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Full-Text Articles in English Language and Literature

Navigating Global Capitalism: Identity, Ambivalence, And Resistance In Cultural Productions, Ahmad Bilal Apr 2024

Navigating Global Capitalism: Identity, Ambivalence, And Resistance In Cultural Productions, Ahmad Bilal

Master of Arts in English Plan II Graduate Projects

I have navigated global capitalism in cultural productions that include selected short fiction of Rohinton Mistry, Michelangelo Antonioni's L'Avventura, Boots Riley's Sorry to Bother You , and Benedict Andrews' Seberg. In these works, I have explored resistance, marginality, mobility, and identity to reflect how capitalism transcends local boundaries to become a pervasive social system worldwide.


"The Grimmest Reversal We Have Ever Faced": Aids And The Hard-Boiled Detective Genre In Joseph Hansen's Early Graves, Seamus Coon Apr 2024

"The Grimmest Reversal We Have Ever Faced": Aids And The Hard-Boiled Detective Genre In Joseph Hansen's Early Graves, Seamus Coon

Honors Projects

Published from 1970–1991, Joseph Hansen’s “Dave Brandstetter” series consists of twelve novels written in the hard-boiled detective style, featuring a relatively-out gay insurance detective as the titular protagonist. Many novels discuss then-contemporary social issues, including the ninth novel, Early Graves (1987), which attempts to address the AIDS crisis. The “Brandstetter” series has not been the subject of much scholarship, let alone individual novels in the series. This project attends to how the “Brandstetter” series typically embodies the hard-boiled genre more than it subverts it, as well as how Early Graves is forced to become subversive as the limitations of the …


Censorship Of Lgbtq+ Books: Causes And Consequences, Merrick Glass Apr 2024

Censorship Of Lgbtq+ Books: Causes And Consequences, Merrick Glass

Honors Projects

Censorship in the United States of America has accelerated over the past four years. LGBTQ+ books are specifically being targeted and banned within high school classrooms. Banned books are nothing new--court cases today are influenced by Island Trees School District v. Pico (1982) plurality decision on censorship. Students and professionals alike have power in their rights and voices. In the framework of bell hooks, the classroom can be perceived as a site of resistance in order to take power back into students' hands. Without a diversity of books, students will lack cognitive development and community.


Restorative Practices In English Language Arts: My Journey Towards Linguistic Justice, Ariana Skeese Apr 2024

Restorative Practices In English Language Arts: My Journey Towards Linguistic Justice, Ariana Skeese

Master of Arts in English Plan II Graduate Projects

In this final portfolio, I examine anti-racist pedagogy in English Language Arts Education.


Final Master's Portfolio, Tooba Amin Apr 2023

Final Master's Portfolio, Tooba Amin

Master of Arts in English Plan II Graduate Projects

Tooba Amin covers the following topics in her Final Master's Portfolio: Capitalism, Medievalism, Women's Studies, and Indigenous Studies.


"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin Apr 2023

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …


Payton's Final Master's Portfolio, Payton Boshears Dec 2022

Payton's Final Master's Portfolio, Payton Boshears

Master of Arts in English Plan II Graduate Projects

Here is my final Master's Portfolio. I did not have specialization for the English program, so for the portfolio I chose four different projects that represent the variety of courses I have taken during my time here at BGSU.


Final Master's Portfolio, Consuela Jones Jul 2022

Final Master's Portfolio, Consuela Jones

Master of Arts in English Plan II Graduate Projects

This body of work focuses on illuminating the radical modes of womanhood centered in the featured texts.


She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese Apr 2022

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.


Women And Supposition: The Chronicles Of Narnia And Biblical Womanhood, Carolyn Dailey Apr 2022

Women And Supposition: The Chronicles Of Narnia And Biblical Womanhood, Carolyn Dailey

Honors Projects

Supplemented by C.S. Lewis' works in theology, predominately Mere Christianity, and 'Priestesses in the Church?" as well as sources from other theologians, and historians, this paper explores the relationship between Christian tradition and Biblical womanhood that is expressed in C.S. Lewis's The Chronicles of Narnia. This paper finds that C.S. Lewis drew more from the core tenets of love and equality that exist at the heart of Christianity rather than from traditional Christian beliefs, including some he held himself. In doing this, he crafted an imaginative fiction that affirms Biblical womanhood.


Spring Awakening: A Midwest Children's Tragedy, Lena Nighswander Apr 2022

Spring Awakening: A Midwest Children's Tragedy, Lena Nighswander

Honors Projects

Spring Awakening: A Midwest Children's Tragedy is a new play that takes up the issues of adaptation, translation, and temporality in regards to Frank Wedekind's Frühlingserwachen, a play infamous in its revelry in controversy and unflinching nature in the face of social issues many would prefer to ignore. Several modern adaptations of the original text exist, but none have utilized the 2020s as a setting nor have they used the fertile landscape of the American midwest as a background.

