American Literature Commons^™

Mixed Feelings: The Emotional Appeals Of Zitkala-Ša’S American Indian Stories, Kayla Joan Baur

Publications and Research

Zitkala-Ša (Lakota: Zitkála-Šá, meaning Red Bird) was among the first to write about the experiences of Native American children in the U.S. Indian boarding school program to an English-speaking audience. As a writer and political activist, Zitkala-Ša uses emotional appeals and cultural ideas she learned through her white education to expose the very boarding school institutions that taught her. In American Indian Studies (1921), Zitkala-Ša critiques the violence that the Indian boarding school system inflicts on young Native Americans. She presents these critiques through emotional appeals that take two forms: one, a more traditional sentimental appeal associated with middle-class white …

Bibliography, Cheryl Hopson

Faculty/Staff Personal Papers

Bibliography of publications by Cheryl Hopson.

Black Elk Faces East: Beb Vuyk, Cultural Translation, And John G. Neihardt's Black Elk Speaks, Frank Kelderman

Faculty Scholarship

This essay examines the work of the Dutch-Indonesian author Beb Vuyk in producing one of the first foreign-language translations of John G. Neihardt’s Black Elk Speaks: the 1964 Dutch edition Zwarte Eland spreekt. Published in the Netherlands, Vuyk’s translation connects the 1932 as-told-to autobiography of the Oglala Lakota heyoka Black Elk to the career of one of the most important Dutch-Indonesian authors after World War II, who had a prominent voice in debates on Indonesian decolonization. Linking the literary history of two different colonial contexts, Vuyk’s edition also connects Black Elk Speaks to a Cold War-era history of …

135th Street Branch: Librarianship And The Passing Fictions Of Regina Anderson Andrews And Nella Larsen, Caitlin Matheis

Department of English: Dissertations, Theses, and Student Research

In this thesis, I examine how two writer-librarians that worked in the 135^th Street Branch of the New York Public Library in the 1920's, Regina Anderson Andrews and Nella Larsen, grappled in their fiction writing with questions of classification, information, and knowledge that encompassed their daily work in the library. I begin by contextualizing the branch within the Harlem Renaissance and Arturo A. Schomburg's call for the preservation of Black history and literature at a time when the field of librarianship was being professionalized by implementing library schools and classification standards. I then provide readings of Andrews's one-act play …

Valiant Consequences, Johnjulius Lodato

Student Publications

War and conflict are significant events that hold a reasonable possibility to alter countries and their cultural populations. These transforming effects can come in many forms, ranging from mental trauma to the abandonment or modification of culture and its ideals. In this illustration, perhaps no group has endured the same everlasting detrimental effects as the Native Americans and their underlying consequences stemming from World War 2. These detriments can be seen in the form of erratic drunken or violent behavior and forgotten traditions. On the contrary, these effects may have at one time been diminished and replaced by the gratitude …

Amanda Gorman And Her Way With Poetry, Emma Corbin

Student Writing

Amanda Gorman promotes perseverance and togetherness throughout her poems: “Earthrise,” “The Hill We Climb,” and “The Miracle of Morning” to challenge the narrative of our nation’s history and make the world a better place for the generations to come.

Colonial Prehistories Of Indigenous North America, Mark A. Mattes

Faculty Scholarship

One of the most common inquiries received by Filson Historical Society librarians concerns the myth of Prince Madoc and the Welsh Indians. Of the myth’s many versions, the one most familiar to Ohio Valley History readers goes like this: Madoc, a Welsh prince escaping an internecine conflict over political rule at home, supposedly sailed to North America in the twelfth century. His force either landed at the Falls of the Ohio or made it there after landing further south and being driven north by hostile locals, possibly Cherokee people. Madoc and his contingent intermixed with Indigenous populations, whose fair-haired, blue-eyed, …

Nature, Magic, And Healing: How Leslie Silko Builds Her Native World, Ashton Q. Record

Student Publications

An essay examining how Leslie M. Silko utilizes the relationship between Nature and Native American Mystic Arts to create a full and vibrant world in her novel Ceremony.

Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton

Publications and Research

This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …

"A Past Unremembered: The Transformative Legacy Of The Black Speculative Imagination" Exhibition Catalog, Julian Chambliss, Phillip Cunningham

2020-2021 Afrofuturism Syllabus - Week 20 - "A Past Unremembered: The Transformative Legacy of the Black Speculative Imagination" Exhibit

Exhibition catalog for "A Past Unremembered: The Transformative Legacy of the Black Speculative Imagination," co-curated by Dr. Julian Chambliss and Dr. Phillip Cunningham as part of the annual Zora Neale Hurston Festival of the Arts and Humanities. The exhibit locates Afrofuturist thought in earlier eras of American history and focuses on how African American writers of the 19th and early 20th centuries used speculative/science fiction to imagine a better, freer, more equitable future for Black people.

African American Literary Traditions In Justina Ireland’S Young Adult Novels Dread Nation And Deathless Divide, Gabrielle Sleeper

Honors Program Theses and Projects

Justina Ireland’s young adult novels Dread Nation (2017) and Deathless Divide (2020) tell the story of a Black girl by the name of Jane living in the aftermath of the Civil War, around 1880.

Spiritual Activism And Political Solidarity In So Far From God And Mother Tongue: Two Views By Two Authors, Jean Paul Russo

FIU Electronic Theses and Dissertations

SPIRITUAL ACTIVISM AND POLITICAL SOLIDARITY IN SO FAR FROM GOD AND MOTHER TONGUE: TWO VIEWS BY TWO AUTHORS

by

Jean Paul Russo

Florida International University, 2020

Miami, Florida

Professor Anne Castro, Major Professor

This thesis focuses on the intersection between spirituality and political action in the works of two Latinx authors, Demetria Martinez and Ana Castillo. Building on Gloria Anzaldua’s theories of trauma, narrative, and what she terms ‘conocimiento,’ I contend that the novels So Far From God, and Mother Tongue, present an alternative approach to political action that is derived from a common experience of suffering and trauma as …

Ai And The Other, Rosetta Dudley

Student Writing

Literary analysis in MLA format of 3 poems: "Conversation," "Cuba, 1962," and "Disregard" by Ai Ogawa which each address Othered speakers and characters. Links made to Emily Dickinson's writing and being Othered as a woman and non believer in a Puritan society. Overall theme: transcendence of circumstances as Other with the use of apostrophe and conceit.

Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol

English Faculty Publications

This chapter draws attention to the lack of parks and nature recreation amenities during the 1920s and 1930s in predominantly African American city neighborhoods through Langston Hughes’s political poetry, specifically his blues-inflected ballad “Park Bench,” as well as “Chicago’s Black Belt” “Restrictive Covenants,” and “One Way Ticket.” Through the figure of the tramp/vagrant/bum, “Park Bench” voices a protest against inequality mapped into city space. Asserting that access to nature should be a fundamental condition of a democratic society, the poem situates the park bench as a charged site for public dialogue. The chapter argues that this poem and other Hughes …

Race, American Enlightenment, And The End Times, Mark A. Mattes

Faculty Scholarship

This chapter examines eighteenth- and early nineteenth-century visions of apocalypse regarding the future of black lives in the American body politic. It begins with readings of Jefferson’s fear of a black planet in Notes on the State of Virginia and Crèvecoeur’s depictions of racial terror in Letters from an American Farmer. The chapter then investigates the writing of an African American herald of the end times, Christopher MacPherson. The chapter reads the apocalyptic jeremiad of MacPherson’s pamphlet, Christ’s Millennium (1811), as a reparative response to the suppression of black voices and the annihilation of black lives.

Leaving A Little Heaven Behind With Coltrane, Or: The Performance Is The Archive, Ismael Santos

FIU Electronic Theses and Dissertations

This thesis examines what an Audience-Centered Archive could look like, and the advantages of opening up the spaces of archival scholarship in connection with studies focused on Jazz. This thesis will explore how inherently self-limiting are traditional structures of the Archive, with the contradictory nature of Jazz Archives brought to the forefront: to archive a music like Jazz necessarily entails losing what makes it so special, losing the improvisational facet of Jazz. This thesis draws from sound studies and performance studies, along with a focus on the recording technologies that entail differences in interpretation and American history. This focus of …

Josef Benson's Review Of White Male Nostalgia

Faculty Research & Creative Activity

A review by Joseph Benson in Modern Fiction Studies of Tim Engles' book White Male Nostalgia in Contemporary North American Literature.

