English Language and Literature Commons^™

Why Are Men So Obsessed With Pornography? Andrea Dworkin Was Right, Robert Jensen

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

At Home In Horror: Women And Body Horror, Brooklynn Kreps

University Honors Theses

While most discussion around the subgenre of body horror focuses on its birthplace of film, the richest iterations come from women writing body horror fiction to explain the experience of womanhood. As body horror focuses on fear of painful or absurd mishap with the body. Women experience pain or absurdity in their own bodies every day with processes like menstruation, pregnancy, puberty, and heightened chances of becoming a victim of sexual assault. Furthermore, women experience society's forceful shaming and fear about natural processes of the body and experiences such as anger and sexual desire. Using this idea as a framework, …

Harlem’S Avenues For Agency: An Exploration Of Black Female Agency In Angelina Weld Grimké And Zora Neale Hurston’S Short Stories, Jessica Ellen Hartenbower

Electronic Theses and Dissertations

This thesis explores themes of Black female agency in selected short stories by Angelina Weld Grimké and Zora Neale Hurston. Pushing back against the belief that the Harlem Renaissaince was a movement solely for male artists, Grimké and Hurston write short stories that center Black women and their experiences. Through the avenues of bodily autonomy, the using or silencing of voice, the opportunity and ability to make choices, issues of justice, retribution, and vengeance, the holding of authority, and being empowered or disempowered, I examine the female characters’ exercising of their agency to varying degrees. I also discuss how religious …

Representation Of Diseases And Health Care In Selected African Gyno-Texts, Rachael K. Aderoju

Electronic Theses and Dissertations

This study explores the interdisciplinary field of literature and medicine through a feminist psychoanalytic lens, focusing on how Nigerian female writers represent illness, healthcare, and medical ethics in post-independence gyno-texts. Traditionally, scholarship in this field has centered on andro-texts (literary works authored by men), leaving a critical gap in the exploration of women’s perspectives. This research addresses that gap by analyzing nine prose works authored by Nigerian women, including texts by Chimamanda Ngozi Adichie, Ayobami Adebayo, Lola Shoneyin, and Samira Haruna Sanusi. These texts are examined for their portrayal of diseases such as infertility, cancer, bipolar disorder, and renal failure, …

Margaret Cavendish And Radical Self-Love, Marina Burandt

Electronic Theses and Dissertations

Margaret Cavendish was an early modern Englishwoman writer who lived from 1623 to 1673. She wrote under her own name at a time when it was more common for women to write under a pen name, and published almost everything she wrote. Her writings include a multiplicity of genres, from science fiction, poetry, drama, and philosophy, to letters, biography, and autobiography. Cavendish’s style often blends multiple genres and forms, showcasing a modality that is driven by complexity and hybridity. Cavendish was a surprisingly modern figure in many ways, as her writings show. The Description of a New World, Called the …

An Erotics Manifesto: Developing Critical Feminist Theory Through Erotic Fiction, Cairn Des Lions

University Honors Theses

Erotic literature provides a unique lens through which feminists can develop theory because it reveals the natures of our gendered relations in the contexts of our desires. By either writing or critically reading erotic literature, feminists can explore questions about what and why we desire, how we act upon our desires, and what our desires and actions reveal about our relationships to each other. This thesis uses feminist theory to analyze the potential of fiction focused on eroticism to aid in rethinking gender and sexuality norms.

Silly Little Romance Books: Analyzing The Value And Function Of The Popular Romance Genre, Mckenzie Chan

Honors Projects

Amidst the increasing popularity of the romance genre, as evidenced by notable growth on online platforms such as TikTok, this project interrogates the perceived value and function of contemporary romance fiction. Drawing on the existing field of romance scholarship, this paper synthesizes key arguments pertaining to romance’s content, readers, form, and market, respectively. Such analysis is grounded in a reading of Ana Huang’s 2021 novel Twisted Love. Furthermore, given the highly gendered nature of popular romance, lenses of feminist critique are used to unpack the cultural significance of these narratives, exploring both the dangers and the merits that they …

