Chinese Studies Commons^™

中國古代的聲律啓蒙讀物 : 《聲律發蒙》及其他, Jian Zhang

嶺南學報 Lingnan Journal of Chinese Studies

中國古代詩學、理論批評偏於形而上，而介紹作詩法（也即How to）類書籍則顯得形而下，故而爲當代研究者所忽視。實際上，後者在古代所起作用不容低估。本文關注聲律啓蒙讀物《聲律發蒙》一書，對其相關問題進行深入的考辨。首先明確其書作者是元人祝明，而《聲律發蒙解注》是明初王暹爲《聲律發蒙》而作。本文發現祝明原本《聲律發蒙》二卷本尚存，與題明唐居子編《對類正宗》、涂時相刊本《聲律發蒙》相對勘，可知其間流變情形。而潘瑛續祝明《聲律發蒙》，延續了祝明所開創的體例，在明清兩代影響甚廣。而聲律啓蒙讀物又與作對相結合，承襲劉勰《文心雕龍·麗辭》篇的思想，教導作詩者既掌握聲律，又具備作對的基本技巧和原則，遂令詩人輩出，其書功績不可抹煞。

讀李密《陳情表》小識, Chow Yiu Sin

嶺南學報 Lingnan Journal of Chinese Studies

注釋李密(582-619)《陳情表》之書甚夥，惟各書注釋，不盡相同，且多未能道出其解釋之根據。本文於《陳情表》及其注釋，詳稽博辨，指微抉奥，以就正於方家。

山谷行書和東坡草書《赤壁懷古》詞石刻的真僞及文獻價值, Zhaopeng Wang

嶺南學報 Lingnan Journal of Chinese Studies

宋哲宗元祐二年丁卯（１０８７）黄庭堅行書赤壁詞，自南宋以來，既有原書真迹傳世，也有石刻搨本流傳，傳承有序，源流清晰。今存山谷行書赤壁詞石刻及其搨本，雖然不一定是山谷手書的真迹，卻是可信的文本。東坡草書赤壁詞的傳藏經過，不如山谷行書赤壁詞那樣歷歷可考，只知明嘉靖以前已有石刻。與山谷行書赤壁詞互證，東坡草書赤壁詞的文本有可信度，即便字不一定是蘇軾所寫真迹，内容應是蘇軾所作。山谷和東坡所書兩種赤壁詞，是現存最早最接近東坡赤壁詞原作的文本，可據以校正諸本異文的正誤得失：其中“談笑間、强虜灰飛煙滅”應作“笑談間、檣櫓灰飛煙滅”，“强虜”是南宋人所改，藉以影射金人。

《古今樂録》的整理與考釋, Xi Jin

嶺南學報 Lingnan Journal of Chinese Studies

《古今樂録》成書於南朝陳，是中古時期最爲重要的音樂著作之一。宋代以降，此書逐漸散佚，雖然有清人和今人的數個輯本，然其文本仍存在頗多需要辨明及完善之處。本文在對《古今樂録》進行重新輯佚和系統整理的基礎上，梳理該書的内容、體例、結構等宏觀問題，亦對其佚文的起止、正誤、疑僞等微觀問題進行探討，盡可能地恢復其本來面貌，從而揭示其在音樂史和文學史上的重要意義。

道咸經世派的"文儒"理想, Hong Cao

嶺南學報 Lingnan Journal of Chinese Studies

乾、嘉以來經世意識的潛流在道、咸之世匯成洪峰，由原有的自發湧動，獲得了清醒的理論自覺。在經世文章步入張揚旗幟的過程中，道咸經世派對“文儒”理想的期許與其新文道觀相呼應，顯示出變古開新的精神風尚。儘管文道互苞的論述模式經由中唐古文家的貢獻而定型，但道咸經世派倡導“道存乎實用”、“文之外無道”，重建了“文儒”理想的新維度。乾嘉漢學家對文章“經禮樂，綜人倫”等功能的祈向，也爲道咸經世派如包世臣等人確立“道附於事，而統於禮”的經世文道觀，提供了某種框架性的支持。“文儒”理想的近代轉型是思想與審美的雙重成果。

