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Articles 1 - 30 of 40
Full-Text Articles in American Literature
African American Literary Traditions In Justina Ireland’S Young Adult Novels Dread Nation And Deathless Divide, Gabrielle Sleeper
African American Literary Traditions In Justina Ireland’S Young Adult Novels Dread Nation And Deathless Divide, Gabrielle Sleeper
Honors Program Theses and Projects
Justina Ireland’s young adult novels Dread Nation (2017) and Deathless Divide (2020) tell the story of a Black girl by the name of Jane living in the aftermath of the Civil War, around 1880.
Green Thumbs: Cultivating Greenery And Personal Freedoms In Miné Okubo’S Citizen 13660 And Lorraine Hansberry’S A Raisin In The Sun, Akasha L. Khalsa
Green Thumbs: Cultivating Greenery And Personal Freedoms In Miné Okubo’S Citizen 13660 And Lorraine Hansberry’S A Raisin In The Sun, Akasha L. Khalsa
Conspectus Borealis
In her classic 1959 play, A Raisin in the Sun, Lorraine Hansberry explores the impacts of generations of violence, exploitation, and discrimination on an African American family in Chicago’s Southside. Throughout the play, a family house plant comes to symbolize the matriarch's hopes for her children, and her ability to nourish the plant reflects on her ability to fulfil her own modest dreams and provide for the dreams of her progeny. Similarly, we see plants fulfilling the same role in another tale of American racial injustice, namely Miné Okubo’s Citizen 13660, an illustrated personal account of the artist’s experience …
Bodily Evidence: Racism, Slavery, And Maternal Power In The Novels Of Toni Morrison, Jonathan Garren
Bodily Evidence: Racism, Slavery, And Maternal Power In The Novels Of Toni Morrison, Jonathan Garren
South Carolina Libraries
Jonathan Garren reviews Bodily Evidence: Racism, Slavery, and Maternal Power in the Novels of Toni Morrison by Geneva Cobb Moore.
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki
Electronic Thesis and Dissertation Repository
This project examines American scholar W.E.B.’s DuBois’ idea of “double consciousness”, from his book The Souls of Black Folk (1903). The idea of “double consciousness” has and continues to be utilized by Black scholars and artists in literary, theoretical, and psychological contexts, some of which I hope my paper will adequately survey. I begin by examining “double consciousness” from the perspective of particulars by understanding Du Bois’s original idea and the specificities of the American context he himself was a part, considering the legacy of slavery. Then, by focusing primarily on writers such as Frantz Fanon, Richard Wright and Paul …
I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su
I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su
Asian American Literature: Discourses & Pedagogies
"I Didn't Know Aiiieeeee, But It Knew Me" is a poem that reflects on the influence of both the anthology and the word Aiiieeeee on the writer's development. It uses an adaptation of the ghazal to explore both the continuities and discontinuities of becoming a writer when Asian-American literature was mostly inaccessible.
Movement Upstream, Downstream: A Lyric Essay, Mong- Lan
Movement Upstream, Downstream: A Lyric Essay, Mong- Lan
Asian American Literature: Discourses & Pedagogies
Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.
Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.
Some Thoughts On Aiiieeeee! In 2019, Shawna Ryan
Some Thoughts On Aiiieeeee! In 2019, Shawna Ryan
Asian American Literature: Discourses & Pedagogies
A creative writer reflects on the legacy of Aiiieeeee!
Aiiieeeee!’S No! In Thunder, Leslie Bow
Aiiieeeee!’S No! In Thunder, Leslie Bow
Asian American Literature: Discourses & Pedagogies
This accessible, brief, first person essay evaluates the legacy and rhetoric of the 1974 Aiiieeeee!: An Anthology of Asian-American Writers. It examines the ways in which the anthology’s front matter fosters both inclusions and exclusions as it establishes foundational rubrics for Asian American literature and assesses the volume’s continuing value for scholars.
Mantos, Unmasked 曼托, Russell C. Leong
Mantos, Unmasked 曼托, Russell C. Leong
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu
Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu
Asian American Literature: Discourses & Pedagogies
A response to the Aiiieeeee! anthology on its 45th anniversary, using the Japanese zuihitsu form to reflect on its intersectional and ecological complexities and relevance for today.
The Big Aiiieeeee! In Process, Patricia Y. Ikeda
The Big Aiiieeeee! In Process, Patricia Y. Ikeda
Asian American Literature: Discourses & Pedagogies
On its 45th publication anniversary, we can see the Aiiieeeee! anthology of Asian American literature in context of revolutionary process, a process of persistence that in the long run gains momentum as fruitful resistance to white, Eurocentric hegemony.
We Are Here, Susan K. Ito
We Are Here, Susan K. Ito
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Aiiieeeee! And I, Bryan Thao Worra
Aiiieeeee! And I, Bryan Thao Worra
Asian American Literature: Discourses & Pedagogies
No abstract provided.
The Gift Of Aiiieeeee!, David Mura
The Gift Of Aiiieeeee!, David Mura
Asian American Literature: Discourses & Pedagogies
This article chronicles the influence of the groundbreaking Asian American anthology Aiiieeeee! on the work of Japanese American and Asian American author David Mura.
