English Language and Literature Commons^™

Wordsworth And Milton: The Prelude And Paradise Lost, Colin Mccormack

English Student Scholarship

No abstract provided.

The James Brothers And The Tragic Beauty Of Individualism, Corey Plante

English Student Scholarship

No abstract provided.

Examining Early And Recent Criticism Of The Waste Land: A Reassessment, Tyler E. Anderson Mr.

Department of English: Dissertations, Theses, and Student Research

My thesis will closely examine recent trends in criticism of "The Waste Land," namely the ideological rebuttal against the New Critics proposed by recent historicists such as Lawrence Rainey. I will show that Rainey has unfairly characterized the so-called New Critics as supporting a reading of the poem that only sees it for a work of order and unity while in fact they acknowledged many organizational inconsistencies within the text. A central tenet of my thesis will be that ideological characterizations of earlier critics should never substitute actual close readings of the texts themselves. My findings will lead to broader …

The Gendered Soul: Victorian Women Autobiographers And The Novel, Robbie E Spivey

Doctoral Dissertations

This project considers ways mid-Victorian fictional autobiographies created new models for women's spiritual formation, testing Nancy Armstrong's theory that novels are antecedent to the cultural conditions they describe. I pair three mid-Victorian fictional texts Jane Eyre, Aurora Leigh, and The Mill on the Floss with three later non-fictional autobiographies written by women near the end of the Victorian Era: Annie Besant (1847- 1933), Mary Anne Hearn (1834-1909) and Frances Power Cobbe (1822-1904). These women came to spiritual maturity during the same time period in which the fictional heroines Jane Eyre, Aurora Leigh and Maggie Tulliver became prominent in the popular …

Saint Oswald, Christ And The Dream Of The Rood: Mutable Signs At A Cultural Crossroad, Scott Hutcheson Mac Kenzie

Doctoral Dissertations

The first decades following a country’s conversion to Christianity are sometimes marked by experimentation with native expressions of piety. Out of the multicultural environment of early Christian Northumbria such experiments created an insular Germanic version of sanctity. In the mid-seventh century, Oswiu of Northumbria (642-670), the younger brother and successor to King Oswald, constructed an elaborate narrative of God’s plan for England (without consent or guidance from the Roman Church). His narrative would weave his family into the sacred fabric of his nascent, Christian kingdom. Through skillful manipulation of oral tradition, material culture and sacri loci he crafted a unique …

"I Unsex'd My Dress": Lord Byron's Seduction Of Gender In "The Corsair", "Lara", And "Don Juan", Alexis Spiceland Lee

Dissertations

The goal of this project is to posit a theory of how Byron’s texts, specifically through the development of his hero, construct gender and sexuality as styles of seduction that resist easy classification by binary systems. I propose that Byron’s works characterize gender through ironic performances of seduction that, because they reveal that binary structures lack a stable core, dissolve systemic differentiation and thus fatally complicate any attempt to force the individual into rigid categories of gender or sexual identity. Byron’s works deploy seduction as a tactic of ironic representation of both gender and sexual practice that is necessarily multiplicitous …

Wordsworth's Decline: Self-Editing And Editing The Self, Kenneth E. Morrison

Masters Theses & Specialist Projects

In critical discourse surrounding the poetry of William Wordsworth, it has become generally acceptable to describe the course of the poet’s career by means of a theory of “decline.” In its most common form, this theory argues that Wordsworth’s best poetry was written during one “Great Decade” (1798-1807)—an isolated epoch of prolificacy and genius. His subsequent works, it is argued, neither surpass nor equal his initial efforts; the course of his career after 1808 may be best described in terms of declivity, ebb, and decline.

Due to its ideological complicity with the very texts it engages, and due to its …

Graphomania: Composing Subjects In Late-Victorian Gothic Fiction And Technology, Gregory D. Brophy

Electronic Thesis and Dissertation Repository

This dissertation explores the varied phenomena of “automatic writing” in Victorian Gothic fiction, reading the genre’s fascination with the irrepressible signifying practices of the body in light of the medical, criminological and scientific discourses that underwrite the “scriptural economy” of the late nineteenth century with their own arsenal of automatic writing machines. I have titled the project "Graphomania," and I consider the term a keyword of late-Victorian culture—one that names a distinctly Victorian pathology of compulsive writing, but that alludes also to the widespread epistemic hope that writing could render objectively the internal and subjective experiences of individuals.

