Post-Postmodernism And The Emergence Of Heterolinational Literatures,
2022
University of Turku; University of Tampere
Post-Postmodernism And The Emergence Of Heterolinational Literatures, Mehdi Ghasemi
Contemporary Aesthetics (Journal Archive)
Following the challenge by Linda Hutcheon inviting readers to name the era after postmodernism, several scholars have attempted to conceptualize the aftermath of postmodernism through introducing some successors. To join the challenge, I also introduce “heterolinationalism” as another successor to postmodernism and draw upon some paradigms of heterolinational literatures, including postacademia, postnationalism and polyliterature, polyvocalism and plurilingualism, self-publishing, social media and multimediality as well as transtextuality and fanfiction.
Appreciating Covers,
2022
University at Albany, State University of New York
Appreciating Covers, Cristyn Magnus, P.D. Magnus, Christy Mag Uidhir, Ron Mcclamrock
Philosophy Faculty Scholarship
A recording or performance of a song is a cover if there is an earlier, canonical recording of the song. It can seem intuitive to think that properly appreciating the cover requires considering it in relation to the original, or at least that doing so will yield a deeper appreciation. This intuition is supported by some philosophical accounts of covers. And it is complicated by the possibility of hearing in, whereby one hears elements of the original version in the cover. We argue that it can nevertheless be just as legitimate to consider a cover version on its own …
Hope And Wonder In The Wasteland: Post-Apocalyptic Fiction As Tolkienian Fairy Story,
2022
St. Ambrose University
Hope And Wonder In The Wasteland: Post-Apocalyptic Fiction As Tolkienian Fairy Story, Alfredo J. Mac Laughlin
Journal of Tolkien Research
J. R. R. Tolkien’s four functions of fantasy stories, as developed in his Andrew Lang lecture “On Fairy Stories” (1939), have become a key conceptual tool for discussing human beings’ attraction to fantasy stories, particularly when attempting to push the analysis beyond the literary into the aesthetic, and beyond the aesthetic into the existential. Applying this interpretive key to an analysis of the expanding genre of post-apocalyptic fiction reveals that post-apocalyptic stories, despite superficial differences, are surprisingly close to fairy stories in their aesthetic core and orientation, and that post-apocalyptic stories are well-suited to fulfill—albeit with their own distinctive aesthetic …
"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production,
2022
CUNY Graduate Center
"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson
Dissertations, Theses, and Capstone Projects
This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music,
2022
CUNY Graduate Center
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music, Gregory J. Menillo
Dissertations, Theses, and Capstone Projects
This dissertation is an attempt to lay the groundwork for an Adornian aesthetics of Elliott Carter’s music. The first chapter suggests that Theodor W. Adorno’s negative dialectics is the most appropriate paradigm for understanding the material antagonisms that characterize Carter’s music over a quasi-Hegelian “unity of opposites” as suggested in the Carter scholarship. Chapter Two demonstrates this through an Adornian reading of key aspects of the first movement of Carter’s 1948 Sonata for Cello and Piano, the watershed work for Carter’s mature style. The third chapter addresses the issue of musical time in Carter from a philosophical perspective; it discusses …
Ambiguity Of Vision: Reimagining The Hypervisible Void,
2022
CUNY Hunter College
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Theses and Dissertations
Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …
Save And Continue?,
2022
Syracuse University
Save And Continue?, Douglas Boyd Johnson
Theses - ALL
The purpose of this thesis is to describe the research I completed and the body of work produced during the course of my Master's studies. The paper begins by briefly recounting early influences and the nature of my practice at the time I began the program. Then elaboration follows on the development of my work across various media, both traditional and digital. The work centers on formal questioning of pictorial media and draws conclusions on the nature of picture making, and the motivations I have for pursuing pictorial art.
Dust, Mist, Haze,
2022
CUNY Hunter College
Dust, Mist, Haze, Michael C. Tracy
Theses and Dissertations
This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now,
2022
CUNY Hunter College
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin
Theses and Dissertations
This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.
Betwixt & Between.,
2022
University of Louisville
Betwixt & Between., Xuanyi Wang
Electronic Theses and Dissertations
In this thesis, I will discuss the process of learning, borrowing, and exploring the fusion between styles that emerged from the exchange of Eastern and Western civilizations. I will also use the process of transformation and merging of motifs to evoke my thoughts on the identity of immigrants. In addition, the essay will also discuss the similarities between traditional Chinese and Western designs metaphorically. This thesis will also explain why I use IUDs for pattern creation and provide views on the body ownership of women in the East and West. I will also consider the evolution and reflection of the …
Genres, Communities, And Practices,
2022
University at Albany, State University of New York
Genres, Communities, And Practices, Evan Malone
Legacy Theses & Dissertations (2009 - 2024)
In this dissertation, I defend a communitarian, practice-based, theory of genre and aesthetic value. I argue that theories of aesthetic value and art ontology within analytic philosophy have been too focused on the intentions of individual artists, the features of individual works, and the aesthetic experience of individual audience members. Accordingly, philosophical accounts of genre also follow this model. However, taking genre seriously means recognizing that they are social categories. If this is right, then philosophy of art ought to pay closer attention to the ways in which genres (as social categories) mediate aesthetic practices, values, and concepts. By thinking …
Postmarked 2022,
2022
Rhode Island School of Design
Postmarked 2022, Students Of Risd, Risd Archives
All Student Newspapers
Postmarked was a publication started during the COVID-19 pandemic by three RISD architecture students. The first issue has the theme of "sonder" and contains student writing and artwork on postcards that deal with this theme.
