Liturgy and Worship Commons^™

“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo

Senior Honors Theses

Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …

The Intersections Of Music, Love, And Worship, Jacob C. Wessel

Senior Honors Theses

When a right understanding of the doctrine of love infiltrates the art of music in the event of corporate worship, an opportunity arises for a unique synergism of knowledge, emotion and relationships. These qualities are paramount in the doctrine of love and practice of corporate worship, and they are especially encouraged by the powers of music. An exploration of these three aspects of love—knowledge, emotion and relationships—is here provided with special attention to the opportunity music and worship provide for intersections between them.

Calvin Theological Journal (Vol 50 No 1 - April 2015), Calvin Theological Seminary

Calvin Theological Journal

EDITORIAL: "Why We (Still) Speak" Calvin Theological Journal: Vols. 1.1 to 50.l, by decades by Arie C. Leder - 6 / ARTICLES: Dating John Davenant's De Gallicana controversia sententia in the Context of Debate over John Cameron: A Correction by Richard A. Muller - 10 / Spiritus Propheticus: Spirit and Prophecy in Calvin's Old Testament Exegesis by Keith D. Stanglin - 23 / Protestant Preaching: Its Strengths and Weaknesses by H. de Leede and F. Stark - 43 / The Worship of the Reformed Church and the Creation of Its Service Book by Abraham Kuyper - 59 / …

The Relationship Between The Christian Music Industry And Church Worship Music, Julianne E. Ashbaugh

Senior Honors Theses

Music has been used for millennia to worship God. Today the words worship and music are almost interchangeable in American Evangelical churches. Christian music has become a growing genre with its own radio stations, billboard charts and awards, and recording artists who exclusively sing Christian songs. Church music has also changed drastically in the past century. The musical portion of a church service used to consist of hymns led by a choir and music director who is accompanied by a piano or organ. Now many churches have a worship leader who plans and leads the musical portion of the church …

Reformed Worship (Rw) 115 - Ascension / Pentecost (March 2015), Reformed Worship Editors

Reformed Worship Magazine

Features

Worship Series: G.R.O.W. G.R.E.E.N. for the Glory of God by Verlan VanEe....3

Two Events That Make All the Difference by Diane Dykgraaf....10

Noteworthy: Quodlibet by Martin Tel....22

Articles

Editorial: The Spirit’s on the Move by Joyce Borger....2

Give Thanks to the Great Musician and Poet by David W. Music....30

Worship in the Face of Death by George Den Oudsten....38

Q&A: Ten Reasons to Celebrate Ascension Day by John Witvliet....44

Punjabi Psalms: An Interview with Eric Sarwar, Part 2 by Emily Brink and Eric Sarwar....46

Resources

Come and See: Wind of the …

Psalms In Our Lamentable World, Don Saliers

Yale Journal of Music & Religion

Where are worshipers in Christian communities to go with their experiences and observations of violence, injustice, and other forms of suffering? Historically, a central source of realistic faith-based responses to tragedy has been the Psalter, broadly defined as a set of biblical psalms arranged by date to be individually and collectively read, sung, and prayed. Recent scholarship on psalms has focused on lament and complaint, and questions regarding the presence of trauma and violence in religious traditions have shown such psalms to be particularly relevant to contemporary culture.

This article examines three “psalms of lament,” Psalms 13, 42/43, and 88, …

Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik

Yale Journal of Music & Religion

The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …

Restoration Or Invention? Archbishop Cisneros And The Mozarabic Rite In Toledo, Susan Boynton

Yale Journal of Music & Religion

As archbishop of Toledo from 1495 to 1517, Francisco Ximénez de Cisneros carried out a multifaceted campaign of support for the Mozarabic rite, which had been preserved in the Middle Ages by Christians living in Toledo under Muslim rule. Although the Roman rite was introduced into the cathedral in 1086, the Toledan Mozarabs had continued to follow their ancient liturgy in their parishes. By the end of the Middle Ages, however, the rite was rarely celebrated. Fearing that it might become obsolete, in 1501 Cisneros endowed a chapel in his cathedral for the Mozarabic rite and established a clergy of …

Listening To Your Listeners: A Preaching Preparation Process That Changes... Everything!, Lori J. Carrell

Symposium on Worship Archive

A vast majority of listeners attending U.S. churches have never talked with a pastor about a sermon. And, unfortunately, those listeners report by the thousands that though they expect spiritual growth as they listen to their preachers, it usually does not occur. Preachers who listen to their listeners as a regular part of sermon preparation can expect to change these patterns, increasing the spiritual impact of preaching for individuals, congregations, communities—and culture. During this workshop, participants will discover how diverse congregations have established and maintained pre-sermon dialogue groups (without adding to the preachers’ limited sermon prep time!).