Poetries Of Abandonment: A Study Of Plath And Glück, Yara Abdelmoneim

Theses and Dissertations

This thesis explores the intersection between literature and trauma, which can be discerned in the key works of two poets, Sylvia Plath and Louise Glück. While offering readings of crucial poems, the thesis also examines the interrelations among trauma, memory and narrative as theorized by two contemporary psychiatrists, Bessel van der Kolk and Judith Herman. Both Plath and Glück wrote about personal and generational trauma after going through different experiences of abandonment. Absence, indirection and repetition provide the basis for literary techniques that allow their traumas to be better understood by authors and readers alike. The degree to which each …

Leaving The (Mother)Land: Nationalist Entrapment Of The Doubly Colonized Irish Woman In Joyce’S Dubliners And Boland’S Poetry, Blake Harrsch

Seton Hall University Dissertations and Theses (ETDs)

This paper explores how James Joyce’s “A Mother” and “Eveline” and Eavan Boland’s “The Lost Land” and “Mother Ireland” illuminate the gendered sacrifices underpinning Irish nationalism through the lens of double colonization. Joyce’s female protagonists are caught between personal desire and cultural obligation: Mrs. Kearney’s assertiveness leads to public dismissal, while Eveline’s paralysis reveals the psychic toll of conflating domestic labor with patriotic duty. Boland’s poems, in turn, demonstrate how both staying and leaving reinforce women’s entrapment within nationalist ideologies. In “The Lost Land,” the mother’s grief is naturalized as part of her expected role in preserving the homeland, while …

The Interconnectedness Of Fun Home On Page And Stage, Livia M. Nocito

English and Creative Writing Independent Study Projects

In Fun Home: A Family Tragicomic by Alison Bechdel, instances of Alison’s emotional “rise,” or openness in being queer, and Bruce’s “descent,” or need to conform, in the book are further supplemented by translations made into the musical through leitmotif and musical composition. This cements not only their roles as Daedalus and Icarus respectively in the metaphor Alison presents in her memoir, but also highlights their lived experiences in a way that truly extends Alison’s liberation as a lesbian to be elevated in grandeur and Bruce’s stifling life to be as damning as Icarus’s fall into the sea.

Queerness In The Ability To Choose, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This presentation delves into examples of LGBTQ+ authors and characters within the choose your own adventure genre. With a primary focus on Anna Anthropy’s story game “queers in love at the end of the world” and Carmen Maria Machado’s memoir In The Dream House, instances of queerness found within the choose your own adventure genre are analyzed. Anthropy’s story game depicts two women with ten seconds to live until the world ends. The story game itself only exists for ten total seconds before players are given the chance to restart and try again. Machado’s memoir retells her experience in an …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

"We All Of Us Have Our Particular Devil Who Rides Us And Torments Us": Sexuality And Identity In Trauma Narratives, Aysenur Zaza

Master of Arts in English Plan II Graduate Projects

This portfolio reads literary narratives through the lens of feminist trauma theory to critique how institutional powers like heteronormativity, misogyny, and racism shape the production and perception of trauma. Centering works by women writers (with an exception in Sir Gawain and the Green Knight) it examines how experiences such as childbirth, racial respectability, and gendered identity formation are silenced or pathologized under dominant frameworks, particularly the medicalization of trauma. Drawing on scholars like Laura Brown and Lucy Thompson, the portfolio challenges the white, male-centric origins of PTSD and critiques the expectation of “wholeness” imposed on women in both literature and …

Reimagining Heroes: The Evolving Narratives Of Helen And Achilles In Feminist Greek Mythology Retellings, Elena A. Smith

Honors Scholar Theses

“Reimagining Heroes: The Evolving Narratives of Helen and Achilles in Feminist Greek Mythology Retellings” is an analysis of an array of novels, monographs, and critiques regarding the genre of mythology retellings. Combining feminist ideas with historical examples, this thesis delves into why retellings are so popular in the twenty-first century and why the stories of Greek Antiquity have stayed relevant.

This thesis focuses specifically on Helen of Troy, Achilles, and the events of the Trojan War in The Iliad. Comparing the epic with retellings of its events may reveal why these characters, gods, and heroes have continued to be discussed …

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

“Bottom Nature”: Embodying History In Gertrude Stein’S The Making Of Americans, Yasmin Tehrani

Theses and Dissertations

This paper attempts to connect Gertrude Stein’s conception of being in The Making of Americans with her vision of the production of history. This paper then concludes that for Stein, historical subjects themselves, both individually and collectively, and the imbued qualities in their being, shape history.

