English Language and Literature Commons^™

The Psychological Effects Of Patriarchy And Courtship: Eighteenth Century Women’S Mentalities In Pamela And Clarissa, Peter J. Laporta

English Theses

I plan to analyze the effects of a patriarchal courtship system on female mentalities during the English eighteenth-century. Samuel Richardson's first two novels, Pamela; or, Virtue Rewarded (1740) and Clarissa, or, the History of a Young Lady (1747-48), will be used toward this end based on their epistolary format. The usage of these letters and journals will be pivotal to the evidence based on the characters creating a written nexus of their minds and bodies through their writing. I plan to lay out the ways in which the reader can emotionally feel and understand both Pamela and Clarissa's breakdown …

The Meaning Of Peace: William Faulkner, Modernism, And Perpetual Civil War, Jason Luke Folk

Department of English: Dissertations, Theses, and Student Research

Much of scholarship regarding the presence of war in literary modernism has foregrounded psychic trauma endured by veterans of World War I. The returning soldier is often figured as representative of the war’s infiltration of the homefront. The common argument claims that the erosion of the distinction between war and peace (as well as private and public) is a mirror image of the veteran’s wounded psyche. This thesis, however, argues that peace and war in the West have always been indistinct. The body politic is, in actuality, constituted by a perpetual civil war. Furthermore, the novels of William Faulkner, because …

Arthur Clennam’S Navigation Of Social And Physical Setting In Little Dorrit, Danielle Jochums

Anthós

While Charles Dickens is most often noted for his portrayal of squalid urban conditions, he is also able to design and describe a wide variety of settings related to every echelon of the social hierarchy. This literary inquiry delves into Dickens’ world of Little Dorrit. In particular, it investigates how Dickens implements the reciprocal development between setting and character. Focusing on the character of Arthur Clennam, the protagonist of the story and the reader’s guide through the world of Little Dorrit, this query evaluates how Dickens introduces and teaches the reader about the classed and value-laden settings featured …

Necropolitical Resistance In Early Modern Drama: Violence And Death As Agentive Acts In Kyd's The Spanish Tragedy, Madison Jansen

Boise State University Theses and Dissertations

Thomas Kyd’s The Spanish Tragedy has been widely-read by the academic community, but not always for its own sake. Its influence on the Revenge Tragedy genre, and Shakespeare’s Hamlet, have been common topics, sometimes at the expense of readings that engage with the play itself. This thesis continues a tradition of applying the ideas of Michel Foucault to the Early Modern era in order to interrogate the role of power, knowledge, and sovereignty. This thesis explores the way that Michel Foucault’s theory of biopolitics, and the related concepts of necropolitics and necroresistance, create significant new ways of understanding the …

Govoreeting With Lewdies: A Critical Discourse Analysis Of A Clockwork Orange And Its Translations Across Media And Language, Willie Wallace

Electronic Theses and Dissertations

Much linguistic research has been done on the fictional argot of A Clockwork Orange, known as Nadsat, but few efforts have been made to expand beyond the classification and analysis of Nadsat. Using Critical Discourse Analysis, this paper looks at the overarching discourse of A Clockwork Orange and aims to answer three questions: What exigencies and discourses inform the creation of these works? What techniques and power structures are employed in the construction of these works? How do these works shape or attempt to shape the discourse? To answer these questions, I look at three instances of the discourse: …

Oh, My Stars: A New Map Of The Universe In Paradise Lost, Michael R. Coats

Master's Theses

Milton’s geographical descriptions in Paradise Lost are heavily influenced by his fascination with maps. Furthermore, his design of the universe in Paradise Lost follows a cartographic style that has led to several attempts at mapping it. These attempts, however, have followed the erroneous assumption that Earth centers the universe. As a result, cosmographical maps of Paradise Lost are inaccurate. I argue that Milton’s universe is Deocentric and provide a new map with a pyramid design that places God at the center of Milton’s universe.

The Roadmap: Exploring T.S. Eliot’S The Waste Land With World War One Literature, Matthew Bennett

Undergraduate Honors Theses

Through careful analysis paired with poetry, war memoirs, and novels from the same period, one can break down T.S. Eliot’s The Waste Land to recognize the impact of The Great War on the world's modern memory while pondering the possibility of memory as a tool to overcome trauma.

