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Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona 2025 Chapman University

Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona

Student Scholar Symposium Abstracts and Posters

Horror films fulfill a unique psychological need in contemporary society, allowing viewers to confront and release repressed impulses. Tobe Hooper's The Texas Chainsaw Massacre, Part Two (1986) exemplifies how the genre explores deeper themes, particularly through phallic symbolism and the unconscious mind. Using the chainsaw as a phallic symbol, the film delves into power dynamics, sexuality, and societal norms, reflecting Freud’s theory of the return of the repressed. This paper applies Freudian psychoanalysis, drawing on works by Murray Leader and Linda Williams, to explore how repressed desires manifest in the film. The chainsaw represents twisted masculinity, with Leatherface embodying repressed …


How Kirby’S Return To Dream Land Deluxe Subverts Narrative Expectations, Kelley I. Hale 2025 Ohio Northern University

How Kirby’S Return To Dream Land Deluxe Subverts Narrative Expectations, Kelley I. Hale

Aurora

The Kirby series has been around for over 30 years, and very little has been done to research it. This is a shame, as I believed (and still do believe) the series has a lot to offer in terms of research. For this paper, I analyzed Kirby's Return to Dream Land Deluxe, a Switch remake of the Wii game Kirby's Return to Dream Land. I analyzed the cutscenes found within the game using fantasy theme criticism. I did this to explore how the game subverts narrative expectations, as well as show that Kirby games have value when it comes to …


Shakespeare’S Murderous World: Not A Doomed Reality, Afton Fay 2025 College of the Holy Cross

Shakespeare’S Murderous World: Not A Doomed Reality, Afton Fay

The Criterion

No abstract provided.


Dangerous Possession, Perilous Gaze, And Violent Control In "You Belong To Me," "My Last Duchess," And "Mont Blanc", Mackenzie Hughes 2025 College of the Holy Cross

Dangerous Possession, Perilous Gaze, And Violent Control In "You Belong To Me," "My Last Duchess," And "Mont Blanc", Mackenzie Hughes

The Criterion

No abstract provided.


Unmasking The Monkey Myth: The Coexistence Of Sage And Trickster, Marisa O'Malley 2025 College of the Holy Cross

Unmasking The Monkey Myth: The Coexistence Of Sage And Trickster, Marisa O'Malley

The Criterion

No abstract provided.


What Is Lyric Anyway?: Attempting To Define Lyric Using Elizabeth Barrett Browning’S “Sonnet 6” And Fiona Apple’S “I Want You To Love Me”, Fiona Smith 2025 College of the Holy Cross

What Is Lyric Anyway?: Attempting To Define Lyric Using Elizabeth Barrett Browning’S “Sonnet 6” And Fiona Apple’S “I Want You To Love Me”, Fiona Smith

The Criterion

No abstract provided.


Hands In David Copperfield As A Marker Of Character, Niall McKenna 2025 College of the Holy Cross

Hands In David Copperfield As A Marker Of Character, Niall Mckenna

The Criterion

No abstract provided.


From Object To Architect: How Molly Bloom Designs Her Own Gaze In Joyce’S Ulysses, Mackenzie Hughes 2025 College of the Holy Cross

From Object To Architect: How Molly Bloom Designs Her Own Gaze In Joyce’S Ulysses, Mackenzie Hughes

The Criterion

No abstract provided.


Home, Exile, And Displacement In The Lord Of The Rings And The Hobbit, Sarah Park 2025 College of the Holy Cross

Home, Exile, And Displacement In The Lord Of The Rings And The Hobbit, Sarah Park

The Criterion

No abstract provided.


The Criterion (2025), Mackenzie Hughes, Emily Carbone, Marisa O'Malley, Gericho Louis Conge, Afton Fay, Fiona Smith, Gwyneth Morrissey, Niall McKenna, Roan Brimacomb, Sarah Park, Madeline T. Zafon-Whalen 2025 College of the Holy Cross

The Criterion (2025), Mackenzie Hughes, Emily Carbone, Marisa O'Malley, Gericho Louis Conge, Afton Fay, Fiona Smith, Gwyneth Morrissey, Niall Mckenna, Roan Brimacomb, Sarah Park, Madeline T. Zafon-Whalen

The Criterion

No abstract provided.


The Oppression Of Embrace, Gericho Louis Conge 2025 College of the Holy Cross

The Oppression Of Embrace, Gericho Louis Conge

The Criterion

No abstract provided.


Where Angels Fear To Tread And Heart Of Darkness: Imperialism’S Civil Dehumanization, Roan Brimacomb 2025 College of the Holy Cross

Where Angels Fear To Tread And Heart Of Darkness: Imperialism’S Civil Dehumanization, Roan Brimacomb

The Criterion

No abstract provided.


Stories Of Chiaroscuro Control, Gwyneth Morrissey 2025 College of the Holy Cross

Stories Of Chiaroscuro Control, Gwyneth Morrissey

The Criterion

No abstract provided.


