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Articles 2431 - 2460 of 45969
Full-Text Articles in Arts and Humanities
Nick May, Saxophone, September 11, 2024 [Program], University Of Northern Iowa. School Of Music.
Nick May, Saxophone, September 11, 2024 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Randy Grabowski, Trumpet, September 10, 2024 [Program], University Of Northern Iowa. School Of Music.
Randy Grabowski, Trumpet, September 10, 2024 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Charles W. Bolen Faculty Recital: Cora Swenson Lee, Cello; Soo Yeon Kim, Violin; September 10, 2024, Illinois State University School Of Music
Charles W. Bolen Faculty Recital: Cora Swenson Lee, Cello; Soo Yeon Kim, Violin; September 10, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
September 10, 2024
Tuesday Evening
7:30 p.m.
"Of Knights And Kings" Matthew Carey Faculty Recital, Arkansas State University Department Of Music
"Of Knights And Kings" Matthew Carey Faculty Recital, Arkansas State University Department Of Music
Performance Programs
No abstract provided.
2024-2025 Sixth Annual Alumni Concert: Con Brio String Quartet, Valentin Mansurov, Marina Lenau, David Pedraza, Aziz Sapaev
2024-2025 Sixth Annual Alumni Concert: Con Brio String Quartet, Valentin Mansurov, Marina Lenau, David Pedraza, Aziz Sapaev
Alumni Concerts
No abstract provided.
Sixth Annual Alumni Concert: Con Brio String Quartet, Valentin Mansurov, Marina Lenau, David Pedraza, Aziz Sapaev
Sixth Annual Alumni Concert: Con Brio String Quartet, Valentin Mansurov, Marina Lenau, David Pedraza, Aziz Sapaev
Alumni Concerts
No abstract provided.
Faculty And Guest Artist Recital: Duo Memdi; Igor Kalnin, Violin; Rochelle Sennet, Piano; September 8, 2024, Illinois State University School Of Music
Faculty And Guest Artist Recital: Duo Memdi; Igor Kalnin, Violin; Rochelle Sennet, Piano; September 8, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
September 8, 2024
Sunday Afternoon
3:00 p.m.
Junior Recital: Olivia Wexler, Vocals; Grace Eom, Piano; September 7, 2024, Illinois State University School Of Music
Junior Recital: Olivia Wexler, Vocals; Grace Eom, Piano; September 7, 2024, Illinois State University School Of Music
School of Music Programs
University Galleries
September 7, 2024
Saturday afternoon
1:00 p.m.
2024-2025 Performance Forum - September 6, 2024, Samuel Dionisio, Jacob Lomboy, Sheng Yuan Kuan
2024-2025 Performance Forum - September 6, 2024, Samuel Dionisio, Jacob Lomboy, Sheng Yuan Kuan
Performance Forum
No abstract provided.
David Esleck Trio, Department Of Music, University Of Richmond
David Esleck Trio, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Guest Artist Recital: Mark Stevens, Piano, "Scape"; September 4, 2024, Illinois State University School Of Music
Guest Artist Recital: Mark Stevens, Piano, "Scape"; September 4, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
September 4, 2024
Wednesday Evening
7:30 p.m.
Scape, September 2024 [Program], University Of Northern Iowa. School Of Music.
Scape, September 2024 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Collaborations That Work: Making Connections Between Music Library Instruction And Music Theory, Charles Roush, Katrina Roush
Collaborations That Work: Making Connections Between Music Library Instruction And Music Theory, Charles Roush, Katrina Roush
School of Music Faculty Publications
This article explores ways pedagogical approaches in music librarianship and music theory can enhance each other. It emphasizes two broad benefits for students when library instruction is incorporated into music theory courses. First, what music librarians have to offer can be incredibly relevant to music theory instruction. Second, since music majors take music theory early in their degrees, library instruction in these courses allows them to get to know their librarians right away when they enter college. If music librarians provide further instruction and outreach in various ways throughout students' college years, students will be able to see that what …
Timeless Review Of Into The Woods And The Perks Of Being A Wallflower, Anjali Shah
Timeless Review Of Into The Woods And The Perks Of Being A Wallflower, Anjali Shah
be Still
This essay is a review of the musical, Into the Woods, and the book, The Perks of Being a Wallflower. This personal reflection is an overview of how both works of art navigate the theme of "the web of life."