In a …

The Enduring Austen Heroine: Self-Awareness And Moral Maturity In Jane Austen's Emma And In Modern Austen Fan-Fiction, Brittany A. Meng

Masters Theses

Jane Austen's novels continue to be popular in the twenty-first century because her heroines are both delightful and instructive; they can be viewed as role models of personal growth due to their honest self-examination and commitment to high moral standards. Chapter one establishes the patterns of personal growth that uniquely characterizes Austen's heroines in each of her six novels. Chapter two tests these conclusions by carefully examining the character of Emma Woodhouse. Though Emma is a unique heroine due to her wealth and social privileges, she follows the principles of personal growth possessed by Austen's other heroines. Chapter three further …

Bravery, Honor, And Loyalty As Morals In Beowulf, Eleanor Cory '12

2010 Fall Semester

Since it originated in oral tradition, the epic Beowulf has no known author. It does, however, serve as a representation of the Anglo-Saxon culture it originates from. As a work of art, it also serves its purpose of moral instruction, today serving as a demonstration of what values were important to the Anglo-Saxon people. Especially seen through the characters of Beowulf and Wiglaf, the poem Beowulf illustrates three important morals of its time: bravery, honor, and loyalty.

Art: A Handbook For Morality, Wendy Bindeman '12

2010 Fall Semester

Morals begin with parental instructions and pure bribery, such as promising playtime if children follow instructions and putting them in time-out if they act out inappropriately. However, over time, this outwardly enforced moral code must become internalized for a person to truly be ethical. Internalization happens when a person develops a sense of boundaries and behavior to live by without prompting. This process of creating standards draws on one’s experiences and knowledge of how the world views and responds to certain actions. The moral lessons present in art, which everyone is exposed to beginning at a very young age, help …

Rosalind: Playing Both Sides Of Love And Gender In As You Like It, Emily Hampton

Honors Capstone Projects and Theses

No abstract provided.

Political Satire And British-American Relations In Five Decades Of Doctor Who, Marc Dipaolo

Faculty Books & Book Chapters

“Political Satire and British-American Relations in Five Decades of Doctor Who.”

Originally published in the Journal of Popular Culture. Vol. 43, Issue 5. 964 – 987. October 2010

To see more or purchase works by Marc DiPaolo, visit his Amazon page here: https://www.amazon.com/Marc-DiPaolo/e/B004LV7W6Y%3Fref=dbs_a_mng_rwt_scns_share

Archaism, Or Textual Literalism In The Historical Novel, Linell B Wisner

Doctoral Dissertations

This dissertation examines the technique of archaism as it has been practiced in the historical novel since that genre’s origins. By “archaism,” I refer to a variation of the strategy that Jerome McGann calls textual “literalism,” whereby literary texts use “thickly materialized” language and bibliographic forms to foreground their own “textuality as such” (Black Riders 74). Archaism is distinguished from Blake’s, Pound’s, or Robert Carlton Brown’s literalism by its imitation of older literary idioms, yet the specifically historical quality of its intertextuality also seems different from primarily formal imitations such as pastiche and parody.

Although archaism appears to have originated …

Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield

UNLV Theses, Dissertations, Professional Papers, and Capstones

Geoffrey Chaucer's distinctively English spins on such genres as dream vision, fabliau and Breton lai, as well as his liberal citation of authorities in Troilus and Criseyde, offered early modern English poets the license to mingle sources and authorities within their work, rather than bend their writing to fit the format. Few authors took such productive advantage of Chaucerian permissiveness as William Shakespeare, whose narrative poems defer to Chaucer's distinctively English authority with a regularity comparable to his uses of Homer, Ovid, Virgil and Plutarch. This free-associative approach to auctoritee, the whetstone of the poet-playwright's dramatic imagination, suggests that …

Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, And The Artist As Masochist, Chase Morgan Erwin

Masters Theses

This study presents an attempt to understand the political and aesthetic relationship between two of Modernism’s most enigmatic authors, Wyndham Lewis and Ford Madox Ford by examining their novelistic practice in light of their writings on politics and social criticism. A close look at the use of ironic distance, a hallmark feature in our understanding of modernist fiction, in Tarr (1918) and The Good Soldier (1915) reveals both authors conscious effort to distance themselves from their novel’s subjects, Fredric Tarr and John Dowell respectively. In light of both novels’ satirical element, a scathing attack on bourgeois narcissism caused by the …

Diverse Journeys: Free-Writing, John Keats, And The Teaching Of Poetry, Patrick G. Scott

Patrick Scott

Reports on teaching John Keats's poem "La Belle Dame Sans Merci," using timed and cued freewriting as a preliminary to class discussion, and links the exercise to passages from Keats's letters about reading and personal literary response. At time of publication, the writer was not provided with proofs of the article, so the version linked here has handwritten corrections added.

