English Language and Literature Commons^™

The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong

Publications and Research

Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …

The Narrative Of Courtship: Literary And Biological Constructions And Their Impact On Women, Drew Harris 20

Honor Scholar Theses

No abstract provided.

Friend Or Foe: Chaucer’S Depiction Of Women In Troilus And Criseyde, Vanessa Balis 20

Honor Scholar Theses

Often considered the father of English poetry, Geoffrey Chaucer (ca. 1340s-1400 CE) produced a number of famous poems during his lifetime, the most famous arguably being The Canterbury Tales. But another of his works, Troilus and Criseyde, is often considered the best example of both his poetic ability and his creative use of sources.1 In this thesis, I will be considering whether Chaucer supports or subverts a patriarchal social structure, specifically by looking at his representation of women in Troilus and Criseyde in comparison to his source Giovanni Boccaccio’s Il Filostrato. Instead of resorting to the assumptive rhetoric of …

Hamlet As Music: A Study In The Semantics Of Symphonic Poetry, Mckenzie C. Alons

Selected Honors Theses

Symphonic poetry, a widely overlooked genre in musico-literary scholarship, provides a unique focal point into the relationship between music and extramusical texts. Invented by Franz Liszt in the mid-19th century, symphonic poems (or ‘tone poems’) interpret literary texts or ideas through short orchestral works. Thus, the symphonic poem invites close analysis of the semiotic relationship between music and literature. Using Shakespeare’s Hamlet and Liszt’s Symphonic Poem No. 10 (“Hamlet”), this thesis examines the relationship between the Shakespearean tragedy and Lisztian symphonic poetry. This focus is a microcosm for the musico-literary relationship and, henceforth, an undiscovered niche that involves disciplines as …

Tolkien's Lost Chaucer (2019) By John M. Bowers, Nelson Goering

Journal of Tolkien Research

Book review by Nelson Goering of Tolkien's Lost Chaucer (2019) by John M. Bowers

Introducing Gower Shorts, Eve Salisbury, Georgiana Donavin

Accessus

This essay provides an introduction to a special issue of Accessus, entitled "Gower Shorts," slightly expanded and revised versions of conference papers presented at the International Congress on Medieval Studies at Kalamazoo in 2018-19 and the Modern Language Association Conference in Chicago in 2019.

The Friendly Monster And The Complacent Queer: Assimilationist Approaches To Modern Adaptations Of Frankenstein's Creature, Cassandra Karn

Women's and Gender Studies: Student Scholarship & Creative Works

Monsters have been representations of othered communities since before the creation of the novel, so the Creature in Mary Shelley's Frankenstein should be no exception. The Creature defies binaries and rages against social injustice, making him a queer figure of resistance. However, modern adaptations of the Creature attempt to assimilate the Creature into the larger culture, removing both its queerness and its resistance. This unqueering brings into question how othered populations become accepted, and the cost paid for such acceptance.

On Ways Of Studying Tolkien: Notes Toward A Better (Epic) Fantasy Criticism, Dennis Wilson Wise

Journal of Tolkien Research

This article examines major academic approaches used in the study of J.R.R. Tolkien. It argues that certain themes from political philosopher Leo Strauss, by helping us to develop a new theoretical lens, can elucidate several politically salient aspects of Tolkien's work, including thymos and his dialectic between ancient and modern. Four previous (though flawed) Straussian interpretations of Tolkien are highlighted. Finally, by analyzing the tensions that arise when pairing critical theory and its attendant bias against nature with Tolkien and epic fantasy, this article argues for the timeliness of a Straussian lens for studying fantasy and Tolkien alike.

Fire And Snow: Climate Fiction From The Inklings To Game Of Thrones By Marc Dipaolo, Jamie Campbell Martin

The Goose

Review of Fire and Snow: Climate Fiction from the Inklings to Game of Thrones by Marc DiPaolo

"Members One Of Another": Heteroglossic Utterances As Critiques Of Injustice In Charles Dickens’S Bleak House, Cale Baker

Masters Theses

Charles Dickens often dealt with societal injustice within his work, and he often used the different languages—the language of the poor, the rich, the religious, the political—of various social strata to expose the disparity between the high and the low social classes. Within Bleak House, Dickens inserts different voices common to Victorian London through his third-person narrator to highlight the upper class oppression of the poor. To see Dickens’s insertion of these different voices, I use Mikhail Bakhtin’s work on heteroglossia and dialogism as a framework for understanding how Dickens inserts these different voices to specifically expose injustice. Additionally, I …

A Comparative Genre Analysis Of Malaysian And English Court Of Appeal Judgements, Chamil Ahmad Zaki

Student Works (2020-2029)

This genre-based research examines and compares the rhetorical structures of Malaysia and England and Wales Court of Appeal judgements. This comparative genre study is motivated by a statement by the former Malaysian Judge of the High Court, Dato’ Syed Ahmad Idid and Umar A. Oseni (2011) in a writing guide book that presents a standard model to write legal judgements that can be adapted to all legal jurisdictions across the world. Normativity statements about the dos and don’ts on how to write judgements are valid and essential to the legal practices but this normative approach does not necessarily describe the …

Music In Tolkien's Works And Beyond (2019), Edited By Julian Eilmann And Friedhelm Schneidewind, William Sherwood

Journal of Tolkien Research

Book review, by Will Sherwood, of Music in the Works of Tolkien and Beyond (2019) edited by Julian Eilmann and Friedhelm Schneidewind

Dyed In Mummy: The Stratford Festival’S Modern Orientalist Approach To Shakespeare’S Othello, Daisy E. Lupa

Conspectus Borealis

No abstract provided.