A Trek Into New Territories: Sound In Rachel Hadas’ “The Red Hat”, Emily Carbone 2025 College of the Holy Cross

A Trek Into New Territories: Sound In Rachel Hadas’ “The Red Hat”, Emily Carbone

The Criterion

No abstract provided.


Interaction-Required Suggestions For Control, Ownership, And Awareness In Human-Ai Co-Writing, Kenneth C. Arnold, Jiho Kim, Jason G. Chew, Jooha Yoo, Juyeong Kim, Ray Flanagan, Heonjae Kwon 2025 Calvin University

Interaction-Required Suggestions For Control, Ownership, And Awareness In Human-Ai Co-Writing, Kenneth C. Arnold, Jiho Kim, Jason G. Chew, Jooha Yoo, Juyeong Kim, Ray Flanagan, Heonjae Kwon

University Faculty Publications and Creative Works

This paper explores interaction designs for gen-
erative AI interfaces that necessitate human in-
volvement throughout the generation process.
We argue that such interfaces can promote
cognitive engagement, agency, and thoughtful
decision-making. Through a case study in text
revision, we present and analyze two interac-
tion techniques: (1) using a predictive-text in-
teraction to type the assistant’s response to a
revision request, and (2) highlighting potential
edit opportunities in a document. Our imple-
mentations demonstrate how these approaches
reveal the landscape of writing possibilities and
enable fine-grained control. We discuss impli-
cations for human-AI writing partnerships and
future interaction design …


Frank O'Hara: The Figure That Remains, Madeline T. Zafon-Whalen 2025 College of the Holy Cross

Frank O'Hara: The Figure That Remains, Madeline T. Zafon-Whalen

The Criterion

No abstract provided.


Womanist Pedagogy And Teaching Preaching: Black Women Preachers As Sources For Pedagogical Reflection, Courtney Buggs 2025 Christian Theological Seminary

Womanist Pedagogy And Teaching Preaching: Black Women Preachers As Sources For Pedagogical Reflection, Courtney Buggs

Sermon Studies

The preaching classroom is a place of exploration, interrogation, and reflection. For Black preaching women, it is also a place for deep introspection and wrestling with questions of self-identity, religious authority, and theological (un)certainty. In this essay I show how womanist pedagogy functions to intervene and disrupt harmful assumptions in the preaching classroom, such as who can preach, who should preach, and how preachers engage with Scripture. Using Black women preaching students as sources for reflection, I explore political clarity, risk taking, teaching with tenderness, active listening, and instructional agility, to aid womanist-informed pedagogues in attending to the range of …


“True Disciple”: Minister Louis Farrakhan's Eulogy Of Pastor Clay Evans And The Emergence Of The Son Of Abraham Rhetoric, Eugene L. Gibson Jr. 2025 Methodist Theological School in Ohio

“True Disciple”: Minister Louis Farrakhan's Eulogy Of Pastor Clay Evans And The Emergence Of The Son Of Abraham Rhetoric, Eugene L. Gibson Jr.

Sermon Studies

In this essay, I examine Louis Farrakhan's eulogy for Pastor Clay Evans on December 7, 2019. Drawing from the work of Andre E. Johnson, the eulogy is an example of prophetic rhetoric that showcases the powerful emotional and spiritual connection that aligns with the tradition of prophetic speech. I argue, however, that Farrakhan, in producing this rhetoric, adopted a prophetic persona I call “Son of Abraham”– an African American prophetic rhetoric that is firmly grounded in the sacred teachings, beliefs, and subscriptions of one of the Abrahamic religions, that contains a bold truth of love and healing, that when intentionally …


Rhetoric Of Freedom: The Black Church And Jamal Bryant’S Sermon “Am I Ever Going To Get Out Of This?”, Konysha Wade 2025 University of California, Irvine

Rhetoric Of Freedom: The Black Church And Jamal Bryant’S Sermon “Am I Ever Going To Get Out Of This?”, Konysha Wade

Sermon Studies

Homiletics is a branch of rhetoric and religion that is defined as the art of preaching. All too common in fields of academia, including Homiletics, is a lack of inclusivity of African Americans. This paper will extend research that integrates and further centralizes African American homiletics, focusing on the notion of freedom in Dr. Jamal Bryant’s sermon “Am I Ever Going to Get Out of This?”


A Case For Homiletical Aesthetics: The Adorned Rhetoric Of Martin Luther King Jr., Timothy Y. Rhee 2025 Baylor University

A Case For Homiletical Aesthetics: The Adorned Rhetoric Of Martin Luther King Jr., Timothy Y. Rhee

Sermon Studies

Despite the growing support of aesthetics within the field of homiletics, undercurrents of suspicion remain, particularly in Western evangelical settings. The reasons for this suspicion are far-reaching, ranging from theological concerns to unmerited fears regarding the handling of Scripture. Given this background, the adorned rhetoric of Martin Luther King Jr. provides a compelling case study for the indispensability of homiletical aesthetics. This study briefly overviews King’s use of artful rhetoric, exploring its origins and sociotheological factors that compelled beauty and adornment in the pulpit. This paper will argue that aesthetics in Christian preaching should be considered essential, especially when addressing …


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