Monstrous!: Actors, Audiences, Inmates, And The Politics Of Reading Shakespeare, Matt Kozusko

English Faculty Publications

This essay considers the use of Shakespeare as marker of authenticity and as a therapeutic space for performers and audiences across a number of genres, from professional actors in training literature to prison inmates in radio and film documentaries. It argues that in the wake of recent academic trends—the critique of "Shakespeare" as an author figure; the privileging of the text as a source of multiple, potentially conflicting readings—Shakespeare's function as cultural capital has shifted sites, from "Shakespeare" to the playtexts themselves.

The Horrors Of A Disconnected Existence: Frustration, Despair And Alienation In The Poetry Of T. S. Eliot, Oscar C. Labang

Dr. Oscar C. Labang

The expression of modern existence as a disconnected entity with shocking and distressful consequences is reflected in the writings of many modernist writers, but it seems to take centre stage in the poetry of T. S. Eliot. The decline of values and the multifarious problems of the twentieth century have caused modern man to create parentheses that detach them from each other, from society, from nature and even from themselves. This paper examines the horrifying consequences of life in a chaotic and disconnected universe on human existence from the perspectives of frustration, despair, and alienation. From a Structuralist theoretical standpoint, …

Review Essay: Anna Jackson, Karen Coats, And Roderick Mcgillis, Eds., The Gothic In Children’S Literature (2008) And Jarlath Killeen, The History Of The Gothic (2009), Patrick C. Fleming

Faculty Publications

No abstract provided.

Closing Remarks, Richard Clement

Richard W. Clement

No abstract provided.

Welcome And Introduction, Richard Clement, Raymond Coward

Richard W. Clement

No abstract provided.

A Happy Employee Is A Productive Employee, Erin L. Davis

Erin Davis

No abstract provided.

A Happy Employee Is A Productive Employee, Erin Dini Davis

Library Faculty & Staff Publications

No abstract provided.

Book Of The Week: Gothic Histories, Deborah D. Rogers

English Faculty Scholarship

Here be monsters, Deborah D. Rogers writes, and they're fun.

Meddlesome Markets And Epistolary Escapes: Mediating Discourses In Gissing's New Grub Street, Robert Fanzo

Seton Hall University Dissertations and Theses (ETDs)

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Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook

Honors Scholar Theses

"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.

Shakespeare's Richard Ii And Henry V And Political Rebellions In The Reign Of Queen Elizabeth I, Sarah J. Scannell

Honors Scholar Theses

The purpose of this thesis will be to examine how two acts of rebellion against Queen Elizabeth I influenced Shakespeare's writing of Richard II and Henry V, as well as the performance and publication of these plays. The treasonous plots and execution of Mary, Queen of Scots in the 1580s, as well as the failed Essex Rebellion of 1601, resulted in a sensitivity towards any writings that seemed to support a coup d'état. Shakespeare, being a well-informed and fairly well-connected playwright, wrote passages in the afore mentioned plays that clearly reflect the political turmoil of the times. Thus, his plays …

Ophelia's Mistreatment And Ignored Monastic Opportunities, Danielle Tovsen

Seton Hall University Dissertations and Theses (ETDs)

Thesis: I will argue that Ophelia could have saved her own life if she had left home and fled to a nunnery; the treatment she received from Laertes and Polonius was worse than Hamlet's treatment of her throughout the play and especially in Act 3 .1. Through thorough research, the play Hamlet by William Shakespeare, is explored. This thesis specifically focuses on the character of Ophelia and Ophelia's relationships with Hamlet, Laertes, and Polonius. Through the examination of Ophelia, with a literature review of Ophelia's reputation amongst scholars, the argument is made that Hamlet's treatment of Ophelia is one of …

"Not For An Age, But For All Time": Shakespeare's Romantic Comedies On Film, Kelly A. Rivers

Doctoral Dissertations

From Sam Taylor’s 1929 Taming of the Shrew to Kenneth Branagh’s 2000 Love’s Labour’s Lost, nine comedies have been filmed and released for the mainstream film market. Over the course of the twentieth century a filmic cycle developed. By the late 1990s, the films of Shakespeare’s romantic comedies included cinematic allusions to films produced and distributed in the 1930s. This cycle indicates an awareness of and appreciation for the earlier films. Such awareness proves that the contemporary films’ meaning and entertainment value are derived in part from the consciousness of belonging to a larger tradition of Shakespeare comedy on film. …