Literature in English, British Isles Commons^™

The James Brothers And The Tragic Beauty Of Individualism, Corey Plante

English Student Scholarship

No abstract provided.

Atheism And Sadism: Nietzsche And Woolf On Post-God Discourse, Michael Lackey

English Publications

In the western world, twentieth-century literature has been an extended experience of atheism and sadism. Lest this claim not seem dogmatic enough, let me put it differently, more boldly: this century has been an attempt to ingest and digest Nietzsche, to cannibalize the Übermensch philologist, first in order to comprehend the strength and depth of his vision, but second to enact his philosophy. Were this a standard academic essay, I would define atheism and sadism, identify and analyze a few texts that best corroborate my thesis, and draw some conclusions about the twentieth century. But sadism and atheism are not …

A Dyke's Life: Sexual Identity And Gender Performance In Radclyffe Hall's The Well Of Loneliness, Erica L. Ellsworth

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis studies sexual and gender identity and gender performance in The Well of Loneliness by utilizing postmodern theory. The protagonist in the novel, Stephen Gordon, is not only one example of the many identities of lesbianism, but she is also an example of a multiplicitous identity. This thesis also questions whether we can find the exact moment or reason why an identity is formed. An exploration of not only The Well of Loneliness but also of a character study of Stephen Gordon is important to this dialogue because both studies validate the contradictory and complimentary relationship between sex and …

Michael North, The Political Aesthetic Of Yeats, Eliot, And Pound, Robert Spoo

Articles, Chapters in Books and Other Contributions to Scholarly Works

No abstract provided.

Postmortem Diagnoses Of Virginia Woolf's 'Madness': The Precarious Quest For Truth, Nancy Topping Bazin

English Faculty Publications

The reputation of British writer Virginia Woolf (1882-1941) is now well established. Her brilliance as a writer is seldom contested, and her place in the literary canon is assured. Whether interested in literary traditions, textual studies, applied feminism, or postmodern theory, most scholars and critics admire what she had to say and how she said it. The variety, volume, and quality of her writings are impressive; her skill as a writer is seen not only in her eight novels but also in her essays, diaries, letters, short stories, biographies and nonfictional works A Room of One's Own and Three Guineas …

Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis

Masters Theses

The epic world created by J.R.R. Tolkien in the Lord of the Rings trilogy is one in which secular and religious elements are intertwined and the relationship between the two is intentionally kept vague. Within this created world, known as Middle Earth, good and evil are apparent, but the standard by which they are determined remains undefined. The free creatures living in Tolkien's world appear to have an intuitive ability to discern between good and evil, and each being generally exercises its free will in pursuit of one or the other though some personalities do combine the qualities. This innate …

Virginia Woolf & Postmodernism: Literature In Quest & Question Of Itself, Pamela L. Caughie

English: Faculty Publications and Other Works

Virginia Woolf and Postmodernism argues not that Virginia Woolf is a postmodernist but that postmodern assumptions about art can account for her narrative innovations and feminist politics better than conventional modernist and feminist approaches to her works. In rethinking many of the prominent aesthetic and critical positions of her day, Woolf anticipated many postmodernist tenets. This book helps us to understand how and why she came to hold such views, and how we might change our reading of Woolf and narrative literature in turn.

Pamela Caughie brings together pragmatism and postmodern theory to move critical inquiry, particularly feminist criticism and …

The Evolution Of Doris Lessing's Art From A Mystical Moment To Space Fiction, Nancy Topping Bazin

English Faculty Publications

After publishing ten major novels, Doris Lessing has begun writing what she calls '·space fiction'· for her new series entitled Canopus in Argos: Archives. In a review of the first two novels published in this series, namely, Shikasta ( 1979) and the Marriages Between Zones Three. Four, and Five (1980)¹. Jean Pickering stresses that many of Doris Lessing's most avid readers were initially attracted to her because of her insights about the female experience and because of her allegiance to nineteenth-century realism." Pickering suggests that Lessing's growing interest in space fiction and Sufism (Islamic mysticism) has …

0405: Curtis F. Baxter Papers, 1860-1980, Marshall University Special Collections

Guides to Manuscript Collections

Educator and cultural leader. Papers consist of lecture notes for British literature classes at Marshall University, as well as some correspondence. Also includes scrapbook of tributes upon his retirement from the university. The bulk of the collection consists of photographic slides of his extensive travel in Europe and the Caribbean.