This play, set in Toledo, OH, leans into the Wedekindian tradition of cutting social criticism and controversy in its exploration of …


Hannah & Nana: A Personal Memoir On Appalachian Intergenerational Trauma, Womanhood, & Family, Hannah Dunn Dec 2021

Hannah & Nana: A Personal Memoir On Appalachian Intergenerational Trauma, Womanhood, & Family, Hannah Dunn

Honors Projects

I was deeply affected by the death of my beloved nana in 2018. After her death, my family asked me to be the storyteller for us. Thus, for my Honors Project at Bowling Green State University (BGSU), I decided to write a personal memoir on my family. This memoir explores how we fit into notions of womanhood and family in Appalachia, as well as studying the effects of intergenerational trauma on us. Qualitative research, in the form of the autoethnography, serves as the methodology for this project. In writing a creative memoir, I have transformed my personal to the academic.


“Have You Come Out?”: Refutation Of Segdwick’S Theorization Of The Closet In Another Country And Lot: Stories, Mary Ross Oct 2021

“Have You Come Out?”: Refutation Of Segdwick’S Theorization Of The Closet In Another Country And Lot: Stories, Mary Ross

Honors Projects

Eve Kosofsky Sedgwick outlined in her book entitled Epistemology of the Closet a paradigm of expressing queer sexuality when it is known and when it is not know. In response to Sedgwick closet paradigm, Marlon Ross wrote his essay entitled “Beyond the Closet as a Raceless Paradigm” in which he demonstrated that Sedgwick’s paradigm is not applicable to marginalized class and racial groups. He also made a call to action to change the necessity of the closet paradigm when discussing queer sexuality. In this paper, I put James Baldwin’s Another Country and Bryan Washington’s Lot: Stories in conversation with Sedgwick …


Final Master's Portfolio, Jonathan Correa May 2021

Final Master's Portfolio, Jonathan Correa

Master of Arts in English Plan II Graduate Projects

Jonathan G. Correa's Master's Portfolio


Amanda Baldwin's Master's Portfolio, Amanda Baldwin Apr 2021

Amanda Baldwin's Master's Portfolio, Amanda Baldwin

Master of Arts in English Plan II Graduate Projects

This is the final portfolio for my Master's of Arts in the field of English. It includes an analytical narrative along with four projects that I feel best illustrate my knowledge, skills, and growth. These four pieces are entitled "Putting a Feminist Twist on Classic Literature," "Teaching Antigone in the Modern Classroom," “Feminism and Racial Studies in Sue Monk Kidd’s The Secret Life of Bees,” and “Literacy Narrative Analysis.”


An Exploration Of Voice, Kristyn Montgomery Apr 2021

An Exploration Of Voice, Kristyn Montgomery

Master of Arts in English Plan II Graduate Projects

This combination of four pieces reflects an overarching theme of researching the ways that our foundations and experiences shape us, either by our own hands or by the hands of others. This is a final portfolio that was submitted to the English Department of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Arts in the field of English.


How About Noah?, India Worthy Dec 2019

How About Noah?, India Worthy

Honors Projects

How About Noah? tries to bridge the gap between old picture books and today’s society by showing children the intersectionality between Noah’s identities as an African American and a member of the LGBTQ+ community. There are very few books that show this concept especially containing a strong female lead. Most stories are always about a boy wanting to be a girl instead of a girl who identifies as a male.


Nailing Jell-O To A Tree, Jayson Lozier Aug 2019

Nailing Jell-O To A Tree, Jayson Lozier

Master of Arts in English Plan II Graduate Projects

This portfolio contains papers addressing writing instruction, women's studies, queer theory, and literary analysis. “Mr. L 2.0 or: How I Learned to Stop Worrying and Love English Composition” details the implementation of more effective techniques to teach writing in the secondary English classroom. “Educating Women in Afghanistan: Power, Revolution, and Rebellion” examines the feminist struggles around education and the efforts of the Afghan Institute of Learning to bring about change. “Out of the Closet and into the Classroom: Introducing Queer Reading Strategies to the Secondary English Classroom” examines the importance of queer theory and queer reading techniques in high school …


The Queer Literature Club, Olivia Behm May 2019

The Queer Literature Club, Olivia Behm

Honors Projects

The Queer Literature Club was established August 30, 2018 with the purpose of distributing young adult literature with LGBTQ+ characters and themes as well as providing a space space for LGBTQ+ students. The QLC spent the 2018-2019 academic year establishing itself as a thriving community and has gained standing as an officially recognized campus organization. The club is open to students who want to see themselves reflected in the literature they read - literature meant for an age that is particularly difficult for LGBTQ+ youth - and allies. Through the progression of the year, it was found that the QLC …


Why Study Language? Discussing Language And Its Influence On Gender Discrimination, Katelyn Eisenmann Apr 2019

Why Study Language? Discussing Language And Its Influence On Gender Discrimination, Katelyn Eisenmann

Honors Projects

An applied research project, with the culminating piece being a panel discussion that focused on the ways in which language use and structure contribute to attitudes and perceptions of gender within our society, and the politics that surround concepts of gender.


