A Role For Empathy In Decolonizing Aesthetics: Unlikely Lessons From Roger Fry,
2019
Bard Graduate Center
A Role For Empathy In Decolonizing Aesthetics: Unlikely Lessons From Roger Fry, Ivan Gaskell
Contemporary Aesthetics (Journal Archive)
Artist and art historian Roger Fry used Paul Gauguin’s 1896 painting, Poèmes barbares, to advertise his 1910 exhibition, Manet and the Post-Impressionists. In Vision and Design (1920), Fry promoted the so-called “primitive” art of Oceania and sub-Saharan Africa as depending on unmediated perception that he associated with the Impressionists and Post-Impressionists. Although Fry’s assumption of an “ultra-primitive directness of vision” on the part of African makers ignores their own mediating conventions, his reliance on the Vischers’ notion of empathetic connection enhances the possibility of regarding the cultural products of peoples foreign to the percipient with what Paul C. …
Saints, Mediation, And Miracle-Talk: The Señor De Los Milagros In Lima, Peru,
2019
McGill University
Saints, Mediation, And Miracle-Talk: The Señor De Los Milagros In Lima, Peru, Kristin Norget, Margarita Zires Roldán
Journal of Global Catholicism
No abstract provided.
Competing Sovereignties: Indigeneity And The Visual Culture Of Catholic Colonization At The 1925 Pontifical Missionary Exhibition,
2019
College of the Holy Cross
Competing Sovereignties: Indigeneity And The Visual Culture Of Catholic Colonization At The 1925 Pontifical Missionary Exhibition, Gloria Bell
Journal of Global Catholicism
Through an analysis of Catholic colonial cum missionary imagery, First Nations artwork, missionary accounts and archival fragments, this article examines the competing sovereignties of Indigeneity and Papal visual culture through the case study of the 1925 Pontifical Missionary Exhibition at the Vatican.
Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity,
2019
University of North Carolina at Charlotte
Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget
Journal of Global Catholicism
No abstract provided.
Overview & Acknowledgements,
2019
College of the Holy Cross
Overview & Acknowledgements, Mathew Schmalz
Journal of Global Catholicism
No abstract provided.
A Volitional Theory Of Aesthetic Value,
2019
CUNY Graduate Center
A Volitional Theory Of Aesthetic Value, John Dyck
Dissertations, Theses, and Capstone Projects
In this dissertation, I defend a volitionalist theory of aesthetic value. The volitionalist theory is a species of response-based models of aesthetic value: It holds that aesthetic value is based in a kind of human response. Traditional response-based theories of aesthetic value hold that value is based in responses of cognition, perception, desire, or pleasure. The volitional theory offers a new response as the home of aesthetic value: the will. We find things beautiful, I argue, because we orient our selves towards them; we find things ugly, I argue, because we orient our selves against them. The volitionalist theory I …
Ordinary Monsters: Ethical Criticism And The Lives Of Artists,
2019
Appalachian State University
Ordinary Monsters: Ethical Criticism And The Lives Of Artists, Christopher Bartel
Contemporary Aesthetics (Journal Archive)
Should we take into account an artist’s personal moral failings when appreciating or evaluating the work? In this essay, I seek to expand Berys Gaut’s account of ethicism by showing how moral judgment of an artist’s private moral actions can figure in one’s overall evaluation of their work. To expand Gaut’s view, I argue that the artist’s personal morality is relevant to our evaluation of their work because we may only come to understand the point of view of the work, and therefore the work’s prescribed attitude, by examining the values, attitudes, and behaviors of the artist. This view is …
Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933),
2019
Binghamton University--SUNY
Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward
Comparative Literature Faculty and Student Scholarship
A translation of「なぜ作陶を志したか」、北大路魯山人著、1933年
Source, Aozora Bunko (a digital archive of public-domain Japanese-language works):
General website: https://www.aozora.gr.jp
Current text: https://www.aozora.gr.jp/cards/001403/files/55082_54782.html
All rights reserved, Christopher Southward, 2019
Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon,
2019
University of New Orleans
Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon, Alexander S. Laws
LSU New Orleans Theses and Dissertations
Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.
