American Literature Commons^™

On The Republication Of Aiiieeeee!, Garrett Hongo

Asian American Literature: Discourses & Pedagogies

A note on republication of AIIIEEEEE!

Depressed & Dis-Eased: Storytelling, Melancholia And The Rhetorical Affordances Of Affect, Carlee Franklin

Electronic Theses, Projects, and Dissertations

Because racial oppression is often internalized, this thesis examines literature written by POC about protagonists of color struggling with depression. The pieces are Gwendolyn Brooks’ Maud Martha, Haruki Murakami’s “Tony Takitani,” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao. Using literary concepts informed by Black feminist theory, decolonial theory, and affect studies, as well as rhetorical frameworks of silence and listening, this thesis attempts to better understand how the relationship between depression and racial oppression work to color the life expectancy and perspectives of depressed people of color

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Corporeal Archives Of Hiv/Aids: The Performance Of Relation, Jaime Shearn Coan

Dissertations, Theses, and Capstone Projects

Corporeal Archives of HIV/AIDS: The Performance of Relation, explores how choreographers and theater artists in the early years of the HIV/AIDS epidemic in New York City used time and space to involve their audiences experientially in the project of grieving and rebuilding in the midst of the temporal chaos of mass death and illness (crisis time). Refusing to portray HIV/AIDS as a discrete or singular phenomenon, these artists revealed how it intersected with every aspect of life, including artistic practice, thereby delinking their bodies from a singular association with pathology and death. Undertaking extensive archival research on the work …

“We Got More Yesterday Than Anybody”: Child Ghosts And The National Trauma Of Anti-Black Racism In American Literature, Megan Swartzfager

Honors Theses

This thesis examines the roles of haunting in the context of racial violence in three texts: Beloved by Toni Morrison, Sing, Unburied, Sing by Jesmyn Ward, and Wolf Whistle by Lewis Nordan. In each of these texts, a parent is responsible for the death of a child. In the former two texts, both by Black authors, a Black parent kills a Black child in what they believe to be a protective act in the face of violence by white people. Wolf Whistle, however, written by a white author, is animated by the ghost of a character based on Emmett Till. …

"The Fact Of The Black Poet": Four Phenomenological Interviews With Prominent American Writers On The Impact Of The Furious Flower Poetry Center, Karen E. Risch Mott

Masters Theses, 2020-current

The purpose of this study was to discern the impact, if any, of the Furious Flower Poetry Center, the United States’ first academic center devoted to Black poetry. A qualitative approach centered on semi-structured phenomenological interviews was applied, and four nationally acclaimed poets were recruited for a purposive sample: Jericho Brown, PhD; Toi Derricotte, MA; Tyehimba Jess, MFA; and Evie Shockley, JD, PhD. Emergent themes were identified based on content analysis by hand-coding transcripts; these findings lead to a conclusion that Furious Flower’s impact on the poets has been significant and consistent in three ways: 1) creating a platform for …

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

“Well, I’Ve Whispered ‘Racism’ In A Post-Racial World”: Satire And The Absurdity Of “Post-Racial” America, Joseph Gorman

Master’s Theses and Projects

The purpose of this thesis project is to look at the works of contemporary African American satirists as they confront post-racial ideology. In looking at the works of Jordan Peele, Paul Beatty, Mat Johnson, and Boots Riley, thematic threads emerge to form a portrait of dire unrest amongst those non-white identities living in an allegedly post-racial world. Before analyzing the works, I first contextualize the thesis with a brief discussion of satire as a literary genre and African American satire as a literary subgenre, as well as address the emergence of post-racial ideology during the tenure of Barack Obama as …

Self · Ish: Examining And Reshaping Filipino & Filipinx Identities Within The Continental United States And Hawai’I Via Post-Colonial Literature, Kiana Anderson

Senior Theses

This thesis explores a conversation between the “self” and Filipino culture to examine the ways the Filipino diaspora exists in literature amongst colonization and trauma. Through literary texts spanning across time and geographical locations, like Elaine Castillo’s America Is Not the Heart and Jessica Hagedorn's Dogeaters, I interrogate the cultural and psychic meanings associated with the concept of home within the context of these hybrid histories. By examining the neo-canonical literature of some of these authors, I interrogate their sense of self, voices and visions via the languages, symbols, cultural frameworks and emotions that are prevalent within the literary …

The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin

Boise State University Theses and Dissertations

This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the Seven Gables (1851) show how patriarchy oppressed and haunted women while keeping slavery at the margins. Beloved (1987), by Toni Morrison, fictionalizes the account of a female slave who murdered her child to assert her power and reject slavery. However, Morrison rewrites and defies aspects of the Gothic mode by bringing the ghost of the murdered child back to life, and later showing steps the community can take to heal from their collective trauma. The …