Deflecting Voyeurism: Elizabeth Keckley’S Indictment Of Capitalism And Rejection Of The Exploitative White Gaze, Laura Steel

Theses and Dissertations

This paper analyzes the ex-slave narrative Behind the Scenes, or Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley through a Marxist and Romantic lens as a means to explore the impact of capitalism on Keckley while enslaved, as well as post-slavery. Through the paper, the author argues that Keckley successfully deflects the white voyeuristic gaze by replacing her physical form with clothing that she creates, as a means to both indict capitalism and reclaim ownership over her body. Further, the paper argues that Keckley employs Romanticism to highlight the unnatural capitalist roots and subsequent …

Capturing The Realities Of Space And Culture: An Exploration Of Landscape In The House On Mango Street And Woman Hollering Creek, Leanna C. Mendiola

Theses and Dissertations

ABSTRACT

Capturing the Realities of Space and Culture: An Exploration of Landscape in The House on Mango Street and Woman Hollering Creek (May 2025)

Leanna Carmela Mendiola, B.A., Texas A&M International University; Chair of Committee: Dr. Zachary Hernandez

This thesis explores Sandra Cisneros’s The House on Mango Street and Woman Hollering Creek. Cisneros’s books explore the landscape and culture around her characters as readers piece together the experiences of women. The two novels use architectural elements to examine each book’s protagonists’ community and culture. The thesis argues that Cisneros employs space and place to underscore empowerment and the characters’ journeys …

The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez

Master's Theses

Culture is constantly evolving, its ideologies cementing themselves within our minds, shaping how we as a society guide ourselves through living in such. Social class, religion, gender, all are forms of identity that have a place, and a certain understanding and standing within our culture and society. Through this understanding of ourselves, we are defined, creating multiple forms of distinct expression to help differentiate our place further. A pope is expected to wear a certain attire just as a bride is expected to. The same ideology trickles down, creating demarcations of attire that subsequently ingrain themselves into our culture and …

Transgressive Fiction And The Problem Of Negative Affect: A Case Study Of Samuel Delany’S Hogg, Brian Thornton

Master's Theses

Samuel Delany began drafting Hogg in March of 1969 and worked on it intermittently before completing the novel in October of 1973.1 Yet Hogg remained unpublished until 1995 before finally seeing the light of day “during the ‘transgressive turn’ in American literature” (Mitchell 1). As such, the novel is historically situated along what Jonathan Mitchell calls a “dual temporality,” which “allows the novel to be located as an intervention in two key moments in America’s LGBT+ history: first, the developments in identity politics coming out of the socio-political cultural shifts of the 1960s; and, second, the post-AIDS awareness 1990s”.

Why You're Gayhee For Jaehee: How Dating Sims Promote Queer Self-Discovery, Amira Elliby

2025 Spring Honors Capstone Projects - Archive

Dating simulators are a video game sub-genre in which the player’s primary goal is to romantically pursue their favorite love interest through in-game interactions. While some dating sims present situations that encourage heterosexual female players to question, explore, and even accept possible queer identities for themselves, there is little research on what specific game elements foster this exploratory behavior. This project examines player responses and in-game content from two dating sims, Chrono Days Sim Date and Mystic Messenger, to determine which game aspects women found most helpful in encouraging them to question their own sexualities. Out of five key …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Unsettling Femininity In Ottessa Moshfegh’S My Year Of Rest And Relaxation, Audrianna Witcher

All Theses

This thesis covers how Ottessa Moshfegh’s My Year of Rest and Relaxation critiques traditional understandings of femininity and the inadequacy of neoliberal feminism to address the systemic issues that women face. Using Lauren Berlant’s concept of femininity as a genre, this thesis traces how Moshfegh implements disgust and abjection to reject mandates of cleanliness and emotional labor that are central to traditional femininity. Moshfegh also utilizes disgust and the narrator’s attempt at a year-long sleep to resist the ideals of productivity and self-care that are central to neoliberal feminism. In employing these affects, Moshfegh resists the social structures that exploit …

Women Disrupting The "Roundness" In "No Name Woman" And Sula: How Maxine Hong Kingston's And Toni Morrison's Titular Characters Combat Restrictive Communal Norms Surrounding Sex, Michelle Victoria D'Alessio