Tolkien And The Classics (2019) Edited By Roberto Arduini, Giampaolo Canzonieri And Claudio A. Testi, Luke Shelton

Journal of Tolkien Research

Book review, by Luke Shelton, of Tolkien and the Classics (2019), edited by Roberto Arduini, Giampaolo Canzonieri and Claudio A. Testi

The Leap And The Gap: Writing Suicide In Modernist Britain, Aaron Botwick

Dissertations, Theses, and Capstone Projects

Suicide is integral to the history of British literature, and yet the subject has yielded scant scholarly attention. This study attempts to partially rectify the absence by identifying a transformation in English suicide discourse between the nineteenth and twentieth centuries. I argue that, informed by both rationalism and cause-and-effect reasoning, Victorian literature—including poems, triple-decker novels, broadsheets, and sermons—largely conceived of suicide as a public phenomenon. The action, rather than the actor, is the object of study, and as a result what Andrew Bennett calls “the phenomenology, the lived experience … of suicide” is abandoned in favor of social …

Postcolonial Urban Vernacular Narratives In Contemporary Britain, Kathryn N. Moss

Dissertations, Theses, and Capstone Projects

This dissertation explores the ways in which three postcolonial writers in Britain (Samuel Selvon, James Kelman, and Suhayl Saadi) have used the vernacular as a medium for third person narrative fiction. In doing so, they have emphasized the legitimacy, beauty, and utility of languages sometimes considered debased and ugly even by their own speakers. I argue that this shift from the margins to the center of dialect or minority language in fiction is a radical—and relatively recent—one, beginning in the mid-twentieth century. By utilizing the vernacular as a medium for third person narratives, these authors are bringing non-prestige vernacular voices …

Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland

Dissertations, Theses, and Capstone Projects

Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.

Through close readings of works by …

Feminist Theology And The Fantastic In Jewish Poetics And Children's Literature (1960s–Present), Meira S. Levinson

Dissertations, Theses, and Capstone Projects

This dissertation traces the development of Jewish fantasy rhetoric in post-WWII British and American literature, focusing on three genres: kabbalistic Beat poetry, children’s fantasy, and graphic novels/comics. Despite increasing scholarly attention to all these areas, little work has focused on fantasy rhetoric or issues of gender and sexuality within non-canonical Jewish literature, or on interplays of religion and fantasy in children’s literature. Jewish kabbalistic poetry and children’s fantasy speak to each other in their mutual engagements with the otherworldly, mystical and monstrous, interrogations of gender, and complex portrayals of feminist theological potentialities. I identify and analyze Jewish-hermeneutic themes and methodologies …

Outlandish People: Gypsies, Race, And Fantasies Of National Identity In Early Modern England, Sydnee Wagner

Dissertations, Theses, and Capstone Projects

Since the arrival of Romani people in England in the 16th century, the figure of the Gypsy has been a staple of English literature and culture. My dissertation, Outlandish People: Gypsies, Race, and Fantasies of National Identity in Early Modern England, argues that representations of Gypsies, from Shakespeare’s Othello and Antony and Cleopatra to Ben Jonson’s The Gypsies Metamorphosed, served as a foil for English writers to create a distinctly white early modern English subject. By investigating the racialization of the Gypsy, this project considers technologies of race that lie within the parameters of England itself. Though the English …

Awful Nearness: Rape And The English Novel, 1740–1900, Erin A. Spampinato

Dissertations, Theses, and Capstone Projects

“Awful Nearness: Rape and the History of the English Novel, 1740-1900,” argues that representations of rape and sexual violence have played an unrecognized role in the history of the novel, indeed that such plots epitomize the most important epistemological questions with which the eighteenth- and nineteenth-century novel grappled. This project is both literary historical and presentist; while it describes a new genealogy of the British novel, it also traces how representations of rape have substantively shaped our contemporary understanding and rhetoric of sexual violence.