The Aesthetics Of Storytelling And Literary Criticism As Mythological Ritual: The Myth Of The Human Tragic Hero, Intertextual Comparisons Between The Heroes And Monsters Of Beowulf And The Anglo-Saxon Exodus, Daniel Stoll

Undergraduate Honors Theses

For thousands of years, people have been hearing, reading, and interpreting stories and myths in light of their own experience. To read a work by a different author living in a different era and setting, people tend to imagine works of literature to be something they are not. To avoid this fateful tendency, I hope to elucidate what it means to read a work of literature and interpret it: love it to the point of wanting to foremost discuss its excellence of being a piece of art. Rather than this being a defense, I would rather call it a musing, …

Get Out And The Remediation Of Othello's Sunken Place: Beholding White Supremacy's Coagula, Vanessa I. Corredera

Faculty Publications

As a result of director and writer Jordan Peele's remediation of the horror genre to create a racially polemic film, breakout horror-thriller Get Out (2017) has achieved critical and commercial success while substantially affecting how Americans think about and approach race. As stories about a black man amidst an all-white community who ultimately strangles his white female lover, Get Out and Shakespeare's Othello share obvious narrative overlaps. Othello, however, maintains a more tenuous status regarding race and its function within the storyline than does Get Out. Othello remains a play mired in questions about how or even whether …

Too Soon Forgot: The Ethics Of Remembering In Richard Iii, Now, And House Of Cards, L Monique Pittman

Faculty Publications

Three interconnected performances of Shakespeare's Richard III display the extreme hermeneutical volatility of representation when remediated through a celebrity's personal history. The film NOW: In the Wings on a World Stage (dir. Jeremy Whelehan, 2014) documents the Bridge Project Company's Richard III directed by Sam Mendes and starring Kevin Spacey (2011-12), a production launched at London's Old Vic and transferred to twelve cities across the globe. Just prior to the distribution of NOW, Netflix released its first season of House of Cards (2013) with Spacey as the politician, Francis Underwood, at the center of its seamy landscape. Spacey insists …

Anti-Normative Women And Queer Space In Early Modern Drama, Chelsea Brooks

Theses

The most interesting oddity about the Early Modern English stage is the overwhelming presence of the female form despite the obvious lack of female performers. Male actors performed female characters and sometimes those female characters were subversive and tested the boundaries of their constructed heteronormative society. A common comedic trope followed the crossdressed crossgendered heroine, or the boy actor dressed as women dressed as a man. This trope appears in the plays discussed in this thesis: Thomas Heywood’s Fair Maid of the West, Part 1 and John Lyly’s Gallathea. By adapting Michel de Certeau’s concept of space, wherein space …

A Review Of Joanna Wharton, Material Enlightenment: Women Writers And The Science Of The Mind, 1770–1830, Kandice Sharren

ABO: Interactive Journal for Women in the Arts, 1640–1830

A Review of Joanna Wharton, Material Enlightenment: Women Writers and the Science of the Mind, 1770–1830, by Kandice Sharren

Review Of Women’S Periodicals And Print Culture In Britain, 1690–1820s: The Long Eighteenth Century, Lisa Maruca

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Women’s Periodicals and Print Culture in Britain

Review Of Deborah Boyle, The Well-Ordered Universe The Philosophy Of Margaret Cavendish, Dustin D. Stewart

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Deborah Boyle's book The Well-Ordered Universe (2018), by Dustin D. Stewart.

Entering The Lady’S Dressing Room: Using Feminist Game Design To Look At And Beyond The Male Gaze In Swift’S The Lady’S Dressing Room., Melanie D. Holm

ABO: Interactive Journal for Women in the Arts, 1640–1830

In 2017, I developed “Entering the Lady’s Dressing Room,” an Interactive Fiction game based on Jonathan Swift’s satiric poem “The Lady’s Dressing Room” (1734) to help my students become better readers of Restoration satire, and poetry generally. I did this for two reasons: to test whether the digital mediation of game-playing could help my undergraduate students more fruitfully engage with the poem, and 2) to theorize the similarities between poetic interpretation, the multiple narrative-making experience of game-playing. This article takes seriously the idea that poetry is play. It describes the circumstances that led to the development of the game and …

Cutting Edge Courtship In Eighteenth-Century London, Margaret E. France

ABO: Interactive Journal for Women in the Arts, 1640–1830

In 1759, an anonymous twenty-two year-old woman placed an advertisement for a husband in the London Daily Advertiser that inspired an unusual sequel: a pamphlet purporting to collect her responses. Exploring the context of this woman's actions and the letters themselves reveals attitudes regarding matrimony and the dangers of virtual social networks that feel surprisingly contemporary.