Attention, Reflection, And Contemplation: Approaching The Divine Through Romantic Poiesis,
2022
University of Arkansas, Fayetteville
Attention, Reflection, And Contemplation: Approaching The Divine Through Romantic Poiesis, Katelynn Tyner
English Undergraduate Honors Theses
Often the techniques of the said and the unsaid work together. This paper will explore ways in which poets embrace iconophilic or iconoclastic postures toward divine poiesis. One objective will be to focus on the arrangement of an abundance of images into itineraries and poetic landscapes. Another objective will be to demonstrate how these patterns of cultivation can be related to a divine poiesis. Through poetry, there are ways of attending to, reflecting on, and contemplating divine images that can return us to forms of participation with the sacred. First examining poetic attention, I identify poets who demonstrate …
Bad Actors,
2022
Old Dominion University
Bad Actors, Wendell Ward
English Theses & Dissertations
This manuscript contains a collection of short stories. It also includes the first several chapters of a novella. Within are characters who act and suffer consequences without the imposition of supernatural elements to affect outcomes, which is hopefully what makes them seem “real.” But then there are ambiguities and archetypes and symbolic imagery dancing around the edges of their predicaments, too. Think flambéed Flaubert with the saltiness of Hemingway and the peppery tang of Woolf complimented with a sugary pinch of Charlotte Bronte to bring out the flavor of the tomatoes, poured over with a rich, Jungian gravy. If this …
V.1 Spring 2022,
2022
Rhode Island School of Design
V.1 Spring 2022, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2022 issue contains writings divided into five categories: ecosystems, homes, archaeologies, explorations, and new constructions. Writings touch on urban ecology, wilderness, physical and mental health, identity, and other topics. Visual work is also present in this issue.
The Aesthetic Impact Of The Garden Of Eden,
2022
University of North Florida
The Aesthetic Impact Of The Garden Of Eden, David Fenner
Contemporary Aesthetics (Journal Archive)
No garden in the history of the world has had a greater impact on gardens and gardening than the Garden of Eden, as expressed in the Jewish, Christian, and Islamic religions, regardless of whether the Garden of Eden ever existed. Yet, given evidence in the texts of the stories of Eden of its unchanging nature, and given that all gardens are naturally dynamic, Eden does not qualify to be a true garden. In addition to the story’s impact on gardens and gardening, Eden is aesthetically impactful because it is from appreciation of the story as a morality tale that we …
A Festival Of Form: Score,
2022
Southern Methodist University
A Festival Of Form: Score, Anthony Elia
Bridwell Library Research
"A Festival of Form" was both an event at Bridwell and Perkins School of Theology and a conceptual piece of music that lasted several days. In this rendering, the "piece of music" was articulated in a fluid combination of activities that included works by other composers, including John Cage. The activities involved--from lectures, conversations, and meals to actual performances of both short works and especially the world-record breaking rendition of "Organ2/ASLSP" played by Christopher Anderson--comprise the entirety of "A Festival of Form" as performance piece. The challenge of this work is that unlike nearly any other music, it is purposely …
John Carvalho’S Thinking With Images, An Enactivist Aesthetics,
2022
University of Toronto Scarborough
John Carvalho’S Thinking With Images, An Enactivist Aesthetics, Sonia Sedivy
Contemporary Aesthetics (Journal Archive)
John Carvalho’s Thinking with Images, an Enactivist Aesthetics argues that puzzling artworks can draw us into a special activity – thinking when we don’t know what to think – which is valuable because it takes us beyond our skills and understanding. Enactivism is the theory of mind that best explains such thinking. The book illustrates this proposal with four chapters that detail Carvalho’s highly personal or individual encounters with enigmatic works of art. I raise two concerns. First, the four illustrative chapters say that they are enactivist, but they do not show this. The illustrative chapters detail considerations about …
Against Theory—Again (Though With Reservations),
2022
Bard Graduate Center
Against Theory—Again (Though With Reservations), Ivan Gaskell
Contemporary Aesthetics (Journal Archive)
In Thinking with Images (2019), John Carvalho proposes an “aesthetics without theory,” a phrase to be taken rhetorically rather than literally, for he accepts that percipients of artworks bring a theoretical knowledge to their encounters. He seeks to balance appropriate theoretical knowledge, notably Gibson’s theory of affordances, with reliance on empirical engagement with artworks to produce what he terms an “enactivist aesthetics.” He explores this proposal through discussion of four case studies: works by Francis Bacon, Duane Michals, Marcel Duchamp, and Jean-Luc Godard. This overview challenges Carvalho’s concern with meaning above making and use; and his apparent reluctance to offer …
Thinking With Film: On John Carvalho’S Reading Of Godard’S Le Mépris,
2022
Queens University, Kingston, Ontario, Canada
Thinking With Film: On John Carvalho’S Reading Of Godard’S Le Mépris, Deborah Knight
Contemporary Aesthetics (Journal Archive)
In Thinking with Images, John Carvalho is especially interested in situations where we do not know what to think about a work of art — where it perplexes us, where we cannot find answers to the questions it raises. I will focus on Carvalho’s final chapter which discusses Jean-Luc Godard’s 1963 film, Le Mépris (Contempt), adapted from the novel by Alberto Moravia. I argue that Le Mépris is not primarily about its literary content involving the collapse of a marriage during the filming of an adaptation of Homer’s Odyssey. I recommend that instead we think about such …