庶民經學到天朝正學 : 以溪百年《經典餘師·四書》爲考察核心, Peiyi Jin

嶺南學報 Lingnan Journal of Chinese Studies

本文以《經典餘師》爲研究對象，檢討其著書體例、注經方法，與其所詮釋之思想内容，同時闡明溪百年編注《經典餘師》之目的，以及其學術思想立場與文化政治主張。本文的分析、討論僅侷限在“四書之部”，主要又聚焦於《論語》。《經典餘師》之解經方法，一言以蔽之，主要是以“和文語脈”取代“漢文語脈”。其注解《四書》雖主朱子，但卻非完全依據朱注。又因其著書乃爲偏鄉庶民，故其完全以和文語脈注解，甚至連基本之語彙亦附以解釋，經義解釋幅度因而獲得相當程度的擴展。而爲庶民學習經書所編注的《經典餘師》，目的雖爲僻邑寒鄉之民提供獨學自習儒典之機會，但書中所詮釋、宣導的義理思想，主要在尊崇日本萬世一系之皇統，主張忠孝一本、大義名分與日本優於中華。主張爲學博採諸學以爲天朝正學之輔助，强調文武合一、日用經濟之學。綜言之，屬於朱子學系統的溪百年，其《經典餘師》在注解《四書》時，雖以《四書章句集注》爲底本，但爲學目的則在江户古學派最爲重視之人倫經濟日用，文化價值取向卻又是水户學的護翼皇統，追求的是人情義理與忠孝不二的實踐。《經典餘師》堪稱在解經方法與義理詮釋上，皆完成了“漢文”／ “中國”的去脈絡化，進而完成了“和文”／ “日本”的再脈絡化。

論劉向、劉歆和《漢書》之關係, Chunhong Wang

嶺南學報 Lingnan Journal of Chinese Studies

本文认爲，讀《漢書》，當以《楚元王傳》爲綱，並且以《五行志》等爲輔佐，來觀其書之結構和用心，可以起到提綱挈領的作用。今本《漢書》有兩個關注點，除了朝政之外，還有楚元王一系之遭際。劉向活躍於宣、元、成帝三朝政壇，他與他的父親劉德經歷了前漢武帝身後的重大政治鬥爭。然而，劉德、劉向和劉歆亦並非純然從儒家道統出發，來爲民請命、仗義執言。他們主要代表劉氏宗親一系政治和經濟利益，所以劉氏不遺餘力地對外戚口誅筆伐。此從某種程度上看，實際上是劉氏諸侯和皇帝外戚利益較量，總劉向一生，堪稱劉氏宗親利益的代言人，當然更是自家利益捍衛者，其言行無不與此種身份立場相關聯。故而，《漢書》並非成於一人一時之手。今本署名班固著《漢書》，在很大程度上，可以視作一部圍繞楚元王家族（尤其是以劉德、劉向、劉歆一支）之前漢遭際爲中心，所生發、結撰的政治載記，班氏父子共同依照劉向、劉歆藍本來結撰《漢書》，其中緣由遠比“盜竊父史”來得複雜！

《大唐西域記》所載佛教口傳故事考述, Yinchi Chen, Te Chen

嶺南學報 Lingnan Journal of Chinese Studies

《大唐西域記》是中古西行求法僧人撰寫的一部重要著作，其歷史、地理和風俗上的價值極高，即從宗教文學方面觀察，其記述西域、印度等地流傳之佛教故事傳説甚夥，亦不容忽視。本文試從文本比勘入手，推證《大唐西域記》記述佛教傳説故事的書面典籍和口頭傳播兩種來源方式及兩者錯綜交織之表現，條理並分析其特點，進而顯示玄奘撰述態度的多面性以及其著作包涵的複雜性。

