …

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Glorious And Execrable: The Dead And Their Bodies In World War I Poetry, Rebecca E. Straple

The Hilltop Review

While many scholars of World War I poetry have identified aspects of soldier poets’ work that embody the change from enthusiastic support of the war to disillusioned criticism of it, in this paper I argue for an additional, and highly meaningful marker of this significant change: the use of the dead and their bodies in this poetry. The commonly held critical view of World War I poetry is that there is a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916, where poetry moves from odes …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Building Imaginary Worlds (2012) By Mark J.P. Wolf And Revisiting Imaginary World (2016) Edited By Mark J.P. Wolf, Andrew Higgins

Journal of Tolkien Research

Book review of Building Imaginary Worlds (2012) by Mark J.P. Wolf and Revisiting Imaginary Worlds (2016), edited by Mark J.P. Wolf, reviewed by Andrew Higgins

The Two-Sided Coin: Madness And Laughter As Subversion In Alice’S Adventures In Wonderland And The Sandman, Tessa Starr Swehla

Graduate Theses and Dissertations

Mad female characters in Western literature have traditionally represented attempts by dominant patriarchal discourse to subjugate women’s discourse: these characters are usually pathologized in both their dialogue with other characters and in their physical bodies. This subjugation by representation of mad female characters in dominant discourse parallels similar attempts to portray women as lacking in humor. This thesis studies the intersections between madness and humor and the ability of female characters that embody both to challenge and subvert dominant discourse. By examining the characters of Alice from Lewis Carroll’s novel and Delirium from Neil Gaiman’s graphic novel series The Sandman …

Imagination As A Response To Naturalism: C.S. Lewis’S The Chronicles Of Narnia In Light Of The Anscombe Affair, Allison P. Reichenbach

Senior Honors Theses

In this paper I suggest The Chronicles of Narnia were occasioned by Elizabeth Anscombe’s critique of chapter three of Miracles. Instead of a retreat from debate, The Chronicles show that the Supernatural is not something to be contemplated, but instead experienced. In the stories, the children’s dominant naturalism and ignorance of Supernaturalism personally encounter the highest Supernatural being. When transitioning from Miracles to The Chronicles of Narnia, Lewis’s writing altered from operating under the Argument from Reason to the experience of imagination in order for the reader to personally experience – not contemplate – Supernaturalism. Fairytale, romance, and …

James Joyce Dubliners Run: He Went Through The Narrow Alley Of Temple Bar Quickly, Barry Sheehan

Other resources

I write a blog www.jj21k.com which looks at the works of James Joyce, the environment which he wrote about and changes that have taken place since he wrote about them. The blogposts are predominantly about Dublin. As part of discovering Dublin by reading and Running I have written several longer pieces.

This piece creates a running narrative that runs through each of the Dubliners stories, physically connecting them and making observation on them and the city of Dublin.

You can see more background information and other posts on www.jj21k.com.

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

“Names Portable As Alter Stones”: Nomadic Movement And Recollection In Seamus Heaney’S Poetry, Norah Toomey Hatch

Seton Hall University Dissertations and Theses (ETDs)

Seamus Heaney’s acknowledgement of the names of the places in his poems serve as a map, but a map that demonstrates the deterritorializing nature of memory and therefore meaning itself. The places become points of departure, places of transit, motivators of unstable memories, and catalysts for changing perspectives. Heaney’s use of location anticipates a future that is not bogged down by static meaning as the speakers in the poems face their own memories clouded by history, politics, and myth. Grappling with connotation, though, does not offer any closure from the multiplicity of meaning that the naming or visiting of certain …

When In Doubt: An Exploration Of The Role Of The Oracle In The Harry Potter Series, Emily J. Milner

Undergraduate Honors Theses

The popular Harry Potter series serves as the basis for my study of the oracles that appear throughout the series. By focusing specifically on Professor Sybill Trelawney, Ron Weasley, and the Sorting Hat, I show the relationships between Harry Potter and the Oracles. I also focus on a few of Trelawney's various methods of Divination and her prophecies.

James Joyce's Model Dublin, Barry Sheehan

Academic Articles

“You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space.” (Joyce,1986, p.31).

James Joyce wrote about Dublin from a position of exile. He created a model Dublin, one in which he mixed people and places, events and activities, real and imagined and combined them into a city that suited his own ends.