Until Justice And Peace Embrace: Worship That Announces And Shapes Reconciliation, David M. Bailey, Shannon Jammal-Hollemans, Mwenda Ntarangwi, Kathy Smith, Sandra Maria Van Opstal, Nicholas Wolterstorff, David Rylaarsdam

Symposium on Worship Archive

Public worship and reconciliation are deeply connected. In worship, we announce the good news of reconciliation in Christ in sermons and songs. But we don’t speak or sing about it. In worship, we also practice habits that are fundamental building blocks of reconciliation: we confess sin, pass the peace to each other, and gather in unity around Christ’s table. At its best, public worship both announces and participates in Christ-shaped reconciliation. Yet this is not easy, especially when congregations are marked by divisions and conflict. What about churches that sing about reconciliation and unity, but seem unwilling or unable to …

Singing For Faith Formation: Nourishing Songs For Worship, Norma De Waal Malefyt, Rebecca Snippe

Symposium on Worship Archive

Our time together will explore song resources especially from the new songbook Lift Up Your Hearts and their selection process that will guide a congregation’s faith development through song. We will think about how songs that are chosen not only express, but form faith.

Psalmody For Holy Week, Martin Tel

Symposium on Worship Archive

The gospel writers relied heavily on the Psalms to tell the story of Christ’s suffering and crucifixion. Using the Psalter resource Psalms for All Seasons, we will explore different ways that the congregation can engage the Psalms in Holy Week services.

Seven Streams: Negotiating The Widening River Of Congregational Song, Emily R. Brink

Symposium on Worship Archive

We’ll explore both Glory to God (Presbyterian) and Lift Up Your Hearts (Christian Reformed Church in North America and Reformed Church in America), both published in 2013, for how they included many newer streams of congregational song that have joined the traditional hymn. Have you noticed that few contemporary "hymnals" today even use the word "hymn" or "hymnal" in their titles? "Hymns" don’t acknowledge the many different streams that have joined the main river of congregational song, including choruses, responses, spirituals, contemporary songs of all types, and global songs. How do congregations, let alone hymnals, respond to all that diversity? …

Biblical Storytelling Master Class, Joy-Elizabeth Lawrence

Symposium on Worship Archive

In 1 Timothy, Paul says, ". . . devote yourself to the public reading of Scripture," to his friend Timothy. One way we can devote ourselves to Scripture is by learning it by heart and telling it others. In this workshop, participants will be invited to participate by presenting, in the style of a storyteller, Scripture passages they have learned by heart. Participants are invited (not required) to present a text they have worked on in advance for discussion, encouragement, and constructive critique. Those who are unfamiliar with this style of Scripture presentation may hear familiar texts anew!

Liturgy, Anthropology, And Life Cycle, Kathy Smith

Symposium on Worship Archive

How do children worship best? How can worship help young people through the teen years? What practices of worship resonate most with adults and elderly people? This workshop will look at the human life cycle and the developmental stages that all people grow through (cognitive, sensorimotor, psychological, moral, and faith development), and will consider what this means for all ages to participate fully in worship.

Becoming Instruments Of God: Singing And Worship, Awet Andemicael

Symposium on Worship Archive

How can we, as musicians and lay and ordained ministers, cultivate our bodies as active instruments of God? In this workshop, participants will engage in guided spiritual-musical exercises to explore how the imagination, breath, vocal tone, and words—offered to God—can facilitate embodied individual and communal experiences of prayer, praise, and worship. Participants will also discuss how spiritual-musical formation such as this can enhance their effectiveness in music leadership roles in congregational settings.

Transforming Sermon Communication: A Practical Guide To Making Changes That Make A Difference, Lori J. Carrell

Symposium on Worship Archive

Hundreds of preachers changed their preaching preparation habits in ways that made a difference in the spiritual journeys of their 30,000+ listeners. What did they do? How did they do it? What can others, who speak the Word, learn from their experiences? In this workshop, participants will discover practical answers to these questions through the stories of preachers and listeners documented over several years. If you believe that the spoken Word can make a difference for individuals, congregations, communities, and culture, attend this workshop with high expectations.

What North American Churches Can Learn From The Church In Pakistan, Emily R. Brink, Eric Sarwar

Symposium on Worship Archive

Join this conversation between Eric Sarwar, a Presbyterian pastor from Pakistan, and Emily Brink, Worship Institute staff member, about how Pakistani worship practices can bless and inform the Christian church in North America. Learn more about how Pakistani Christian worship in a largely oral culture in an Islamic context. Several years ago Emily was hosted by Eric in worship conference in Karachi. They are now collaborating on transcribing raga-based psalms and various writing projects while he is studying in North America.

Accompanying In The Gospel Style With Organ And Piano, Michael Gittens

Symposium on Worship Archive

When organists and pianists accompany hymns together they often limit themselves to the notes they find on the page. The effect can be that everything sounds the same. In this session, church musician Michael Gittens will demonstrate techniques for creating clear, rhythmic and inspiring accompaniments in the gospel style, playing to the strengths of each instrument.

Moving Worship: How To Create Movement, Julia Start Fletcher

Symposium on Worship Archive

Where do we start? How do we even begin to create movement? Where can we find inspiration? Join us, and find out how to put dances together; whether you’re working with trained dancers, or not trained "pedestrians."