Drawing on the work of a wide array of feminist thinkers, I argue that novelistic rape …

The Picturesque And Its Decay: The Travel Writing And Journals Of Dorothy Wordsworth, Mary Wollstonecraft, And Mary Shelley, Gabrielle Kappes

Dissertations, Theses, and Capstone Projects

This project puts forth the argument that when the late eighteenth century’s taste for nature and picturesque tourism had peaked, writers following in the picturesque tradition grappled with the limitations and confines of these aesthetic categories. In the chapters that follow, I present three authors, Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley, who are all dissatisfied with the conventions of the picturesque. Dorothy Wordsworth’s Alfoxden Journal (1798) demonstrates the nuances of the picturesque instability where distinctions between nature and the cultural production of nature have become muddied. I then examine three tour narratives in order to draw attention to how …

Flower Unfurling: Buddhist Modernism And The Early Writing Of James Joyce, Erin Garrow

Dissertations, Theses, and Capstone Projects

This dissertation traces the history of the references to Buddhism in Stephen Hero, James Joyce’s first and unpublished novel, through the author’s previous writing, his sources, and his context, in order to determine how—if at all—the tradition bore upon his earliest depiction of consciousness. Acknowledging that Joyce habitually revisited and refined earlier ideas and prose, it attends to previous essays, notebooks, book reviews, conversations, letters, epiphanies, poems, and autobiographical prose; to available material, bibliographical, and biographical evidence about the specific volumes and performances to which Joyce had access; to language and paratext—including advertisements, introductions, and appended essays—in those volumes; …

Material Culture And Remembering The 1857 Indian Uprising, Danielle Nielsen

Faculty & Staff Research and Creative Activity

Remembering the 1857 Indian Uprising in Civic Celebrations

A Personal Reflection On Colin Manlove And Stephen Prickett, John Pennington

North Wind: A Journal of George MacDonald Studies

No abstract provided.

Letters From The “Gentlemen Of The Press,” 1810-1845, David E. Latane

English Publications

A collection of letters by men and women associated with the periodical press in England in the first half of the nineteenth century, transcribed, annotated, and presented with scans of the original letters. Notable contributors include Times editors Thomas Barnes and John Delane, Fraser's Magazine writers William Maginn and John Heraud, Charles Molloy Westmacott editor of The Age, Stanley Lees Giffard of The Standard , and Mary Russell Mitford.

Living Words; Dying Flesh: The Truth And Testimonies Of Desdemona In Othello And Pompilia In The Ring And The Book, Martha Clare Brinkman

Electronic Theses and Dissertations

This thesis explores the ways in which Desdemona in William Shakespeare’s Othello (1603/4) and Pompilia in Robert Browning’s The Ring and the Book (1868) exemplify female characters whose testimonies highlight their souls’ salvation and demonstrate that they ultimately transcend their domestic roles. This thesis engages historical scholars who discuss the tensions between the Roman Catholic and Anglican churches and the state in early modern and Victorian England, and literary scholars who focus on Desdemona and Pompilia as either submissive or possessing agency. This thesis includes the work of developmental psychologist, Carol Gilligan, to show how Desdemona and Pompilia emphasize care …

Debt Letters: Epistolary Economies In Early Modern England, Laura Kolb

Publications and Research

This essay tracks the emergence of ‘debt letters’, an epistolary sub-genre in seventeenth-century letter-writing manuals. Debt letters ask for money, offer funds and excuse the inability to make (or repay) loans. The rhetorical strategies evident in sample debt letters point to a cultural emphasis on friendship as a site of financial stability through reciprocal lending. Moreover, these rhetorical strategies serve multiple goals, which at times conflict: the short-term goal of navigating particular debt arrangements, and the long-term goal of maintaining an amicable bond over time.

The Miseducation Of Marianne Dashwood: Jane Austen’S Politicization Of Sentimental Discourse, Kevin Frazelis

Dissertations and Theses

Examining the love triangle between Marianne Dashwood, Colonel Brandon, and John Willoughby provides new insight into how Austen decided to politicize the notion of the novel to demonstrate the inherent flaw in how sentimental novels to depicted romances bared a threat to women. I work against the conventional opposition of "good" versions of masculinity versus "poor" versions to posit a notion that instead, most masculinities are unstable and a detriment to the fairer sex. In this essay, I will argue that Sense and Sensibility disclose Austen's anxieties regarding sentimentalism because, from this perspective, Marianne Dashwood's character arc illustrates the author's …

Milton's Plant Eyes: Minimal Cognition, Similitude, And Sexuality In The Garden, Perry Guevara

English and Creative Writing | Faculty Scholarship

This essay turns to minimal cognition, a theoretical extension of embodied cognition, to argue for plant sentience in John Milton’s Paradise Lost. Milton imagines plants as minimally cognitive beings within an affective ecosystem, where they readily enter into the epic poem’s complex circuits of desire with appetites of their own. Specifically, the essay claims that botanical cognition arises at the convergence of two seventeenth-century philosophical systems: the first, Milton’s materialist monism, and the second, Paracelsian medicine, which avers a plant’s therapeutic effect on a human body part sharing morphological resemblance. The essay concludes that Milton’s eroticization of similitude enables a …

‘Framed And Clothed With Variety’: Print Culture, Multimodality, And Visual Design In John Derricke’S Image Of Irelande, Andie Silva

Publications and Research

This chapter argues that the twelve illustrative plates in John Derricke's Image of Ireland (1581) were the author's primary focus, aimed at readers who practiced the kinds of ‘laudable exercises’ demanded of committed Protestants: a kind of reading that was recursive, studious, and dynamic. This essay contextualises Derricke’s Image in relation to printer John Day’s output in the late sixteenth century as well as to contemporary illustrated texts from which Derricke may have drawn inspiration as a reader and woodcarver. I focus on the seven plates containing small alphabetical keys and their impact on how and in what order we …