Nancy And Neruda: Poetry Thinking Love,
2014
Samford University
Nancy And Neruda: Poetry Thinking Love, Joshua M. Hall
Contemporary Aesthetics (Journal Archive)
My intention in this paper is to respond to Jean-Luc Nancy’s claim that poetry, along with philosophy, is essentially incapable of what Nancy describes as “thinking love.” To do so, I will first try to come to an understanding of Nancy’s thinking regarding love and then of poetry as presented in his essay “Shattered Love.” Having thus prepared the way, I will then respond, via Pablo Neruda’s poem “Oda al Limón,” to Nancy’s understanding of poetry vis-à-vis “Shattered Love.” This response, in acting out Nancy’s thinking regarding love, will suggest a greater plurality within poetry than Nancy acknowledged
Fitness For Function And Dance Aesthetics,
2014
Queens University of Charlotte
Fitness For Function And Dance Aesthetics, Eric C. Mullis
Contemporary Aesthetics (Journal Archive)
This essay discusses the manner in which the appreciation of fitness for function can be applied to dance aesthetics. Drawing on Allen Carlson and Glenn Parsons’ work, the essay considers the problems of indeterminacy, translation, and dysfunction as they pertain to the appreciation of dance movement. It then argues that fitness for function can be used to critically assess post-modern task dances and contemporary dance works that do not rely on the execution of codified dance technique.
Smell And Anosmia In The Aesthetic: Appreciation Of Gardens,
2014
Universidad Autónoma de Barcelona
Smell And Anosmia In The Aesthetic: Appreciation Of Gardens, Marta Tafalla
Contemporary Aesthetics (Journal Archive)
In his Critique of the Power of Judgment, Kant defined the garden as a visual art and considered that smell plays no role in its aesthetic appreciation. If the Kantian thesis were right, then a person who has no sense of smell (who suffers from anosmia) would not be impaired in his or her aesthetic appreciation of gardens. At the same time, a visually impaired person could not appreciate the beauty of gardens, although he or she could perceive them through hearing, smell, taste, and touch. In this paper I discuss the role of smell and anosmia in the aesthetic …
Recent Publications,
2014
Rhode Island School of Design
Contemporary Aesthetics: Perspectives On Times, Space And Content,
2014
Aalto University
Contemporary Aesthetics: Perspectives On Times, Space And Content, Ossi Naukkarinen
Contemporary Aesthetics (Journal Archive)
What is contemporary aesthetics? The answer to this question is often simply stated rather than carefully elaborated, even if the current nature and scope of the discipline is far from self-evident. To examine how both the concept and the field of contemporary aesthetics can be understood, I suggest that it is useful to consider three themes: the time, space, and content of aesthetics, i.e., the questions of when, where, and what contemporary aesthetics is. Through this, it is possible to construe a conceptual space of contemporary aesthetics and to compare different instantiations of it with each other.
Numbing The Heart: Racist Jokes And The Aesthetic Affect,
2014
John Jay College of Criminal Justice at CUNY
Numbing The Heart: Racist Jokes And The Aesthetic Affect, Tanya Rodriguez
Contemporary Aesthetics (Journal Archive)
People sometimes resist the idea that racist humor fails on aesthetic grounds because they find it funny. They make the case that we can enjoy its comic aspects by controlling our attention, by focusing on a joke’s rhythm or delivery rather than on its racist content. Ironic intent may reside with the joke teller and/or the audience. I discuss how arguments for the immorality of racist jokes fall short. Ironic racist jokes may be acceptable to an audience that already rejects racism but is comfortable with such ironic racist joking precisely because as individuals they feel confident in their own …
Brain And Aesthetic Attitude: How To Integrate "Old" And "New" Aesthetics,
2014
University of Rome
Brain And Aesthetic Attitude: How To Integrate "Old" And "New" Aesthetics, Gianluca Consoli
Contemporary Aesthetics (Journal Archive)
At present, various efforts are being put forward to naturalize aesthetics. One of the most controversial disciplines of aesthetics is neuroaesthetics. The first applications of neuroimaging of the aesthetic experience of paintings occurred ten years ago. Over this decade, neuroscientific findings have determined three common centers of visual aesthetic experience: top-down processing; reward and evaluation; and cortical sensory processing. Undoubtedly, these common centers require better identification and further investigation. However, the experimental data currently available make it possible to falsify or corroborate traditional philosophical theories of aesthetic perception and evaluation. Within an integrated approach to aesthetics, this selective function might …
Historical Formalism In Music: Toward A Philosophical Theory Of Musical Form,
2014
Nanjing University
Historical Formalism In Music: Toward A Philosophical Theory Of Musical Form, Andrea Baldini
Contemporary Aesthetics (Journal Archive)
In this paper I begin to fashion a theory of musical form that I call historical formalism. Historical formalism posits that our perception of the formal properties of a musical work is informed by considerations not only of artistic categories but also of the historical, sociopolitical, and cultural circumstances within which that work was composed.
Oceanic Feeling In Painterly Creativity,
2014
University of Jyvaskyla
Oceanic Feeling In Painterly Creativity, Jussi Antti Saarinen
Contemporary Aesthetics (Journal Archive)
The oceanic feeling is a frequent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has been reported to involve experiences of fusion with various objects, including works of art. In this article, I discuss the oceanic feeling in the specific context of painterly creativity. I begin by arguing that the oceanic feeling cannot be classified as an emotion, mood, or bodily feeling, in the established definitions of these terms. I then introduce philosopher Matthew Ratcliffe’s theory of existential feelings to help formulate a more accurate view of the oceanic feeling. …
Pushing The Limits: Risk And Accomplishment In Musical Performance,
2014
Rowan University
Pushing The Limits: Risk And Accomplishment In Musical Performance, David Clowney, Robert Rawlins
Contemporary Aesthetics (Journal Archive)
Using examples from musical performance of several kinds, we argue that risk-taking, showing off, virtuosity, and other forms of musical showmanship are in many cases, though not in all, an integral and appropriate part of the music as performed on that occasion. We reflect on the difference between cases where this is so and cases where it is not, using insights from John Dewey’s aesthetics as articulated in Art as Experience.
Schiller Revisited: "Beauty Is Freedom In Appearance" Aesthetics As A Challenge To The Modern Way Of Thinking,
2014
Friedrich-Schiller-Universitaet Jena
Schiller Revisited: "Beauty Is Freedom In Appearance" Aesthetics As A Challenge To The Modern Way Of Thinking, Wolfgang Welsch
Contemporary Aesthetics (Journal Archive)
This essay re-evaluates Schiller's idea of beauty as “freedom in appearance,” as brought forward in his Kallias or On Beauty(1793), against the backdrop of early modern and modern thinking that based itself on a fundamental split between nature and freedom, world and man. Schiller's claim that natural beauty results from freedom in nature bridges this gap. His suggestion is confirmed by modern science. Schiller's view is recommended and defended as a way of escaping modern bigotry
The Point Of Everyday Aesthetics,
2014
Rhode Island School of Design
The Point Of Everyday Aesthetics, Kevin Melcionne
Contemporary Aesthetics (Journal Archive)
The point of everyday aesthetic activity is well-being
Harnessing The Imagination: The Asymmetry Of Belief And Make-Believe,
2014
University of Cape Town
Harnessing The Imagination: The Asymmetry Of Belief And Make-Believe, Elisa Galgut
Contemporary Aesthetics (Journal Archive)
Contemporary philosophical discussion on the nature of the imagination has been influenced by recent empirical work in cognitive science. Our imaginative and emotional engagement with works of fiction has been explained by appealing to the similarities between our ordinary cognitive functioning and the workings of our imagination. Believing and imagining, it is argued, are governed by a “single code.” I argue against this claim, and suggest that our imagination – and in particular our literary imagination – in many respects functions very differently from ordinary cognition.
Activism And Offense : A Philosophical Analysis,
2014
University of Northern Iowa
Activism And Offense : A Philosophical Analysis, Stef Mcgraw
Honors Program Theses
In the realm of interpersonal interactions, there are many pieces of conventional wisdom that dictate how most Americans ought to behave. One such example of this is that Americans ought to “do good” in the world. This could mean simply acting kindly to others, but more often it is meant as taking explicit action to promote positive change in the world. Another social norm is that Americans, particularly Iowans and other Midwesterners1 , ought to “avoid causing offense.” It is not difficult to see how these two norms sometimes collide, since positive change often entails the transformation of social norms …
Sophia: Theoretical Wisdom And Contemporary Epistemology,
2014
Loyola Marymount University
Sophia: Theoretical Wisdom And Contemporary Epistemology, Jason Baehr
Philosophy Faculty Works
No abstract provided.
Philosophy And Theology: Duties To Children,
2014
Loyola Marymount University
Philosophy And Theology: Duties To Children, Christopher Kaczor
Philosophy Faculty Works
The article offers the author's insights related to adoption of children and the duties of parents on their children. The author discusses the criticisms of author Mhairi Cowden on philosopher professor Matthew Liao regarding the right of children to be loved which according to Liao, love is necessary to flourish children in terms of emotional, physical, and social well-being.
The Motion Of Intellect On The Neoplatonic Reading Of Sophist 248e-249d,
2014
Loyola Marymount University
The Motion Of Intellect On The Neoplatonic Reading Of Sophist 248e-249d, Eric D. Perl
Philosophy Faculty Works
This paper defends Plotinus’ reading of Sophist 248e-249d as an expression of the togetherness or unity-in-duality of intellect and intelligible being. Throughout the dialogues Plato consistently presents knowledge as a togetherness of knower and known, expressing this through the myth of recollection and through metaphors of grasping, eating, and sexual union. He indicates that an intelligible paradigm is in the thought that apprehends it, and regularly regards the forms not as extrinsic “objects” but as the contents of living intelligence. A meticulous reading of Sophist 248e-249d shows that the “motion” attributed to intelligible being is not temporal change but the …
Review Of Darwinism And The Divine: Evolutionary Thought And Natural Theology,
2014
Loyola Marymount University
Review Of Darwinism And The Divine: Evolutionary Thought And Natural Theology, Timothy Shanahan
Philosophy Faculty Works
No abstract provided.
Political Perfectionism And Aesthetic Experience,
2014
University of South Carolina - Columbia
Political Perfectionism And Aesthetic Experience, Michael R. Spicher
Theses and Dissertations
Many people share the belief that the state can lend support to the arts and the natural environment for their cultural and aesthetic qualities. However, the question remains open as to what justifies this support. This question hinges on whether the state must be neutral in reference to judgment of values. The political anti-perfectionist positions of Rawls and Dworkin are inadequate to justify this kind of state support because the funding of art necessarily involves a judgment of value in two ways. First, the fact that the state funds any art requires that, in general, art is valuable. Second, determining …
Ecology, Emotion, And Culture: The Moral Psychology Of Environmentalism,
2014
DePauw University
Ecology, Emotion, And Culture: The Moral Psychology Of Environmentalism, Camille G. Veri 14
Honor Scholar Theses
None
