Fanfiction As Performative Criticism: Harry Potter Racebending,
Rochester Institute of Technology
Fanfiction As Performative Criticism: Harry Potter Racebending, Khaliah Petersen-Reed
Journal of Creative Writing Studies
Fanfiction anatomizes a text and in this textual nakedness fanfiction writers recognize gaps in their chosen source texts and seek to supplement these deficiencies through literary disruption. This essay focuses on the kind of fanfiction that critically disrupts through artistic cultural production—a practice that I am labeling performative criticism. I look at Racebending fanfiction that intervenes in the gaps of the Harry Potter series—specifically the gaps related to race. Using fanfiction produced by Harry Potter fans, I will show that by reading and writing fanfiction these writers are blurring demarcation between creative writing and literary criticism.
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths,
James Madison University
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths, Rebecca Evans
Senior Honors Projects, 2010-current
This piece assesses the cultural implications of modern narratives that incorporate classical mythology, specifically focusing on the hero’s journey. When the similarities of different myths across different cultures are analyzed, it becomes clear that there are modern analogs that incorporate mythic qualities and cultural values. These mythic foundations are analyzed here in popular works like Harry Potter, Star Trek, and Legend of Zelda, where the hero’s journey becomes an almost universal experience that inspires cross-cultural consciousness. The hero’s journey has evolved from a simple literary tool into a cross-cultural touchstone that shapes narratives into familiar works of cultural significance across …
Dazai's Women: Dazai Osamu And His Female Narrators,
Portland State University
Dazai's Women: Dazai Osamu And His Female Narrators, Jamie Cox
Dissertations and Theses
Dazai Osamu (born Tsushima Shûji) was a post-WWII writer who wrote a number of works using a female narrator. This thesis research focused on the reasons as to why Dazai may have written using female narratives, taking into consideration the time period and social milieu in which he was writing, as well as his own personal history with women. In addition, the history of male authors utilizing female narratives was explored, as well as the ideas of gender in the Japanese arts. Dazai works were also compared with Tankizaki Junichirô's to see how the roles of women in their works …
Levi's Go Forth Campaign: A Semiotic Analysis Of "America",
California Polytechnic State University, San Luis Obispo
Levi's Go Forth Campaign: A Semiotic Analysis Of "America", Christina Baker
Communication Studies
No abstract provided.
Olaudah Equiano's Views Of Slavery In His "Narrative Of The Life",
Bridgewater State University
Olaudah Equiano's Views Of Slavery In His "Narrative Of The Life"
Undergraduate Review
No abstract provided.
Human-Animal Communication In Captive Species: Dogs, Horses, And Whales,
James Madison University
Human-Animal Communication In Captive Species: Dogs, Horses, And Whales, Mackenzie Kelley
Senior Honors Theses and Projects
My hopes for this project are to collect and analyze the current research in the field of animal communication. In the first part, my goal is to define animal communication, specifically within human contexts. I will look at how the history of humans and certain species have intertwined to result in their modern day relationships. I will also explain why we should care about animal communication. In the second part, I will look at three specific species I have chosen to study: dogs, horses, and cetaceans. I will provide a brief history of our roles as humans in the evolution …
Metacognition? Never Heard Of Her,
Bowling Green State University
Metacognition? Never Heard Of Her, Brigid Cavins
WRIT: GSW Journal of First-Year Writing
No abstract provided.
Somebody Has To Pay Rent: The Critical Autoethnography Of A Low Income Student,
Minnesota State University, Mankato
Somebody Has To Pay Rent: The Critical Autoethnography Of A Low Income Student, Shelbi Schadendorf
Journal of Undergraduate Research at Minnesota State University, Mankato
Conducted through the qualitative research method of autoethnography, and presented through the lens of critical analysis, this study explores the oppressive experience as a low income student in an institute of higher education. Written as an attempt to make the struggle as a low income students more visible, the focus of this study is both an exploration into the commodification of higher education and the culture surrounding how we treat, or don’t acknowledge, low income students.
Through the presentation of the author’s experience as an autoethnography, the insight gained from first hand experience can be shared through an accessible, but …
The Gay Agenda: Being Accepted In Children’S Media,
Georgia Southern University
The Gay Agenda: Being Accepted In Children’S Media, Tiffany Wells
Honors College Theses
For many LGBTQ+ children, there is a lack of representation of their identities in the television shows they see growing up. We turn to objects, like television characters, to help “find our way,” which becomes limited for individuals who are part of the minority (Ahmed 1). When television shows reflect a variety of lived experiences, they can increase cultural competence in their viewers. While LGBTQ+ representation in children’s media has increased, it is still difficult to implement such representation. This thesis we will discuss three shows, Gravity Falls, Steven Universe, and The Owl House, that have struggled with the implementation …
Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation,
Yale University
Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James Crockford
Yale Journal of Music & Religion
This paper explores the ritualized performance ethic of John Coltrane’s later career, which is charged with a determined exploration of freedom and spiritual ascendance through participative and gestural immediacy. Conceiving of this music as a spiritual and political tool for embodied transformation, this paper traces this ethic at play in Coltrane’s iconic 1965 album A Love Supreme, identifying ways the work effects a mediation of immediacy. Through focus on the album’s closing “Psalm” recitation, its parallels in Coltrane’s other works, and their analogue in traditions of ecstatic liturgical and political oratory, this paper demonstrates the consistent priority Coltrane gives …
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