Aesthetics Commons^™

A Widened Angle Of View: Teaching Theology And Racial Embodiment, Mara Brecht

Journal of Global Catholicism

Today’s undergraduate students are digital natives, shaped by constant access to information and countless experiences of encountering the world through the convenience of a screen. The ostensible comfort students have with difference gives way to a paradox, and one that’s made especially apparent in the theology classroom: Students are comfortable with seeing difference and particularity at a distance, but not adept at locating difference and particularity “at home.” I contend that Catholics & Cultures can help students from the dominant culture—namely, white students who comprise the vast majority of Catholic college students—destabilize their notion of the Catholic tradition as tightly …

Introducing Catholics & Cultures: Ethnography, Encyclopedia, Cyborg, Mathew N. Schmalz

Journal of Global Catholicism

In introducing the Catholics & Cultures site and the articles in this special issue, this essay initially locates the overall Catholic & Cultures project within the traditions of ethnography and encyclopedia. Drawing extensively on the work of J. Z. Smith, this essay reflects upon the theoretical implications of emphasizing the diversity of Catholicism in and through a web-based platform that facilitates comparative study and pedagogy. This essay then more specifically considers the web-based aspects of Catholics & Cultures by identifying a nascent cyborgian aesthetic in the site and considering how the site might eventually engage post-modern themes and concerns.

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

Aesthetics From The Visual Artists’ Viewpoint, Dena Shottenkirk

Contemporary Aesthetics (Journal Archive)

How to characterize aesthetics has been revived with Bence Nanay’s Aesthetics as Philosophy of Perception. Reviewing criticisms made by Dustin Stokes, this paper makes the argument that Nanay’s problem is broader than what Stokes points to, as it involves the problem of property attribution and the difference between perceiving a property in a nonaesthetic situation and an aesthetic one. The latter context involves not attributing a property to an object, but rather the process of perceiving low-level features. The problem of how to characterize aesthetics is thus solved by looking at three things: recent research into gist perception, Gareth …

Authenticity, Universality, And Expression In Song: The Case Of Flamenco, Peter Manuel

Contemporary Aesthetics (Journal Archive)

This article explores questions of aesthetic expression and meaning in song, focusing in particular on the enigmatic dynamics involved in song’s combination of abstract and lyrical dimensions of import. These questions are especially overt and actively debated in flamenco, where an ideology of authenticity and suffering, akin to that in African-American genres such as blues or rap, implies that a singer must draw on certain profound biographical experiences rather than universal emotions. However, the accounts of various performers suggest alternate expressive processes in which singers of any background can use a certain sort of role-playing to generate actual emotions that …

Seeing Through The Aesthetic Worldview, Andrew Lambert

Publications and Research

Examines the various ways in which the Chinese intellectual tradition has been characterized as an 'aesthetic tradition'. In particular, this paper explores Roger Ames’ and David Hall’s claim that the classical Confucian tradition is an aesthetic tradition, comprising an aesthetic order.

Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson

Art and Design Faculty Works

This document is the manuscript version before graphic design and copyediting. Follow this link to see the final version.

The situation that inspired and drove these aesthetic guidelines for campus master planning were unique to the history Bethel University and Seminary. By the early 1960s, Bethel was outgrowing its site on Snelling Avenue in St. Paul. The opportunity to purchase 160 acres in Arden Hills arose and the leap of faith was taken to buy this land and relocate. But it was not that simple. More was involved than mere practical problems of too-little space solved by an abundance …

Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson

Art and Design Faculty Works

Table of Contents

Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

The Need for Aesthetic Guidelines for Campus Master Planning The Purpose and Use of this Document

Aesthetic Guidelines: “Suggestions Concerning the Character of the New Campus,” by Eugene Johnson (1963) (original version without annotations) . . . . . . . 5

Eugene Johnson’s, “Suggestions Concerning the Character of the New Campus” (with annotations, a history of interpretation and use) Annotations …

The Seduction Of Pessimism: Eros, Failure, And The Novel, Tom Ribitzky

Dissertations, Theses, and Capstone Projects

In Plato’s Symposium, we get a pessimistic myth not only about love, but about the first experience of loss, in which we were once globular cosmic beings who were split in two by Zeus’s thunderbolts as punishment for not obeying the Olympian gods. Falling down to earth after the split, Zeus introduced eros out of pity for our condition. Our consolation was to find our other halves and hold on to them as a way of remembering what it was like when we were whole. But, as Allan Bloom notes:

…man’s condition soon worsened. In the beginning, their real …

The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan

Dissertations, Theses, and Capstone Projects

This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Book Review On New Essays In Japanese Aesthetics (Edited By A. Minh Nguyen), Mary Wiseman

Comparative Philosophy

No abstract provided.