To view materials from this collection that are digitized and available online, search the Curtis F. Baxter Papers, 1860-1980 here.

The Perception Of Coincidence: Artistic Symmetry In The "Wandering Rocks" Episode Of James Joyce's Ulysses, James A. Scruton

Masters Theses

James Joyce's Ulysses, the most influential novel of the twentieth century, has often been criticized for its fragmentation and complexity. Impenetrable to some readers, misunderstood by others, Ulysses bears within its eighteen episodes a symmetry of subject and form that at once clarifies and multiplies the meanings to be found there. Richard Ellmann calls Joyce's theory of art "the perception of coincidence," a theory best exemplified by "Wandering Rocks," the central episode of Ulysses. The use of "symmetrical coincidence" in ''Wandering Rocks" can be seen in two ways: 1)the internal structure of the episode, and 2)its location among …

The Family In Modern Northern Irish Drama, Ray Wallace

Masters Theses

The purpose of this thesis is to show the plight of the family in Northern Ireland. The four plays which are the subject of this study--Within Two Shadows by Wilson John Haire, The Flats By John Boyd, Nightfall to Belfast by Patrick Galvin, and The Death of Humpty Dumpty by J. Graham Reid--deal with this innocent faction and highlight three principal effects of the troubles on their family lives. First, the families suffer internal division. They are alienated by religious/political differences which are as inseparable in these dramas as they are in Northern Irish life. Socialist doctrine opposes Christian …

Infinite Intellectual Leap-Frog: Tracing Three Character Voices Through Four Of Tom Stoppard's Works--Lord Malquist And Mr. Moon, Albert's Bridge, Jumpers, And Dirty Linen, Judy Laurene Donaldson

Masters Theses

Tom Stoppard (1937- ), British playwright, creates in his Absurd novel Lord Malquist and Mr. Moon (1966) three character voices that begin a debate on man's reason for existence. Instead of resolving the debate at the end of his novel, Stoppard, using the same character voices in various combinations, continues the debate in three of his later works: the plays Albert's Bridge (1968), Jumpers (1972), and Dirty Linen (1976). The three character voices include the realist's, who ties to make some sense out of the disorder of the world and to find his place in it; the manipulator's, who ignores …

Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne

Masters Theses

Several critics have suggested that the plays of Harold Pinter are incomprehensible because the characters do not explicitly explain their actions and motivations. These comments come because the critics and audiences are conditioned to expect a playwright to in some way explain the motivations and personalities of his characters with a standard explanation given through explicit dialog, copious stage directions, or other means. But Pinter believes that it is dangerous for a playwright to design a play with one overall purpose in mind because the chances are that the purpose will be mistaken.

Pinter prefers to write in a realistic …

From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris

Masters Theses

Heaney's poetry has grown and changed since the publication of his first collection of poetry, Death of a Naturalist. This paper is an attempt to present the development of Heaney's exploratory poetic which was created through his use of language and image, allowing him metaphorical vehicles for the examination of oppositions.

Heaney began his poetic exploration, or "dig," with the collections Death of a Naturalist and Door Into the Dark. The poetry presents nature images which represent Heaney's search into the unknown, the dark places. These images symbolize a searching for the imagination and for the purpose of …

Functions Of Menace: A Comparison Of The Room And The Birthday Party, Lee R. Martin

Masters Theses

An atmosphere of menace surrounds the action of Harold Pinter's plays, The Room and The Birthday Party. Several critics seem to agree that the menace originates in the outer world and threatens to intrude upon the security of a room, where people attempt to hide. But the menace may also originate within the room--from the inner world and not the outer. The Room illustrates how a character deals with a menace that is within, while The Birthday Party deals with agents of menace from the outer world.

Rose Hudd, in The Room, is dissociated from the outer world …

Mrs. Gaskell's Social Attitudes In Relation To Her Times, Carrie Lakin

English Language and Literature ETDs

It is the purpose of this study (1) to show the many influences which led Elizabeth Gaskell to write novels concerned with social problems of her day; (2) to show the relation of her social attitudes as revealed in three novels to her times and to the influences working on her; and (3) to show how she hoped to bring about reforms through her social problem novels.

Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge

German Romantic and Other Influences

From Samuel Taylor Coleridge's "Dejection: An Ode" (lines 47-49 and 53-58). Coleridge published the poem in 1802.