“A Lover’S Complaint”: Bad Shakespeare, Or Not Even That?, Madeline C. Duvall

Global Tides

In this essay, author Madeline Duvall argues in favor of attributing "A Lover's Complaint" to William Shakespeare. She observes the publication history and historical context of "A Lover's Complaint," as well as its metaphorical, prosodic, and thematic similarities to other works of Shakespeare, most prominently his sonnets and "The Rape of Lucrece." To make her argument, the author cites other statistical and historical studies of "A Lover's Complaint," and provides her own line-by-line analysis of the work in order to find matching words.

Hawthorne’S Faith, Cecelia Little

English Student Scholarship

Major: English and Philosophy

Faculty Mentor: Dr. Margaret Reid, English

This project is an examination of Nathaniel Hawthorne’s writings, particularly focused on Hawthorne’s identity, philosophy, and spirituality. Placing these ideas in the context of early American history as well as in the context of Hawthorne’s biography, Cecelia Little focuses on how Hawthorne offers pieces of a new and complex philosophy of the individual human soul within the human community. This powerpoint includes a structured compilation of many, but by no means all, of her findings, and she plans to delve much further into Hawthorne’s life and works. The primary focus …

Blake’S Method: Blake Imagining Milton In The Marriage Of Heaven And Hell, Micaela Freeman

English Student Scholarship

Major: English

Faculty Mentor: Dr. Bruce Graver, English

The Marriage of Heaven and Hell is William Blake’s articulation of his reaction to John Milton’s Paradise Lost. After analyzing Blake’s reaction to Paradise Lost, I will suggest how Blake’s reading of Milton helped shape 20th-century criticism, specifically post-war Miltonic criticism. My paper will begin by considering Blake’s rewriting of Milton in the ‘Argument’ of The Marriage of Heaven and Hell, starting at the Adamic myth. I will continue my analysis with looking at the famous passage on Plate 6 when Blake writes, “The reason Milton wrote in fetters when he wrote …

Othello As A Domestic Tragedy: Marriage And Moral Extremism, Sophie A. Miller

Global Tides

The dehumanization of female characters in Othello by viewing them through antiquated and dichotomous views of women and female morality is a major factor in the play's tragic ending. These women exist in the context of changing marriage customs that came along with changes in government and religious structures of authority. Through Iago's influence, Othello comes to shift from the more modern companionate view of marriage into an outdated patriarchal model. The play is one of many Early Modern Dramas examining marriage but does not fit in with Patient Griselda plays or with domestic tragedies in which unfaithful wives are …

'Uncle Me No Uncle!’ Or Why Bilbo Is And Isn’T Frodo’S Uncle., Thomas Honegger

Journal of Tolkien Research

This paper investigates the nature, role and functions of Bilbo and Frodo's family relationship and the use of seemingly contradictory genealogical terminology within The Lord of the Rings.

"You Have Witchcraft In Your Lips": Sensory Witchcraft In Shakespeare's Antony And Cleopatra And Macbeth, Hannah Kanninen

Department of English: Dissertations, Theses, and Student Research

Scholarship on witches and witchcraft within Shakespeare’s plays has been a popular subject for many scholars. But one of Shakespeare’s most famous characters has not yet been integrated into this scholarship: Cleopatra from Antony and Cleopatra. Although scholars have often noted her “witchiness,” none have argued for an interpretation of Cleopatra as a witch. This is because traditional definitions of witchcraft have not been able to include Cleopatra. In comparison, Lady Macbeth from Macbeth has often been cited as the fourth witch in the play. But this interpretation relies upon examining Lady Macbeth’s perceived masculinity, which subsequently also makes her …

The George Eliot Archive: Current Reception & Comparison Of Dh Projects 2020, Mackenzie Burch, Beverley Rilett

UCARE: Research Products

• Current legal gray area for digital collections: An exception for public libraries and archives as educational tools exists for copyright infringement, but digital archives are not currently protected by this exception unless they can prove that the content is transformative.

• Benefits of archiving scholarship together: Grouping like scholarship together regardless of genre or authorship allows for unique cross-purpose or interdisciplinary connections to be drawn from the collection.