Theses, Dissertations and Culminating Projects

This thesis examines how Maxine Hong Kingston’s “No Name Woman,” the opening chapter of her memoir, The Woman Warrior, and Toni Morrison’s novel, Sula, portray communal perceptions of women who contradict traditional gender norms surrounding sex. The titular characters in each of these stories express their sexualities in ways deemed unfit by their people and are accordingly demonized and outcast from their communities. These characters are afforded some subtle admiration for their personal power by the artists who are portraying them, but this reverence is inevitably rescinded and replaced by the disdain of the tight-knit communities surrounding them. This tension …

The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic

All Theses

This thesis examines the role of shame in Kincaid's Lucy. Separated into four separate sections, the thesis moves through Lucy’s relationship with her boss, Mariah, her Antiguan mother, and the shame that is identified at the end of the novel. In the introduction, I identify the passage that frames the novel around shame. I then identify my thesis, which centers around Lucy’s shame and her inability and refusal to situate herself with neither Mariah nor her mother’s expectations. The second section of the thesis revolves around Mariah and the form of feminism that skews her perception and expectations of …

Her Hideous Progeny: Frankenstein'S Legacy, Adaptability, And Contemporary Prominence To Critical Story Telling, Ryan Penske

English (MA) Theses

This thesis situates the narrative of Frankenstein by Mary Shelley with two contemporary adaptations Get Out (2017) by Jordan Peele and Poor Things (2023) by Yorgos Lanthimos. The original 1818 Frankenstein text is composed of different discourses about race, gender, monstrosity, and what it means to be an abject other. As a text full of critical discourse, it has reached great popular culture legacy and has become adapted numerous times over the past two centuries. This thesis explores and acknowledges instances where the text has been adapted and applied to harmful discourses, such as British Prime Minister George Canning’s use …

The Masc Of Masculinity: Multimodal Analysis Of Contemporary Punk Music, James L. Stanfield Iii

Electronic Theses, Projects, and Dissertations

This thesis establishes a multi-genre framework of various theories from different academic fields that is then used to view the multimodal elements of punk and hardcore music performances. The analyses are tailored towards the dissection of traditional masculinity with the goal of constructing masculine avatars that are prosocial and moral. Reworking traditional masculinity is a portion of the larger fight for social reform that is taken up within the field of the humanities. Existing critical approaches to masculinity often establish the need for a rewriting of normative masculinity in society but often do not provide methods for such a rewriting. …

Odd Girls, Pulp Fiction And Lesbians, Natalie Aronson

Electronic Theses, Projects, and Dissertations

1957’s Odd Girl Out, a novel written by Ann Bannon, reminds readers, past, present and future, of the ever-growing need for positive queer representation. This project’s main goal is to take a look at the genre of Pulp Fiction novels of the 1950s, and examine how queer representation – specifically lesbian representation – has been written. Paul Thompson’s Masculinity in Lesbian “Pulp” Fiction is a text I use throughout, as it not only examines the genre overall, but also delves into Bannon’s ever-growing impact, providing much-needed context for the novels. While the genre of Pulp Fiction novels, queer or not, …

Coming Back To Bite: Reflecting On Constructs Of Adolescence And Girlhood In Young Adult Vampire Media, Gwendolyn Grace Klinkey

Department of English: Dissertations, Theses, and Student Research

The YA vampire genre has experienced a great amount of success throughout the past two decades with titles including Joss Wheadon’s Buffy the Vampire Slayer and Richelle Mead’s Vampire Academy. Within this group, two of the most widely successful examples are Stephanie Meyer’s Twilight Saga and the CW’s The Vampire Diaries, both of which have had a significant impact on Western popular culture. In this thesis, I use these two texts to explore the constructs of adolescence and girlhood that manifest as a result of the literary moves the writers seem to make in an effort to invite …

Sister, Lover, Monster: Gender, Sexuality, And Monstrousness In Batwoman, Carter Click

Honors Projects

Introduced in 2006, Kate Kane is the modern iteration of Batwoman, who is an out lesbian woman, in contrast to her 1950s counterpart that was created to alleviate concerns that Batman was gay. She would go on to star in stories by Greg Rucka, J.H. Williams III, and W. Haden Blackman that were published from 2009 to 2013. This run established core aspects of Kate’s character, supporting cast, and origin story. Though Rucka and Williams’ work has received some scholarly focus, Williams and Blackman’s work has received very little. This project attends to how these Batwoman comics facilitate queer representation …