Colonialism And Globalism In Two Contemporary Southern Appalachian Novels - Serena (2008) By Ron Rash, And Flight Behavior (2012) By Barbara Kingsolver, Jasmyn Herrell

Undergraduate Honors Theses

In this essay, I investigate how the historic and current economic structures operating in Appalachia from the 1920s to the 2010s are represented in two contemporary Southern Appalachian novels – Serena (2008) by Ron Rash and Flight Behavior (2012) by Barbara Kingsolver. Through the lens of postcolonial theory, I show how Serena represents Appalachia as functioning under the colonial model outlined by Robert Blauner and Helen Mathews Lewis in 1978. Then, still under the theory of postcolonialism, I explore how Kingsolver’s work depicts regional identity in response to a post-colonial environment and the ever-expanding global economy.

Empire Rules: Cultures Of U.S. Imperialism In Multi-Ethnic Literature Of The U.S., Luis Paganelli Marin

Graduate Theses and Dissertations

This dissertation concerns contemporary multi-ethnic literature of the U.S. (MELUS) and empire. Namely, contemporary MELUS invites a reckoning with U.S. Empire, an amalgamation of settler colonialism, imperialism, and capitalism, which works through ahistorical and transhistorical cultural narratives. In turn, contemporary multi-ethnic writers uncover our obscured colonial and imperial histories and legacies that racialize, criminalize, and otherize people of color in the U.S within our present moment. This dissertation, then, analyzes recent novels and poetry collections by African American, Native American, Latinx, and African diasporic writers to unmask the efforts of empire-building with the material effects on colonized, marginalized peoples. Reckoning …

Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol

English Faculty Publications

This chapter draws attention to the lack of parks and nature recreation amenities during the 1920s and 1930s in predominantly African American city neighborhoods through Langston Hughes’s political poetry, specifically his blues-inflected ballad “Park Bench,” as well as “Chicago’s Black Belt” “Restrictive Covenants,” and “One Way Ticket.” Through the figure of the tramp/vagrant/bum, “Park Bench” voices a protest against inequality mapped into city space. Asserting that access to nature should be a fundamental condition of a democratic society, the poem situates the park bench as a charged site for public dialogue. The chapter argues that this poem and other Hughes …

Intercessory Power: A Literary Analysis Of Ethics And Care In Toni Morrison’S Song Of Solomon, Alice Walker’S Meridian, And Toni Cade Bambara’S Those Bones Are Not My Child, Kelly Mills

USF Tampa Graduate Theses and Dissertations

The purpose of this study is to examine post-Reconstruction literature as an intercessor that creates a common memory among readers and activates them as ethical agents who can move through retributive violence rather than enact violence. With the increase of racial violence in the United States, it is essential to find ways to end the cycle of retributive violence and establish a justice system that does not marginalize individuals but forges connections in the midst of oppression. This literary analysis engages three novels—Toni Morrison’s Song of Solomon, Alice Walker’s Meridian, and Toni Cade Bambara’s Those Bones Are Not My Child: …

The Bioethical Significance Of “The Origin Of Man’S Ethical Behavior” (October 1941, Unpublished) By Ernest Everett Just And Hedwig Anna Schnetzler Just, Theodore Walker Jr.

Journal of the South Carolina Academy of Science

Abstract –

E. E. Just (1883-1941) is an acknowledged “pioneer” in cell biology, and he is perhaps the pioneer in study of egg cell fertilization. Here we discover that Just also made pioneering contributions to general biology and evolutionary bioethics.

Within Just’s published contributions to observational cell biology, there are substantial fragments of his theory of ethical behavior, a theory with roots in cell biology. In addition to such previously available fragments, Just’s fully developed theory is now available. This recently discovered unpublished book-length manuscript argues for the biological origins of ethical behavior (evolving from cells to humans, within a …

The Legacy Of Uncle Tom : The Transformation Of Black Masculinity And Racial Politics, Lauren R. Weeks

Legacy Theses & Dissertations (2009 - 2024)

The main aim of this thesis is to reveal the immense effect that literature can have on society spanning generations. It explores the restriction of black men’s political possibilities due to their perceived relationship with the character Uncle Tom, which not only causes harm to black activist projects by inciting disunity, but also becomes a source of inner turmoil for black men who struggle to be identified in society. This project offers to call these harmful standards that black men are judged by, due to the creation of Uncle Tom, as the binary of black masculinity. By analyzing how this …

Introduction To Volume Ten: Aiiieeeee! At 45, Tara Fickle, Wei Ming Dariotis

Asian American Literature: Discourses & Pedagogies

The editors of the special issue on Aiiieeeee! locate the seminal anthology within the history of Asian American literature as a scholarly discipline and contextualize contributor's responses to the personal and cumulative effects of Aiiieeeee! on the Asian American literary landscape.

