Theory and Criticism Commons^™

The Resilience Of The Pare Traditional Pottery Industry In Tanzania During The Colonial And Post-Colonial Eras, 1900s–2020, Shakila Halifan Mteti

Journal of Humanities and Social Sciences

This paper examines the resilience of the traditional pottery industry among the Pare women potters in Tanzania. It focuses on how the industry responded to local and global socio-economic and political dynamics from the colonial period in the 1900s through 2020. Specifically, it explores how Pare women potters have attained success, navigated challenges, and adapted to changing economic and social conditions. The study focuses on the Pare people of Usangi in Mwanga District, Kilimanjaro region, Tanzania. It is based on in-depth interviews, non-participant observation, and archival and written sources collected between July and December 2018. The study findings are threefold. …

The Virgin Of Guadalupe And The Liminality Of Pregnancy, Jason Oosting

Theses

This thesis suggests that the image of the Virgin of Guadalupe, during the Colonial Period, provided the diverse population of colonial New Spain (and, in particular, Mexico City/Tenochtitlán) with an image that functioned to unify even some of the most seemingly disparate belief systems, those of Christian Spaniards and Indigenous Nahuatl traditions. More specifically, this thesis argues that this unification was achieved because the image of the Virgin of Guadalupe in the 16th and 17th centuries was likely understood as representing a divine pregnant woman to many colonial viewers—a state that bound viewers, both Spanish and Indigenous alike, to shared …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

Presence Of The Past: The Translation Of Traditional Culture Into Contemporary Form Among The Igbo Peoples Of Southeastern Nigeria, Nelson Agalaba

Bachelor of Architecture Theses - 5th Year

Architecture serves as the physical embodiment of a group’s cultural values, history, and social dynamics- or identity. The arrival of European colonialism and modernism brought about a paradigm shift, prioritizing a universal European aesthetic and “international style”, displacing indigenous architectural traditions and severing the deep connections between culture and the natural and built environments. The global south has experienced the brunt of this process, especially the African continent. For example, the Igbo peoples of southeastern Nigeria have lost nearly all examples of their building traditions and have been in a constant struggle to create an architecture that captures their rich …

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

An Archeology Of Looking, Marco G. Dasilva

Theses and Dissertations

Marco DaSilva’s mosaics explore camouflage and syncretism, blending symbols from American culture, Catholic saints, Afro-Brazilian deities and queer spaces. His work examines objects as relics, where identity is hidden and revealed. By integrating simple materials and transforming them into unique compositions, DaSilva creates hybrid objects where all of his worlds intersect, crafting his own mythology.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

Reconstructing Art And Evidence: Forensic Architecture In Institutional Settings, Makenzie Smith

University Scholar Projects

Forensic Architecture (FA) is a London-based multidisciplinary research collective and human rights agency that uses digital modeling, architectural and spatial analysis, and open-sourced images to investigate and present visual evidence of human rights violations committed by state governments, militaries, and corporations. The team of architects, software developers, filmmakers, investigative journalists, scientists, and lawyers, collaborates with civil society groups, witnesses, and victims to establish a counternarrative in the service of human rights and social justice, exhibiting their investigations in institutional settings as varied as legal courts and parliamentary tribunals, citizen assemblies, mass media, universities, and art museums. My research focuses on …

"Homesick For You:" An Archival Analysis Of Love Letters From World War Ii, Cambria B. Acheson

English (MA) Theses

In this project, I cherish and explore a collection of correspondence exchanged between a married couple during World War II. Applying an embodied research approach that incorporates archival, historical, and cultural studies, I analyze key elements of these letters with special attention for themes of love and family, valuing their insights to touching personal stories that nuance the dominant narratives of history. I contend for the preservation and discussion of these letters and similar artifacts, advocating for their lasting significance within both past and present contexts and their irreplaceable contributions to the cultivation of collective memory and empathy across generations.

Presence Through Absence: The Ark Of The Covenant And The Aniconic Image Of God In Early Israelite Religious Art, Natalie Rivas

Theses

This thesis investigates the Ark of the Covenant as a paradoxical visual and theological artifact within early Israelite religious art. While the Israelite tradition has long been characterized as aniconic (eschewing anthropomorphic representations of the divine) the Ark occupied a central role in ritual, worship, and religious identity. Prior scholarship has focused either on the Ark’s narrative function in biblical texts or its formal attributes as a cultic object. However, limited attention has been given to how the Ark embodies divine presence through the visual strategy of absence. This study argues that the Ark does not merely avoid figural representation …

Beatrice Wanjiku: A Portrait Of Human Vulnerability, Suzanne R. Vuoncino

Theses

Abstract artist Beatrice Wanjiku uses an anatomical composition to illustrate a sense of vulnerability, an element of human identity, in relation to one’s social environment. Going beyond the skin, Untitled excavates the mental and emotional aspects of the human condition and gives expression to experience. By observing her figural composition, examining the foundation of identity theory, and interpreting her use of abstraction, I will describe how Untitled speaks to a message of connectivity through a portrait of human vulnerability. This thesis argues that one’s environment affects the individual and exemplifies how vulnerability is seen as a pervasive aspect of human …

Tel Jezreel's Medieval Crusader Cemetery: A Case Study In Contemporary Burial Practices And Necroviolence Against Infants And Children., Autumn Koehling

Electronic Theses and Dissertations

The 1990s excavation of the archaeological site of Tel Jezreel in the modern nation state of Israel yielded the remains of fifty infants and children, associated with the contemporary Medieval Crusader Church. The Church, built by Knight’s Templar from the Frankish Kingdom served the occupants of Tel Jezreel from the 11^th to the 13^th century and introduced Western Christian burial practices to the local Syriac-Palestinian Christian inhabitants. Burial practices from the surrounding region of the Levant and beyond, into Crusader European cultures, show different forms of burial treatment for infants and children that can be used to understand …

Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux

University of New Orleans Theses and Dissertations

This present study investigated the relationship between higher education leaders’ personality traits and their self-efficacy in leadership situations. A total of 151 leaders employed across the nine institutions within the University of Louisiana System completed a survey that prompted them to identify their personal values, traits, and skill sets, as derived from the online Pottermore quiz, the official Harry Potter Hogwarts House sorting instrument. This niche personality metric was chosen to cater to higher education’s evolving landscape, as it welcomes an influx of Millennials into leadership positions. Participants’ responses were eventually recoded to “sort” them into their respective Houses: Gryffindor, …

Reconstructing Art And Evidence: Forensic Architecture In Institutional Settings, Makenzie Smith

Honors Scholar Theses

Forensic Architecture (FA) is a London-based multidisciplinary research collective and human rights agency that uses digital modeling, architectural and spatial analysis, and open-sourced images to investigate and present visual evidence of human rights violations committed by state governments, militaries, and corporations. The team of architects, software developers, filmmakers, investigative journalists, scientists, and lawyers, collaborates with civil society groups, witnesses, and victims to establish a counternarrative in the service of human rights and social justice, exhibiting their investigations in institutional settings as varied as legal courts and parliamentary tribunals, citizen assemblies, mass media, universities, and art museums. My research focuses on …