Conventional Wisdom In The Writing Classroom: A Short Defence Of Grammar Instruction,
2015
Technological University Dublin
Conventional Wisdom In The Writing Classroom: A Short Defence Of Grammar Instruction, Sue Norton
Articles
This article considers whether instructors of writing in higher education ought prescriptively to involve students in the mechanics of standard written English or, rather, encourage them to prioritise ideas and content. Recognizing the reluctance of many practitioners to distract learner-writers with rules, and thereby alienate them from their creativity, it nevertheless recommends judicious delivery of lessons in conventional grammar, syntax, and punctuation. Taking standard written English as a variant that continues to hold sway in general, academic, and professional readerships, the article concludes with a selection of language components relevant to undergraduate writing and commonly addressed by readily available resource …
Doing It Our (Dang) Selves: Making, Experimenting, And Becoming Through Craft,
2015
Portland State University
Doing It Our (Dang) Selves: Making, Experimenting, And Becoming Through Craft, Amber Buck, Megan Condis, Kristin Prins, Marilee Brooks-Gillies, Martha Webber
Harlot: A Revealing Look at the Arts of Persuasion
No abstract provided.
Craft As A Memorializing Rhetoric,
2015
Michigan State University
Craft As A Memorializing Rhetoric, Maria Novotny
Harlot: A Revealing Look at the Arts of Persuasion
This video essay functions as a reflective piece pondering the intersections between craft, family, and the act of memorializing. Specifically, this essay attempts to push beyond traditional assumptions of craft as a discourse related to home projects or food. Instead, suggesting that the craft is a practice that memorializes bodies that have passed away and/or pain and sorrow carried on our own bodies. To make these claims, the author narrates two personal stories of craft as a memorializing rhetoric. The first narrative recounts how she came to realize craft as an essential practice embedded in the passing away of relatives. …
Call For Submissions: Craft Rhetorics,
2015
College of Staten Island
Call For Submissions: Craft Rhetorics, Amber Buck, Megan Condis, Kristen Prins, Marilee Brooks-Gillies, Martha Althea Webber
Harlot: A Revealing Look at the Arts of Persuasion
No abstract provided.
"All The Lovely Ladies" And "Celestarium",
2015
George Washington University
"All The Lovely Ladies" And "Celestarium", Danika Paige Myers
Harlot: A Revealing Look at the Arts of Persuasion
These poems are part of a larger manuscript that explores the poet's lifelong engagement with knitting and sewing—and with the usually woman-centered communities that form around these crafts. The poems also respond to the cultural treatment of craft knowledge as frivolous or simple, highlighting the highly technical nature of such work and the mathematical, structural, and geometric knowledge required to successfully execute textile crafts. Densely referential, these poems invite the reader to play within their sounds and associations, making her own leaps and connections as she reads.
Harlot's Growing Community,
2015
Portland State University
Harlot's Growing Community, Harlot Editors
Harlot: A Revealing Look at the Arts of Persuasion
No abstract provided.
#Definerhetoric 2014 Results,
2015
Portland State University
#Definerhetoric 2014 Results, Harlot Editors
Harlot: A Revealing Look at the Arts of Persuasion
No abstract provided.
On Rage, Shame, "Realness," And Accountability To Survivors,
2015
Michigan State University
On Rage, Shame, "Realness," And Accountability To Survivors, Kathleen Ann Livingston
Harlot: A Revealing Look at the Arts of Persuasion
This essay examines the rhetorical moves made on all sides of the recent conversation on trigger warnings. Calling for accountability to survivors, it positions trigger warnings as one practice of consent. Though in practice trigger warnings bring up issues of censorship, they can be understood as a way for survivors to take their power back by telling a bit of their trauma narrative and requesting accommodations and accountability. Unpacking the histories and the language of trigger warnings reveals how our culture thinks of survivors and how far anti-violence movements have to go.
The Biopower Of Zombies: Or, How I Learned To Stop Worrying And Love The Horde,
2015
University of Texas at Austin
The Biopower Of Zombies: Or, How I Learned To Stop Worrying And Love The Horde, Mary Hedengren
Harlot: A Revealing Look at the Arts of Persuasion
I like zombies. I really like zombies. But I'm not the only one: why do so many of us seem to be enjoying a zombie moment? What does it say about our fears of a decentralized government and the power of human bodies? And what is that faintly discernable groaning sound? In this article, I draw on the theories of Michael Hardt and Antonio Negri as well as Foucault's "biopower" concept to examine our collective fascination with a collective threat.
Emoji, Emoji, What For Art Thou?,
2015
Wheaton College (Massachusetts)
Emoji, Emoji, What For Art Thou?, Lisa Lebduska
Harlot: A Revealing Look at the Arts of Persuasion
This essay provides a history and context for emoji as a way of re-materializing composing while simultaneously arguing that emoji do not threaten alphabetic literacy and instead provide a means of creative graphic expression. The essay acknowledges that n some instances emoji do help to clarify the intent or tone of alphabetic writing, but it notes that emoji, like alphabetic writing, is culturally and contextually bound. Emoji expand expression and doing so open themselves to re-appropriation, intepretation and even misinterpretation, along with the affirming possibilities of artistic creation.