Cypher [How An Anthology Helped A Mixed-Race Filipino American Writer Draft A Novel], Brian Ascalon Roley

Asian American Literature: Discourses & Pedagogies

In this work of creative nonfiction, Brian Ascalon Roley, the author of American Son (W.W. Norton, 2001) recounts the cultural landscape of the late 20^thc. America for Filipino American and mixed-race writers as he recounts some of the events that influenced his novel’s conception and explains how stumbling upon an anthology helped him to revise the draft. It was one of the first novels to feature mixed-race Filipino American characters, and would go on to receive the Association of Asian American Studies Award.

Perspectives On Lynching In William Faulkner's Fiction And Nonfiction, Tabitha Fisher

Master’s Theses

This thesis analyzes William Faulkner's "Mob Sometimes Right" (1931), Light in August (1932), Intruder in the Dust (1948), and "Letter to the Leaders in the Negro Race" (1953) alongside recent critical perspectives for their depictions of lynching and black empowerment to determine Faulkner's racial narrative regarding racial violence and civil rights.

Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew

Graduate Research Theses & Dissertations

This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …

(In)Equities In The Publishing Industry: The Politics Of Representation, Hallie R. Lepphaille

Cal Poly Humboldt theses and projects

This project contains an overview and key introductory sections of an intersectional, equity-based literary publishing course textbook. The full-length edited collection, currently under external review for publication, seeks to rectify long-held disparities of the publishing industry in regard to hiring, acquisitions, developmental editing, and considerations in audience, readerships, and marketing. Each chapter examines the ways that racism, ableism, heterosexism, and cisnormativity, operate in the industry, limiting who is represented at an editor’s desk and in the pages of published books. The collection is intended to be utilized in upper-division and graduate-level literary publishing courses. This project is a response to …

Race, American Enlightenment, And The End Times, Mark A. Mattes

Faculty and Staff Scholarship

This chapter examines eighteenth- and early nineteenth-century visions of apocalypse regarding the future of black lives in the American body politic. It begins with readings of Jefferson’s fear of a black planet in Notes on the State of Virginia and Crèvecoeur’s depictions of racial terror in Letters from an American Farmer. The chapter then investigates the writing of an African American herald of the end times, Christopher MacPherson. The chapter reads the apocalyptic jeremiad of MacPherson’s pamphlet, Christ’s Millennium (1811), as a reparative response to the suppression of black voices and the annihilation of black lives.

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

Crossing Boundaries, Drawing Anew : Exploring The Treatment Of American Indian Land With A Penobscot Lens Through The Life And Traditions Of The Red Man By Joseph Nicolar, Andrea Guerrero

Legacy Theses & Dissertations (2009 - 2024)

The relationship between the Wabanaki and the land informs their creation myths, their cultural expertise, and individual and communal identity. The connection is so integral to their identity that when privatization of property usurps their connections to the land, an entire

The Color Of Invisibility, Bryan A. Vanmeter

LSU New Orleans Theses and Dissertations

This thesis is an analysis of Ralph Ellison’s use of color terminology in his novel, Invisible Man. By taking an in depth look at the circumstances in which Ellison uses specific color terms, the reader can ascertain the author’s thoughts on various historical events, as well as the differences between characters in the novel such as Ras, Dr. Bledsoe, and Rinehart.

“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux

LSU New Orleans Theses and Dissertations

In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in …

Secret Selves: Surveillance And Twentieth-Century African American Literature, Kelsey Kiser

English Theses and Dissertations

Black writers, thinkers, and artists found themselves on the Federal Bureau of Investigation’s watch list for radicalism and sedition as early as 1919. Secret Selves explores how twentieth-century African American writers, namely Claude McKay, Richard Wright, Lorraine Hansberry, Alice Childress, Ishmael Reed, and Gloria Naylor responded to a surveillance state that monitored their lives and works for radicalism and sedition. By recrafting the African American künstlerroman—a genre that birthed the African American literary tradition—these writers embedded codes into their works that concealed personal details from Bureau agents and simultaneously articulated a new narrative: that to be black and to …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Stepping Beyond The Veil And Breaking The Pittsburgh Cycle: The American Dream, Otherness, And Generational Trauma In August Wilson's Cycle Plays, Kaitlin Stellingwerf

Seton Hall University Dissertations and Theses (ETDs)

August Wilson’s Pittsburgh Cycle is a series of ten plays that aims to “amend, to explore, and to add to our African consciousness and our African aesthetic” (Wilson qtd. in Gantt 5). Each play is set in a different decade but all share incredibly similar protagonists; all of them are African American men in their mid to late adulthood. The stories are separated by years but all articulate the generational trauma embedded in the African American consciousness in the twentieth century. Wilson’s plays span between the generations of African Americans living in the wake of the Emancipation Proclamation to a …