Strategies And Tools For Teaching Music Learners About Citations, Z. Sylvia Yang, Jessica M. Abbazio
Strategies And Tools For Teaching Music Learners About Citations, Z. Sylvia Yang, Jessica M. Abbazio
Library Faculty publications
Formatting citations is a task faced by students across all disciplines and at all stages of their academic careers, and the wide variety of content types and formats used in music-related research means that this work can be especially complex for students in music classes. How can library staff teach music students about footnotes and bibliography entries without spending entire sessions pointing out the positions of commas and parentheses, thereby leaving limited time to discuss the relationship of citations to knowledge production? The authors introduce a range of methods for providing instruction on formatting citations, including the implementation of a …
String Quartet, Scott A. Miller
String Quartet, Scott A. Miller
Dissertations, Theses, and Capstone Projects
This quartet begins by providing glimpses of three distinct musical ideas. Although they seem totally unrelated, the music seeks to confound this initial expectation. Related textural contrasts are developed between dialogical textures and the quartet speaking as one voice. The pitch material combines just intonation with twelve tone equal temperament.
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii
Dissertations, Theses, and Capstone Projects
This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …
Timbres Oubliés: The Forgotten Sounds Of Loeffler's Octet, Graeme Steele Johnson
Timbres Oubliés: The Forgotten Sounds Of Loeffler's Octet, Graeme Steele Johnson
Dissertations, Theses, and Capstone Projects
Modern musicians play a lot of old music and a lot of new music, but not so much “new old music.” This study—with its accompanying critical edition score, world-premiere recording and first present-day performances—represents, at long last, the deliverance of one such work from the ashes of history to the ears of the present: Charles Martin Loeffler’s forgotten Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass, a piece that was left unpublished, unrecorded and unheard since 1897.
This paper documents my efforts to finally reintroduce the Octet to the repertoire. By cross-referencing the autograph manuscript score …
A Multilevel Approach To The Analysis And Visualization Of Timbral Brightness In Post-Tonal Music, Stephen Spencer
A Multilevel Approach To The Analysis And Visualization Of Timbral Brightness In Post-Tonal Music, Stephen Spencer
Dissertations, Theses, and Capstone Projects
This dissertation develops a method for the analysis and visualization of timbral brightness in post-tonal music. Brightness, a salient timbral attribute correlated with the prominence of high frequencies in the sound spectrum, is crucial for distinguishing sounds and discerning how they fit together in music. The dissertation employs a multilevel analytical approach, measuring differences in brightness at multiple “textural levels” and temporal scales. The analytical utility of the approach is demonstrated through four case studies, each one closely examining the score and audio of a piece of instrumental music written in the first quarter of the twentieth century.
Chapter …
Multilayered Harmonic Structure In Elliott Carter’S Clarinet Quintet, Xiangyu Zhou
Multilayered Harmonic Structure In Elliott Carter’S Clarinet Quintet, Xiangyu Zhou
Dissertations, Theses, and Capstone Projects
This dissertation provides a comprehensive account of Elliott Carter’s Clarinet Quintet through analyzing his usage of core harmonies, derived core harmonies and aggregate completion. In this dissertation, Carter’s core harmonies are expanded from the original three, the two all-interval tetrachords, 4-Z15 (0146) and 4-Z29 (0137), and the all-trichord hexachord 6-Z17 (012478) through the addition of 6-Z43 (012568), the complementary hexachord to the all-trichord hexachord. A derived core harmony is generated by combining any of the two core harmonies into a larger set. This dissertation also suggests the expansion of derived core harmonies to include nonachords due to their important harmonic …
Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez
Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez
Dissertations, Theses, and Capstone Projects
Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …
Slo Children’S Museum Music Education Exhibit, Charles Coffen, Madeline Carleton-Sniff, Yael Castillo, Anthony Ramos
Slo Children’S Museum Music Education Exhibit, Charles Coffen, Madeline Carleton-Sniff, Yael Castillo, Anthony Ramos
Mechanical Engineering
The Children’s Museum in San Luis Obispo is a non-profit facility providing education to young children through interactive exhibits. The proposed project would address a basic introduction to musical theory through mechanical engineering principles. The target audience for this musical art installation would be young children, aged 5-10, who would be regularly interacting with this exhibit, as well as their parents, and the employees of the museum. The installation will educate children in basic musical understanding through interaction while still being engaging enough to hold their attention. This document describes the final concept design and various methods of verification in …
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the six parts of Kate Soper’s Ipsa Dixit (2010–2016). While individual parts have received some music theoretical attention, this is the first analysis of the entire Pulitzer Prize-nominated work. Ambiguity and contingency are major themes of Ipsa Dixit, and by treating each part independently and in combination, I hope to honor Ipsa’s contingent status as a unified work comprised of six complete works. Soper’s libretto unifies an assemblage of texts with adaptations of Aristotle to investigate the intersections of language and music with authority, veracity, and (un)intelligibility.
