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Articles 3481 - 3510 of 45981
Full-Text Articles in Arts and Humanities
An Immersive Study Of The Artistry Of Gilbert Biberian —Guitarist, Composer, And Pedagogue— And Creative Responses From A Musical Apprenticeship, Stephanie J. Darcey
An Immersive Study Of The Artistry Of Gilbert Biberian —Guitarist, Composer, And Pedagogue— And Creative Responses From A Musical Apprenticeship, Stephanie J. Darcey
Theses: Doctorates and Masters
This project examines the music of Istanbul-born British classical guitarist and composer Gilbert Biberian (1944-2023) and the potential of this music to stimulate original composition using an intuitive approach. Biberian is recognized as one of the most original and creative guitar composers from the second half of the twentieth century. His musical language embraces and integrates traditional tonality, jazz, post-tonal idioms, and the music of the Middle East. There are three strands to this project: an overview of Biberian’s life, philosophy, and music; a musical apprenticeship with Biberian on technique and musicianship; and also on my compositions. There will be …
Coordinating The Telematic Music Performance Experience With Telemidi: Synchronising Nodes, Enhancing Musicality, And Delivering Simultaneity, Matthew Clive Bray
Coordinating The Telematic Music Performance Experience With Telemidi: Synchronising Nodes, Enhancing Musicality, And Delivering Simultaneity, Matthew Clive Bray
Theses: Doctorates and Masters
The practice of Telematic Music Performance (TMP), a subset of Network Music Performance (NMP), enables geographically remote musicians to engage in real-time musical interplay, typically occurring over a Wide Area Network (WAN: the Internet). However, the transmission of data between remote collaborators introduces millisecond latencies that obstruct the nuance of traditional human-to-human musical intercourse, and consequentially, the music generated by TMP often lacks rudimentary degrees of syncopation. Reducing network latency has been a critical focal point for research in this field, wherein effective networks support low-latency, multi-modal data transmission to enhance sensations of immersion and telepresence for participants; the sense …
Using Students’ Interests In General Music (Part 3): Suggestions For Practice, Virginia Wayman Davis, Mara E. Culp
Using Students’ Interests In General Music (Part 3): Suggestions For Practice, Virginia Wayman Davis, Mara E. Culp
School of Music Faculty Publications
Music education in the United States aims to be for every child, yet many students become less interested in school music as they mature. Although previous research reveals activities that upper-elementary students may prefer, much of this research may not represent 21st-century students, the instruments and activities that have enhanced curricula in recent decades, or more diverse musical offerings from around the globe. To guide decision-making regarding the activities most appropriate for their students, teachers can gather information from students through both formal and informal means (e.g., conducting research). In this third article in our research-to-practice series, we use data …
Interview With Emilia Soriano And Kristian Cordero, Patrick Michael L. Capili
Interview With Emilia Soriano And Kristian Cordero, Patrick Michael L. Capili
Perspectives in the Arts and Humanities Asia
No abstract provided.
Education Equity: Music Theory Information Literacy At A Hispanic-Serving Institution (Hsi), Charles Roush, Katrina Roush, Norma Denae Dibrell
Education Equity: Music Theory Information Literacy At A Hispanic-Serving Institution (Hsi), Charles Roush, Katrina Roush, Norma Denae Dibrell
School of Music Faculty Publications
No abstract provided.
Carl Philipp Emanuel Bach’S Sonata In C Minor, Wq. 65/31: A Study Of Performance Practice, Weiyang Sun
Carl Philipp Emanuel Bach’S Sonata In C Minor, Wq. 65/31: A Study Of Performance Practice, Weiyang Sun
Graduate Theses, Dissertations, and Problem Reports (ETD)
This dissertation discusses concepts of performance practice in Carl Philipp Emanuel Bach's keyboard works, including historical instruments, fingering, articulation, ornamentation, dynamics, rhythm, and other related topics. It provides an interpretive analysis of C. P. E. Bach's Sonata in C Minor, Wq. 65/31, for keyboard, as a way to discuss the application of these issues. Additionally, this dissertation includes a brief biography of C. P. E. Bach, a list of his keyboard works, and a discography of current and historical recordings of the Sonata in C Minor, Wq. 65/31.
