English Language and Literature Commons^™

Appealing To Truancy: How Mary Oliver Escapes Americana, John Wise

Student Writing

How the work of Mary Oliver disagrees with the American Cultural way of thinking.

Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff

English Creative Writing Theses

Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …

Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson

ABO: Interactive Journal for Women in the Arts, 1640-1830

The works of Anne Finch, a writer doubly exiled as a female poet and Jacobite, stand out as eminently teachable examples of a compelling political outsider view that provokes us to consider how we can better attend to perspectives of principled opposition. Her poems in response to what has been called the "first modern revolution," together with her odes upon the deaths of King James II and Queen Mary Beatrice, showcase the subversive power of indirect articulation, expressing values through emotions and affects in veiled forms such as allegory and alternate history.

Fierce Allegories: Teaching Anne Finch’S Fables In A Course On Satire, Sharon Smith

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay outlines an approach to integrating Anne Finch’s work into an advanced undergraduate and/or graduate course on eighteenth-century satire, focusing particularly on her satirical verse fables. This approach encourages students to question common critical assumptions about women and satire, most particularly that women avoided satire due to its association with aggression and politics—assumptions Finch’s fables are well-suited to challenge. The essay focuses particularly on Finch’s verse fables "Upon an Impropable Undertaking," “The Eagle, the Sow, and the Cat,” and “The Owl Describing Her Young Ones.” In these poems, written in the aftermath of the Glorious Revolution, Finch employs violent …

Feminine Interiority And Social Protest In The Poetry Of Mary Leapor, Joanna C. Yates

ABO: Interactive Journal for Women in the Arts, 1640-1830

Mary Leapor (1722-46) is one of the many under-studied women poets of the eighteenth-century. She is often described as a laboring-class poet which, while historically accurate, implies her immediate marginalization as an writer by her class and gender. Her focus of enquiry explores a new female authorial interiority, embracing her own volition, personality, and aesthetic sensibility through the act of writing itself. This nascent individualism, arising from the examination of feeling, lies at the heart of her work and heralds the social protest that will erupt later in the century. This paper hopes to offer a broader perspective on Leapor’s …

Adrienne Rich And Women's Confinement, Marissa Weber

Student Writing

Adrienne Rich's poems "Snapshots of a Daughter-in-law," "Living in Sin," and "From a Survivor" weave a tale of the average American housewife expressing her discontent with her day-to-day and searching for a way out. All three poems contain themes of societal oppression scaled to a personal level, and the varying conclusions speak to the harsh reality of being a woman in the mid-twentieth century. Rich's career as an activist defined her poetic style, and her feminist pieces have remained relevant decades after they were originally published.

Strategies Of Liberation And Empowerment In Maya Angelou's And Audre Lorde's Black Feminist Literature, Lydia Jernigan

Student Works

The progression of second-wave feminism in America saw Black feminist writers such as Maya Angelou and Audre Lorde utilizing literature, and notably poetry, to resist against their oppression, due not only to their gender but also to their race. Lorde states in her 1977 essay, “Poetry is Not a Luxury,” that poetry, for women, “is a vital necessity of our existence. It forms the quality of light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.” One of the aims of Lorde’s explicitly political poems—as …

I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu

Publications and Research

No abstract provided.

Without Permanence: Mapping Multi-Genre, Cross-Disciplinary Frameworks For Trans* Studies, Jesse Jack

Electronic Theses and Dissertations

This project takes a cross-disciplinary and multi-genre approach to Transgender (Trans*) Studies to proliferate diverse and ambiguously-gendered representations of trans* experiences across time. It identifies the emergence of rhetorical intertextuality in recent trans* literatures as a discursive response to the biopolitical regulation and erasure of ambiguously-gendered, trans* experiences. It identifies the intersecting influences of twentieth- and twenty-first-century medical paradigms, surveillance apparatuses, popular trans* autobiographies, and archives in representing and exceptionalizing certain trans* experiences over others. In contrast, this project engages in a close reading of Pajtim Statovci’s Crossing (2016) and Andrea Lawlor’s Paul Takes the Form of a Mortal Girl …

Grasses, Groves, And Gardens: Aphra Behn Goes Green, Heidi Laudien

ABO: Interactive Journal for Women in the Arts, 1640-1830

Laudien argues in “Grasses, Groves and Gardens: Aphra Behn Goes Green” that Behn moves beyond the stylized and artificial backdrops of most pastoral to explore the unique ways the landscape can be manipulated to investigate gender difference and the dynamics of desire and representation. Laudien suggests that in prioritizing the pastoral as political allegory in Behn, we overlook the descriptions of nature and the importance she places on the natural environments she creates. Through close readings of several of her pastoral poems, Laudien reveals that Behn’s landscapes destabilize existing notions of the pastoral space as an idealized and organized place …

A New Poem By Anna Letitia Barbauld, Scott Krawczyk, William Mccarthy

ABO: Interactive Journal for Women in the Arts, 1640-1830

This short discovery article presents information pertaining to a previously unknown poem of four lines by Anna Letitia Barbauld. The poem is housed at Duke University in the David M. Rubenstein Rare Book & Manuscript Library.