I theorize that Soper’s “philosophy-opera” dramatizes the formation of …
Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati
Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati
Paradigma: Jurnal Kajian Budaya
This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …
Discovering The Value Of Decision-Making Through Meaningful Experiences During High School Marching Band, William V. Reese
Discovering The Value Of Decision-Making Through Meaningful Experiences During High School Marching Band, William V. Reese
Masters Theses
This paper reviews the decision-making skills that can be acquired during a young musician’s life while participating in the marching band. Marching band can have a major effect on a person’s life, and many things can be connected to the life practices of a civilized adult. Characteristics of good judgment can be exercised when participating in a marching band. There are a lot of decisional practices that can be displayed in the growth of a scholarly musician and their journey to becoming a responsible adult. The purpose of school is to prepare the youth for adulthood choices and marching band …
An Online Beginner Piano Course: A Fully Asynchronous And Online Curriculum For Beginner Piano Instruction, Jonathan David Holowaty
An Online Beginner Piano Course: A Fully Asynchronous And Online Curriculum For Beginner Piano Instruction, Jonathan David Holowaty
Masters Theses
The purpose of this applied curriculum is to provide piano instruction through an online and asynchronous method. Online and asynchronous methods of learning have been increasing in higher education and, especially during the COVID-19 pandemic, have been used in the primary and secondary levels. This trend shows no signs of stopping. Much research has been done in online methods of learning in higher education; however, not nearly as much has been done with lower age groups. More research and experimentation is needed in the application of these methods at the primary and secondary levels. Considering this, the course conceived of …
Orichas Roots Of Latin American Music: Syncretism, Music, And Its Possibilities For Missionaries, Erika Dianne Ray
Orichas Roots Of Latin American Music: Syncretism, Music, And Its Possibilities For Missionaries, Erika Dianne Ray
Masters Theses
The African diaspora as a result of the Caribbean slave trade had long reaching consequences, specifically for the Ikwere people. Due to the Catholic Church's support and, at times, encouragement of syncretism, a new religion was formed. Lucumi tradition is based on the musical rhythms specific to the Orichas from Nigeria, referred to as Igboland, the term employed by the citizens. The Ikwere are one people group of many affected by the slave trade and had their religious practices transformed as a result. The Ikwere are focused upon due to their prominence as the majority of slaves from Igboland were …
How Music Genres Affect Test Anxiety Among Third-Grade Elementary Students, Amy Summersett Ardovino
How Music Genres Affect Test Anxiety Among Third-Grade Elementary Students, Amy Summersett Ardovino
Masters Theses
This descriptive case study investigates the effects of classical, rap, electronic, and jazz genres of music played during a test administered to third-grade elementary students. Many studies focus on three main genres, such as classical, rock, and popular music, and not new, emerging popular music genres. With learning performance being a primary concern in education, it is beneficial to ascertain if different music genres affect anxiety in third-grade elementary students. Third-grade students serve as the population for this study; the sample involves 123 third-grade students from Chelsea Park Elementary School. This study implemented the State-Trait Anxiety Inventory for Children (STAI-CH) …
The Difference(S) Between Autistic Individuals And Neurotypical Individuals When Learning To Identify Pitch, Kayla Faith Bostic
The Difference(S) Between Autistic Individuals And Neurotypical Individuals When Learning To Identify Pitch, Kayla Faith Bostic
Masters Theses
This study aimed to compare and determine possible differences between autistic and neurotypical individuals in learning to identify pitch. This study investigates whether autistic individuals are more accurate at pitch-matching than neurotypical individuals. This study employs a quantitative approach and a variation of the pitch-matching test. The population for this study consisted of males and females from West Virginia, with 20 autistic and neurotypical participants aged 18 years and older. The study included 50% of participants with autism and 50% of neurotypical participants. In each group, there were an even number of males and females, neurotypical and neuroatypical, and a …
The Phenomenological Effects Of Fidel Castro’S Communist Revolution On The Christian Church In Cuba, Daniel Orama
The Phenomenological Effects Of Fidel Castro’S Communist Revolution On The Christian Church In Cuba, Daniel Orama
Masters Theses
The claims that religious freedom in Cuba can coexist alongside the Communist, Marxist, Socialist regime without hindrance contradicts the Word of God and eyewitness testimonies of those who serve in the Cuban Christian church. Church pastors in Cuba often suffer imprisonment as long as twenty years before being allowed to return to their homes and communities. This study regains the views of countless pastors and those serving in churches throughout Cuba, whose opinions concerning Christians who put themselves in harm’s way against the communist authorities are expurgated. Using the qualitative research paradigm, this study utilizes qualitative artistic and creative research …