• Humanists of today must devote time and resources to the educational tools and platforms of tomorrow: Without the successful building and completion of means to ensure digital archives can be …

Book Review: The Lion In The Waste Land: Fearsome Redemption In The Work Of C. S. Lewis, Dorothy L. Sayers, And T. S. Eliot By Janice Brown, Gary L. Tandy

Faculty Publications - Department of English

Excerpt: "Readers of scholarship about C. S. Lewis are familiar with studies that discuss his work and life in the context of his fellow Inklings: Tolkien, Williams, and Barfield. Janice Brown’s decision, however, to treat C. S. Lewis alongside two of his contemporary writers, both non-Inklings—Dorothy L. Sayers and T. S. Eliot—does demand an explanation. Brown must have recognized as much since she begins The Lion in the Waste Land by building a case for considering these three authors together, citing British historian Adrian Hastings, who identifies a “re-appropriation of Christian faith” during World War II and attributes this revival …

“Thus Seyden Sadde Folk”: Chaucer’S Oxford Clerk On Theological Controversy In The 14th Century, Molly Kluever

CSB and SJU Distinguished Thesis

Among the most disturbing of The Canterbury Tales, the Oxford Clerk’s story of the submissive Griselda and her husband-cum-tormentor Walter has, despite its categorization as one of Chaucer’s “religious tales,” resisted most, if not all, theological readings with its lack of a clear moral. I attempt to address this ambiguity by focusing on the teller himself. As an Oxford-trained cleric, the Clerk is uniquely qualified to juggle the interrelated but conflicting discourses of two significant theological controversies of the late fourteenth century: the ongoing realist-nominalist debate within medieval universities and the rising Wycliffite/lollardy reform movement among all levels of …

Twinship And Marriage In The Comedy Of Errors, Kent R. Lehnhof

English Faculty Articles and Research

This article proposes that Shakespeare uses twinship and marriage in The Comedy of Errors to reflect on the importance of individuality and interrelation in the formation of identity. Specifically, this article shows how The Comedy of Errors sets the twin relation against the marital relation, ultimately implying that marriage—imperfect, everyday marriage—has as much subjective impact as the extraordinary bond between identical twins. As amazing as it might be to see two persons sharing "one face, one voice, one habit," The Comedy of Errors suggests that the twin relation does not surpass in significance the equally marvelous relation whereby husband and …

Cosmological Models And The Christian Faith In John Milton's Paradise Lost, Jacob R. Taylor

Tenor of Our Times

In this work the author argues that John Milton justifies the intelligibility and priority of Christian faith against modern revolutions of science in his epic poem Paradise Lost. Milton argues against scientists who choose to believe modern astronomy over cosmology. He argues that Christian faithfulness stands firm despite the crumbling of its medieval cosmological basis. This endurance of the faith is the primary scientific theme of the epic English poem.

"Founding Its Empire On Spells Of Pleasure": Brunonian Excitability, The Invigorated English Opium-Eater, And De Quincey's "China Question", Menglu Gao

English and Literary Arts: Faculty Scholarship

What light can De Quincey's Confessions of an English Opium-Eater (1821) shed on its author's later advocacy of the First Opium War? To what degree did De Quincey's and other contemporaneous accounts of opium use in Britain influence metaphorical connections between bodily energy and national power in the 1830s and 1840s? Placing Confessions alongside John Brown's 1780 treatise, Elements of Medicine, this essay argues that De Quincey "nationalized" opium-eating by transforming mental exceptionality in British Romanticism into a medical body's connection with internal energies and external stimuli from China and "the Orient." The essay concludes that opium serves in …

“Is [He] A Man? If So, Is He Mad? And If Not, Is He A Devil?”: The Influence Of Culture Versus Experience On The Brontë Sisters’ Perception Of Mental Illness, Catrina May Mehltretter

Masters Theses

Charlotte, Emily, and Anne Brontë each presented a different perspective on mental illness within their novels. The primary reason for this difference in perspective can be found in their different responses to their brother Branwell’s poor mental state. As Branwell’s health deteriorated mentally and physically, his sisters ended up becoming his primary caregivers, giving them a unique insight into mental illness that would have been unusual for the time period, given the tendency to send any mentally ill family members away to asylums. Still, this shared experience impacted each of the sisters differently, likely due to the different relationship each …

An Architectural Reading Of Kristeva, Woolf, And Shakespeare, Bailey M. Graham

English Literature Student Projects and Publications

Julia Kristeva’s seminal theories of the signifying process and the abject illuminate texts that challenge readers’ expectations. Kristeva’s psychoanalytic and linguistic ideas build analytic links between texts as seemingly disparate as Virginia Woolf’s 1928 novel Orlando and William Shakespeare’s late 1590s play Titus Andronicus. In this portfolio, I will apply Kristeva’s distinction between the semiotic and the symbolic to elucidate the multiple meanings of nature in Woolf’s Orlando, as well as utilize Kristeva’s notion of the abject to analyze the narrative breakdown of Shakespeare’s Titus Andronicus. In doing so, I will trace the development of Kristeva’s ideas …