Incorporating Keyboard Literature In The Undergraduate And Graduate Piano Performance Curriculums, Yangyang Cao
Incorporating Keyboard Literature In The Undergraduate And Graduate Piano Performance Curriculums, Yangyang Cao
Graduate Theses, Dissertations, and Problem Reports (ETD)
This research paper presents suggestions for the incorporation of piano literature and performance practice courses into university curricula. The prevalence of piano literature in American universities is examined, highlighting the necessity to promote its inclusion in Chinese universities. The significance of piano literature and performance practice courses for piano performance students is explored for both undergraduate and graduate programs. Included are selected readings and detailed sample syllabi of potential courses to be offered by college and university music programs.
Selected Chinese Art Songs From The 20th And 21st Centuries, Xinxin Zhang
Selected Chinese Art Songs From The 20th And 21st Centuries, Xinxin Zhang
Graduate Theses, Dissertations, and Problem Reports (ETD)
This paper presents Chinese art songs from the early 20th century to today and highlights selected composers from each of the five traditional eras of recent Chinese social history. It is intended as an introductory guide for singers and collaborative pianists who are interested in Chinese art songs and the development of the genre in China. Selected composers include Youmei Xiao (1884-1940), Yuanren Zhao (1892-1982), Er Nie (1912-1935), Hanhui Zhang (1902-1946), Xinghai Xian (1905-1945), Deyi Shang (1932-2020), Zhongrong Luo (1924-2021), Zaiyi Lu (b. 1943), Jianfen Gu (b.1935), and Cong Liu (b.1956). The paper provides brief biographical information for each …
Something From Nothing: Reimaginings, A Resource Guide For The Horn Sonata By Frank Gulino, Albert J. Houde Iii
Something From Nothing: Reimaginings, A Resource Guide For The Horn Sonata By Frank Gulino, Albert J. Houde Iii
Graduate Theses, Dissertations, and Problem Reports (ETD)
Since publishing his first work in 2006, American composer Frank Gulino has been the driving force behind some seventy new pieces of music. With music commissioned and performed by top professionals around the world, Gulino’s star has risen quickly backed by his prowess for writing music for brass instruments in solo works and chamber music. The subject of this document is a sonata for horn and piano entitled Reimaginings, a work commissioned by the author in 2020. This document presents a biographical sketch of the composer, an interpretation for performing the work, and suggestions for learning key skills needed …
Uncovering The Emotional Line: An Analysis Of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis, Michael John Kahle
Uncovering The Emotional Line: An Analysis Of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis, Michael John Kahle
Graduate Theses, Dissertations, and Problem Reports (ETD)
David Maslanka (1943–2017) was a prolific American composer who wrote most frequently for the medium of concert band/wind ensemble. His music is frequently performed by ensembles around the world. Due to his more intuitive and idiosyncratic compositional style, Maslanka would center what he described as the “emotional line” of the work, certain aspects of his music are undetected by traditional analytical models. Formal Emotive Intensity Analysis bridges that gap to focus on the supposed emotional line within Maslanka’s work. Through a case study of three of Maslanka’s works for wind band, The Seeker, Concerto No. 3 for Piano and Wind …
Sibelius’S Scaramouche: A Comparative Production History Of A Tragic Pantomime, 1913–1977, Karl E. Toepfer, Eija Kurki
Sibelius’S Scaramouche: A Comparative Production History Of A Tragic Pantomime, 1913–1977, Karl E. Toepfer, Eija Kurki
Open Educational Resources
The book describes the historical context for the Scaramouche tragic pantomime created by Poul Knudsen and Jean Sibelius in 1913. The pantomime had numerous productions in various European countries between 1922 and 1977, and the book examines all of them according to all available evidence. The text explains the historical and cultural significance of the pantomime and how it uniquely explores a dark and complex intersection of female sexuality, marriage, and class control of erotic desire. The authors examine all productions of Scaramouche from the premiere production in Copenhagen in 1922 to the last major production in Karl-Marx-Stadt, East Germany …
(Special Section, Hymns Beyond The Congregation Ii): Whither Christian Soldiers? Metaphor And Momentum In The Midtwentieth-Century Reception Of A Victorian Hymn, Jonathan Hicks
Yale Journal of Music & Religion
There are few more explicit documents of the interconnection of hymnody, mobility, and coloniality than the 1939 film Stanley and Livingstone. Directed by the American duo of Henry King and Otto Brower, much of the picture was filmed “on location” in the British-controlled territories of Kenya, Uganda, and Tanganyika (now part of Tanzania). The film tells the real-life story of a New York journalist (Stanley) searching for a Scottish missionary (Livingstone) and eventually finding him in a town on the north-eastern shore of Lake Tanganyika. One scene in particular—where Stanley finds Livingstone leading his hosts in a rendition of …
