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Articles 4951 - 4980 of 5518
Full-Text Articles in Arts and Humanities
Double-Decker, London (From The French Of Ezra Pound), David Staniunas
Double-Decker, London (From The French Of Ezra Pound), David Staniunas
The Messenger
No abstract provided.
Untitled, Ellie Montague
I Will Take My Time As I Move To The East, Daniel Biegelson
I Will Take My Time As I Move To The East, Daniel Biegelson
The Messenger
No abstract provided.
Phone Call, Michelle Hucher
Untitled, Beth Thomas
Untitled, Farheen Khurrum
Communion, Christopher Robley
Untitled, Lisette Garcia
The Woods At Big Cypress, Lauren E. Cormier
Untitled, Luke Johnson
Commuters, Peter Hughes
Going To Market, Christopher Robley
Untitled, Luke Johnson
Untitled, Luke Johnson
Untitled, Ellie Montague
Lullaby, Michelle Pardee
Untitled, Meg Mclemore
Untitled, Viren Mascarenhas
Dark Secret, . Anonymous
Chocolate Chip Pancakes, . Anonymous
Religion/Religions In The United States: Changing Perspectives And Prospects, Stephen J. Stein
Religion/Religions In The United States: Changing Perspectives And Prospects, Stephen J. Stein
Indiana Law Journal
Symposium: Religious Liberty at the Dawn of a New Millennium held at Indiana University School of Law-Bloomington on April 9, 1999.
Claiming The Victim: Tokenism, Mourning, And The Future Of German Holocaust Poetry, Kathrin M. Bower
Claiming The Victim: Tokenism, Mourning, And The Future Of German Holocaust Poetry, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
This excerpt from Nelly Sachs's poem "You Onlookers" could be read as support for the contention, reportedly made by Adolf Hitler during a table talk, that "The Jews invented conscience." This statement, although fascinating in itself for what it implies about Hitler's psyche and moral sense, becomes even more provocative if read in association with Marina Zwetajewa's puzzling proclamation, made famous by its appearance as an epigram to a poem by Paul Celan, that "all poets are Jews." The connection of Jews to both conscience and poetry has significant repercussions for the genre of so-called Holocaust lyric, so-called because it …
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of …
Ingeborg Bachmann And Christa Wolf: Selected Prose And Drama (Book Review), Kathrin M. Bower
Ingeborg Bachmann And Christa Wolf: Selected Prose And Drama (Book Review), Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
As I read through the selections in Ingeborg Bachmann and Christa Wolf: Selected Prose and Drama I was reminded of the many associations and connections between the two writers that I had found so profound during my graduate school years. While works by Bachmann and Wolf have been translated and are available in English, this is the first volume to juxtapose their writings with the express purpose of highlighting the parallels between them. The editor's introduction seeks to situate the oeuvres of both authors in historical and political context and offers justification for placing the two together in one volume. …
Wuthering Heights, Elisabeth Rose Gruner
Wuthering Heights, Elisabeth Rose Gruner
English Faculty Publications
Wuthering Heights is the only novel by Emily Brontë (1818-1848), one of three sisters who literary productions caused a minor sensation when they began appearing in the late 1840s. Born to Patrick Brontë, a Yorkshire clergyman, and his wife Maria, Emily, Anne, and Charlotte Brontë were precocious readers and writers. The three sisters spent years writing for their own pleasure and amusement, then published a volume of poetry in 1846. Fearing that the volume’s reception would be biased if the authors were known to be women, the sisters adopted the names Ellis (Emily), Acton (Anne), and Currer (Charlotte) Brontë. Their …
"Adjectives Of Mystery And Splendor": Byron And Romantic Religiousity, Terryl Givens
"Adjectives Of Mystery And Splendor": Byron And Romantic Religiousity, Terryl Givens
English Faculty Publications
I will suggest that had the history of Christian metaphysics taken a different course than the one it did, it is likely that Byron's considerable objections to religion would have been diminished by at least one. About the particulars of Christian theology, he had little to say, his writings suggest a general discomfort with particular aspects of Christian metaphysics as they had developed by the nineteenth century.
An analysis of Byron's metaphysical/religious misgivings might serve to clarify the nature of his discontent, clearly showing that his particular "heresy" is radically distinct from others of the "Satanic school." It might also …
Tree Of Life, J. Carson Pulley
The Corsets, Daisy Decoster
Compromise For A Dependant Woman, J. Carson Pulley
Compromise For A Dependant Woman, J. Carson Pulley
The Messenger
No abstract provided.
Tonight A Streetlight, Daisy Decoster