On The Republication Of Aiiieeeee!, Garrett Hongo
On The Republication Of Aiiieeeee!, Garrett Hongo
Asian American Literature: Discourses & Pedagogies
A note on republication of AIIIEEEEE!
Spiritual Activism And Political Solidarity In So Far From God And Mother Tongue: Two Views By Two Authors, Jean Paul Russo
Spiritual Activism And Political Solidarity In So Far From God And Mother Tongue: Two Views By Two Authors, Jean Paul Russo
FIU Electronic Theses and Dissertations
SPIRITUAL ACTIVISM AND POLITICAL SOLIDARITY IN SO FAR FROM GOD AND MOTHER TONGUE: TWO VIEWS BY TWO AUTHORS
by
Jean Paul Russo
Florida International University, 2020
Miami, Florida
Professor Anne Castro, Major Professor
This thesis focuses on the intersection between spirituality and political action in the works of two Latinx authors, Demetria Martinez and Ana Castillo. Building on Gloria Anzaldua’s theories of trauma, narrative, and what she terms ‘conocimiento,’ I contend that the novels So Far From God, and Mother Tongue, present an alternative approach to political action that is derived from a common experience of suffering and trauma as …
Walt Hunter. Forms Of A World: Contemporary Poetry And The Making Of Globalization. Fordham Up, 2019., Jeremy Glazier
Walt Hunter. Forms Of A World: Contemporary Poetry And The Making Of Globalization. Fordham Up, 2019., Jeremy Glazier
Studies in 20th & 21st Century Literature
Review of Walt Hunter Forms of a World: Contemporary Poetry and the Making of Globalization. Fordham UP, 2019. 190 pp.
Depressed & Dis-Eased: Storytelling, Melancholia And The Rhetorical Affordances Of Affect, Carlee Franklin
Depressed & Dis-Eased: Storytelling, Melancholia And The Rhetorical Affordances Of Affect, Carlee Franklin
Electronic Theses, Projects, and Dissertations
Because racial oppression is often internalized, this thesis examines literature written by POC about protagonists of color struggling with depression. The pieces are Gwendolyn Brooks’ Maud Martha, Haruki Murakami’s “Tony Takitani,” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao. Using literary concepts informed by Black feminist theory, decolonial theory, and affect studies, as well as rhetorical frameworks of silence and listening, this thesis attempts to better understand how the relationship between depression and racial oppression work to color the life expectancy and perspectives of depressed people of color
Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia
Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia
Dissertations, Theses, and Capstone Projects
This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.
These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …
Corporeal Archives Of Hiv/Aids: The Performance Of Relation, Jaime Shearn Coan
Corporeal Archives Of Hiv/Aids: The Performance Of Relation, Jaime Shearn Coan
Dissertations, Theses, and Capstone Projects
Corporeal Archives of HIV/AIDS: The Performance of Relation, explores how choreographers and theater artists in the early years of the HIV/AIDS epidemic in New York City used time and space to involve their audiences experientially in the project of grieving and rebuilding in the midst of the temporal chaos of mass death and illness (crisis time). Refusing to portray HIV/AIDS as a discrete or singular phenomenon, these artists revealed how it intersected with every aspect of life, including artistic practice, thereby delinking their bodies from a singular association with pathology and death. Undertaking extensive archival research on the work …
“We Got More Yesterday Than Anybody”: Child Ghosts And The National Trauma Of Anti-Black Racism In American Literature, Megan Swartzfager
“We Got More Yesterday Than Anybody”: Child Ghosts And The National Trauma Of Anti-Black Racism In American Literature, Megan Swartzfager
Honors Theses
This thesis examines the roles of haunting in the context of racial violence in three texts: Beloved by Toni Morrison, Sing, Unburied, Sing by Jesmyn Ward, and Wolf Whistle by Lewis Nordan. In each of these texts, a parent is responsible for the death of a child. In the former two texts, both by Black authors, a Black parent kills a Black child in what they believe to be a protective act in the face of violence by white people. Wolf Whistle, however, written by a white author, is animated by the ghost of a character based on Emmett Till. …
"The Fact Of The Black Poet": Four Phenomenological Interviews With Prominent American Writers On The Impact Of The Furious Flower Poetry Center, Karen E. Risch Mott
"The Fact Of The Black Poet": Four Phenomenological Interviews With Prominent American Writers On The Impact Of The Furious Flower Poetry Center, Karen E. Risch Mott
Masters Theses, 2020-current
The purpose of this study was to discern the impact, if any, of the Furious Flower Poetry Center, the United States’ first academic center devoted to Black poetry. A qualitative approach centered on semi-structured phenomenological interviews was applied, and four nationally acclaimed poets were recruited for a purposive sample: Jericho Brown, PhD; Toi Derricotte, MA; Tyehimba Jess, MFA; and Evie Shockley, JD, PhD. Emergent themes were identified based on content analysis by hand-coding transcripts; these findings lead to a conclusion that Furious Flower’s impact on the poets has been significant and consistent in three ways: 1) creating a platform for …
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Master of Arts in English Plan II Graduate Projects
In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.