(Special Section, Hymns Beyond The Congregation Ii): “We’Ll Understand It Better By And By:” Nomenclature, Negotiation, And Naming Our Neighbors, Emmett G. Price Iii
(Special Section, Hymns Beyond The Congregation Ii): “We’Ll Understand It Better By And By:” Nomenclature, Negotiation, And Naming Our Neighbors, Emmett G. Price Iii
Yale Journal of Music & Religion
Hymns, whether composed for religious contexts or as expressions of spiritual reflection, are historically revered for their redemptive nature. For generations, Black Hymnody has cried out for Christological interventions to end shambolic and systemic oppression against Black people. The vicious murder of George Perry Floyd, Jr. on May 25, 2020 reverberated and initiated, as a catalyst, an overdue global awakening that sparked a catalytic moment for conversations too long deferred. Conversations that question how we experience and name things; how we negotiate trauma; and how we engage one another as neighbors. In many ways, the redemptive nature of hymns has …
Polluted Soundscapes And Contrepoison In Sixteenth-Century France: The Sonic Warfare Leading To The First War Of Religion, John Romey
Yale Journal of Music & Religion
In the decades leading up to and during the first years of the Wars of Religion, Huguenots and Catholics waged audible battles over sonic territories using songs as spiritual weapons. Huguenots memorized and communally sang metrical psalms in the vernacular as sonic markers of the Reformed faith. Catholics interpreted these same sounds as pollution in need of eradication. Artus Desiré, for example, responded by producing polemical contrepoison, musical antidotes created by composing new countertexts to Marot’s Psalm tunes to “cleanse” them of their perceived heresy. While scholars have long recognized both the destructive nature of iconoclastic attacks on religious …
Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang
Yale Journal of Music & Religion
In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …
(Special Section, Hymns Beyond The Congregation Ii): Spiritual Concert-Fundraisers, Singing Conventions, And Cherokee Language Learning Academies: Vernacular Southern Hymnbooks In Noncongregational Settings, Jesse P. Karlsberg, Kaylina M. Crawley, Sara S. Hopkins
(Special Section, Hymns Beyond The Congregation Ii): Spiritual Concert-Fundraisers, Singing Conventions, And Cherokee Language Learning Academies: Vernacular Southern Hymnbooks In Noncongregational Settings, Jesse P. Karlsberg, Kaylina M. Crawley, Sara S. Hopkins
Yale Journal of Music & Religion
Noncongregational settings were integral to hymnody in the postbellum settler colonial context of the southern United States during the late nineteenth and early twentieth centuries. The incorporation of hymn singing into a wide range of noncongregational settings served Black, white, and Native populations in navigating unsettled racial dynamics during this period across the US South and its diasporas. This essay features three case studies examining hymn collections intended or repurposed for a range of noncongregational uses: spiritual collections connected with the performing ensembles of black institutions, a shape-note songbook that attempted to bridge singing convention and congregational contexts, and a …
Annunciation And The Cross: The Marian Theology Of Incarnation In James Macmillan’S Music And Public Discourse, Joel Clarkson
Annunciation And The Cross: The Marian Theology Of Incarnation In James Macmillan’S Music And Public Discourse, Joel Clarkson
Yale Journal of Music & Religion
Many of Scottish composer James MacMillan’s most essential works are influenced by his Catholic faith, and thematically focused on a theological expression of Incarnation and suffering worked out through a dissonant musical style. MacMillan has developed a robust public discourse that includes statements about his faith and the way it informs his music, and his forthright demeanor has often provoked tension with various figures and groups. This article suggests that these two forms of conflict—discordance in his composition, and elements of conflict in his public dialogue—are both driven by a Marian theology of Incarnation that provides the impetus both for …
Benumbed Compulsion, Philip E. Stern
Benumbed Compulsion, Philip E. Stern
Student Theses
Benumbed Compulsion is a musical representation of the intense emotions that we live with and become used to carrying. Though we become desensitized to these feelings, they may pour out of us either subtly or explosively. The tidal dynamics and back-and-forth motion between the two dominating harmonies express the emotions we feel compelled to experience but often become numb to their effect.