The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions

This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her …

Poetry Beyond The Page: A Case For Spoken Word Poetry In Florida's Secondary Classrooms, Sarah Matherly

Senior Honors Theses

Florida’s B.E.S.T. Standards, Florida’s most recent K-12 educational standards to promote literacy, lack the rising art of Spoken Word Poetry. However, Florida’s Department of Education should integrate Spoken Word into Florida’s Secondary curriculum. Spoken Word Poetry, by its definition, holds researched benefits that align with the B.E.S.T. Standard’s poetry recommendations and literacy-centered goals. In light of such benefits, Florida’s Department of Education should consider various Spoken Word poets and poems to include in Florida’s Secondary Curriculum, as well as explore the resources and integration methods included in this thesis for both teachers and students.

The Car Ride Home, Jonathan Rivera

English Honors Theses

The Car Ride Home explores the coming of age of a young boy into a queer man, searching and sifting through the trauma of home life, and realizing his mother’s addiction affects more than just herself, but an entire family. This realization coincides with views of masculinity, as he carefully watches the men around him. He internalizes these depictions of masculinity when exploring his own confusion and investigation of his own sexual identity and queerness. The poetry collection is broken up into two connected parts. Part one explores the illusion of childhood and nostalgia while introducing subtle glimpses and secrets …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

Et Cetera, 2019-2021, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

A Covid Calendar, In Twelve Animals, Dana Medoro

Animal Studies Journal

This poem reflects upon the year 2020, the death of an animal-activist in Canada, and the murderous effects of COVID-19 on non-human animals

A Personal History Of Invasive Hands And Endangered Lovers, Samuel Paul Boudreau

Graduate Student Theses, Dissertations, & Professional Papers

I thought I could be ridden hard and put away wet, wet, wet. I thought death and rape and drunkenness and unrequited love were functions of a typical life, a this-is-how-it-goes kinda world. But, as I’ve emerged from hellish muck, there has been a realization: the way we treat each other and the soil, the aching earth, needs to change. “A Personal History of Invasive Hands and Endangered Lovers” explores the relationship between intimacy and pain through a history of ecology and consumption, a melancholy of sorts. It amplifies trauma as a call-to-action and refuses to sit and take it. …

Flowers In The Dessert: Susana Reisz And Rocío Silva Santisteban, Bethsabe Huaman Andia

International Languages & Literature Faculty Scholarship

This article examines the critical work of two distinguished Peruvian intellectuals: Susana Reisz and Rocío Silva Santisteban. Specifically, I analyze those texts that approach the relation between women and literature from theoretical perspectives, with particular emphasis given to texts about poetry that define feminine writing and women’s literature. In the case of Susana Reisz I start with the book Teoría Literaria. Una propuesta (1986) and finish with the article “¿El premio será otra carrera? (El lugar de la mujer escritora en el hispanismo del futuro)” from 2010. In the case of Rocío Silva Santisteban I begin with El combate de …

Violet Is One Letter Off From Violent, Audrey E. Spina

Master’s Theses and Projects

The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

Movement Upstream, Downstream: A Lyric Essay, Mong- Lan

Asian American Literature: Discourses & Pedagogies

Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.

Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.

Ai And The Other, Rosetta Dudley

Student Writing

Literary analysis in MLA format of 3 poems: "Conversation," "Cuba, 1962," and "Disregard" by Ai Ogawa which each address Othered speakers and characters. Links made to Emily Dickinson's writing and being Othered as a woman and non believer in a Puritan society. Overall theme: transcendence of circumstances as Other with the use of apostrophe and conceit.

Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …

"Free Indirect Suicide: An Unfinished Fugue In H Minor", Seo-Young J. Chu

Publications and Research

In this lyric essay/work of creative nonfiction (listed among “Notable Essays & Literary Nonfiction” in Best American Essays 2020), Seo-Young Chu uses poetry, autotheory, and creative nonfiction to explore the generational trauma/postmemory han she inherited from her parents and the importance of destigmatizing mental illness through dialogue.

Burning, Drowning, Shining, Blooming: The Shapes Of Aging In W.B. Yeats’ Poetry, Malea C. Martin

CMC Senior Theses

Love and growing old are thematically inseparable in W.B. Yeats' poetry, yet it is the former with which this great Irish poet is often associated. The poet's attitudes toward aging are made clear through his symbolism, complicated Irish allusions, and a sometimes jarring treatment of women. As it turns out, these devices have as much to do with Yeats' concern over aging as they have to do with the infamous Maud Gonne. This thesis attempts to not only expose and analyze these intricacies, but also challenge the way the literary canon typically isolates Yeats’ more famous poems without the context …

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640-1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

To Be Everything: Sylvia Plath And The Problem That Has No Name, Alanna P. Mcauliffe

Student Theses and Dissertations

This thesis explores, in depth, how the poetry of Sylvia Plath operates as an expression of female discontent in the decade directly preceding the sexual revolution. This analysis incorporates both sociohistorical context and theory introduced in Betty Friedan’s 1963 work The Feminine Mystique. In particular, Plath’s work is put in conversation with Friedan’s notion of the “problem that has no name,” an all-consuming sense of malaise and dissatisfaction that plagued American women in the postwar era. This notion is furthered by close-readings of poems written throughout various stages of Plath’s career (namely “Spinster,” “Two Sisters of Persephone,” “Elm,” “Ariel,” “Daddy,” …

Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.