Self · Ish: Examining And Reshaping Filipino & Filipinx Identities Within The Continental United States And Hawai’I Via Post-Colonial Literature, Kiana Anderson
Self · Ish: Examining And Reshaping Filipino & Filipinx Identities Within The Continental United States And Hawai’I Via Post-Colonial Literature, Kiana Anderson
Senior Theses
This thesis explores a conversation between the “self” and Filipino culture to examine the ways the Filipino diaspora exists in literature amongst colonization and trauma. Through literary texts spanning across time and geographical locations, like Elaine Castillo’s America Is Not the Heart and Jessica Hagedorn's Dogeaters, I interrogate the cultural and psychic meanings associated with the concept of home within the context of these hybrid histories. By examining the neo-canonical literature of some of these authors, I interrogate their sense of self, voices and visions via the languages, symbols, cultural frameworks and emotions that are prevalent within the literary …
“Well, I’Ve Whispered ‘Racism’ In A Post-Racial World”: Satire And The Absurdity Of “Post-Racial” America, Joseph Gorman
“Well, I’Ve Whispered ‘Racism’ In A Post-Racial World”: Satire And The Absurdity Of “Post-Racial” America, Joseph Gorman
Master’s Theses and Projects
The purpose of this thesis project is to look at the works of contemporary African American satirists as they confront post-racial ideology. In looking at the works of Jordan Peele, Paul Beatty, Mat Johnson, and Boots Riley, thematic threads emerge to form a portrait of dire unrest amongst those non-white identities living in an allegedly post-racial world. Before analyzing the works, I first contextualize the thesis with a brief discussion of satire as a literary genre and African American satire as a literary subgenre, as well as address the emergence of post-racial ideology during the tenure of Barack Obama as …
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
Boise State University Theses and Dissertations
This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the Seven Gables (1851) show how patriarchy oppressed and haunted women while keeping slavery at the margins. Beloved (1987), by Toni Morrison, fictionalizes the account of a female slave who murdered her child to assert her power and reject slavery. However, Morrison rewrites and defies aspects of the Gothic mode by bringing the ghost of the murdered child back to life, and later showing steps the community can take to heal from their collective trauma. The …
Empire Rules: Cultures Of U.S. Imperialism In Multi-Ethnic Literature Of The U.S., Luis Paganelli Marin
Empire Rules: Cultures Of U.S. Imperialism In Multi-Ethnic Literature Of The U.S., Luis Paganelli Marin
Graduate Theses and Dissertations
This dissertation concerns contemporary multi-ethnic literature of the U.S. (MELUS) and empire. Namely, contemporary MELUS invites a reckoning with U.S. Empire, an amalgamation of settler colonialism, imperialism, and capitalism, which works through ahistorical and transhistorical cultural narratives. In turn, contemporary multi-ethnic writers uncover our obscured colonial and imperial histories and legacies that racialize, criminalize, and otherize people of color in the U.S within our present moment. This dissertation, then, analyzes recent novels and poetry collections by African American, Native American, Latinx, and African diasporic writers to unmask the efforts of empire-building with the material effects on colonized, marginalized peoples. Reckoning …
Colonialism And Globalism In Two Contemporary Southern Appalachian Novels - Serena (2008) By Ron Rash, And Flight Behavior (2012) By Barbara Kingsolver, Jasmyn Herrell
Undergraduate Honors Theses
In this essay, I investigate how the historic and current economic structures operating in Appalachia from the 1920s to the 2010s are represented in two contemporary Southern Appalachian novels – Serena (2008) by Ron Rash and Flight Behavior (2012) by Barbara Kingsolver. Through the lens of postcolonial theory, I show how Serena represents Appalachia as functioning under the colonial model outlined by Robert Blauner and Helen Mathews Lewis in 1978. Then, still under the theory of postcolonialism, I explore how Kingsolver’s work depicts regional identity in response to a post-colonial environment and the ever-expanding global economy.
Ai And The Other, Rosetta Dudley
Ai And The Other, Rosetta Dudley
Student Writing
Literary analysis in MLA format of 3 poems: "Conversation," "Cuba, 1962," and "Disregard" by Ai Ogawa which each address Othered speakers and characters. Links made to Emily Dickinson's writing and being Othered as a woman and non believer in a Puritan society. Overall theme: transcendence of circumstances as Other with the use of apostrophe and conceit.
Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol
Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol
English Faculty Publications
This chapter draws attention to the lack of parks and nature recreation amenities during the 1920s and 1930s in predominantly African American city neighborhoods through Langston Hughes’s political poetry, specifically his blues-inflected ballad “Park Bench,” as well as “Chicago’s Black Belt” “Restrictive Covenants,” and “One Way Ticket.” Through the figure of the tramp/vagrant/bum, “Park Bench” voices a protest against inequality mapped into city space. Asserting that access to nature should be a fundamental condition of a democratic society, the poem situates the park bench as a charged site for public dialogue. The chapter argues that this poem and other Hughes …