“There Must Always Be A Thor”: Disruption Of Super Heroic Masculinities In Marvel’S Thor: The Goddess Of Thunder (2014), Kiera M. Gaswint Apr 2018

“There Must Always Be A Thor”: Disruption Of Super Heroic Masculinities In Marvel’S Thor: The Goddess Of Thunder (2014), Kiera M. Gaswint

Ray Browne Conference on Cultural and Critical Studies

As the popularity of the superhero film genre continues to grow, more attention is being drawn towards the genre as a way to enter cultural conversations regarding representations in popular culture of gender, sexuality, race, and class, among other things. This popularity of the genre among differing age ranges and demographics calls for an investigation and analysis of the comic book genre, superheroes, and representation. Given the popularity of this genre, I plan to argue that Thor: The Goddess of Thunder (2014) offers a unique reading of gender constructs and masculinity.

Whereas characters come and go within their respective universes …


The Women Of Brave New World: Aldous Huxley And The Gendered Agenda Of Eugenics, Jessica Eylem Apr 2018

The Women Of Brave New World: Aldous Huxley And The Gendered Agenda Of Eugenics, Jessica Eylem

Ray Browne Conference on Cultural and Critical Studies

Eugenics is the belief that the human race can rid of unwanted characteristics by using science. As this belief became more widely known through the Nazi’s raise to power and their use of ideologies maintained by fear, scholars began to take note of its rise in academic circles and the followers behind it. Authors began incorporating these ideas into their novels as a way of commenting on the future of our world if eugenic practices continued. In this article, I discuss how the concept of eugenics is used in dystopian novels, especially during the interwar period. It explores Aldous Huxley’s …


The Use Of The Autobiographical Graphic Novel By Iranian Authors As A Means Of Forging Nationalist And Feminist Identity, Max M. Funk Sep 2017

The Use Of The Autobiographical Graphic Novel By Iranian Authors As A Means Of Forging Nationalist And Feminist Identity, Max M. Funk

International ResearchScape Journal

In this essay I explore the increasing use of autobiographical graphic novels by Iranian writers as a means of forging identity and reacting to political events in Iran. I analyze the ways in which the intersecting roles of autobiographical and graphic components (namely the use of framing) of novels such as Persepolis, An Iranian Metamorphosis, and Zahra’s Paradise create a particularly subjective narrative. I argue that this subjectivity gives weight to the nationalist and often feminist focus of the novels in a way that makes readers more likely to accept these sentiments. Finally, I examine the ways in …


The Madwoman Persists: Expression As Resistance In Emily Holmes Coleman's The Shutter Of Snow And H.D.'S Hermione, Spring Healy May 2017

The Madwoman Persists: Expression As Resistance In Emily Holmes Coleman's The Shutter Of Snow And H.D.'S Hermione, Spring Healy

Honors Projects

Emily Holmes Coleman’s The Shutter of Snow and H.D.’s HERmione each feature a female narrator struggling to survive in a patriarchal society that confines them and polices the movement of their bodies through space in attempt to gain control. The characters Marthe Gail and Hermione Gart experience bouts of insanity in response to their confinement by the patriarchy. I explore the various ways these two women push against their confinement, and argue that despite their places in society, Marthe and Hermione are able to use expression—writing, language, voice, movement, sexuality—to successfully resist the patriarchy and create legitimate identities.


Living Subversive Narratives: Shahrazad’S Stories Of Women, Caleb Nicholas Dec 2016

Living Subversive Narratives: Shahrazad’S Stories Of Women, Caleb Nicholas

Honors Projects

Though scholars have examined The 1001 Nights’ Entertainments or The Arabian Nights, few have thoroughly explored the function of Shahrazad’s tales as they relate to her position as a woman. Closely reading the stories of the Nights reveals that there are chiefly two types of female characters who emerge in her stories: the heroic, who have no apparent autonomy, and the villainous, who have overflowing autonomy. These depictions of women are problematic from the viewpoint of present-day feminism, but are understandable, and even genuinely subversive, in Shahrazad’s context. Although some scholars have dismissed questions about the function of the …


Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii Feb 2015

Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii

Ray Browne Conference on Cultural and Critical Studies

I plan to show how the characters in Another Country uncover the inherently racist and homophobic requirements for citizenship in a nation. The novel Another Country by African American author James Baldwin (1924-1987) exposes the fallible nature of hetero-normative and racial ideals that narrowly define a model citizen of a nation-state. The queer interracial relationships in the novel, particularly between the main character Rufus and his lover Eric, transgress the boundaries of nation, race, and sexuality, thus revealing the illusionary nature of categorizations that are defined and applied by nation-state apparatuses in order to discriminate and maintain uniformity. In addition …


Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere Feb 2015

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …