Liturgy and Worship Commons^™

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

Aesthetic Meaning In The Congregational Masses Of James Macmillan, Stephen Kingsbury

Yale Journal of Music & Religion

Examines the interconnetions between MacMillan’s congregational masses and other works by the composer. The compositional and philosophical commonalities between paired compositions deepens the philosophical and aesthetic meaning of both works. An understanding of these parallels and the manner in which they are worked out in practice provides an important insight into the composer’s intentions, making the performance of the masses within the context of the worship service more relevant to the spiritual experience of the congregant and provides insight into the interconnectivity of MacMillan’s compositional output.

“And Can It Be”: Analysing The Words, Music, And Contexts Of An Iconic Methodist Hymn, Martin V. Clarke

Yale Journal of Music & Religion

This paper interrogates the iconic status of Charles Wesley's hymn "And can it be" within British Methodism. It examines words, music and context, arguing that it is the combination of these that is crucial to understanding the hymn's status, and that such an approach may be more widely useful in hymnology. Through examination of the literary characteristics of the text, the musical settings associated with it throughout its history, and the ways in which it has been used within British Methodism, it reflects upon the hymn's peculiar place in the spiritual life of the denomination, and how this reflects upon …

Music In The South African Anglican Diocese Of Cape Town From 1900 To The Present: Toward A History Of Anglican Music In The Anglican Church Of Southern Africa, Andrew-John Bethke

Yale Journal of Music & Religion

This article provides a succinct history of Anglican cathedral and parish music in the Western Cape Province and the city of Cape Town. Within these parameters the author explores the musical trends in different strands of Anglicanism (Anglo-Catholic, Broad Church and Evangelical), documents the development of choirs and music groups and gauges the musical consciousness of South African Anglicans. The article begins at the turn of the twentieth century and extends to 2010. The earliest history (from 1750 - 1900) has been documented in a previous article by the same author.

The Faithful Flyer, 03-13-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Faithful Flyer, 03-06-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Dream Vision From The Song Of Songs By Jerome, Jane Beal Phd

Transference

Translated from the Latin by Jane Beal.

Calvin Theological Seminary Forum: March 2016, Julius T. Medenblik, Cory Willson, Mary Vanden Berg, Sarah Schreiber

Calvin Theological Seminary Forum (2002- )

Articles
3 - From the President: How Now Shall We Live? by Jul Medenblik
4 - Every Believer Called to Mission by Cory Willson
6 - Prayers from the Missional Conference by Mary Vanden Berg and Sarah Schreiber
8 - Bavinck’s Reformed Dogmatics by John Bolt
9 - Meet Herman Bavinck by Jessica Driesenga
12 - Fostering Formation for Mission in Our Classrooms by Kristy Manion
15 - Is There a Future for Sacrifice? by Erin Zoutendam
16 - Taste and See Israel Trip by Paula Seales
18 - Church Growth and Its Challenges in Ethiopia by Fikre Norcha

Reformed Worship (Rw) 119 - Ascension / Pentecost (March 2016), Reformed Worship Editors

Reformed Worship Magazine

Features

Reconciliation and Pentecost by Shannon Jammal-Hollemans....3

Come and See: Breath, Wind, Fire, Dove by Amy Wallace Parker and Todd Wright....10

Singing the Sovereignty of Christ by Hillary Donaldson....17

Articles

Editorial: The Rest of the Story by Joyce Borger....2

For Pastors: Preaching Under the Session of Christ by Scott Hoezee....14

The Power of Language by Amos Yong....28

Q&A: The Super-Concentrated Practice of Public Worship by John Witvliet....42

The Ministry of Song by Ron Man....46

To a Faithful Choir Member by Roger Wayne Hicks....48

Resources

A Word to the Wise by Joy …

Meeting God Face To Face., S. Joseph Kidder, Kristy L. Hodson

Faculty Publications

"This is the power of prayer, relationship, and ministry, the power of an ongoing process. It is the power of personal spir­ituality and seeing God. When we have an experience with God, we are overcome with a desire to share Him with others."

The Faithful Flyer, 02-28-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Faithful Flyer, 02-21-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Faithful Flyer, 02-14-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Faithful Flyer, 02-07-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

The Faithful Flyer, 01-31-2016, University Of Dayton. Campus Ministry

Chapel Bulletins

No abstract provided.

Bad Worship In The Bible, Cornelius Plantinga Jr.

Symposium on Worship Archive

Dirkie Smits, eminent South African theologian, has observed that virtually every book of the Bible condemns bad worship—which is likely to be some odious combination of idolatrous, hypocritical, or careless. Concretely, what does the Bible have to say about bad worship? And how might we strive to learn from what it says and adjust our own worship practices accordingly?

Sanctifying Art: Inviting Conversation Between Artists, Theologians, And The Church, Deborah Sokolove

Symposium on Worship Archive

In her book, Sanctifying Art, Deborah Sokolove offers ways to understand the arts as a way of thinking and understanding, as a tool for healing the broken places in the world, and even as a divinely ordained means of grace. To sanctify an object or an activity is to set it aside for divine purposes, to purify it, to make it holy. Similarly, individuals and even communities are said to be sanctified when they live in close alignment with God’s will. Art is one of the activities that human beings have been given to aid in the process of sanctification. …

Heartsongs For Good Friday And Easter: Insights And Inspiration From Worshiping Communities Across North American And Around The World, Robert J. Batastini, Judith Laoyan-Mosomos, Swee Hong Lim, Emmet G. Price Iii, Raymond Wise Phd, John D. Witvliet

Symposium on Worship Archive

The death and resurrection of Jesus Christ is at the center of Christian faith, life, and worship. Every Good Friday and Easters, Christians from all over the world gather in remarkably different contexts to tell this story—and sing about what it means for us and the world God loves. During this session, panelists will be asked to choose two songs from their ministry context which unpack the significant of Jesus’ death and resurrection—songs which are deeply loved and that poignantly express the meaning of these events. Come to discover some new songs that you will want to sing, to glimpse …

How To Commission Liturgical Art, Jeanne Logan

Symposium on Worship Archive

Jeanne will show examples of her own commissioned work as well as outstanding examples of the work of others. She will then focus on the nuts and bolts of commissioning a work of liturgical art: what does the artist expect from you and what you should expect from the artist.

21 Spirituals For The 21st Century, Raymond Wise Phd

Symposium on Worship Archive

The Negro Spiritual has been hailed as American’s first authentic folk music. Spirituals have served as a primary musical source from which many sacred and secular musical genres have stemmed. The “Spiritual” itself has evolved into many forms. There are oral, concert, art song, congregational, and gospel spirituals, and each has its own unique musical characteristics that have helped to preserve the Spiritual as a musical form. Come learn more about Spirituals, hear and sing some traditional spirituals and experience contemporary spiritual arrangements from Raymond Wise’s collection of 21 Spirituals for the 21st Century.