Ann Bradfield, Alto And Soprano Saxophones, Friday, December 21, 2023 [Program], University Of Northern Iowa. School Of Music.
Ann Bradfield, Alto And Soprano Saxophones, Friday, December 21, 2023 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Usage Of The Chinese Notation System Versus The Western Notation System Among Elementary Students, Yohei Sparks
Usage Of The Chinese Notation System Versus The Western Notation System Among Elementary Students, Yohei Sparks
Masters Theses
This research project uses the Chinese music notation system, Jianpu, in a modern elementary classroom setting in the United States to see if it is a usable asset. As Reilly Elementary School is already a bilingual school within a multicultural community with various talents, this idea could bring benefits to the students at this school. This paper examines what the Chinese notation system includes and how it could be used both as a classroom tool and as a suggestion for future researchers. The methodology used here was a lecture and an assessment of understanding followed by a survey to determine …
American Nationalistic Music: Dvorak's Influence, Matthew D. Shinsky
American Nationalistic Music: Dvorak's Influence, Matthew D. Shinsky
Masters Theses
This study is conducted to determine the influence Antonin Dvořák had on the creation of American musical nationalism. Prior literature on the topic coupled with analysis of the musical scores are used to gain understanding of the musical elements that can be seen as a precursor to a uniquely American sound. To illustrate this further, Czech nationalistic pieces by Dvořák and Smetana are used to show a distinct difference in style utilized by Dvořák in his pieces written during his time in America. Dvořák’s use of American folk music, African American spirituals, and Native American music are fused together in …
"Ear Training For Worship Musicians:" An Applied Curriculum Project, Lauren Elizabeth Dillon
"Ear Training For Worship Musicians:" An Applied Curriculum Project, Lauren Elizabeth Dillon
Masters Theses
The purpose of this applied research curriculum project is to assess the effectiveness of the curriculum “Ear Training for Worship Musicians” for non-traditionally trained college students using contemporary musical examples, introducing basic piano skills, and applying the Nashville number system. Current curriculum trends in aural skills training have not addressed the issue of teaching harmonic dictation for worship music to college students who are not traditionally trained. This study applies a quasi-experimental research design with identical pre- and post- implementation quantitative tests and a qualitative online survey once the curriculum is complete. Twenty participants were recruited for the online curriculum …
A Case For Offering An Associate Of Fine Arts In Music At Community Colleges In Rural Northwestern And Northern Regions Of North Carolina, Frieda Eakins
Doctoral Dissertations and Projects
This qualitative method research paper with survey design identifies the need to implement an associate in fine arts degree in music at community colleges located in the rural northwestern and northern regions of North Carolina. A music degree would provide early college students with music courses comparable to those offered in traditional area high schools and greater accessibility for a diverse student population of community college students. At the inception of this study, early college high school programs in rural northwestern and northern regions of North Carolina did not offer music courses. Students in these programs relied on the community …
A Provident Mindset To Impostor Phenomenon Of In-Service Music Educators, Jerry Mark Buttrum
A Provident Mindset To Impostor Phenomenon Of In-Service Music Educators, Jerry Mark Buttrum
Doctoral Dissertations and Projects
Impostor Phenomenon (IP) is a psychological construct that affects many high-achieving professionals to doubt their competence, intelligence, and self-worth. As a result, many with IP will overwork and self-sabotage as they constantly feel like a fraud within their profession or daily lives. Despite previous literature and research with pre-service and graduate students in music education, more data on the IP of In-Service Music Educators still needs to be collected. Therefore, the purpose of the current study is to examine the provident mindset of IP among In-Service Music Educators. A quantitative MANOVA design method evaluated this phenomenon. The study collected quantitative …
Teacher Perceptions Of The Benefits Of Duets In Private Trumpet Lessons: A Qualitative Survey Study Of University Teachers In South Carolina, Todd Edison Jenkins
Teacher Perceptions Of The Benefits Of Duets In Private Trumpet Lessons: A Qualitative Survey Study Of University Teachers In South Carolina, Todd Edison Jenkins
Doctoral Dissertations and Projects