An Alternative To “Rules” In Practice Approaches To Distinguishing Art Kinds,
2019
University of Illinois at Springfield
An Alternative To “Rules” In Practice Approaches To Distinguishing Art Kinds, Larry Shiner
Contemporary Aesthetics (Journal Archive)
Numerous contemporary philosophers have invoked the idea that art is best understood as a social practice in order to distinguish among art kinds or to distinguish Art from closely related practices such as Design. Many general accounts of social practices and of art practices in particular claim that sets of shared assumptions or norms are a key constituent of practices. But some standard accounts of social practices interpret these shared norms with the concept of “rules” or “agreements.” I argue that the idea of rules or agreements is theoretically inadequate and should be replaced by what the philosopher of science, …
Thelonious Monk's Prototypical Style: Close And Distant Readings Of Jazz Stylings,
2019
Louisiana State University
Thelonious Monk's Prototypical Style: Close And Distant Readings Of Jazz Stylings, Connor Davis
LSU Doctoral Dissertations
Thelonious Monk’s style has been considered non-conformist, modernist, technically stilted, intentionally unconventional, even incompetent. His performing is idiosyncratic, to say the least. However, by what metric is his performing idiosyncratic, or, framed another way, in what ways do Thelonious Monk’s performances deviate from the prototypical performance? Situated within family resemblance theories of prototypicality, I utilize supervised and unsupervised machine learning approaches to categorize jazz solos based on their melodic usage of standard jazz language (novel corpus of 530 jazz solo improvisations). Using these distant readings to determine which solos are prototypical, I perform a close reading of these prototypical solos …
Sunésis: Evolving Aesthetic Discourse In Traditional Music Practices In Ireland,
2019
Technological University Dublin
Sunésis: Evolving Aesthetic Discourse In Traditional Music Practices In Ireland, Nollaig Ó Fiongháile
Research Theses
The enquiry ‘Súnesis’ investigates aesthetic awareness in traditional music practices in Ireland and seeks to evolve an aesthetic discourse with the practices at hand.Súnesis undertakes a critical examination of a suite of performances from contemporary and traditional folk music practices in Ireland. Engaging an interpretative model evolved by Paul Ricoeur, the author designs a dimensional pathway to articulate the modes of consciousness and aesthetic awareness at work in the creative act.
It is proposed that a rethinking of traditional folk music is required, beyond the disciplinary, geographical or political boundaries more typically conceived in music studies. With an alternate …
Are Postmodernism And #Metoo Incompatible?,
2019
CUNY Queens College
Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu
Publications and Research
- If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.
Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics,
2019
Linfield College
Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson
Senior Theses
The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …
Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare,
2019
CUNY Hunter College
Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn
Theses and Dissertations
John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …
Wangheng Chen’S Chinese Environmental Aesthetics,
2019
Long Island University
Wangheng Chen’S Chinese Environmental Aesthetics, Arnold Berleant
Contemporary Aesthetics (Journal Archive)
No abstract provided.
Who Are We?,
2019
Middle East Technical University
Who Are We?, Jale Erzen
Contemporary Aesthetics (Journal Archive)
No abstract provided.
Enchantment: A Teleology,
2019
Liberty University
Enchantment: A Teleology, Nathanael S. Toth
Senior Honors Theses
Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.
This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …
V.1 Spring 2019,
2019
Rhode Island School of Design
V.1 Spring 2019, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2019 issue contains articles on studio practice, a Sculpture studio that uses Fort Adams as an installation site, Harvard Art Museum's pigment collection, a student's recollections of the British Club in Bahrain, creativity in Sri Lanka, gender agnosticism/transgenderism, RISD Provost Ken Kleinman, Vice-President of Social Equity and Inclusion Matthew Shenoda, reflections from the workshops "Urgency Lab," the Sunrise Movement, a RISD Museum performance "Strand," a counter-protest to the "Unite the Right" rally in Charlottesville, religion …
Perception And World,
2019
Friedrich Schiller University
Perception And World, Wolfgang Welsch
Contemporary Aesthetics (Journal Archive)
No abstract provided.
