English Language and Literature Commons^™

Sartorial Subversion: Eliza Haywood’S Fantomina And The Literary Tradition Of Women’S Community, Ruth Garcia

Publications and Research

This article locates Fantomina in a literary tradition that proposes all-female communities, such as convents and monasteries, as liberating and empowering spaces. I argue that the novella implies a virtual community rather than an actual one, as the heroine collectively embodies many different women, all of distinct social ranks: the heroine is both one woman and a variety of women brought together under the auspices of a single body, much the way discrete individuals together compose a community. Then, too, Beauplaisir, the object of the heroine’s desire, treats all the personae the same, no matter their social station. This emphasis …

Narcissus And Beauty: A Renaissance Of Paterian Aesthetics, Amir Dagan

Dissertations, Theses, and Capstone Projects

This dissertation is intended as a correction to the almost universal contemporary assumption that beauty is either nonexistent or a tool of oppression, and that the arts should be judged less by their aesthetic value than their social, political, or moral dimensions. This dissertation will propose a fivefold argument. First, I will assert that the experience of beauty is real, pleasurable, and not in any way culturally determined, second, that beauty is the most significant and characteristic feature of art, third, that the rejection of the reality of beauty is motivated more by the fragility of the mass man’s ego …

British Romanticism And The Paradoxes Of Natural Education, Catherine S. Engh

Dissertations, Theses, and Capstone Projects

“British Romanticism and the Paradoxes of Natural Education” offers a distinct perspective on Romantic-era ideas on “natural” education and human development. Though the Romantic retreat into nature has long been understood as a break from the Enlightenment’s programmatic commitment to the progress of reason, I contend that the ideas on natural development of four canonical Romantic authors—Mary Wollstonecraft, William Wordsworth, Samuel Taylor Coleridge and Mary Shelley—actually originate in the ideas of one of the foremost figures of the Enlightenment, Jean-Jacques Rousseau. Natural education is doomed to failure in Rousseau’s thought because “nature” is paradoxically a social construct. I argue that …

Crafting Girlhoods, Elissa E. Myers

Dissertations, Theses, and Capstone Projects

Crafting Girlhoods emphasizes nineteenth and early twentieth century British and American girls' agency and creativity within the prescribed limits of educational crafts—including sewing and periodical-making. My first section shows how girls use psychological means to resist the cultural and gendered imperatives of sewing and tidiness, while my second section shows how girls resisted the censorship and harassment that the newspaper and periodical forms allowed by creating intimate communities in the pages of their periodicals that could help them negotiate these difficulties. In both cases, I will show how the craft forms themselves were their own antidote to the constricting force …

Shakespeare's Problem Comedies As Self-Critique, John-Paul Spiro

Dissertations, Theses, and Capstone Projects

I argue that Measure for Measure and All’s Well That Ends Well reveal underexplored features common to Shakespeare’s comedies. Often interpreted as “problem plays,” they are more representative of the genre than previously acknowledged. I suggest that Shakespeare wrote them to de-nature and de-familiarize his own practices. The plays present the coercion inherent in the normativizing of marriage as the basis for social and political order. The “happiness” achieved—or at least gestured towards—at the end of Shakespearean comedy restricts human possibilities and is often presented as an imposition or injunction rather than a reflection of spontaneous, collective emotion. In particular, …

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …

"The Sweet And The Bitter": Death And Dying In J.R.R. Tolkien's The Lord Of The Rings (2018) By Amy Amendt-Raduege; And Fantasies Of Time And Death: Dunsany, Eddison, Tolkien (2020) By Anna Vaninskaya, Kris Swank

Journal of Tolkien Research

Book reviews by Kris Swank of "The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings (2018) by Amy Amendt-Raduege; and Fantasies of Time and Death: Dunsany, Eddison, Tolkien (2020) by Anna Vaninskaya

Bombadil And Bible Stories: A Biblical Function For Tom Bombadil Within Frodo’S Quest, Clive Shergold

Journal of Tolkien Research

This essay probes the purpose of the encounter between Tom Bombadil and Frodo and his friends, within the overall narrative of J.R.R. Tolkien’s The Lord of the Rings. It asks: Why do the hobbits encounter Tom at this point in their journey? Why does Tom rescue, care for, equip and send them on? Why does Tom not accompany them further, and why does he never meet them again? Then it proposes an explanation based on comparisons with Bible stories that include theophanies and angelic appearances, and shown to provide answers to the questions, and suggestions for Tom Bombadil’s wider …