While research exists surrounding trumpet pedagogy and utilizing duets in piano and string lessons, no studies currently focus on teachers’ perceptions of employing duets in private college trumpet lessons. Teacher perception is important because of the significant amount of trumpet duet literature available for teachers to implement as part of their curriculum to improve the dexterity and musicianship of their students. Ensemble skills, articulation, phrasing, style, transposition, and the introduction of piccolo trumpet and trumpets in other keys are important skills at all levels of trumpet performance. Trumpet teachers may utilize duets as a facet of their curriculum to teach …
And All Those Jazz Hands! A Curricular Show Choir In An Elementary Public School: A Case Study, Anne Valadia Binkley
And All Those Jazz Hands! A Curricular Show Choir In An Elementary Public School: A Case Study, Anne Valadia Binkley
Doctoral Dissertations and Projects
Despite the known benefits of adolescent participation in secondary music ensembles and the advantages of singing for elementary-aged students, researchers have yet to evaluate the positive effects of student participation in a public school elementary curricular show choir. The potential benefits of an elementary show choir in a public school can reveal more possibilities for music educators to involve students in relevant music-making. This study examines the perspectives of former elementary show choir members, parents, city officials, and elementary school administrators concerned with a public school curricular show choir. Respondents have shared views on benefits to students, families, and the …
The Influences Of Music On The Confidence And Sense Of Belonging Of Children, Melinda Sue Mertz
The Influences Of Music On The Confidence And Sense Of Belonging Of Children, Melinda Sue Mertz
Doctoral Dissertations and Projects
Human emotion is greatly affected by music. Both listening to and creating music influence a person’s emotions. Despite the research supporting this finding, there is a lack of research detailing how music influences the confidence and sense of belonging for the early childhood student. This issue is important because educators are concerned about the mental wellbeing of their students. The observation of how music effects the confidence and sense of belonging of a child may assist educators to improve the issue of mental health among the students in their schools. This qualitative case study, which takes place in South Africa, …
Perceived Problems And Advantages Associated With Teaching Band In Rural Northern New York, Joseph Charles Ianaconi
Perceived Problems And Advantages Associated With Teaching Band In Rural Northern New York, Joseph Charles Ianaconi
Doctoral Dissertations and Projects
Teaching instrumental music in rural northern New York presents unique advantages and problems for music educators. While most research highlights obstacles to teaching in a rural area, this study identifies the unique positive aspects of working in this environment. Educators often overlook the opportunities and benefits within small, rural schools. Directors and students can define and find success in multiple ways within these rural band programs. This qualitative study examines the opinions, feelings, and experiences of those who teach band in rural northern New York. The research focuses on the perceived advantages of directing an instrumental ensemble in a rural …
Traditional Vietnamese Music And Its Incorporation Into Christian Worship, Elijah Khang Chau
Traditional Vietnamese Music And Its Incorporation Into Christian Worship, Elijah Khang Chau
Masters Theses
The thesis addresses the concern of incorporating traditional Vietnamese instruments into Christian worship. Most worship done in Vietnamese churches in the US is primarily westernized, and it lacks cultural elements to reflect the Vietnamese culture. Another concern is that the younger generation does not know much about Vietnamese culture; this is an issue because many Vietnamese descents do not know which culture they belong to. The idea behind traditional Vietnamese instruments incorporated into Christian worship will encourage Vietnamese churches to use Vietnamese traditions to further God’s Kingdom so that the Vietnamese congregation can worship and glorify God in their native …
Musical Style In Selected Easter Cantatas By John W. Peterson, Youn Song Han
Musical Style In Selected Easter Cantatas By John W. Peterson, Youn Song Han
Masters Theses
John W. Peterson is one of the most celebrated American Christian songwriters between 1950s and 1970. He is the best-known for church cantatas such as Christimas, Easter, General, and Choral collections. Peterson's life, music style, and success will be addressed. Next, four Easter cantatas of his cantatas will be analyzed and compared: No Greater Love, The Glory of Easter, Hallelujah for the Cross, and It Took a Miracle. Specifically, there are introduction, his biographical information, historical and musical background in 1950s and 1960s, introduction of four Easter cantatas, analysis of four Easter cantatas, that is, music styles of four Easter …