Art and Design Commons^™

When It Becomes His Gun, Jennie Lillard

The Tuxedo Archives

It’s not dead. Ok. Ok. Dad says: If the bird’s not dead, be ready with another shell if it decides to

take to the air. If I can get to it, put the bird on the ground, and smash it--smash it right on the neck--with

the butt of the gun. ~excerpt from short story

Sight, Allysa Miranda

The Tuxedo Archives

The sun beat down on the small suburban park in which all the local children spent their summers. Their laughter rang out among the trees and trickling brook that surrounded the minute playground. The cement path that wound its way around the child-size structures was lined with park benches, all desperately in need of a new paint job. These benches were filled with the mothers and babysitters forced to sit waiting for their charges to finally tire and be ready to lay down for their naps. ~excerpt from short story

Kitchen Poem #4, Lauro Vasquez

The Tuxedo Archives

I like to chase you around the kitchen

treading your footsteps like the

tracks of a seagull marking my way

to your shores because it is then

that your feet become the loveliest ~excerpt from poem

To The Untouchables, Lauro Vasquez

The Tuxedo Archives

to those who’s name or place

of origin is known by no one

to those who’s bullet-ridden blood

polluted deserts and kitchens ~excerpt from poem

I Want To Remember, Mariel E. Valerio

The Tuxedo Archives

I want to remember

crawling into bed beside you

the way I remember

reading a poem aloud for the first time. ~excerpt from poem

Tell The Children: No Talking At The Dinner Table, Vanessa Leung

The Tuxedo Archives

Tell the children no talking at the dinner table

Ivory chopsticks striked down to sever unfinished

Articulations, into pieces of broken syllables.

All not knowing what malice they had inflicted,

Hurried with their sustenance and scattered

Behind walls. Try to make amends

In uncertain ways. Promise

No talking back, nor back-talking. ~excerpt from poem

108 Double Stitches, Robert D. Johnson

The Tuxedo Archives

So tightly I’m wound,

I recoil when struck.

Compressed like a spring.

I’m constantly fondled,

Examined and lifted on high.

A pale white complexion,

red lines all over my face. ~excerpt from poem

Fellow Traveler, Steve Galiani

The Tuxedo Archives

Gather round, be present!

Listen to words granted me

(presumptuous vessel)

by the muse. ~excerpt from poem

Vocation, Steve Galiani

The Tuxedo Archives

daybreak finds me

the freshest of flowers

dew-soaked, opening slowly

to the lighting sky. ~excerpt from poem

We Are Horses, Aijuana Bifri

The Tuxedo Archives

To read and to write is to breathe and to live and to eat and to drink

to sustain my life

when the pen and the pad and the life you had are put on stage

and on the mic

I need to read I need to write and over and over ~excerpt from poem

The Belly, Aijuana Bifri

The Tuxedo Archives

The Star-Spangled Banner plays and I don’t have my hands on my heart

next thing I know, I hear,

“You anti-American immigrant leech

if you don’t like America, why don’t you leave?

if you don’t like America, why don’t you go home?

you’ve talked shit about this country

expressing your pain in this country

aren’t you thankful we serve you in this country?

all you do is take money from this country

you ungrateful...” ~excerpt from poem

Better Than Grey, Tanya Tsikanovsky

The Tuxedo Archives

Our words slide off our tongues like marbles on wet floors,

too wet to stop gliding

And we soak up our thoughts like sponges,

wringing out the water we both now taste ~excerpt from poem

Equus Through The Artist: A Look Into The Expression Of The Horse Through Personal Connection, Caylin Marie Barnes

Undergraduate Distinction Papers

A review of the work completed by artists George Stubbs, Henri de Toulouse-Lautrec, Franz Marc, and Anthony Alonso as it relates to their studies of the horse.Their studies focused on the fine detail of emotional expression seen through the position and movement of the horse. The focus of this project relates to their previous work and ties personal connection to the horse through its expressive communication.

Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …

4 Artists, 4 Visions, Augustana College, Rock Island Illinois

2016-2017

An exhibition of four artists invited by members of the Augustana Art Department: Oscar Jay Gillespie, Claire Hedden, Tom Lundberg, and Joseph Patrick.

Photos courtesy of the Augustana Photo Bureau

2017 Senior Art Exhibition, Augustana College, Rock Island Illinois

2016-2017

This exhibition features the Senior Inquiry projects of the Augustana College studio art and graphic design majors of the Class of 2017:

Jorge Ambriz, Paris Edwards, Chloe Gale, Giselle Gaztambide, Emily Kathleen Grooms, Ginger Hamilton, Olivia Havens, McKee Jackson, Emily Johnson, Jordan Peklo, Henry Roderick, Glen Williamson

Saga Vol. 80 / 2016-2017, Alyssa Froehling, Elena Leith, Emma Smith

SAGA Art & Literary Magazine

No abstract provided.