《嶺南學報》小史述略 : 兼論陳寅恪與《嶺南學報》, Zhan Huang

嶺南學報 Lingnan Journal of Chinese Studies

1888年，美國長老會傳教士在廣州創建格致書院。1903年，書院更名為「嶺南學校」，是為「嶺南」用作校名之始。1927年，學校易名為嶺南大學，鐘榮光先生出任校長。自此，嶺大發展為文理商工農醫兼顧的綜合性學府。四十年代，抗日戰爭及國共內戰致使大批學者避難粵廣，不少人進入嶺大執教。這一歷史機遇，也鑄就了嶺大最為輝煌的一段學史。1952年，全國大專院校進行院系調整，教會大學無法繼續存在，嶺大遂被分割合併至其他數所大學。其中，文理科撥歸中山大學，而原嶺大校址康樂園也成為中山大學的新居。

表徵嶺大學術成果者，乃二十世紀上半葉世所推重的《嶺南學報》。《學報》於1929年12月創刊，1952年6月隨著院系調整而終刊。二十三年間，《學報》共刊行35期。下文即對《學報》歷史做一個回顧。

試論文獻辨僞的語言學方法, Zongwu Qian

嶺南學報 Lingnan Journal of Chinese Studies

辨識上古文獻真僞，是正確利用上古文獻的前提，也是學術研究的基礎工作和研究者必備素質。上古文獻多有真僞之辨，傳統辨僞方法亦有局限。本文首次系統論證文獻辨僞語言學方法的學理依據和技術手段，具有重要的理論意義和認識論價值。

李杜齊名之形成, Shangjun Chen

嶺南學報 Lingnan Journal of Chinese Studies

中國詩歌史發展到盛唐，無疑達到巔峰之成就，而站在峰頂的人物，當然是被譽爲雙子星座的李白與杜甫。李白生前就已經取得舉世公認的地位，而比他年幼十二歲的杜甫則成名過程要複雜得多。今人根據通行的幾種唐人選唐詩没有收録杜甫詩歌，因此而認爲杜甫在唐代詩人中地位不高，影響不大，實在是皮相之見。本文則力圖根據第一手文獻，證明李杜齊名在杜甫生前已經爲部分人所認可，其最終獲得舉世公認，則在杜甫生後三五十年間完成。李杜地位的確定，是中古詩學史上的重大事件，也是引導唐宋詩歌轉型的關鍵所在。

再論《劉子》是否爲劉勰所作 : 兼談學術爭論中的學風問題, Shaokang Zhang

嶺南學報 Lingnan Journal of Chinese Studies

近來有人認爲《劉子》作者是劉勰，這種結論的得出，體現了作者曲解材料的不良學風，本文爲之做正本清源的駁斥。認爲《劉子》是劉勰所作者的文獻根據就是兩《唐志》的著録，本文考辨了兩《唐志》致誤的緣起，從目録學上，否定了某些人據以爲劉勰著《劉子》的可信性。從《劉子》基本思想傾向、人格思想素質以及語言風格諸方面與《文心雕龍》相對照，所呈現之差異，可徹底否定所謂《劉子》爲劉勰所作之謬論。一切基於違背實事求是原則而作的所謂學術研究，根本是站不住脚的。

"以意逆志"説與中國古代解釋論, Zongqi Cai

嶺南學報 Lingnan Journal of Chinese Studies

“以意逆志”四字爲孟子解《詩》時提出，近千年以來爲各派批評家所推重。爲何孟子“以意逆志”一語會被這麽多批評家認同？本文提出，“以意逆志”之所以能“放之四海而皆準”，與古代漢語作爲不帶情態標記語言而具有豐富的模糊空間有著很大關係。歷代以來，中國傳統批評家不斷地挖掘利用“以意逆志”中“意”、“逆”、“志”三字之語義以及四字之間句法的模糊性，以求重新闡發孟子的論斷，進而爲各自的解釋説找到理論根據。因此，通過討論各家對孟子“以意逆志”一語的重新闡發，本文展示出從先秦到清代各種解釋方法的獨特特徵，同時，本文亦發現這些理論潛在的互相聯繫，進而揭示中國整個解釋傳統作爲整體的動態統一。

越民族底滅亡, Dongrui Zhu

嶺南學報 Lingnan Journal of Chinese Studies

本文爲朱東潤師所著《漢書考索》中至今未刊的一篇文稿。師研治秦漢古史，1940年於四川樂山武漢大學任職期間完成《史記考索》，尋付開明書店出版。1942年教席轉至重慶柏溪國立中央大學期間撰《後漢書考索》，1951年3月任教濟南齊魯大學歷史系期間撰《漢書考索》，二稿分别裝訂存藏，師生前未曾刊佈。《漢書考索》稿本自題：“未定稿，《班彪及〈漢書〉》篇另見。”至1996年，經朱師孫女朱邦薇女史整理，將上述三稿合爲一書，題曰《史記考索》（外二種），收入華東師範大學出版社《二十世紀國學叢書》出版。當時因未完成遺稿清理，不免有所疏漏。近期承托整理朱師遺稿，檢得《班彪及〈漢書〉》、《越民族底滅亡》二稿置於一處，因知二文皆爲《漢書考索》之未刊稿。乃請張恒怡同學代爲輸入，我再作校訂，標點符號則按照今日之文稿規範酌予增改。謹以《越民族底滅亡》稿交付《嶺南學報》復刊號發表。整理中之訛誤，責任當然在我。2013年12月26日，及門陳尚君謹識。

梁啓超與晚清短篇小説的發生, Xiaohong Xia

嶺南學報 Lingnan Journal of Chinese Studies

本文主要考辨梁啓超所謂“短篇小説”概念之形成。梁啓超於1898年戊戌變法失敗後流亡日本，居留長達十三年，這種經歷影響甚鉅，微末至其“短篇小説”文體概念的形成，也有迹可循。而梁氏具有報人經歷，這也促進了其關於“短篇小説”文體的思索。而直到1902年2月《新民叢報》創刊，短篇小説已爲梁啓超所關注，他特創“片假體”這一“新名詞”，顯然意指短篇小説，以此形容小説族群中的短篇，倒也神似。而在梁氏表述中，直接以“短篇”命名的小説文體分類，最早見諸他爲1904年6月12日在上海創刊的《時報》所作《發刊例》。若以今日之眼光打量，《説部腋》第一輯乃是目前已知晚清最早行世的一部短篇小説集，同時須看到《説部腋》輯者的思路卻是中外並進，其間中西、中日之文學淵源是顯而易見的。

Shandong University Students' Views On Homosexuality, Joseph Miller

Honors Projects

Relatively little research currently exists on the subject of homosexuality and LGBT rights within the present People’s Republic of China. Homosexual behavior itself has only been legal in the country since 1997, and it was only removed from the Chinese Psychiatric Association’s list of disorders in 2001. While a few studies are beginning to examine current Chinese attitudes towards the subject of homosexuality, it is not yet enough to get a rounded view of the subject, and more research must be done in order to provide more accurate data. It is to this purpose that this survey of Shandong University …

Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang

CLCWeb: Comparative Literature and Culture

In her article "Han's (韓邦慶) Novel海上花列傳 (The Sing-Song Girls of Shanghai) and Urbanity in Late Qing Shanghai" Xiaojue Wang discusses the relationship between the urban milieu in the foreign concessions of Shanghai and the late Qing courtesan culture through a critical reading of Bangqing Han's (韓邦慶1856-1894) novel The Sing-Song Girls of Shanghai. Wang argues that Han's novel is a significant departure from traditional vernacular fiction in three aspects: 1) its illustration of the connection between courtesan culture and the rising modern city, 2) its portrayal of emergent female subjectivity and female space in the late Qing, …

Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song

CLCWeb: Comparative Literature and Culture

In his article "Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography" Weijie Song examines Yong Jin's post-1949 Hong Kong chivalric imagination of imperial Beijing and beyond during the Ming-Qing Dynastic transition and the dialects of inclusive exclusion and exclusive inclusion. In Cold War Hong Kong, Jin charted a wide range of chivalric activities: intruding into the political center embodied by the Forbidden City (the "Great Within") and fleeing to peripheral regions such as Xinjiang's Islamic community, the overseas kingdom in Brunei in Southeast Asia, and an unknown place somewhere inside Yangzhou. Song argues that Jin's literary topography suggests a …

Chinese Literature's Route To World Literature, Hongtao Liu

CLCWeb: Comparative Literature and Culture

In his article "Chinese Literature's Route to World Literature" Hongtao Liu argues that Goethe's theory of world literature based on the conflicting and unifying values of cosmopolitanism and localism has fueled Chinese literature's desire to join world literatures. Proposed by Zhenduo Zheng with the notion of the "unification of literature" at the beginning of the twentieth century and developed in the 1980s, the "global elements of twentieth-century Chinese literature" in the twenty-first century, this notion remains a feature of Chinese literature's global trajectory. Liu argues that although the experience of a number of transitions, China's pursuit remains relevant and translation …

Review Of Riding The Wind With Liezi By Ronnie Littlejohn And Jeffrey Dippmann, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

From "Nature" To "Nature-As-Such": A Reflection On The Object Of Ecocriticism, Qian Wang

Theoretical Studies in Literature and Art

What ecocriticism studies is not "nature" as material and substantial environment but "nature-as-such" that appearances in literary works. "Nature-as-such" is a conception between abstract idea and physical reality which could be understood by the way how natural things are described in literary works, and it could be used to explain how natural things are experienced in the real world. The conception of "nature-as-such" leads eco-criticism to step out of the first and the second wave in criticism which takes nature either as substantial environment or cultural construction, and enables ecocriticism to explain the relation between man and nature on ontological …

Lu Xun's Quartet Of Chinese Practice During The Late Qing Dynasty And The Early Republican Period, Guiliang Wen

Theoretical Studies in Literature and Art

During the late Qing dynasty and the early Republican period, Lu Xun's Chinese practice could be depicted as a quartet. Lu Xun's pro-vernacular interpretative translation of Travel on the Moon and Travel Underground not only demonstrates his ability to use vernacular (baihua) but also exposes his entanglement among vernacular, classical Chinese (wenyan) and Europeanized Chinese. Lu Xun's idea of the unreliability of language was formed after he listened to Zhang Taiyan's exegesis of Explaining and Analyzing Characters (Shuowen Jiezi) and his explanation of translating foreign fictions into classical Chinese. Lu Xun's mastery of classical Chinese can be seen in the …

A Diachronic Approach And Synchronic Interpretation Of Xu Zhongyu's Academic Lineage, Zhixiang Qi

Theoretical Studies in Literature and Art

The subject of this research is Prof. Xu Zhongyu's (1915-) six-volume Collected Writings, and the paper approach his academic achievements through diachronic and synchronic methods by putting them into the social context in the past century. The three academic peaks in Prof. Xu's life can be linked by the fundamental literary thought which may be summarized as his advocacy of literature's positive role in the social progress, his promotion of art and academic freedom, and his emphasis on truth pursuit and independent thinking. His achievements are shown in four areas of Anti-Japanese War period literary theory, ancient Chinese literary theory, …

The Inter-Fusion Of Artistic Perception And Technological Perception: On The Relationship Between Mcluhan's Electric Media Perception And Modernistic Artistic Perception, Xiaoming Yi

Theoretical Studies in Literature and Art

This article deals with the interactive relationship between the modernist artistic perception and the electric media perception in McLuhan's new media theory. The rise of modernism at the end of 19th century echoes the development of the electric age, and the electric media's molding of perception has a direct influence upon the environmental perception of modernism. Modernism serves as the literary source as well as an indispensible part of McLuhan's new media theory, as can be seen in his large amount of quotations from modern writers and artists. The modernist artistic perception can be argued to be the same issue …