Contesting Slavery In The Global Market: John Brown’S Slave Life In Georgia, Michael Drexler, Stephanie Scherer

Faculty Journal Articles

John Brown, author of Slave Life in Georgia, published in London in 1854, proffered a radical approach to ending slavery in the USA in step with Marxian economics. In this paper, we will explain how Brown’s representation of subjectivity may have caused critics to neglect it. Brown treats freedom as something foreign and external. He has to learn what freedom means, first through exposure to a model of liberal citizenship and then through the experience of several modulations of fugitive liberty. Brown’s social world is wholly determined by external forces. Whether slave or freeman, he faces ambiguous situations. Is …

Black Hawk In Translation: Indigenous Critique And Liberal Guilt In The 1847 Dutch Edition Of Life Of Ma-Ka-Tai-Me-She-Kia-Kiak, Frank Kelderman

Faculty Scholarship

No abstract provided.

The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley

Publications and Research

This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.

Racial Condition Of America Through ‘Uncle Tom’S Cabin’, Ellerie Ann Freisinger

2018 Award Winners

No abstract provided.

"Tell Nobody But God": Reading Mothers, Sisters, And "The Father" In Alice Walker's The Color Purple, Cheryl Hopson

Faculty/Staff Personal Papers

In my reading of The Color Purple, I make several interconnected arguments, the first being that “The Father,” that is any male, sanctioned by patriarchy, and in the context of a patriarchal, sexist male order, disrupts what would otherwise be a powerful and sustaining relationship, that of the mother-daughter relationship. I continue that sisterhood that is multifaceted and intergenerational serves as a corrective to the disrupted maternal and filial relationship. It is sisters in the novel and not mothers who step in to “mother,” that is nurture, protect, support, as well as challenge one another, even in the most harrowing …

“Jailed On The Charge Of Sodomy”: A Same-Sex, Interracial Marriage In 1888, Adam Yeich

Nineteenth-Century Ohio Literature

Adam Yeich explains and presents an Ohio newspaper report of a same-sex, interracial marriage in 1888 in Arkansas. This article includes the full text of the newspaper report, an introduction explaining its significance, and a bibliography.

Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler

Nineteenth-Century Ohio Literature

Kayla Hardy-Butler presents a famous letter by Frederick Douglass, as it was published in Ohio, with the letter that prompted it. This edition also includes a summary of Maryland slave statutes from the time to better explain the day-to-day experience of slavery debated in this correspondence.

Colonel John Johnston's "Biography Of Tecumtha" (1854), Caitlin Metheny

Nineteenth-Century Ohio Literature

In this installment, we have a biography of the Shawnee leader Tecumseh by Colonel John Johnston (here and, in some sources, spelled Johnson), who worked for decades as an “Indian agent”—an official liaison between the US government and indigenous peoples—at Fort Wayne and Piqua. Johnston's biography is followed by a critical essay by Caitlin Metheny.

Red Pens, White Paper: Wider Implications Of Coulthard’S Call To Sovereignty, Brian Burkhart, David J. Carlson, Billy J. Stratton, Theodore C. Van Alst, Carol Edelman Warrior

English and Literary Arts: Faculty Scholarship

Transcript of a roundtable conversation focused on Glen Coulthard's book Red Skins, White Masks.

All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner

English Class Publications

From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …

Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol

Music and Worship Student Presentations

Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun into respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, another album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; of this there …

The Mask Strikes Back: Blackness As Aporia In Moby-Dick And Benito Cereno, Jerome D. Clarke

Student Publications

What is the American Gothic a reaction to? Whereas other thinkers such as Nathaniel Hawthorne locates the building blocks of the American Gothic in Puritan Christianity or Amerindian Genocide, I argue that Melville posits the genesis of chattel slavery and the construction of racial category as the repressed events that haunt the Americas and return uninvited. By using the Gothic motif of the living corpse, the famed writer of Moby-Dick addresses the social bereavement which Blackness comes to represent in the Americas. By looking for truth on the skin and flesh, the main characters of Moby-Dick and “Benito Cereno” represent …

Progressive Saxonism: The Construction Of Anglo-Saxonism In Jack London's The Valley Of The Moon And Frank Norris's Mcteague, Matthew John Soderblom

FIU Electronic Theses and Dissertations

The purpose of my thesis seeks to uncover the constructed nature of the Anglo-Saxon ethnicity within two works of fiction. My thesis utilizes London’s The Valley of the Moon (1913) and Norris’s McTeague (1899) because they were published in a similar era. Both authors lived and wrote in the Bay Area during the Progressive Era of American politics. Therefore, there is political, stylistic, and regional proximity. Although Anglo-Saxonism has always been present in the United States, the construction of race was changing in the 1900s. The Valley of the Moon and McTeague both contain intriguing (and antiquated) notions of whiteness …