Aesthetics Commons^™

Reflections, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Sculpture And Its Meaning In The Context Of Berleant’S Aesthetic Engagement, Anna Wolińska

Contemporary Aesthetics (Journal Archive)

It is not my intention to provide a comprehensive analysis of Berleant’s notion of aesthetic engagement. My goal is modest. I hope to account for the key significance of the philosophical problematization of sculpture, in the context of engaged aesthetics. In writing about the philosophical problematization of sculpture, I am thinking most of all about the problem of space, a phenomenon that emerges in the relationship of the solid form to its surroundings. It is a relationship that is usually perceived as directly connected with the sculpture. I want to emphasize that Alicja Kuczyńska was well aware of the …

It's Funny 'Cause It's True: The Lighthearted Philosophers’ Society’S Introduction To Philosophy Through Humor, Jennifer Marra Henrigillis, Steven Gimbel

Open Educational Resources

It's Funny 'Cause It's True is an introductory text in philosophy exploring logic, metaphysics, epistemology, ethics, and aesthetics through questions in the philosophy of humor. Subfields receive a substantive introduction with interactive essays written to be accessible to undergraduates.

Günther Anders’S Epitaph For Aikichi Kuboyama, Babette Babich

Articles and Chapters in Academic Book Collections

Günther Anders’s poem Du kleiner Fischerman is read here as a text contribution to the irruption that is violence and its enduring (omnipresent) aftermath. The essay includes a discussion of transmedial expression, including dramatization, or television and social media, text and subtext, as well as the inspiration of Anders’s poem as a work of art continuing in our times: the ongoing exclusion(s) of certain names and certain thinkers as of certain musical modes, including electronic musical works, as of voices and of collective memory, or oblivion. Reading Raymond Williams along with Anders and Adorno on television updated in today’s era …

Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia

Languages and Cultures Publications

The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Beside| |Between, Brooke J. Armstrong

Graduate Student Theses, Dissertations, & Professional Papers

Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Earth Tone Sigh Spell, Martha Glenn

Theses and Dissertations

A written accompaniment to the artist’s thesis exhibition titled Earth Tone Sigh Spell, conceived during the years 2020-21 and installed at The Anderson Gallery, Richmond from May 1–15, 2021.

The following thesis explores themes of personal memory, geo-theory, myth, symbol, and historical event. The artist uses research and stream of consciousness writing methods as a way to weave these concepts together and tie them back to her own practice with installation, sculpture, and new media.

Exploring The Causal Role Of Inferences Elicited By Accompanying Text In Aesthetic Experiences, Christian C. Steciuch

Graduate Research Theses & Dissertations

Appreciating paintings has been shown to be partly based on the viewer’s knowledge of the artwork. One technique that provides background knowledge to viewers is through text that is shown alongside artwork. Knowledge of the artwork can also arise from inferential processes regarding the artwork. Relatively little research has explored the role of accompanying text and inferential processes on aesthetic responses. The current study assessed the causal role of accompanying text and inference-making across cognitive (e.g., understanding) and emotional (e.g., positive affect) aesthetic responses. It was hypothesized that aesthetic responses would increase with the amount of accompanying text paired with …

Difficult Paintings, Hao (Damien) Ding

Theses and Dissertations

The sublime as a concept has a fraught and racist history. However, it remains the single most helpful idea in describing the deeply felt state of being when one comes across something ineffably powerful. From an art-making perspective, this thesis, and the accompanying exhibition of installations and paintings, proposes an alternative construction of the concept of the sublime. Using Lacanian psychoanalysis as a conceptual point of departure, a painter can manipulate the relationship of the viewer and paintings to create paradoxical moments of simultaneous intimacy and distance, which interact to create an alternative path towards the sublime. Through descriptions of …

Keeping Score: Some Lessons For Artists From The Later Wittgenstein, Nickolas Calabrese

Contemporary Aesthetics (Journal Archive)

This text rounds up a few lessons fashioned after the idea of keeping score as it relates to the later work of Ludwig Wittgenstein. These lessons are emphatically related to the production of art, so this text might be at its best in the hands of an artist. They all loosely demonstrate the normative dimension of aesthetic production, which amounts to the claim that one is committed, by the act of production, to a communal endorsement for why an artwork ought to exist at all. The final part of this text will expand on this principle of normativity, but it …

Reconstructing Heritage: Places, Values, Attachment, Lisa Giombini

Contemporary Aesthetics (Journal Archive)

As natural catastrophes alter the environment, historical towns and other sites of heritage significance are at risk of being damaged, if not disrupted altogether. How should we confront the prospect of these disasters? And how are we to cope with the reconstructions that will be needed as these phenomena occur?

In this paper, I explore philosophical tools for thinking more deeply about the choices surrounding heritage conservation. Recent work in environmental psychology has investigated people’s emotional bond to places and how changes in a place’s structure may pose a threat to individual and social cohesion. Similarly, everyday aestheticians emphasize the …

De La Gravure Scientifique À La Gravure Artistique : Le Burin De Pierre Lyonet Et De Cécile Reims, Hélène Laulan, Caroline Anthérieu-Yagbasan

The Goose

Comment l’image peut-elle nous faire habiter le monde ? Pour répondre à cette problématique, nous cherchons ici à interroger la tension peut-être trop tranchée entre images scientifiques et images artistiques, pour construire un questionnement ontologique sur l’image. Cette réflexion s’appuiera sur la pratique de deux graveurs, l'un dit « scientifique », et l'autre « artiste ».

Floating Gardens In The Urban Landscape, Victor Rivera-Diaz

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On Japanese Minimalism, Paul Haimes

Contemporary Aesthetics (Journal Archive)

Shibumi, a Japanese term referring to a subtle elegance, but at times suggestive of austerity or even bitterness, captures a certain sense of restraint that is reflected in much traditional Japanese design. Although concepts derived from Japanese Zen Buddhism, such as ma, wabi-sabi, and iki, may be more commonly known to English-speaking audiences, this article proposes that shibumi is the more appropriate concept to apply when considering the minimalist nature inherent in much Japanese design. Moreover, this article suggests that shibumi and modernist design tastes may be compatible, despite past suggestions to the contrary. To support …

The Hospitality Of The Abyssal Ground Or Perceptual Architectures Of Indeterminacy, Natasha Lushetich

Contemporary Aesthetics (Journal Archive)

There never has been such a thing as solid ground. As profoundly transient beings, all we can hope for is the hospitality of the abyssal ground.[1] Perhaps that is why our everyday aesthetic appreciation of our natural environment is inseparable from indeterminacy, as change and ambiguity but also potentiality; think of the immensely pleasurable journeys through the rapidly changing shapes in fire- or cloud-gazing. But can the same be said of our machinic environment? In this article, I discuss indeterminacy as a generative principle in four realms: elemental, evental, linguistic, and machinic. Anchoring the transubstantiating potential of the four …

A Philosophical Account Of Listening Musically, Paskalina Bourbon

Contemporary Aesthetics (Journal Archive)

What is the distinctive character of musical experiences? An answer: musical experience is distinctive because it is of music. I argue, however, that the difference between musical and nonmusical experience cannot be explained with an ontological account of music per se. Instead, we have musical experiences of sounds whenever we listen and attend to sounds in a particular kind of way. I call this special kind of attention “musical listening.” One can explain why musical experiences are distinctive by explaining what makes musical listening distinctive. This account of musical listening suggests an anti-realist stance towards music; there is no …