"Form" As A Term In Chinese Aesthetics, Qinfang Lai

Theoretical Studies in Literature and Art

As an aesthetic term, Chinese phrase "xingshi" as a translated equivalent for form has taken time to get its meaning established. The term has once been considered to be a borrowed word from Japanese, but it is actually an existent word invested with new meaning whose appearance was similar to the phrase "meixue (study of beauty)" for aesthetics. Chinese term "xingshi (pattern of shape)" came into being when translation for German formal aesthetics posed this necessity, and then the term gradually takes root into Chinese aesthetics and takes on local significance. Like in the Western context, formalism has once had …

Intention And Language: On Hirsch's Linguistic Explication Of The Author's Intention, Hong Pang

Theoretical Studies in Literature and Art

American scholar Hirsch insists on taking the author's intention as the essential premise and the fundamental basis of interpretation, and the main force which maintains his opinions is the explication, exploration and construction in linguistic dimension. Firstly, he indicates that intention is prior to language through the diagnosis of "semantic autonomism" and "ontological linguistics," and shows his critical reflection on the important cultural event — the linguistic turn. In light of this, Hirsch proposes the notion of "speaking subject" and emphasizes that intention can not be completely divorced from language and should be specified and clarified by the role of …

On Academic Confidence, Xian Zhou

Theoretical Studies in Literature and Art

China's academic confidence is an emergent issue at present, but this issue is deeply rooted in the historical and cultural context configured by two parallel trends in late 19th- and early 20th-century China: the influence of the Western civilization and the decline of Chinese traditional culture. From the period of "the sick man of East Asia" to the current "China's rise," the travel of theory in the globalization ignites the appeal for academic originality. This appeal to re-establish Chinese academic confidence is not merely a slogan but a strategy with complicated cultural imports. The key to rebuild this confidence lies …

Spivak's Strategies Of Theoretical Construction For Subaltern Studies, Yihua Chen, Peiyuan Lin

Theoretical Studies in Literature and Art

Spivak is a one of the core members of Subaltern Studies. She redefined the key categories and concepts of Subaltern Studies from a subaltern perspective, redefining the critical approaches of early Subaltern Studies. The paper argues that Spivak's Subaltern Studies, in a stricter sense, should not be viewed as a branch of postcolonial studies or feminist criticism. Subaltern Studies delineates the trajectory by which Subalterns' experiences are eliminated and reveals the political significance of Subalterns' resistance, which opens new possibilities for the Subalterns to enter the field of knowledge production.

Technology And Perception: An Inter-Pretation Of Mcluhan, Heisenberg And Zhuangzi, Huimin Jin

Theoretical Studies in Literature and Art

This paper's analysis is based on McLuhan's reference and comments to Heisenberg and Zhuangzi, and focuses on the theme of technology and perception, aiming at an inter-pretation (intertextual interpretation) of the three thinkers. The paper argues that McLuhan goes directly to the unified field of subjecthood by way of electronic media while Heisenberg hovers between the unified fields of subjecthood and of objecthood. Unlike McLuhan and Heisenberg, Zhuangzi is neither subjective nor objective, but enters Dao, the world itself, by sensibility. However, for all of the three, modern technology may lead to aesthetics, that is, there is an aesthetic dimension …

An Investigation Of The Late-Tang Poetics Through The Functional Structure Of The Retro Poetic Styles In "Talent And Taste Anthology", Yi'nan Zhang

Theoretical Studies in Literature and Art

The retro style in the Tang poetry collection Talent and Taste Anthology (Cai Diao Anthology) mainly refers the imitation of the poetic styles in the ancient Qi and Liang. The retro style showed in the poetic forms of courtly five-character regulated poems (including extended form and Qi-Liang form), music bureau form (including quatrain) and ballad forms. This style has respective functions, with five-character regulated poems focusing on objects, music bureau forms on emotions and ballad forms on both. It may be said that the retro style in the Talent and Taste Anthology had constructed a relatively complete system of functions, …