Melusine, Invisible Leadership And The Future (In The Past), Jan Shaw

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper considers the operation of “invisible” leadership in the figure of Melusine from the late Middle English romance Melusine. By invoking contemporary leadership theory, this paper identifies leadership maneuvers in Melusine that are similar to those often practiced by women today, but the discourses of gender identity then ultimately render Melusine’s leadership invisible, just as leadership discourses today often render female leadership invisible. By uncovering the operation of “invisible” leadership in the figure of Melusine and identifying commonalities with the leadership of women today, this paper aims to improve our understanding of the contemporary problem of the marked …

Matrons, Mothers, And Monsters: The Heroine In Beowulf, Grendel, And The Mere Wife, Grace Lucier

College Honors Program

This thesis examines the relationship between gender and heroism in the Beowulf tale and two of its modern retellings. It includes an exploration of the medieval gender roles of the original epic using Seamus Heaney and E. Talbot Donaldson’s translations. This thesis also addresses the ways in which some characters disturb gender binaries and social roles — especially in the case of Grendel’s mother. The second and third chapters focus on two retellings of the Beowulf text respectively: John Gardner’s Grendel , told from the perspective of the monster Grendel; and Maria Dahvana Headley’s The Mere Wife , which is …

Female Torture Poetry: Petrarchan Love And Carpe Diem, Luke C. Widlund

Theses and Dissertations

My MA thesis examines sixteenth and seventeeth-century lyric poetry by the male poets Sir Philip Sidney, John Donne, Thomas Carew, and Andrew Marvell. These poets make use of different lyric genres and forms, including Petrarchan sonnets and carpe diem arguments, to torture the purported female mistresses. A close examination of specific works, including Sidney’s Astrophil and Stella, Donne’s “The Apparition”, Carew’s “Song: Persuasion to Enjoy”, and Marvell’s “To His Coy Mistress” demonstrates that they all share a preoccupation with weaponizing poetry in their depiction of mistresses and female lovers in pain and punishment. Poetry functions as a tool for imposing …

An Anthology Of Irish Nationalism: Music, Verse, Speeches, And Interviews Regarding The Betterment Of The State Of Ireland, From The Sixth Century Until The Liberation Of Ireland, Sofia J. Gilmore-Montero

LSU New Orleans Theses and Dissertations

When I started this project because in my extensive amount of research into Irish literature, I found that the common theme in many of the works was nationalism and the desire to have a free state. I could not find any books that focused on nationalistic literature over the lengthy history of Ireland, only collections that pertained to a specific time period. This thesis project proposes introductory material and a potential table of contents to an anthology that would be centered around the theme of Irish nationalism in literature between the ninth century and the liberation of Ireland. It covers …

More Human Than Human: Artificial People In Literature And Media, Taylor P. Amalfitano

LSU New Orleans Theses and Dissertations

Though Mary Shelley wrote Frankenstein over two hundred years ago, many of the main themes of alienation and revenge featured in Shelley’s novel reappear in HBO’s Westworld in 2016. This thesis establishes a genealogy for the stories of artificial people and analyzes the relationship between human beings and artificial life, as it is portrayed in speculative fiction and popular media. The popularity of robots and cyborgs is associated with people’s fear of technology, but their stories are often used as an allegory to explain aspects of the human experience that are unknown or difficult to understand. As artificial intelligence becomes …

A World Ruled By Unknowns: The Psychological Effects Of The Supernatural And Natural Worlds In Emily Brontë'S Wuthering Heights, Jordan Cymrot

Student Theses and Dissertations

Emily Brontë (1818-1848) wrote Wuthering Heights in 1847 at a point of collision between Romantic thought and Victorian ideals. Her novel exemplifies a developed and deliberate effort to represent a world ruled by forces out of one’s control, the most evident example of this being the supernatural force that overtakes the novel. In her precise focus on the language and natural landscape that bind this novel together, her characters emerge as representative of the psychological complexity produced by the coexistence of the mundane and the extraordinary. My thesis focuses on the effects of the natural landscape and the forces that …

“Lay Down My Soul At Stake”: Of Female Friendship In The Merchant Of Venice, Othello, And The Winter’S Tale, Audrey-Melody Cubas

Student Theses and Dissertations

In this project, I will not only shift a critical eye on both male and female friendship, but more specifically and extensively, I will examine how Shakespeare treats female friendship in three of his plays: The Merchant of Venice, Othello, and The Winter’s Tale. The female pairs of focus, in play order, will be Portia and Nerissa, Desdemona and Emilia, and Hermione and Paulina. Additionally, I will give an overlook of the history of Renaissance friendship portrayal in both the literary and historical accounts. This historical background will serve to highlight the clear contrast between the emphasized …