This imagined city has been examined remotely in a multiplicity of ways, and by people in a way that the real city has not. One can ask whether it is Dublin at all? …

Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown

Masters Theses

More definitive answers about the creation and form of the modern True Crime genre narrative can be found by exploring, not the creators of True Crime narratives, but by following reader expectations and examining the social situation from which True Crime narratives were able to arise. Theorists in the genre field such as Lloyd Bitzer Carolyn Miller and Amy Devitt have introduced and refined the view of genre as a social action. In this view, genre does not come about as a set of rules imposed upon types of literature to bring order, but as a societally accepted creation constructed …

Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo

CLCWeb: Comparative Literature and Culture

In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …

Robert Frost’S New Hampshire, Philip Larkin’S England, And Seamus Heaney’S Ireland: Non-Urban Place And Democratic Poetry, Faisal I. Rawashdeh

Dissertations

In Anglo-American Modernist poetry, place is reduced to an analogue for the cultural degradation brought forth by the disruptive experience of modernity. This demotion stands in sharp contrast to the representation of place as a center of value in the poetry of Robert Frost, Philip Larkin, and Seamus Heaney. In this dissertation, I shall explain this value in terms of its connection to a particular cultural substance which Frost, Larkin, and Heaney deem foundational for their non-ideological terms of belonging to place. Frost embraces New England vernacularism first as the basis for his egalitarianism and second as the core substance …

The Lawrentian Woman: Monsters In The Margins Of 20th-Century British Literature, Dusty A. Brice

Electronic Theses and Dissertations

Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman.

The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her evolution from modernist frame to postmodern appropriation. First, I look at the …

At Home In Exile: Ezra Pound And The Poetics Of Banishment, Andy Kay Trevathan

Graduate Theses and Dissertations

Ezra Pound is one of the most important poets, critics, and writers of the 20th century. Through his literary efforts, and his work on behalf of many other writers, Pound changed the way we read and write poetry today. His cultivation and support of other writers and poets like T.S. Eliot, James Joyce, Robert Frost, Marianne Moore, etc. created the basis for what we refer to as Imagism, Modernism, and other important literary movements of the early 20th century. Pound’s use of fragmentation, pastiche, and bricolage laid the foundation for post-modern writers of the latter half of the 20th century, …

Eco-Joyce: The Environmental Imagination Of James Joyce Edited By Robert Brazeau And Derek Gladwin, Rebekah A. Taylor

The Goose

Rebekah A. Taylor reviews Eco-Joyce: The Environmental Imagination of James Joyce edited by Robert Brazeau and Derek Gladwin.

The Chronicles Of Narnia, And How C.S. Lewis Created Christian Fantasy Fiction, Amanda Callow

Senior Theses

C.S. Lewis was a pioneer in combining the ideas of fantasy and Christian literature, before the fantasy genre alone was even acknowledged. Christian fantasy fiction, as a fiction sub-genre, can be identified as a piece of fiction with fantastical mythology and themes, with the addition of imagery and values drawn from the Christian tradition. Christian fantasy fiction attempts to use the mystical plot elements from fantasy, with recognizable Christian ideals, and meld them in such a way that they actually reinforce each other. This thesis explains how C.S. Lewis used this new genre to allow readers of all ages to …

There And Back Again: The Epic Hero's Journey Through Gift-Giving, Emily J. Tomusko

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

Both The Hobbit and Beowulf have a place in the hearts of many readers across the world. In this article, we will discuss the concept of Anglo-Saxon gift-giving and the importance it played in the culture. This cultural norm was present in multiple forms of medieval literature, particularly in the epic poem mentioned above, Beowulf. I believe that this precedent of gift-giving was transmitted to the citizens of the culture as a form of “medieval propaganda” that encouraged the people to abide by said cultural norm, and expressed the punishment of failing to follow through. Furthermore, I believe that …

Wandering, Idleness, And The Nineteenth-Century Tales Novel, 1836-1895, Molly C. O'Donnell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In "The Late-Victorian Romance Revival" (2008) Anna Vaninskaya questions if "one [can] even speak of the mixing or hybridization of genres in a particular work if the genres themselves had not yet been conclusively defined" (60). This question serves as a warning to genre studies scholars seeking to tease out new observations from history. This dissertation, however, seeks to do just that. Employing multiple theoretical approaches, my study of what I dub the tales novel finds links between diverse Victorian works. Bearing a resemblance to a collection of stories, with seemingly disparate narratives, the tales novels also demonstrate plot interdependence. …

Re-Construction Through Fragmentation: A Cosmodern Reading Of David Mitchell’S Cloud Atlas, Beth Katherine Miller

Electronic Theses and Dissertations

A cosmodern reading of David Mitchell’s Cloud Atlas creates a positive vision of the future for readers through various techniques of fragmentation including fragmentation of voice, language, and time. By fragmentation, I have in mind the consistent interruption of the novel’s voice, language, and time that requires an active and aware readership. The reader’s interaction with the text makes the novel re-constructive. In fact, the global nature of Mitchell’s novel, its hopeful ending, and its exploration of the effects of globalization can be considered as a means of exploring the dynamic relationships between the characters, the reader, and Mitchell’s authorial …