Making Sense Of ‘Tropical’ Kitsch, Max Ryynänen, Anna-Sofia Sysser

Contemporary Aesthetics (Journal Archive)

The ‘tropical’ has not just been “imported” to Northern spas and travel agency advertisements. Plastic palm trees and inflatable pineapples echo tourism experiences, have roots in “feel-good” Americana, and belong to colonial imagery. The tropical is often portrayed in simplified ways, even though there is a huge diversity of cultures, inhabitants and landscapes within the tropical zone. Could the concept of kitsch help us to understand the construct of the tropical? Could the ‘tropical’ help us to understand kitsch? If one takes away the nearly deceased modern conception of kitsch as pretentious pseudo-art and concentrates on sentimental and/or sugared knickknacks …

Arnold Berleant’S Project Of Post-Kantian Aesthetics, Krystyna Wilkoszewska

Contemporary Aesthetics (Journal Archive)

Changes in art and culture toward the end of the twentieth century have become a challenge for aesthetics. Arnold Berleant is one of the forerunners of the revising of modern aesthetics, and has been from the very start of his research. He has especially examined the relationship of aesthetics to philosophy.

His critique resonates with views expressed by Nietzsche, Merleau-Ponty, James, and Dewey, in addition to ecological and feminist departures from Kantian aesthetics. He has criticized the category of disinterestedness and the aesthetics of separation, isolation, contemplation, and distance. This critical analysis is linked to overcoming the notion of experience …

Disinterestedness, Disdain And The Reception Of Berleant’S Major Idea, Cheryl Foster

Contemporary Aesthetics (Journal Archive)

Arnold Berleant’s philosophical theories have proven to be prescient in their identification of an aesthetic interface between human beings and the natural world – the interface he calls “engagement,” a form of participatory aesthetics. This essay presents the context out of which Berleant’s theory of engagement has evolved and then touches upon the application of engagement first to cases of aesthetic appreciation and then to a very recent case in coastal ecology and management. It is suggested that Berleant’s elaboration of a “participatory aesthetics” both mirrors and informs the scientific model of “participatory research,” which in turn has implications for …

A Philosophical Retrospective, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Berleant’S Phenomenology Of Sculptural Space: Brâncuşi, Alicja Kuczyńska

Contemporary Aesthetics (Journal Archive)

The distinction between reason and senses, until recently maintained in philosophy, has now grown to cause serious doubts. The situation requires creating new forms of cognitive continuity revealed in various levels of emotional experience. Constantin Brâncuşi’s art is analyzed as an example of transgression of this distinction through building a vinculum between the earthly and the heavenly and between the external and the internal. The author refutes the common attribution of Brâncuşi’s art to the Parisian trends or to primary organic forms. In Brâncuşi’s understanding, art creates its own philosophy whose aim is to attain the essence of being. Thus, …

Berleant's Opening, Crispin Sartwell

Contemporary Aesthetics (Journal Archive)

Throughout modernity, aesthetics had been marked by a significant narrowing of its subject matter, the early peak of this trend being Kantian aesthetics of disinterestedness and modernist formalism based on distance. Arnold Berleant’s mission in aesthetics has been to re-open its domain towards all elements of every-day life, including consumer products, political systems, and the environment. By defining the aesthetic field as an environment of continuity between the self and the non-self, Berleant has managed to transform the Kantian subject-object relation into one of unity. However, the paper argues that such an environmental aesthetics requires a basically realist or materialist …

Visual Interlude Ii, Mara Miller

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Reflections, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.