The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay

English Honors Theses

The thesis culminates in the twentieth century and yet it begins with the Ulster Cycle, a period of Irish mythological history that occurred around the first century common era. Indeed, since the time frame was before the arrival of the Gaels, Normans, or Christianity, the extent of this mythology’s relevance today is whatever extent it is conceptualized as “Irish.” As such, the first chapter locks onto an aspect that could feasibly transcend time and resonate with modern Irish society: gender. Of course, the epistemological dynamics of gender^[1] in the first-century common era are vastly different than the twentieth century …

European Imperialist Violence And Feminine Influence In Joseph Conrad's Heart Of Darkness, Katlyn S. Davenport

English Department Theses

This thesis explores themes of influence and resistance to imperialism in Joseph Conrad’s Heart of Darkness. To contextualize the feminine control and resistance of imperialism and colonialism, the thesis first examines Marlow’s and Kurt’s roles as agents and representatives of the Company, and thereby reveals their complicity in the brutalities carried out against the native people of the Congo. Additionally, it compares the vivid descriptions of violence inherent in imperialist domination with the vaguer characterization of violence among the tribespeople. Finally, by examining relationships between male and female characters as well as the ideals of the Anglo/American New Woman, this …

"And Gladly Wolde He Lerne": Facilitating Discussion Based Learning About Medieval And Regency Literature Through Interactive Technologies, Emma Vallandingham

Honors Projects

A series of reading guides for Beowulf, The Canterbury Tales, and Frankenstein, that utilize interactive technologies to facilitate student engagement with and discussion of the texts. Each reading guide consists of an overview of the text, relevant historical context, and reading and discussion questions for students to answer. Some reading guides also have corresponding answer guides that provides sample answers as well as hints and tips for answering the questions.

Playing To Win: The Marriage Market In Jane Austen’S Northanger Abbey, Sense And Sensibility And Emma, Caroline Elizabeth Nall

Honors Theses

This thesis aims to analyze the implications of the marriage market in Jane Austen’s novels Northanger Abbey, Sense and Sensibility and Emma. In these books, the main focus will be on Isabella Thorpe, who is actively participating in the “game” of the marriage market, Charlotte Palmer, who has won the “game” of marriage, and Miss Bates, who has lost the “game” of marriage. The historical context of these situations, taking place in eighteenth and nineteenth century England, has been taken into account. Austen has created characters to demonstrate the many aspects of a female’s life and how it relates …

Sexual And Erotic Transgression Through Aesthetic History: A Study Of Algernon Charles Swinburne, Ronny F. Ford

Beyond the Margins: A Journal of Graduate Literary Scholarship

This article examines the relationship between Algernon Charles Swinburne’s poetic writing and history, especially in regards to how he explores sexual transgressions. The article begins with how aestheticism works in tangent with history to further these transgressions within a historical context and especially within the realm of Victorian Christianity. Next, Swinburne’s medieval aesthetics in “The Leper” will be analyzed in regards specifically necrophilia and the taking care of a leper, and how the writing of this poem was both a condemnation of Christianity and an accidental upholding of it. The violent homoeroticism and monstrous femininity of “Anactoria” are also looked …

"The Flat Earth Made Round And Tolkien’S Failure To Finish The Silmarillion", John D. Rateliff

Journal of Tolkien Research

Towards the end of his career, J. R. R. Tolkien faced many obstacles both internal and external that stood in the way of his finishing and publishing The Silmarillion. This paper explores the various elements that contributed to his dilemma and concludes that the key factors were twofold.

First came the traumatic breakdown of his efforts to publish the book through Collins, leading to a catastrophic interruption of his work on the book.

In addition, by this time Tolkien had concluded that many of the most iconic elements in his mythology could no longer command evoke secondary belief in …

The Rise Of Totalitarianism, Colonial Mimicry, And Gender And Sexuality In The Twentieth Century English Literature, Shahin Hossain

Master of Arts in English Plan II Graduate Projects

In this portfolio, Shahin Hossain provides an alternative reading of Aldous Huxley’s Brave New World, James Baldwin’s Giovanni’s Room, and Mulk Raj Anand’s Untouchable.

Toxic Masculinity In Henry V, Abigail King

The Review: A Journal of Undergraduate Student Research

Toxic masculinity motivates the characters and plot of Henry V by William Shakespeare. The play revolves around King Henry V and how he is a model leader of England during the Hundred Years War. Henry uses what a “true” man should be to inspire his soldiers when morale is low. Further, manlihood is seen in the characters or lack thereof. Characters that fail to follow the high expectations of masculinity are killed. Audience members recognize the importance of masculinity throughout the play, although the outcomes of those stereotypes are dangerous seen in the superficial friendships and suppression of authentic self.