Super Mom In A Box,
2015
University of Georgia
Super Mom In A Box, Lindsey Harding
Harlot: A Revealing Look at the Arts of Persuasion
Super Mom in a Box examines how Pinterest influences identity formation in mothers who interact with the site. In the essay, I use my own extensive interactions on Pinterest to investigate how the site's postfeminist content and interaction design create a hypermaternal identity for maternal interactors. This piece suggests that the celebration of domesticity and femininity on Pinterest validates a mother's home-oriented interests and reinforces her commitment to family; at the same time, this celebration contributes to a limited online identity for mothers, which can produce stress and alienation in real-world experiences of motherhood. In other words, because I've scrolled …
Encomium On The Overlord,
2015
Virginia Tech
Encomium On The Overlord, Kt Torrey
Harlot: A Revealing Look at the Arts of Persuasion
As a new fan of the CW's paranormal series, Supernatural, I paid little attention to actor Misha Collins outside the omnipresent trenchcoat of his character, Castiel until a kairotic question from a fellow conference panelist pointed me in the direction of Collins' Twitter feed. I was struck by Collins' 140-character shots of performative trolling, Tweets that sang to me in shades, gleeful rhetorical waves, of the sophists, particularly because of the actor's interest in, and unique definition of, social change. Building on that sophistic seed, I argue here that Collins' construction of a megalomaniacal Twitter persona known as the Overlord …
Beer, Blogs, And Bitches,
2015
McDaniel College
Beer, Blogs, And Bitches, Lauren Murray
Harlot: A Revealing Look at the Arts of Persuasion
Beer has been branded as a product that is available to men; we see this in popular advertisements online and on television. The heteronormatively-masculine image that is created presents a complicated rhetorical situation for women interested in beer. When searching the online community for female beer bloggers, I came across blogs that seemed to be addressing women who are alienated in the beer community with hyper-feminine rhetoric. This stark contrast to the rhetoric that we typically see in beer advertisements did not appeal to me either. I've been referred to as "the girlfriend with great taste in beer" and intercepted …
#Definerhetoric 2015 Results,
2015
Portland State University
#Definerhetoric 2015 Results, Harlot Editors
Harlot: A Revealing Look at the Arts of Persuasion
Check out the winners from this year's contest!
Crafting Malfunction: Rhetoric And Circuit-Bending,
2015
Saint Joseph's University
Crafting Malfunction: Rhetoric And Circuit-Bending, Steven Hammer, Aimée Knight
Harlot: A Revealing Look at the Arts of Persuasion
Circuit-bending, an art practice developed in the 1960's, involves the creative short circuiting of battery-powered toys and instruments. Like many of its avant-garde precursors, circuit-bending is a composition practice that values access, chance, and indeterminacy. For this special issue of Harlot, we document our own circuit-bending process and make connections between the work of Qubais Reed Ghazala, the pioneer of circuit-bending, and rhetoric and writing. Specifically, we discuss the importance of access and creativity, invention and discovery, and the ways that composition is a collaborative performance between humans and nonhumans.
Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices,
2015
The University of Arizona
Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices, Lizzy Bentley, Joanna Sanchez-Avila
Harlot: A Revealing Look at the Arts of Persuasion
Each November, thousands of people gather in the small downtown of Tucson, Arizona, for a ritualistic and participatory event known as the All Souls Procession. While the Procession has drawn criticism for the cultural appropriation embedded in many of its crafting practices, its stakeholders are hesitant to acknowledge a meaningful connection to Dia de los Muertos as they frame the procession as an “authentic" multicultural event. Rather than flattening our engagement with the All Souls Procession into an either/or binary by solely condemning its problematic dimensions or praising its creativity, we choose to embrace the event's complexity by continuing a …
Crafting Change: Practicing Activism In Contemporary Australia,
2015
Victorian College of the Arts
Melbourne University
Crafting Change: Practicing Activism In Contemporary Australia, Tal Fitzpatrick, Katve-Kaisa Kontturi
Harlot: A Revealing Look at the Arts of Persuasion
This article brings together thoughts and practices of two Melbourne-based women working across the fields of craftivism, practice-led research and contemporary art history. While introducing and analysing Australian craft(ivist) projects, this article also suggests new concepts useful in tackling the contemporary phenomenon of craft activism.
Buy-It-Yourself: How Diy Got Consumerized,
2015
University of Louisville
Buy-It-Yourself: How Diy Got Consumerized, Elizabeth Chamberlain
Harlot: A Revealing Look at the Arts of Persuasion
Looking at do-it-yourself (DIY) fashion blogs as a test case, 'Buy-It-Yourself' considers some of the consumerizing pressures that can turn an anti-consumption movement into another tool of the corporate machine. I examine the punk roots of the DIY movement, the recent flurry of maker activity, and a sampling of DIY fashion blogs from their 2009 heyday through the present. Ultimately, I suggest that online activists consider DIY fashion blogs as a warning tale: as a counterculture movement begins to pick up steam, it can morph into something that betrays its original goals.
Original Webtext (WayBack Machine)
Crafting A Music Community: Making Music And Musicians In Concert,
2015
Illinois State University
Crafting A Music Community: Making Music And Musicians In Concert, Joyce Reenste Walker
Harlot: A Revealing Look at the Arts of Persuasion
In this webtext the author(s) will explore the process of writing, recording, and producing a song, within a group of musicians & sound engineers who have all be fostered/encouraged in some way through participation in a "music community" in Kalamazoo, MI. The goal of the project is threefold: (1) To actually explore the timeline of production (an EP-length set of songs) with the group, who are all working from "amateur" status -- learning the tools, practices, and skills as they compose; (2) to explore (through short video vignettes) how this particular production has been shaped by participation in the community …
Undo It Yourself: Challenging Normalizing Discourses Of Pinterest? Nailed It!,
2015
Miami University, Oxford Ohio
Undo It Yourself: Challenging Normalizing Discourses Of Pinterest? Nailed It!, Morgan C Leckie
Harlot: A Revealing Look at the Arts of Persuasion
This project explores the resistant rhetorics of online environments through site discourse analysis and person-based research of participants on popular social media scrapbooking and crafting website, Pinterest.
