Art and Design Commons^™

Art 185/186 Metalwork And Jewelry, Denise Seif

Art and Design Courses

This is a project description handout for Art 185 and 186 Metalwork and Jewelry course at Parkland College in Champaign, IL. Students were asked to create a new work inspired by an exhibit of Medieval Irish metalwork reproductions at Spurlock Museum at the University of Illinois in Urbana-Champaign.

Ivy Leaves, Volume 92, Ivy Leaves Editorial Staff

Ivy Leaves

The 2017 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jenni Harris, Grant Looper, Shelby Swing, Ruthie Snow, Randi Adams, Cara Ann Hendsbee, Haley Schvaneveldt, Caitlyn Lamb, Jennifer Bowers, Meredith Lyons, Michaela Staon, Tara Stewart, Ben Boerma, Jennifer Jefferson, Matt Swank, Shelby Kenrick, Lindsay Higgins, Cameron Ohls, Anna Tabor, Dr. Randall Wilhelm, and Tim Speaker.

Substrato Para Devaneios, Louise Deroualle

School of Art, Art History, and Design: Theses and Student Creative Work

Clay is my substrato para devaneios, my foundation for daydreams. Clay is earth, a humble, common material that represents the possibility of growth and thus, life. As my substrato, clay gives me stability and nourishes me, allowing me to communicate with and relate to the world. It has the ability to register touch and gesture; it records a moment in time.

My work is an abstracted representation of me: my identity, the way in which I relate to others and understand the environment I am in. I use ceramic materials to create formal abstractions that reveal different facets—physical, experiential, emotional—of …

Domestic Curiosities, Larry D. Buller

School of Art, Art History, and Design: Theses and Student Creative Work

My art at first glance suggests the domestic, ornamental nature of ceramic objects, but upon closer inspection one discovers a showy, transgressive content that is conceptualized around issues of gay sexuality, the phallus and fetish objects. I create decorative sculptures that resonate with my varied experiences as a gay man. Clay with its endless possibilities for form and surface, is the ideal medium for my subversive intentions. It allows me to blend the rich historical language of ceramic art with the low-brow, and in my case, kitsch nature of craft that one might find in second hand stores. I invite …

Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My work is a translation of memories, experiences, and languages into shapes, colors, and symbols. The fragmented relationship with my cultural identity is easier to deconstruct when paired down to an exploration of process, form, and color. Ideas of containment, strength, and beauty are translated into line, form, and color. A color palette that is predominantly white and black represents my cultural dichotomy. Addressing a perpetual, yet elusive, quest for balance, these colors coexist within forms but are never seamlessly integrated.

I address dichotomies directly through process. Through pinching, coiling, slab-building, and wheelthrowing I vacillate between the need for structure …

Whitetail, Michael Steven Villarreal

School of Art, Art History, and Design: Theses and Student Creative Work

When I was growing up, both my parents worked at a U-Haul from which they brought home discarded objects to the house my dad built with his own hands. This home, interior and exterior, was not designed to fit an explicit aesthetic, but all aspects of the house were in harmony and completed by the objects brought into each space. The house became a repository for abandoned domestic American culture— beds, window blinds, couches, appliances, and other products made it into the home in irregular but frequent intervals. For me, each item was an opportunity to have something new to …

Pause, Bryon Hartley

School of Art, Art History, and Design: Theses and Student Creative Work

Creating art honors the traditions of making by hand and presents an arena where I am the designer and the maker. When I make, I hunt myself down; I pursue that moment when a piece is finished and I can pause.

The making process totally consumes me, hours are spent planning, sketching, fabricating, jig building and mold making. I reach the point of exhaustion trying to figure out positive and negative space, a faultless line, curve, or form. Sleep is longed for, but I drive on. I am chasing perfection and once it is reached, I am at peace. It …

Object Landscape, Stuart B. Gair

School of Art, Art History, and Design: Theses and Student Creative Work

The ceramic objects I create possess a particular buoyant volume and subtle organic surface variation that enable each piece to stand-alone and yet to allure the viewer in for closer examination. A particular articulation of each form creates an aesthetic that allows the object to occupy a space in such a way that evokes a sense of balance and harmony with a minimal domestic setting. Interests in historical forms that possess a full sense of volume provide a framework me to explore proportion, line, edge, silhouette, and transitions. I pare down these qualities to their true essence while still evoking …

Friends Of Musselman Library Newsletter Spring 2017, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library News

• "You do not have a minute to lose!"
• New Homes for Old Books
• Wikipedia Edit-a-thon (Melanie Fernandes '16)
• Share a Table (Sarah Nelson '17)
• A Note of Sadness (Jay P. Brown '51)
• Not Lost in Translation

Half a Million Downloads from The Cupola! (Janelle Wertzberger)

Revisit The Mercury

Mercury Stories of Note (Jerry Spinelli '63)

More Early College Publications Online

The Spectrum of Art

First German Print of the Declaration of Independence (Daniel DeNicola)

Hidden Beneath: Watermarks in the Early American Document Collection (Tyler Black '17)

Archaeological Students Dig Special Collections

Research Reflections …

Portfolio, Mary Horner

Graphic Design

No abstract provided.

Portfolio, Gilberto Marquez

Graphic Design

No abstract provided.

Textile Society Of America Newsletter 29:1 — Spring 2017, Textile Society Of America

Textile Society of America: Newsletters

Letter from the Editor

The Milton Sonday Archives

Letter from the President

Call for Submissions: 2018 Biennial Symposium: The Social Fabric: Deep Local to Pan Global, Vancouver, Canada, September 19–23, 2018

TSA News:
Textiles Close Up: Save the Date: Announcing Textiles Close Up 2017; Creative Reuse: Textile Waste and Contemporary Design
Fellows of the Textile Society of America
R. L. Shep Ethnic Textile Book Award 2016 Nominees
Symposium Workshop Reviews: Kalamkari: Contemporary Natural Dye Painting; Greeting the Ancestors of Blue: Some Reflections on Working with Ossabaw Island Indigo

Steps Towards Decolonizing Craft

Book Reviews:
Texts and Textiles: Affect, Synaesthesia and …

Electreecity, Anna Clary

Core Studies Projects

The purpose of ElecTREEcity is to reintroduce a nature element into a city full of electricity and remind viewers of the importance of nature play.

Silent Media, Leila Valencia

Calliope

No abstract provided.

Incomplete, Cindy Tang

Calliope

No abstract provided.

Sir Giann, Leila Valencia

Calliope

No abstract provided.

Melissa Rachleff: The Artist As Gallerist, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Ideation Project Pt. 2, Natalie Briscoe

Core Studies Projects

No abstract provided.

Pangram, Natalie Briscoe

Graphic Design

experimental typography, 3D projection

Travel Posters, Shelby Remley

Graphic Design

No abstract provided.

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

Blanket Statements, Issue 128, Spring 2017

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 128, Spring 2017

Art Infested Water, April 2017, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Pocket Change, Ali Stephens

Graphic Design

Business Plan, Marketing Plan, Branding

Beauty, Jo Read

Calliope

No abstract provided.

Seafoam, Katie Nimmo

Calliope

No abstract provided.

Rowena's Best, Sean Hilken

Calliope

No abstract provided.

Monk Painting, Chris Dutra

Calliope

No abstract provided.

Skull, Kyle Sabbatino

Calliope

No abstract provided.

Wire Bunny, Claudia Ortiz

Calliope

No abstract provided.