How Not To Read Literature: The Nazis’ Appropriation Of The Merchant Of Venice, William W. White

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

In his essay “Reading Law, Reading Literature: Law as Language,” legal scholar James Boyd White extols the interpretive flexibility of literary and legal texts and warns against viewing literature as having “objective and determinate meanings.” White’s warning raises the question of whether a literary work's meaning can be used to promote a morally corrupt agenda. This paper seeks to explore the danger of reducing a work of literature's meaning to a determinate claim by focusing on how Shakespeare’s The Merchant of Venice was utilized by the Nazis as anti-Semitic political propaganda. Shakespeare’s play experienced a massive surge in popularity during …

“This Is A True Story”: Paratextual Prefaces And Their Fictive Truths Across Literature, Rebecca Stokem

Seton Hall University Dissertations and Theses (ETDs)

Scholar Gérard Genette defines the term “paratext” as accompanying components of a text like titles, forwards, illustrations, footnotes, etc. Genette claims these “productions” affect the “reception” and function as a liminal space between the “inside and outside” of a written work (1-2). Many texts and other works of fiction, across years and genres, use their paratexts to create fictitious histories that surround their main stories. The success of this rhetorical strategy, a convention that I call “fictive truth,” depends heavily on the paratexts’ reception from its audience. These genre conventions are traceable through canonical Western literature, from texts like Walter …

The Unlimited Absorbs The Limits: Analyzing The Religious And Mystical Aspects Of Virginia Woolf's Work Through The Lens Of William James, Zachary J. Beck

Graduate Theses/Dissertations

Commentators on the work of modernist author Virginia Woolf have frequently remarked upon the “religious” and “mystical” aspects that appear throughout Woolf’s oeuvre, but have found it difficult to reconcile these aspects of Woolf’s work with her self-expressed atheistic beliefs. For those who have sought to resolve the tension between the “religious” and “mystical” features of Woolf’s work and Woolf’s (lack of) personal religious beliefs, the work of American psychologist and philosopher William James has proven to be a starting point for investigations into selections of Woolf’s oeuvre that seem to exhibit “religious” and “mystical” characteristics. There continues to exist, …

Commensality And Connection: How Shared Food Experiences Connect Characters In Philip Pullmans His Dark Materials, The Book Of Dust And ‘Lyra’ Stories, Susan Anna Grace

Articles

Commensality is an inherently social activity that shapes society and enacts social dynamics. Consequently, these shared exchanges can reveal much about the society and the individuals who engage in the act. This thesis explores commensality in Philip Pullman’s His Dark Materials trilogy, The Book of Dust Series and companion texts to the novels. The research investigates how commensal exchanges create and maintain connections between characters across the collection. In doing so, it considers how literary characters differ from real-life humans and how the existing body of knowledge on commensality can be applied to literary figures. A qualitative approach was …

Gendering Art History In The Victorian Age: Anna Jameson, Elizabeth Eastlake, And George Eliot In Florence, Antje Anderson

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis investigates how three professional Victorian women writers, Anna Jameson, Elizabeth Eastlake, and George Eliot, wrote about Renaissance art in Florence. As nineteenth-century women, they were excluded from certain realms of knowledge, agency, and influence. This exclusion (complicated by their privilege in terms of class, nationality, and education) influenced the way they experienced and wrote about art. The introduction addresses how changing modes of travel, broader access to publication, and art history’s gradual emergence as an academic discipline helped shape their careers as women art writers—the well-known “Mrs. Jameson” as a popularizer of art history for a broad readership; …

The Fallen Woman: An Exploration Of The Voiceless Women In Victorian England Through Three Plays Of Oscar Wilde, Marco Randazzo

English (MA) Theses

This essay establishes the Christian myth within Wilde’s three plays, calling attention to the gender politics that he fought against in the Victorian era. Through Salomé, A Woman of No Importance, and An Ideal Husband I will prove the Christological myth that each play adopts and establish Wilde’s ability to make the religion “transformational.” Wilde’s productions of characters like Salomé, Mrs. Allonby, Mrs. Arbuthnot, and Hester are examples of the “fallen woman” of Victorian England. The treatment of women by women will illuminate the passiveness of the Victorian Woman and their compliance with the patriarchal norm. This norm continues through …

Byron And Don Juan: A Case Study And Queer Reading Of The Closeted Libertine, Caitlin Stanfield

Honors Theses

This thesis explores the major theme of homosexuality throughout the poetry of Lord George Gordon Byron, ultimately focusing on his 1819 iteration of Don Juan. It presents historically relevant information regarding the sodomy laws, religious sermons, anti-sodomite publications, and other obstacles that, I argue, prevented Byron from expressing his sexuality openly. The queer Byron, of course, exists elsewhere. Through close readings of Byron’s correspondence and of his verse, my thesis argues that we can read Byron’s highly coded, homoerotic jargon for what it is, shedding new light on the active but concealed homosexual community of nineteenth-century England.