Spring 2017, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Manual / Issue 8 / Give And Take, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Mary-Kim Arnold, Emily Banas, Pia Camil, John Dunnigan, Claudia J. Ford, Kate Irin, Josie Johnson, Dom Molon, Ugochukwu-Smooth C. Nzewi, Alexandra M. Peck, Robert W. Preucel, Wendy Red Star, Jessica Urick, Kelly Walters

Journals

Manual, a journal about art and its making. Give and Take. The eigth issue. Manual 8 (Give and Take) explores interaction, transaction, and social exchange and indebtedness.

"The earliest known use of the expression “give and take” can be traced to horse racing. It referred to races in which larger, stronger horses carried more weight, and smaller ones, less. Implied therein is an accounting for relative capacities. In such a race, the goal remains the same—crossing the finish line first—but introducing this variable highlights the relationship between the competing horses. A win is only meaningful if each horse can be …

The Lantern, 2016-2017, Lauren Toscano, Kara Travis, Courtney Duchene, Sarah Gow, Ray Macedonia, Ria Malones, Kevin Moore, Serena Schaefer, Paige Szmodis, Brian Thomas, Solana Warner, Zooey Cox, Mara Koren, Nicole Kosar, Eden Patrick '17, Arthur Robinson, Emily Shue, Tommy Armstrong, Angela Antoinette Bey, Kathryn Bormann, Dustin Brinker, Chiara Demelfi, Matt Dwyer, Athena Gainey, Sophia Gamber, Michael Heimbaugh, Rae Hodenfield, Juan Lopez, Joe Makuc, Valerie Osborne, Megan Sear, Althea Unertl, Anthony Alvarez, Sydney Cope, Sarah Defelice, Neomi Haut '17, Yanlin Li, Sarah Wilbert, Mario Heitman '18

The Lantern Literary Magazines, 1933 to Present

• Our Lady of Perpetual Virginity • Essential Terms for the Audience • Stories Untold • Jesus Camp • The Second Avenue Schmear • Driving to the Beach • Thanks, Alice • Decay • Peanut Butter Rhapsody • Transactions • Traffic • Sissy • Melting Wings • Ocean • Small Town Summer • Third Story • Family Trees • Mixed, Just Like Me • Sour Graves • How Sweet the Sound • Goodnight, Halfmoon • I'm Going to Ask Him How • Music • Pizza • Manhoodlike • Meditations From a Bunk Bed in a Home on Mount Pocono • …

Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse

Zephyr

This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Panji's Present Predicament: The Artistic Prominence And Tension Of The Malat In Painting And Contemporary Balinese Performance, Emily Austin

Independent Study Project (ISP) Collection

The Malat is a Balinese oral tradition and text composed of numerous episodic stories based on Javanese and Balinese courtly life of the pre-Dutch intervention era, when kings and princes dominated the political sphere and the court system governed aspects of social life. Many art forms blossomed out of this epic, notably in painting and in performance, known as gambuh. Through an exploration of the Balinese epic, the Malat, as a Balinese text, history, fine art, and performance, this study analyzes the modern cultural importance of this ancient pre-Indonesian courtly epic. Gambuh is an ancient dance-drama that serves as the …

Sample Freshman Portfolio, Natalie Briscoe

Graphic Design

Additional Merit Scholarship Candidates portfolio review

Sample Junior_Senior Portfolio, Natalie Miles

Graphic Design

Illustration & Design Portfolio

Brooklyn Banks, The Pit, Pier, David Anderson

Graphic Design

Skate Travel Posters

Village Brewery / Blonde, Grace Pavlic, K. Williams, I. Morrison, Aubrey Rowely

Graphic Design

Graphic Design, rebranding logo and packaging, create print ad campaign, redesign digital media, promotional materials i.e. customized pull tab

Village Brewery / Maiden, D. Nyuyen, K. Frasca, Emma Lawrence, Bobby Schindel

Graphic Design

Graphic Design, rebranding logo and packaging, create print ad campaign, redesign digital media, promotional materials ie coasters, t-shirt

Well Magazine, Grace Pavlic

Graphic Design

No abstract provided.

Untitled Comic, Mark Eubanks

Graphic Design

No abstract provided.

Richard Siken “Scheherazade”, Taylor Karnes

Graphic Design

No abstract provided.